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Alejandra Quesada

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Alejandra Quesada is an artist from Mexico City whose works range from patterns and prints to accessories and of course clothes.

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McHargue Sculptures

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Hey! Remember that interview with Keegan McHargue that we posted not too long ago? He mentioned that he was doing some sculpture work and I asked him what they look like. They look like this. Pre Teen.

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Peter Schuyff

Peter Schuyff’s favorite terms to describe himself are “irreverent,” “obsessive, ” and “spiritual. ” By irreverence, he means his confidence in what he is doing, his casual acceptance of an abstract vocabulary. The obsessiveness is in his technique. And through this process, his work becomes imbued with a kind of spirituality an apparition seems to build up within the layers of paint, and the light emanating from the canvas is, perhaps, a hint of its presence…he began painting one patterned surface over another, and then began to add semi translucent white grids to the two layers, further confusing the relationship between the patterns. Slightly claustrophobic, these paintings have been described as padded cells, albeit ones through which light mysteriously penetrates.

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Vik Muniz And Marcelo Coelho’s Microscopic Etchings On A Single Grain Of Sand

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In a rather intense bit of wordplay, artist Vik Muniz (whose fantastic illusory work has previously featured several times here) has teamed up with Marcelo Coelho to create intricate and near-impossibly detailed sandcastles. Taking a single grain of scan, the duo has spent four years perfecting a process of microscopically etching fortress-like castles into single grains of sand. Each piece of sand measures less than one half of a single millimeter are created using an incredibly focused ion beam (FIB – typically used to create microchips) and documented with a scanning electron microscope, later enlarged to show the incredibly fine detail of the the project.

Muniz explains why the duo uses sand, as opposed to post-photographic editing (such as photoshop), “When someone tells you it’s a grain of sand, there’s a moment where your reality falls apart and you have to reconstruct it. You have to step back and ask what the image is and what it means.’” Adds Coelho, “I think photography is just re-starting. There’s a whole new kind of photography emerging now. A lot of it is happening because of this combination between computers and cameras, and story telling and narratives can emerge as a result.” 

These pieces are part of retrospective of Muniz’s work at the Tel Aviv Museum of Art, now through August 2nd, 2014. (via designboom)

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Nouema Desire

Video by Jessie Rose Vala and Eric Nordhauser (co-owner of LA art space SHOWCAVE). Floating eyes and expanding slits. Creepy. Pretty.

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Luis Hernan’s Photographs Reveal Colorful WiFi Signal Visualizations

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Designer Luis Hernan‘s project, “Digital Ethereal,” captures colorful “spirit photographs” of Wi-Fi signals. Using long exposure photography alongside the Kirilian Device mobile app, an app created specifically for this project that translates WiFi signals into color gradations, Hernan creates stunning photographs that feature ghostly swirls of color and activity. Hernan’s project represents the ways we can thread different kinds of technology together to create something new – something that visualizes a field of energy that is omnipresent, yet eludes our physical sensibilities. Of his WiFi light paintings, Hernan writes, “I believe our interaction with this landscape of electromagnetic signals, described by Antony Dunne as Hertzian Space, can be characterised in the same terms as that with ghosts and spectra. They both are paradoxical entities, whose untypical substance allows them to be an invisible presence. In the same way, they undergo a process of gradual substantiation to become temporarily available to perception. Finally, they both haunt us. Ghosts, as Derrida would have it, with the secrets of past generations. Hertzian space, with the frustration of interference and slowness.” (via laughing squid

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Roy Livingston’s Photography Displays Electric Neo Futurism With A Bit Of Help From X-Ray’s

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X-ray robot artwork

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X-Ray photographer Roy Livingston’s latest series is at the junction of retro and modern. X-Ray Visions is series of electric x-ray photographs which radiate neon colors. His series is composed mainly of photographs of toy robots and toy guns brings a sort of eerie atmosphere to the compositions regardless of the heavy use of neon. The fact that the inner workings of the objects are visible makes them all the more captivating and fascinating to look at. Being able to see the cogs and gears of the toys in the photographs gives them a sort of scientific feeling.

The process behind theses colorful x-rays is also interesting in its own respects: Livingston starts off with black and white xrays which he then edits digitally ino order to achieve the final neon result. Livingston is not only about the final product of his work but also focused on the process itself and what he refers to as an “artistic joyride” .

X-Ray visions is the product of a well thought out process, fueled by Livingston’s fascination for industrial design and the digital manipulation of photographs. His combination of both old and new media makes for a captivating project that speaks to the audience, not only with regard to the process but also the symbolic nature of retro-futurism and the neo 80s mindset.

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The Nomi Song

I’m back with another fantastic documentary from my netflix archives. I give you The Nomi Song!

Looks like an alien, sings like a diva – Klaus Nomi was one of the 1980s’ most profoundly bizarre characters. He was a cult figure in the New Wave underground scene, a genuine counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. He was a performer with a “look” so strong, that his first audiences went wild before he even opened his mouth. Klaus presented himself as “the perfect video star” yet his star burned out just before the mass explosion of MTV. On the verge of international fame as a singer, he became instead one of the first gay artists to die of AIDS. In the end, his recorded output consists of re-reissues, in various forms, of only two LP’s and a live album. For those who do know him, the reaction he provoked was so strong, that he is still unforgettable, even 20 years after his death. Even now, Klaus is somehow still winning new fans among those too young to have known him when he was alive. And a quick check of the Internet reveals that all his records are still being sold.

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