Jillian Ludwig’s series Fam Farm reflects in a calm, gentle manner the loss of natural farming within westernized culture. Genetic modification, factory farming, as well as deceitful packaging and misguided labeling results in confusion and a disconnection between customer and the source of their food.
Currently Brooklyn based, Ryan Peltier is a talented illustrator who is currently earning his Masters at the School of Visual Arts. He has been featured in publications such as 3×3, American Illustration, and has won awards from the Society of Illustration Los Angeles. His work has been exhibited at BRIC in Brooklyn, and the Tinlark and Billy Shire Fine Arts in Los Angeles.
Ryan’s process depends heavily on the kind of surface he is working on. He makes it a point to begin with beautiful materials that hold character. The outcome is a collection of illustrations with a whole lot of awkward humor, and delightful surrealism.
Kim Burke’s miniature food sculptures are so realistic you’ll want to eat them in one bite. Inspired by the photorealist movement, Burke creates flawless dollhouse-scale meals from actual photographs, positioned at various angles for maximum accuracy. Each plate of food, so small as to be balanced on a human fingertip, is carefully rendered from clay using needles, razor blades, and a rock for texture. Chalk pastels add color. For cake frosting, Burke uses Translucent Liquid Sculpey mixed with solid clay. The artist’s company, Fairchild Art, offers a range of plates, from sweet to savory dishes, each at a 1:12 scale.
Burke’s passion for dollhouse accessories began as a hobby in 2008, but soon blossomed into what she calls an “obsession.” The work is painstaking and each piece typically requires one to three hours of full concentration, but the result is well worth it. She says of her process, “every time I make something new I always try to add something extra to make it even look more real.”
Decadent and indulgent, Burke’s tiny masterpieces combine the sensuousness of a Caravaggio painting with the whimsy of childhood play. Like Caravaggio’s Still Life with Fruit, each piece is entirely inedible yet invites a mouthwatering appetite. Burke’s delicate fruit baskets emerge like Eden’s forbidden fruit in miniature, igniting the imagination and uninhibited delight. Poignantly small, they remind us of the preciousness of our humanity. When seen on a plate the size of a penny, the most familiar food stuffs become miraculous and spellbinding. Made with tender love and care, the diminutive plates suggest our own fragilities and vulnerabilities. Take a look. (via Demilked)
Curtis Santiago (Talwst) has created a series of wall-mounted relief masks out of altered Bossons heads. He has conspicuously attached shutter shades, Ray Bans, and gold fronts to the familiar, idiosyncratic mass-produced sculptures. A modern take on 15th century Italian Death Masks, the works are Santiago’s farewell to certain aspects of “Swag Rap Culture” and other possibly misguided, recent advents of Popular Culture. Industrialization and watered down culture with Renaissance undertones? Pretty interesting. Talwst will be exhibiting his Swagged Out Bossons Heads at Fuse Gallery in NYC from August 15th through September 12th.
Photographers Pierre Javelle and Akiko Ida(previously here) found love through photography while attending art school, but they also found a way to combine their interests in gourmet food and miniature worlds by combining them all into playful scenarios. Their most comprehesive series, MINIMIAM, has been an exploration of visual solutions in miniature since 2002. Says Ida, “We’re both food photographer in our daily work, and we’re both quite crazy about cooking, eating and everything about food. So when we started this small people series, naturally we created the stories related to the food.”
The series (a portmanteau from mini and miam, meaning yum! in French), sets miniature figures in whimsical settings, opening up the possibilities of food photography and creating stories from visual puns. The figures are found from model train set kits (usually 1/87 scale), and seen sledding through icing like snow, blowing air into raisins with a handpump to explain the origin of grapes, and recalling Michelangelo by carving away the shell of a peanut to set free the trapped sculpture (peanut) within.
Some studies have suggested that attractiveness can be quantified by symmetry; just as in nature, where bees have been found to favor symmetrical flowers, the evenness of one’s features is thought to be an alluring factor. But what if beauty was measured by other geometric forms of order and “perfection” — such as the Fibonacci number sequences, and the closely related “golden ratio,” which comprises rectangles of mathematically and aesthetically flawless proportions?
Igor KKK, a Moscow-based designer, used these algorithms to warp celebrity photos into mathematically “ideal” images of themselves; overlaying each photo with logarithmic spirals, Igor applied the resulting proportions to their faces — and the results are both hilarious and absurd. Nicolas Cage has been rendered into a square-faced cyclops, Bryan Cranston has the jaws of a bulldog, and Sylvester Stallone’s mutant-like, lopsided eyes peer at us creepily.
Igor’s project is a satirical one that pokes fun at the idealism we give our celebrities. “Arrange your face features to match the Fibonacci sequence,” he writes, as if it were an ad for a plastic surgery clinic. And despite the fact Fibonacci numbers can be traced throughout the known world — in leaf patterns, flower petals, and pinecones, for example — this does not mean it is the formula for an ideal type of beauty; as Igor shows us, the results are unsettling, disfiguring, and rather amusing. In a cultural context obsessed with beauty and self-improvement, Igor’s images humorously remind us that “perfection” is a construction. All perspectives of beauty are deeply varied and subjective, and cannot be fully encompassed by a single standard, represented here by a mathematical equation. (Via designboom)
While finishing up a job in set building, make-up artist/photographer/designer Adam Tenebaum was given three chandeliers by the client. Finding the chandeliers were to large for his house he naturally hung them in the tree outside. Having a contracting license, Tenenbaum was easily able to light them. Many chandeliers later the tree is now coin operating allowing passersby to enjoy the warm light (and partially offset a very large electric bill). After passing the Chandelier Tree for some time Filmmaker Colin Kennedy decided to contact Tenenbaum and film a documentary about the neighborhood project.
A ton of work must have gone into this awesome graffiti animation. BLU painstakingly shared his point of view about evolution by painting and shooting frame by frame on buildings, walls, and pipes in an urban setting. Whole apartments become sites of cosmological development, water pipes carry creatures from sea to land, and water towers launch nuclear WMDs.