Anastasia Pottinger’s “Centenarians” project began when a 101-year-old woman asked Pottinger to be photographed in the nude. After documenting the woman’s form, Pottinger realized she was looking at something special and beautiful, and decided to create this stunning series. Pottinger uses light and shadows to reveal the detailed landscapes of aged skin, displaying the patterns and compositions to be found as the result of our skins’ transformation over time; in some of her images, it is difficult to discern the particular part of the body being photographed.
Pottinger says, “The response to the images has been remarkable. Viewers are visibly moved by what they are looking at. Whether it’s wondering, ‘Is this what I’m going to look like?’ or remembering a loved one – the response seems to be universally emotional on some level.”
Pottinger admits it has been difficult to recruit other subjects for this project, though she maintains their anonymity. She asks to be contacted via her website or phone if someone (100 years or older) would be interested in being photographed. She lives in Columbia, Missouri. (via fast company)
For the artist Maria Raquel Cochez, her body is both her subject and medium; choosing to undergo and photograph 3 weight-loss surgery procedures, she catalogs a complex relationship with body image. For this series, titled “Life Performance,” and subsequent videos, paintings, and photographs, the artist courageously addresses the difficult ways in which women are expected to conform to physical ideals.
For “Life Performance,” Cochez relinquishes all control, surrendering both her body and her camera, leaving others to cut, transform, and document her as she undergoes a breast reconstruction and implant and gastric bypass. Each photograph poignantly blurs the line between performance and experience, boldly welcoming the public into a profoundly private emotional space.
Four years after “Life Performance,” Cochez presents “Belly,” a gorgeous video capturing the effects of surgery and life on her midsection. Seen floating in a full bathtub, her excess flesh is seen as touchingly soft yet powerful; isolated from the rest of her body, it seems to breathe independently, rising from the water and sinking back again. On the righthand side of the frame, a child plays with the female belly, innocently exploring the space that gave him life. He kneads it like bread, then strokes it carefully.
The work is painfully moving for the artist’s total surrender to her craft and audience; as viewers, we bear witness to her insides, to folds of her naked skin. For this reason, her impressive body of work seem less like an exploitation of the self than a miraculously intimate confessional. Despite their potentially painful content, her creations are strangely warm and generous; for example, in Life Performance No.1, romantic black and white images of her smiling face and her soft backside gently bookend the frighteningly colorful photographs of her surgery.
Ultimately, the work reads as a richly nuanced love letter to the human body, one to which all humans, regardless of experience, can relate. Take a look at Cochez’s paintings, videos, and photographs after the jump, including her uncomfortably, painfully seductive self-portraits of eating binges.
It is important to note that body dysmorphia—along with other mental- and eating-disorders—are much better covered by new healthcare legislature; especially with groundbreaking ACA regulations now taking effect. If you or a loved one are coping with such a disorder, please remember that there are options out there.
As part of a summer workshop at Duke University’s Center For Documentary Studies, Frith Gowan and Ayanna Seals created a short film about printmaker Bill Fick. The video cuts back and forth between an interview with Fick and footage of the artist’s lino cut process. It’s always great to get a glimpse into a talented artist’s process, but the interview is really insightful as well. Fick, who features monsters and skulls pretty heavily within his work, speaks about what his subject matter might indicate about his personality, his interests, and his response to the world. He never takes himself too seriously though, which is nice to see. Watch the video after the jump. (via)
Arranged like a symphony orchestra, approximately 200 antique vacuums, mixers and washers are transformed into musical instruments. They form an ensemble that the conductor, harpsichordist and composer Michael Petermann, alias weiserrausch.de, has now completed after eight years of preparation: The Stupid Orchestra.
Jocelyne Grivaud reinvents Barbie as famous works of art and cultural icons throughout the ages.
“This design needed time to take root, as often. The whole story began one day, in November 1967, with a present, all tenderness.
It was pink, vaporous and extremely delicate. With the patience of an angel, my mother had secretly knitted a dressing gown and tiny bootees for my Barbie. It seems to me there were more clothes, but these bootees, with their little pink knots on top totally fascinated me. Then I grew up. The doll vanished, but I kept in mind the elegance and grace of my Barbie as well as a little bootee deep down my secret box. One day, the idea of extending the happy part of my childhood through pictures I love took shape. Barbie is often criticized for being too blonde, too superficial, too skinny, too “ideal marketing”, too “this” and too “that”…. My aim was to adjust this so famous profile to different emblematic representations.
Here’s my personal contribution as a birthday present to my mascot, Barbie, superimposed on the vision of artists whose work I greatly appreciate. Let me thank them all for creating such intense pictures. Many thanks to Ruth Handler for creating this dolly model that enraptured me throughout my childhood.”
Here’s another brand new artist series Pillow for you to rest your head on. This time we’re featuring an Aya Kato graphic called Flowers taking inspiration from both Japanese Scroll painting and Art Nouveau. Find out more and see detail shots of Flowers as well as our other pillows on the B/D shop.
Over 4700 wild animals were admitted as sick or injured in the city of Toronto last year. This may seem like a steep number for a town of less than 3 million. One might ask themselves if there might be other intentions involved in creating this statistic.