Cool series from Los Angeles photographer Andrew Hall. Dubbed “Liquids in Motion”, these pictures take a whole lot of motion and capture it forever in one fluxed-out moment in time. He experiments with all kinds of colors and types of liquid in the photos, from thick, viscous greens, to inky, watery blacks. I want to see a large print of quite a few of these. More “Liquids in Motion” after the jump. (via)
As you all know we have a very active Flickr Creative Pic Pool filled with creative work from all over the world. Yan Copelli is just one of the many talented artists that we found while going through the thousands of images one late night. Yan’s delicately drawn and extra funny illustrations have just the right amount of humor and gross-out visuals for us. Check out his Flickr page and his site and hire him to do your next shirt graphic, put him in your next group show, or even better put down some cold hard cash and add his work to your collection.
Illustrator Keren Taggar hails from Jerusalem, Israel, where she recently graduated with honors from the Bezalel Academy of Art and Design. Particularly adept at storytelling, Taggar draws mostly thoughts and feelings–things that are deemed “un-drawable.” I really enjoy how her precise lines retain a strange mellowness in spite of serious subject matter.
I put together my first selection of Forty Galleries You Should Know if You Love Paint in 2012. As with everything in life, a lot has changed in the art world over the past two years. Some of my favorite galleries have closed, including Harris Lieberman in New York City and the legendary Daniel Weinberg Gallery in Los Angeles, while some younger galleries have either suddenly appeared or have developed their programming in truly noteworthy ways.
Of all the changes since 2012, the most difficult has been the recent loss of the visionary and beloved New York art dealer who simply went by the name Hudson. His gallery, Feature, Inc., has been a critical part of the city’s frenetic art scene since the mid-1980s. Hudson brought early exposure to dozens of important artists, including Alexander Ross and Tom Friedman. In the past few years, his championing of mid-career artists such as Andrew Masullo and David Deutsch helped bring their work much-deserved attention. While Hudson will long be remembered for his impact on the art world, it is his quiet intelligence and gentle spirit that I will miss the most. There is no word yet as to what will become of Feature, Inc. – Steven Zevitas, Publisher New American Paintings
Steven Zevitas founded New American Paintings magazine in 1994 as a vehicle for providing promising emerging artists with international exposure. Working closely with museum curators, New American Paintings reviews the work of thousands of artists each year. Forty artists are selected to appear in each bi-monthly edition, many of whom go on to receive substantial critical and commercial success. Additional magazine content focuses on the medium of painting, those who influence its direction, and the role painting plays within the wider contemporary art world. Visit New American Paintings for more information or to subscribe.
Judith G. Klausner combines two of my favorite things, food and art in her Oreo Cameo series. Carving delicate portraits into the centers of Oreo cookies, Klausner’s gorgeous relief sculptures measure at only 2 inches in diameter and reference hand made crafts such as ancient placards or rare roman coins. (via 1 design per day)
Chinn Wang creates an eye-catching brand of pop art. Primarily working in screenprinting, she’s executed these piece directly on wood. The work retains a charming flatness associated with screen printing while adding depth by printing on wood. Her mix of new and old imagery and contrasting colors makes her art hard to pull away from. Her Heraldry series is an excellent example. Just as medieval heraldry made use of complex symbolism, Wang crests likewise make use of modern imagery.
Artist Soo Kim severs, cuts, and reconstructs photographs until they become a more ethereal, delicate version of what they once were. Kim’s work portrays buildings fading away, and creates new geometric forms from different objects. Her cityscapes turn into beautiful framework of a concrete jungle after she slices them into their new form. They become a new, unique style of architecture and design that is created from layers of hand altered and manipulated photographs. Her highly architectural work examines these manmade forms in the midst of their environments. She often snips away at the manmade structures, but leaves the lush landscape in the background alone.
Often using photographs of scenes from different cities all over the world, these once extremely diverse places now are stripped down to their bones where they look somewhat similar. Soo Kim’s hand-cut structures unify these contrasting places, creating a balance of harmony. The incisions in her layered and cut two-dimensional work form a sense of volume, a three-dimensional element is added with her manipulation of foreground and background. Soo Kim’s art can often be more abstract, creating more vividly colored work with the same incredible cutting technique. Not always focused on architecture and manmade structures, the artist’s body of work also includes several ephemeral scenes of nature. With a light and airy palette, her tree branches droop, curve, and jut out of the composition in every direction, creating an amazing sense of depth. Make sure to check out more of her work on Angles Gallery’s website, where she is represented.