Bruce Ingram’s sculptures feel both natural and fantastic. Like discovering a new cave system or a perfectly preserved dead hummingbird in your garage (which really happened to me; the bird thing not the cave thing). I’ve always felt like one of the signs of “good” art is that you kind of forget that someone had to make it. Ingram’s work feels like it manifested itself–like the world meant for it to be.
Pablo Picasso once said, “every child is an artist, the problem is staying an artist when you grow up.” The owners of Oh’ My Neko take this quote to heart, honoring children as artistic masterminds behind some pretty unique dolls . . . and this goes for everyone, not just a select few, as this would negate the purpose: each young vision is valuable and translatable. For only 35€ each, your child’s hipster princess, lunatic lady monster, or clowny bug can spring to plushy life. Check out the gallery after the jump to see some more pretty adorable examples.
I recently found Los Angeles based designer/illustrator Ashkahn’s portfolio. I fell in love with quite a few of these bizarre and quirkly little ideas–they’re deceptively simple, goofy and fun. Somehow “Good Vibes” made out of green shag grass just sums it up.
Via Twisted Sifter: Isaac Cordal is a Spanish artist that has been working on his own projects since 1999. His ongoing series entitled Cement Eclipses began in art school in 2002 but he didn’t start placing them on the streets until 2006, with his first piece laid in the city of Vigo, Spain.
Cordal makes the tiny sculptures in his apartment/home studio. He has placed them in major cities all around Europe including: London, Amsterdam, Barcelona, Milan, Berlin and Brussels. “Small interventions in big cities,” is how Cordal characterized Cement Eclipses.
‘Our gaze is so strongly focused on beautiful, large things, whereas the city also contains zones that have the potential to be beautiful, or that were really beautiful in the past, which we overlook. I find it really interesting to go looking for those very places and via small-scale interventions to develop a different way of looking at our behaviour as a social mass.'”
Check out a previous post about Cordal’s strainer street art here.
I know. Anyone can string banana-hostages to a perfectly innocent tree; the gesture is simple enough, but who ever would’ve thought to do this? The playfulness, exuberance and creativity in William Lamson’s little “interventions” make you reconsider space, how we interact with it, and how we see the world. I just imagine attempting to climb to the top of these slippery slapstick yellow rungs only to discover what I’m dealing with is not a playstructure tree but…bananas. And if that’s not enough, check out the vid after the jump that shows the artist in a Hell-raiser style mask, made entirely of bananas with dynamite wicks on the end. One by one he lights them, causing them to explode in Chiquita’s ultimate pimple/fruit popping extravaganza.
Didier Blondeau, quite obviously from France, is an incredible graphite artist (fancy-talk for someone who draws with pencils, but you knew that). One cannot fathom that the image above is hand drawn, and not a beautiful, rich in contrast black and white photograph.
The visions of Mario Martinez (also aptly known as MARS-1) seem to either be extraterrestrial or drug induced. His large scale paintings hold to very realistic perspective. However, there the realism breaks down. Geometric shapes, organic like growths, and strange lighting effects intertwine to form one complex mass on his canvas. Martinez’ work seems to depict something between living and synthetic, not quite landscapes or creatures. Check out his website to seem some similarly styled sculptural work.