Transforming the two dimensional into three dimensions has obsessed artists for centuries. Benjamin Muzzin takes an interesting approach to this familiar challenge. Working in conjunction with the University of Art and Design, Lausanne, Switzerland (ECAL) created the video Full Turn. The piece seems to begin with a simple LCD screen television. Soon the screen is spinning quickly and the illuminated design seems to take on a certain depth. Due to the speed of the spinning screen the light blurs and nearly seems to produce a floating light sculpture.
The television screen embodies the two dimensional image, perhaps similarly to the way paintings had for previous centuries. Using a digital screen to “carve out” a sculpture of light is a challenge Muzzin was intentionally sought. He goes on to explain:
“With this project I wanted to explore the notion of the third dimension, with the desire to try to get out of the usual frame of a flat screen. For this, my work mainly consisted in exploring and experimenting a different device for displaying images, trying to give animations volume in space. The resulting machine works with the rotation of two screens placed back to back, creating a three-dimensional animated sequence that can be seen at 360 degrees. Due to the persistence of vision, the shapes that appear on the screen turn into kinetic light sculptures.”
Henrijs Preiss was born in Latvia, and has lived in Riga, Berlin and London. His Russian Icon and Italian Renaissance influenced paintings are pretty sweet. Preiss translates archetypal symbols from Islam, Judaism and Christianity into textured paintings composed of gold, silver and red. His abstract paintings are constructed in a process that recalls the practice of alchemy. Keep the medieval paintings coming!
Through the work of Ellie Coates the viewer is invited into the timeless world of story telling. Combining inspiration drawn from myths, folklore and Renaissance painting she creates the props with which to encourage the imagination of the viewer to weave the narrative. Through the well-known Greek Myth of Medusa the Gorgon Queen Ellie explores and adapts both the anatomy of this formidable character and that of the story surrounding her.
The work deals with entrapment, the female role in storytelling and the close relationship between the beast and the human. Whilst Ellie’s work addresses themes of entrapment it in turn provides the tools for escapism. The otherworldly and uncanny feel is made even more mysterious and mythical through her drawing and making process. The surface of the paper is laboriously prepared with layer upon layer of rabbit skin glue and gesso before graphite is applied with meticulous mark making to give an ethereal and luminescent quality.
Jeremy Willis had me over to his Brooklyn studio and we hung out and talked about his paintings. Willis describes the paintings anthropomorphically – as wanting to be doing something human, like giving birth, hugging you or selling you illicit substances. The majority of the paintings are big and surround you with saturated colors and chaotic space. They do feel like they have an overwhelming emotional content, and the paintings reflect the messy nature of life. Look for more from Jeremy soon.
Jason Vivona is a California based artist whose colorful work brightens your day. His abstract work follows a unique technique which combines different mediums to create one image. His work is intriguing, mysterious, and alluring which draws me to it. You can also find his work in a in a line of skateboards he designed for WE RIDE AT NIGHT….
French art director and photographer Patrice Letarnec combines his two talents when he devised this cleverly simplistic photoseries. Having his subjects switch their top and bottom clothes, Letarnec then has them stand on their hands, walking about upside down on their daily routes. Thus the title of the series, Head Over Heels, which is taken quite literally.
The results are subjects which look familiar at first, until a general unease sets in to the missing head, arms which are too long, and legs that are far too short. The orangutan-like subjects are more comedic than disconcerting, another win for Letarnec’s eye (who also deserves a bit of credit for finding subjects who can balance on their hands so well while blindfolded).