Taylor Rice of Local Natives. Photo by Barry Belkin
Nick Ewing of Local Natives. Photo by Barry Belkin
Friday the 13th was nothing but lucky for LA’s Local Natives as they headlined the Greek Theatre a couple of weeks ago. The band gave their hometown fans a hard hitting, emotional show full of heartfelt thanks and crushing songs. Not that long ago you could have seen them at any number of clubs in Echo Park or Silverlake, but to see them perform at one of their largest headlining hometown shows to date was something I could not miss. With their latest album, “Hummingbird” released at the beginning of the year on Frenchkiss Records, the band played their hearts out to the enthusiastic crowd of well wishers.
Opening with, “Breakers” from their new record, the band jammed through songs both new and old including, “Wide Eyes“, “You & I, “Camera Talk”, and “Airplanes” and continued to thank the audience of fans, family, and friends up until their final song of the night. With that familiar thumping drum beat and the band bathed in red light, the crowd clapped and jumped along to one of the most intense versions of, “Sun Hands” I’ve ever seen them perform.
Local Natives will be appearing both weekends of the Austin City Limits Music Festival on October 4th and 11th as well some shows in between so check out there tour dates here to see if they’re playing in or around your area before they head off to Europe. Also, check out their new video for their song, “Ceilings” which was directed by their bass player, Nick Ewing.
Brent Harada and Rusty Jordan have a bi-coastal collaboration going where they make zines by alternating panels. Their pages are a cartoon documentary of a gnarly, drug induced mystic state where everything veers unpredictably from panel to panel, and there is isn’t a story – it’s more of an experience. I like the 60’s underground comix meets Monty Python’s Flying Circus animation vibe, and feel that these two put their own stamp on it.
Pakayla Biehn is a San Franciso-based artist who collaborates with photographers in her Double Exposure series, by taking inspiration from double exposure photography and painting the images using oil on canvas. The end result is an incredibly beautiful and detailed series with an oneiric quality.
In an incredible series of photographs titled Surreal Stormchasing Portraits, photographer Benjamin Von Wong visually connects the ferocity of a storm with the growing threat of climate change. To capture these images, Von Wong spent two weeks traveling across seven states, bringing along models and a collection of household objects. He staged people doing ordinary things, such as ironing cloths, lounging in a chair, and playing video games. In each scene, the models act as if they are oblivious to the storm behind them, even as the wind rips at their hair and clothing.
“We live in a rapidly changing world, and whether we admit it or not, our lifestyle is pretty unsustainable for the environment around us,” Von Wong states in the above video. He wanted to use his photography skills to comment on “it’s-not-happening” attitudes towards environmental disaster, and storms became the perfect symbol. He quickly learned of the challenges and dangers of storm photography, however; working alongside Kelly DeLay, the two photographers had to remain alert to developing storms, and when they arrived (all the while navigating dangerous roads), they had no more than 10-15 minutes to set up and tear down the scenes.
For Von Wong, these epic photos are justified by the responses they inspire. “The intent of the series is really just to get people to think—think about the world, think about what’s happening around us, be aware of it,” he says. “And if I can ignite that conversation regardless of the reaction on the series, then I think project will have been a success” (Source). Blending together powerful backdrops and images of ordinary life, Von Wong’s call to attention is clear, unsettling, and ultimately motivating.
French art director and photographer Patrice Letarnec combines his two talents when he devised this cleverly simplistic photoseries. Having his subjects switch their top and bottom clothes, Letarnec then has them stand on their hands, walking about upside down on their daily routes. Thus the title of the series, Head Over Heels, which is taken quite literally.
The results are subjects which look familiar at first, until a general unease sets in to the missing head, arms which are too long, and legs that are far too short. The orangutan-like subjects are more comedic than disconcerting, another win for Letarnec’s eye (who also deserves a bit of credit for finding subjects who can balance on their hands so well while blindfolded).
Holy weird marker on mylar drawings! I love Miriam Brumer’s half stoner, half new age hippie-dreamscape, half crystal batik visions…oh wait that’s one too many halves…but considering her work is trying to channel a new planar dimension, I figure following ordinary mathematics would be boring anyways.