Like stunning x-rays from an alien world, Bruce Riley‘s resin paintings seem to be lit from within. His playful shapes and psychedelic colors blossom in suspended animation, humming with as much electrical energy as any other multicellular organism.
Riley describes his process as intuitive and organic, saying, “I’m not really trying to define any ideas, I’m just letting it flow.” Watching him work is certainly hypnotizing as fluorescent greens and ozone blues blossom and blend into each other. The paintings can be appreciated from afar as well as up close, each brimming with meditative detail.
“You’re always investigating,” Riley says of his process. “It’s not about an end result. [You’re] trying to use techniques that you remember but also looking for things you’ve never seen before.”
Part of the beauty of Riley’s work is that it can be appreciated on various levels. Open to interpretation, one could call it the secret life of lava lamps . It could also be described with a narrative, a foray into extraterrestrial forensics. Or you could just take it as it is: the stream of conscious of a man who certainly knows his way around a paint brush. (via This Is Colossal)
San Francisco based Alex Cornell has a track record of pursued professions that makes most feel like underachievers; he is a graphic designer, musician, and dabbles in photography. These collection of posters are reminiscent of 40’s atomic bomb informational posters with a hint of contemporary influence. His organization of graphic elements is very clean and eye pleasing.
Dutch designer Jolan van der Wiel creates unusual ceramic sculptures using the conflicting properties of metallic clay and magnets. His latest project “Magnetism Meets Architecture” features a number of fantastic gravity-defying architectural models and explores the possibility of using magnetism in architecture.
The process of making such sculptures starts by mixing clay with water to create a slip, a mixture with the consistency of cream. Then he adds metallic powder like iron with the ratio typically being 90% clay, 10% metal. The whole blend is then transferred to a nozzle similar to the one confectioners use for cake icing. Carefully building layer after layer, van der Wiel allows surrounding magnets to pull them into various shapes resembling a drip sand castle (passing a magnetic field through the material provides an opposing force to gravity, thus the clay is pulled upwards and suspends in its place).
Van der Wiel is fascinated with the idea of using magnetism in architecture.
“I’m drawn to the idea that the force would make the final design of the building – architects would only have to think about the rough shape and a natural force would do the rest. This would create a totally different architectural field.”
According to the artist, he got the inspiration from Catalan architect Gaudi who used gravity to calculate the final shape of his famous building La Sagrada Familia: “I thought, what if he had the power to turn off the gravitation field for a while? Then he could have made the building straight up.” (via Wired)
James Clarkson‘s collages take photographic images of objects from old art catalogues and treats them as a blank canvas to add abstract paint-strokes and form new art. The Sheffield-based artist focuses on the contradictions between high-art, design and mass-production; demoting the artworks of the photography to mere found objects in order to explore new forms and meaning. Check out more images after the jump.
Scotland born photographer Nikki Toole is traveling around the world until 2012, gathering imagery for a book project documenting global skater cultures. Besides the fact that Nikki knows how to handle a camera and take a stunning image (in my opinion, anyway), there’s a bareness in this series of photographs which makes me feel as though these people are staring directly at me, and me alone. Now based in Melbourne, Australia, Nikki is open to hearing from potential subjects who wish to volunteer themselves for the project. Nikki also has many previous collections well worth checking out.
From Goldfinches to Rooks, artist Zack Mclaughlin creates sculptures of birds made from wood and paper, along with other mixed media. He pulls inspiration from the natural world when constructing his incredibly realistic feathered friends. Feeling a connection with each one of his birds, this labor-intensive task takes patience and skill, as the artist uses paper, a very delicate material, to create such amazing detail. Using wood for the base or body of the birds, paper lends itself to the light, airy nature of feathers. Paper is even thin enough to let light through, much like real feathers. Each feathery texture is hand cut to perfection by Mclaughlin, down to the tiniest feather, which you can see balancing on the tip of a finger.
Mclaughlin began his bird making journey when he was in the process of creating a children’s book in which the story starred a boy and a bird. Although he is also an illustrator, he sculpted the bird character in the story to better visualize his concept. He enjoyed this process and working with the materials so much, that he went on to make a huge variety of these detailed, complex feathered beings. Mclaughlin’s malleable medium choices allow him to get creative in his process. He can use different kinds of paper while creating the birds, which is why one of his birds has wings made from book pages, displaying words on each feather. His birds range in color, size, and type, which include a large, white owl all the way down to a tiny hummingbird. Mclaughlin also constructs these bird beauties into lighting and even mobiles. You can find his majestic birds on his Esty page. (via Bored Panda)
Just like a modern day Wallace and Gromit, Stefano Colferai‘s clay creations are cute, light-hearted and can be enjoyed by adults and children alike. He spends many hours with his cutting board, modeling knife and colored clay. Carving out hamburgers, candies, tacos, chicken nibbles, sneakers, boobs and self portraits (all with big googly eyes), Colferai is no stranger to having a laugh to himself and indulging his own sense of humor.
These behind the scenes videos show us a candid insight to his process and creative practice. Creating different campaigns, posters and images for many clients, Colferai approaches them all in the same way. If he’s not enjoying himself, then the viewer won’t be either. About his Boob poster creation, he says:
As a big fan of boobs, I have tried to study their shapes, reproducing some of them in plasticine. I decided to play with the consistency, trying to emphasize the materiality. (Source)
Personifying objects and giving them some sense of life is Colferai’s specialty. Like all good animators he can convincingly tell us a narrative through an unexpected image. Like his ‘Shit Selfie’ – a humorous look at a modern day phenomena. His fresh take on different ideas is what makes him an exciting talent to watch. See more behind the scenes footage after the jump.
There is something intanglibly familiar about Korean artist Lee Jeong Lok‘s photoseries “Tree of Life”. Perhaps it is the beautiful, postcard-quality of the surroundings, or that Lee has truly tapped into a cross-cultural metaphor for the spiritual in using an illuminated tree as a subject. Lee has mentioned in previous interviews that he considers himself a deeply religious person, and attempts to give his photographs a palpable sense of spirituality. Says Lee,
“I tried to depict emotions and spiritual imagination in that the sceneries inspired rather than recreated the scenery itself. … Every myth talks about another world that we believe co-exists with the real world we look at and live in. The other world has a powerful presence that we cannot see.”
Lee, who grew up in the Korean countryside, often depicts an intimate bond with nature in his work. In his Tree of Life photoseries, the photographer admits to using installation, sets, scenes and digital manipulation to create his constructed scenes of illuminated trees in spiritually-emotive surroundings. Lee continues,
“But it is very important to me that my end product is photography. I believe there exists another, invisible world within the world we can see with our eyes. If I were to draw an image of this parallel universe, it would become a mere fantastical illustration. However, by using photography the end result is very different; it retains the essence of our experience of reality, while simultaneously conveying a sense of the hidden realm that exists therein.”