Bobby Scheidemann’s photography portfolio.
Bobby Scheidemann’s photography portfolio.
The Michelin Man has been given a new lease on life. Thanks to Terry Lawrie, the Michelin Man has evolved from a company mascot to a muse and art model. Terry has ‘re-interpreted’ famous sculptures with the Michelin Man; from the Thinker to the Statue of Liberty. So have a laugh at the expense of the tire spokesman, until you get… tired. Michelin Company does not endorse these sculptures or the previous cheesy pun.
Born in New Zealand, Peter Dobill is a Brooklyn, NY based actionist who has performed across the country. He is the recent recipient of the 2008-2009 Franklin Furnace Fund for Performance Art Grant. For this four hour endurance piece titled “Receiver,” the artist is suspended in a pool of milk, while a bowl placed overhead drips a continuous stream of milk into his nose. By constructing extravagant sets in which to carry out his actions, Dobill seeks to add a visual component to the performances. Dude is wild.
Los Angeles based artist Michelle Kingdom creates intimate embroidered keepsakes. Working on a small scale, Kingdom is able to achieve a compact level of detail, allowing the work to fully invite the viewer into their tiny, unique worlds. Through stitching each piece with a high volume of thread, she achieves a specific density which she calls “compressed compositions.” Every embroidered work is inspired by a specific moment in time. Whether they are her own memories, emotional portraits that are personal or exploratory, literary scenes, or historical references, Kingdom’s work is formulated through building intense moments that are of intellectual importance. She refers to her work as “psychological landscapes,” in which her aim is to “illuminat[e] thoughts left unspoken…creat[ing] tiny worlds in thread to capture elusive yet persistent inner voices.” She explains further that “symbolism and allegory law bare dynamics of aspiration and limitation, expectation and loss, belonging and alienation, truth and illusion.” While her work is doubly contemporary and fun, she does note that her work does pay homage to the tradition of needlework. The delicate nature of the material and the intensive and intimate process of creation allows each piece to fully possess an aura of both elegance and fragility, mimicking the sort of nature of frail and strenuous emotional conditions. She states; “beauty parallels melancholy, as conventional stitches acquiesce to the fragile and expressive.”
Graffiti artist Jesse Hazelip tackles major social issues in his work. Here are some of his pieces from the exhibition Sentimental Journey in which he reflects on WWII and our occupation in North America. For those who are curious, the name Sentimental Journey comes from an actual bomber plane.
Photographer Dylan DeRose’s Cat Fanciers Association series proves that not only do dog owners look like their pets but cat owners do as well.
Bubi Canal was born in Spain and currently lives in New York City. His lavish photographs are inhabited by whimsical beings free of inhibitions. Surreal childlike notions are presented against stark land and cityscapes. In his own words Canal wishes to highlight “…wishes, dreams, magic and love.” His youthful optimism shines as his striking imagery transports the viewer to a marvelous world all his own. Canal has just opened a solo exhibition entitled Special Moment that runs through March 10th at Munch Gallery NY.
Ian Strange’s site-specific artwork injects violent excitement into suburban areas, or drops the suburbs down smack in the middle of the city. With either strategy, his work comments on the drawl and deep isolation of the suburban life through paint and installation. In his most recent project, ‘Landed’ (made for the 2014 Biennial of Australian Art), Strange created a life size installation of approximately half a suburban home, painted entirely black, and made it to look as if it had either been dropped from the sky or was emerging from the ground in the Art Gallery of South Australia’s front courtyard. Details of gravel surrounding the home and a lit porch light add credibility to the realism of the scene.
In his ‘Suburban’ series, Strange uses severe colours like red and the same matte black as he later would for ‘Landed’ to demonstrate the oddity of suburban living, and the isolation he believes is quite present in such neighbourhoods. The dripping skull is jarring, as is the massive red X, but even just the large black circle has a haunting feeling. It is as if the house is there save the one gaping piece, and the viewer is left to wonder what unsettling things might inhabit it. (Via inthralld.)