Come celebrate the 6th installment of the Dust La Rock-curated artist series, featuring new prints and photo-based artwork from our favorite talents, exclusive to the Fool’s Gold store. Artists will be in attendance and refreshments will be served.
Fool’s Gold presents: Artist Series #6: Lucky 13 Group Photography Show
Adam Amengual, Angela Boatwright, Kevin Devine, Fubz, Osvaldo Chance Jimenez, Jonathan Mannion
Thomas Murphy, Brooke Nipar, Ysa Perez, Will Robson-Scott, Nikki Sneakers, Josh Wehle, 13th Witness
Friday, June 22nd 7-9pm
536 Metropolitan Ave.
Hungarian artist Flora Borsi’s latest work was fueled by the emotions she felt after visiting Detroit. The artistic examination of architectural and infrastructural ruin has proven to be a topic of interest for many a creative person. From the ruins of once bustling institutions comes an idealization of the past that in turn triggers reflection on the future. She explains that she was “saddened by the state of abandoned buildings and factories”. She transferred this feeling into her latest project, simply entitled “Detroit”, which is a clever series of photos where she places old photographs of people in Detroit on top of photos she took during her time visiting the city.
Her photos include couples roaming the streets, children ice skating, and factory workers manufacturing tire parts. She merges what she sees as a very alive past and a very much less alive present. Through her splicing of past and present, she addresses the melancholy associated with the decay of an urban setting and the nostalgia of a metropolis in its heyday.
Her series reaches beyond a simple display of sadness and neglect, and the clashing of the city’s past and recent present provides strong grounds for reflection on the idea of rebirth. By doing this, she has somewhat created her own vision of urban decay in a way that is both bleak and hopeful.
Hello blog readers, the above image is a microscopic view of Feline Herpes. It’s also my icon for commenting on blogs. If you don’t like the random icon that our website automatically gives you, you can create your own avatar at en.gravatar.com . Your Gravatar is an image that follows you from site to site appearing beside your name when you do things like comment or post on a blog. Y’all can go crazy with icons now.
Finnish photographer Perttu Saska has created this unsettling series of Jakarta street monkey photographs titled “A Kind Of You.” These monkeys are captured as they are: dressed in children’s clothes and wearing doll faces, their chains often visible. Apparently, training and dressing monkeys to act like humans to ask for money is an Asian tradition – one that has escalated to dire conditions and circumstance for these poor creatures.
Thankfully, upon searching for more information about these monkeys and this tradition, I stumbled across a BBC article published yesterday that cites the removal of the first 11 out of 350 monkeys from Jakarta streets. They have been quarantined where they will likely remain for a few months before they can be released back into the wild. Since 2009, animal rights activists have been campaigning against this cruel tradition, and hope that this initial removal will set the stage for complete banishment of this cruel practice.
Of his series, Saska writes, “Modern city culture has turned the old tradition in to eerie and haunting act of cruel street theatre where animals become something else, never able to reach our expectations.” With the awareness created by people like Saska and animal rights activists, these Indonesian monkeys hopefully won’t have to be subjected to the unreasonable expectations of their human handlers any longer. (via ufunk)
In her series, Impressions, Scout Paré-Phillips’ uses flesh as her medium by photographing the imprints left from inviting undergarments. Through an almost monochrome, yet warm and familiar palette, her photographs are simultaneously quiet, yet demanding. At first glance, the images seem to display an act of seduction; they document marks of ghost articles of clothing worn for, most likely, the purpose of creating allure. However, with further reflection, the work runs deeper, having a softer, more reflective meaning. These impressions, are, perhaps, the physical representation of emotional indentations, or the struggle of vulnerability versus dominance during the act of sex. The fragility of one’s skin cannot help but to mimic the fragility of one’s state of being. She displays slight imperfections on otherwise flawless, blank-canvas-reminiscent flesh. Impressions, the marks made on us over time, whether they be permanent or fleeting, are what make us the intricate beings that we are. The artist speaks of the work in terms of the skin of a lover. She states:
“Their skin is sacred; it is the most honest container for these people that we love, sharing with us the timelines of their lives through birthmarks, scars, blemishes, tattoos, wrinkles, bruises, and even the marks left behind daily from their clothing. It is what we covet in our lovers, and what we abuse for our pleasure.”
The photographer, musician and model, Scout Paré-Phillips, is quite prolific in her making. Her multidisciplinary body of work culminates in the foggy, slight margin that exists between innocence and cognizance. She has somehow found a niche outside the realm of binary and has created a theme that functions in paradox. Being quite young herself, the artist’s work can be explored through the lens of coming into an awakened adulthood. The work seems to be bound by the true intricacies of emotional falsities and the strange balance between darkness and light that is the essence of being human.