Dutch photographers Anuschka Blommers and Niels Schumm depict both sexes simultaneously in a series entitled Best of Both. It appears in Baron magazine for their The Future of Sex issue. The images feature nude male and female figures posed in different yoga-esque positions on the same gray carpet, with one half a man and the other a woman. Bodies are twisted matched up perfectly to create one whole person.
The combination borders on ordinary and strange. On one hand, these figures are nude, which is nothing new; we’ve seen it throughout our lives and plenty of times within the context of art history. But, at the same time, its creates a person whose extreme twists and distorted views (we see the butt attached to the front of a chest) immediately reads as something amiss. It subverts any sort of preconceived notions we have of the individual in a simple but effective manner. (Via It’s Nice That)
Wasma Mansour decided to document single Saudi Arabian women (living in the UK and Saudi Arabia) for her PhD thesis. She knew this was a subject that interested her due to its lack of coverage. She found there was a lack of investigation of women on their own, far too often women were measured with male counterparts; spouses, partners.
At first Mansour reached out using facebook and email, phishing randomly. She found this didn’t yield enough results. She found that making a more personal connection with the women, unsurprisingly, had them trust her more readily. Both the fact that the work was being done for educational purposes, and that Mansour herself was single, had the women open up to Mansour more enthusiastically. According to Mansour, they identified with her approach and saw that she could truly understand their lifestyle. Her subjects were in school themselves in Saudi Arabia and the UK.
Interestingly, Mansour had her large-scale film developed in the UK. This was in part because there were not many labs that were able to process her film in Saudi Arabia, but also because she found negotiating autonomously on a daily basis was very challenging. This being exactly the type of theme Mansour sought to confront in her work. (Via Emaho Magazine)
Angel Olsen has one of those rare voices that deserves to be heard. You might actually have already heard it and didn’t even know it from her work with Bonnie “Prince” Billy and The Cairo Gang, but when I first heard her debut Strange Cacti a while back, I was instantly mesmerized by her unique voice. She self-describes it as, “Never changing, always changing” which makes perfect sense after listening to her newest album Half Way Home from Bathetic Records. I was lucky enough to ask her a few questions regarding what she’s learned from being on the road, as well as how she came up with the cover art for her new record.
In regards to the cover art for Half Way Home… “The cover work for the album began as a photograph of a girl looking out into the mountains from a high point. It was taken from the top of Knapps Castle, just outside of Santa Ynez. I asked Steve Krakow/Plastic Crimewave to make a drawing based upon that image. I’ve always been a fan of his magazine, Galactic Zoo Dossier, and his column in The Chicago Reader “The secret history of chicago music”. He’s been a friend for years and I thought if anyone should work on this, it should be him.” As for why she didn’t use a photo… “I didn’t want to use a photo of myself in the end. I felt that I shouldn’t be framed this time around, something else should be.”
Illustrator and comics artist Jesse Lonergan is drawing a “Dancer a Day”. Every day, he draws an icon from movies, music, cartoons, pop culture, etc. in a “dancing pose”. He posts the quick sketches to his “Dancer a Day” blog. Just a really fun, loose project. Who doesn’t dig the image of a groovy Hannibal Lecter or a b-boy Gonzo? What about a super fab “The Dude”, or Godzilla and the Stay Puft Marshmallow Man cutting a rug on top of a metropolis? Some more selections after the jump and head over to the page itself, where Lonergan’s already amassed a pretty large collection of dancers. (via)
I’m absolutely loving this series of of dictator sculptures by Stephen Ives’ based on everyones favorite toy Mr. Potato Head! Saddam Hussain, Stalin, Kim Jong II, Lenin, and even Hitler call all be made with the removal and addition of a few pieces. Now you can have playtime and pretend to be an evil dictator all at once! More dictators and other amazing sculptures based on toys after the jump!
Personally, if I had a name that sounded as much like a wizards as Merijn Hos, (here I am thinking of the grand Myrrdin Wyltt) I would never foresake it for an alias! Though, Bfree is also a righteous sentiment. Merijn can do no wrong! I love these playful, long-legged freckled characters that reminds me of 70’s scractch ‘n’ snuff stickers and Mr. Men. Straight from Utrecht, yo!
Janol Apin’s “Métropolisson” is a creative project that illustrates the literal translations of the names of various Parisian Metro station stops. The collection of photographs features more than 100 images of Apin’s friends posing in the underground subway stops; from an astronaut in the Champ de Mars station, to a couple dancing tango under the Argentine stop, he leaves nothing out.
With clever puns and creative costumes, Apin makes it possible for this work to be understood by anyone…there’s obviously no need to speak French to capture the essence of this work. Almost every snapshot from this series is comprehensible through the upbeat and universal imagery that the photographer creates. (via Bored Panda)
Jon MacNair was born in Seoul, South Korea and grew up in the suburbs of southeast Michigan where he developed a love of drawing. After many years of having people tell him “You should be an artist”, he decided to attend The Maryland Institute College of Art where he earned a Bachelors of Fine Art in illustration. These days Jon can be found doing freelance illustration for many editorial publications. He has also enjoyed success with his fine art, having shown work in galleries across the country.