Sometimes when I’m sitting real still at my desk staring into the sky this video is secretly playing in my head.
Get back in touch with nature with Stanley Ruiz’s twig crayons. Makes me think what cavemen would have done if they had a 24 pack of Crayola coloring sticks!
The village of Nagoro is remote location hidden in the valley of Shikoku, Japan. Its small town charm remains enchanting, but its lack of work possibilities has driven its residents to leave for big cities in search for a better life. Nagoro is slowly shrinking.
“When I was a child there was a dam here, there was a company, and hundreds of people used to live here.”
In hopes that she could bring back life to her now desolated hometown of Nagoro, Japanese artist Ayano Tsukimi comes up an unexpected solution.
Tsukimi has populated the village with dolls, each representing a former villager. Around 350 of the giant dolls now reside in and around Nagoro, replacing those that died or abandoned the village years ago.
“I don’t like making weird dolls, but people who blend into the scenery.”
In a recent documentary titled The Valley Of Dolls, director Fritz Schumann explores Tsukimi’s doll-filled world, highlighting the time and artistry that goes into making the figures, and explaining her motivations. (via The Verge)
I know virtually nothing about “Shih-Mao” except that he is from Taiwan and he is male (thank you, Flickr profile). His illustrations are fantastic, often depicting some kind of twisted alternate dimension where everything is incredibly weird and visceral.
Made With Color, a website builder for artists and creatives, and Beautiful/Decay team up each week to bring you some of the best contemporary artists and designers from around the world. Website builder Made With Color helps artists easily create well-designed mobile/tablet responsive websites in a few minutes without having to touch a line of code.This week we are pleased to present the work of Made With Color user Rachel Meuler.
New York City based artist Rachel Meuler is a collagist of sorts. However instead of cutting up magazines and books to create her imagery, Meuler cleverly combines a mix of animal and human figures to create a new species of hybrid beings.These half man half beast figures are in a constant state of motion and transformation. The combination of human and animal imagery reinforces the similarities between all living things, while referencing characters from ancient mythologies, folklore and fairy tales, Jungian archetypes, evolutionary anomalies, and the mutant results of genetic engineering – beings originating from and entrenched in cultural fears and fantasies. These subjects are shown exchanging information through a language of posturing, mirroring, projecting, and cannibalizing traits from each other and their surroundings, within compositional structures that imply hierarchy and narrative, but remain inconclusive.
Sickly sweet works from LA based artist Zachary Rossman. Such delicate use of naturally colored papers, and the drawings have hints of the hyper-detailed patterns that make my brain twitch with excitement.
Tara Donovan (previously featured here) has famously used inorganic materials to emulate organic shapes, resembling hives, mountains and other natural configurations. Her most recent exhibition, Tara Donovan, at Pace Gallery’s Chelsea, New York, expands on the artist’s use of inventive materials, including index cards, a first for Donovan. Featuring two large-scale works, “the artist continues to explore the phenomenological effect of work created through the accumulation of identical objects”
The former Macarthur Foundation ‘Genius’ Grant recipient is known for her commitment to process, inventive materials, and evocative installations. Says Donovan,
“There is a sense I get of wanting to choreograph someone’s experience of my work, because the surfaces of my work do often shift and follow the perspective of the viewer, there is a perceptual movement that coincides with a person’s physical movement within the gallery space.’”