HAPPY LOVERS TOWN is the portfolio of Italian designer and illustrator Jonathan Calugi. I love his character design and intensely adorable patterns. I profess that Illustrator is not my strong point so I find it especially amazing when people have a special knack at wrangling smooth vectors.
Simon Schubert creates an austere brand of hauntingly elegant forms that remind me of the creepy twin scenes from The Shining, minus the oceans of blood-bath (though somehow, is simltaneously implied.) They straddle the realms of design, human and esoteric form, at home either in some avant-garde London hotel for millionaires or some strange fun house carnival.
Kristian Hammerstad is a illustrator/designer hailing from Oslo, Norway. His prints for various going-ons in his hood are absolutely a-ma-zing. I’ll keep this write up very brief, just go look at them after the jump!
LAPP-PRO, headed by Jan Wöllert and Jörg Miedza, brings the concept of light painting to another level. The situations captured in the photos seem to have broken any holds tethering them to reality. LAPP claim that “the pictures are one single photo, not a result of working on the computer.” Not to dispute the validity of their procedures or anything, but the photos so good that they stopped looking real. I’ve seen some cool light graffiti, but LAPP just brings the art form to a whooole other level. Maybe it’s because they look like characters from X-men battling evil at the cusp of apocalypse? Take a look and decide for yourself!
Found these awesome Indian book cover designs from a couple decades ago on A Journey Round My Skull, my go-to blog for all vintage graphic design. Unfortunately, the designers for each of the book covers weren’t listed. You can see the fronts and backs of each book (I only posted either front or back here) and it’s really amazing to see how well integrated the whole of the design is and how designers during that time were just mainly illustrators.
Sculptor, Thom Puckey has been in the game for some time now. His beautiful marble sculptures are breathtaking and his style is that of the iconic saying “sex, drugs, and classical greek sculptures?” YEAH. Pretty fun stuff.
So these guys at Resn kill it, and say it best themselves…. “Resn believes in creating pretty things from absolutely nothing… is that possible? To drive hard without brakes and crash in a fiery ball of flaming metal as brakes are for losers. Holding your head close to the speakers stack at Concert of Life all you hear is the bass, which makes you go deaf. So don’t be silly, stand at the back with us where all the hot chicks dance. Away from all the sweaty people.” They have a point. Make sure to check out more of these crazy New Zealand Kiwis.
British artist Anthony McCall (born 1946) has a cross-disciplinary practice in which film, sculpture, installation, drawing and performance overlap. McCall was a key figure in the avant-garde London Film-makers Co-operative in the 1970s and his earliest films are documents of outdoor performances that were notable for their minimal use of the elements, most notably fire. After moving to New York in 1973, McCall continued his fire performances and developed his ‘solid light’ film series, conceiving the now-legendary Line Describing a Cone (watch a video of a gallery-goer’s interaction with it), in 1973. These works are simple projections that strikingly emphasise the sculptural qualities of a beam of light. If you want to know more about the light magician, you can read an interview with Anthony by the writers at BOMB Magazine.