The Montreal based photographer, an avid cataloguer of trans and queer communities since early 2000’s, creates Alone Time, a series of photographs in which he recreates typical domestic environments that play around with the idea of gender stereotypes. For this project he uses one model only; the one model is to play both the male and female characters in the image. The result, Levine said, “challenges the normative idea that gender presentation is stable or constant. Rather, gender expression can be fluid and multiple.”
“work is emerging at a moment when people are starting to talk more about gender and sexuality in the public sphere, which allows more space for queer cultural production and representation in the mainstream.”The thought-provoking work gives us the chance to become vulnerable and empathetic towards
The thought-provoking work not only give us, the viewer (of any gender,) the possibility to become vulnerable and empathetic, but also the ability to imagine ourselves in this specific situation. What would it be like to be a member of the opposite sexes? Do I, in anyway, resemble some of all the male/female/transgender characteristics?
Levine, a trans and queer man, uses his sexuality, gender and past experiences in his art in order to reach out to those who are not necessarily familiar with the subject. He intends to expand awareness through creating work that is familiar to all, and not just one gender. He notes that his images “talk about and celebrate marginality from a place of familiarity and self-exploration as opposed to voyeurism.” (via Slate)
Luca Mainini is an italian visual artist and writer who is not afraid to share his thoughts. Whether it is a bloody love for Zac Efron or lipstick crashing into the World Trade Centers, Luca is willing to push it, and I love it. This guy likes to get wild. I mainly enjoy his paparazzi project were he is shown as a “drunk and fat” mess. Plus his collage work is fun too.
Yoshitoshi Kanemaki sculpts incredible life-sized metaphors from camphor wood. Once he finishes chiseling in each furrowed brow and dabbing on painted flesh, what stands before him is a character that is beyond human. All of Kanemaki’s subjects seem to be between thoughts, complex humans who are plagued by existential terror while simultaneously wondering if they left the stove turned on.
One sculpture, a many-headed girl, shows every shade of expression from happiness to surprise. A six-eyed woman glances left, right, and straight ahead at the ground. It’s almost as though Kanemaki has sought to capture the various elements of the psyche in action — a glimpse of id, ego, and super-ego at play.
Just as his previous sculptures, Kanemaki riffs on the theme of emergence. Mirror images are attached like siamese twins. A peculiar case of mistaken, misplaced, or misremembered identity, it’s diffiult to tell which is real and which is doppelganger. (via Laughing Squid)
Christiane Haase creates such strangely sexual/magical ceramic amulets. There were so many wonderful creature creations I had to post a million pictures after the jump…you really have to see her work in context with the other pieces to appreciate the full effect.
Uta Barth uses photography to capture her own personal dreamy moments with light, and in doing so, exposes its environmental power over our solitude and romance . . . or romance with solitude.
As a viewer, I find myself drawn to the window, the curtain, and the wall in each piece, not only because it’s illuminated accordingly with sharp visceral attention, but also because I’m intrigued with how the mundane awakens. It feels childlike, reminiscient of a world without technology and other busy distractions. Ironically, or maybe not so, it also feels wise– close to death. There’s drama in the little details as the hand pulls back the curtain or the camera approaches the glow. It’s not so much about being a voyeur as it is about being here and being still– sharing the space where light opens into mood and reflection.
Of her work, Barth notes, “In most photographs the subject and the content are one and the same thing. My work is first and foremost about perception.”
To say these pieces are only about composition: space or pattern, would be to ignore the aura around the intention of these images, which are all shot inside her home– there’s a depth that resonates with an almost intrinsic documentary feeling. Unlike James Turrell, she does not appear to be mathematically immersing us in the immediate moment of light and awareness; instead, she’s quoting from the lightness in her own life, and we are privy enough to bear witness.
Whimsical mixed media work from west coaster Adam Baz. His mystical drawings unfold with simple yet refined details and bursts of color. Also reminds me a little bit of of Zachary Rossman’s work, which is definitely a good thing.
For Japanese designer Yuri Suzuki, dyslexia prevented him reading music in the traditional sense. But that didn’t stop him playing it. Instead, he adopted a playful approach and created an installation that invites viewers to produce their own music using color markers. Visitors draw along the curvy lines on the floor, and then the robots translate their marks into one-of-a-kind sound pieces.
The robots are called Color Chasers, and they associate each color that they find on their path with a sound. This small, unique orchestra features five different machines that each have their own sound and shape. The Basscar has a Dubstep-like sound, the Glitchcar reproduces computer-like sounds, and the Melodycar, Arpeggiocar, and the Drumcar to add rhythm.
This imaginative work was recently selected by the New York MoMA for their collection. (Via Spoon and Tamago)