Andreas Pihlström is an extremely talented Swedish designer working in the arenas of graphic design, typography, web, and interactive work. You might know him as the creator of Dropular (pictured above), an extremely slick and well engineered image sharing and tagging website. I assumed based on these credentials he was more of a coder than a designer, but really he is equally strong in both disciplines, as you can see after the jump.
PS: Mr. Pihlström, if you read this, can I get a dropular invite? Please?
Claire Sherman paints some of the juiciest landscape paintings around. These images really don’t do her work justice as the paintings have a rich texture and color to them that is hard to capture in reproductions. If you’re a fan of Tomory Dodge or Cecily Brown then make sure to visit Claire’s site or the Kavi Gupta Gallery site for more images.
Did any B/D readers have a bad day today? Look at the above image. Stare at it for a minute. I defy you to not become happy. You can thank a French designer by the name of MDCCLXIV, who has a ton of really cool pixel art (a lot of which are GIFs) up on his flickr page. Be sure to check out his groundbreaking Microsoft Excel art, most of which I wasn’t able to post here.
Andy Gilmore is a draftsman and designer based in Rochester, NY. His work looks like a more sophisticated and colorful version of the spirographs from our youth. Gilmore’s use of repetitive shapes creates a kind of Faux gradient that I’m quite fond.
Remember Saiman Chow from our cover of issue H? Well, his new personal work, “Summer of Love”, showcases some inter-species romance that I’m pretty fond of. “Summer of Love” is described as a “bitter sweet series that examine our fascinating yet frightening views on sexuality in our exploitative society”. I liked this illustration so much that I made it my desktop background. It’s horrifying yet touching? I’m not quite sure, I just can’t stop looking at it.
I usually don’t really get down with designers who nostalgically embrace the bad/vernacular design of their 80s/90s youths, but I have to admit that I’m liking this stuff by Tabor Robak. If I had to try to describe his aesthetic, I’d probably say it’s the visual equivalent of a guitar solo. Maybe a guitar solo while wearing sunglasses, on a huge arena stage with a ton of pyrotechnics.