Artist Danny van Rynswyk’s latest work is a series of captivating digital paintings and three dimensional painted sculptures reminiscent of Victorian era portraits Skulls, Aliens and Beetles: Enter The Demonic Monochromatic Characters of Danny van Rynswyk and curio shop items. They are all monochromatic and depict a series of moody characters in contemplative stances. They are all dressed in Victorian era clothing and are sometimes sporting rabbit or demon masks which add to their eerie masquerade. His characters also have disturbingly childlike traits which add to the odd atmosphere of his project. His work is both beautiful and grotesque and in many ways inspired by the surreal and the deep, dark corners of the imagination.
He creates his work with the help of 3D software, which allows him to combine fine art and technology. He paints the sculptures by hand and, as a finishing touch, places them under antique glass domes, which add to the curio shop aspect of his work. The glass domes also add to magic of his pieces and make them look like precious collector’s items.
Van Rynswyk’s abundant use of skulls, gothic imagery and wide eyed characters reminds one of Tim Burton. The shadows in his work are purely German Expressionist in the way that they are painted, and play off an absence of light in order to create a stonger atmosphere. His work is the stuff of dreams and nightmares, anatomy and science fiction and it allows the audience to create narratives surrounding his peculiar characters.
Macroy Smith is a 23 year old graduate from Brighton University specializing in design, illustration and screen print (and maybe the use of blue and pink inks in his color palette?). He founded People of Print, a free online library of contemporary printmakers.
Alberto Sevesos creates turbulent digital images of nude female figures. Colours swirl inside the elusive bodies that appear and disappear with a hint of nipple or goose bumps running down a torso. The movements within the nudes are so compelling it becomes difficult to bring yourself out to view the images as a whole. The viewer’s eye becomes lost in the gestures, especially as you try to make sense of the forms. In parts the figures seem as though they are glass, filled with swirling paints, but then they fade into nothingness where just beside is a definitive form.
The positions of the bodies themselves also create movement in the work. They bend, extend and caress in a dancerly manner. Sometimes the bodies are surprising, as they seem only to be deconstructed and not reassembled. A hand appears without sense, transforming the texture of the swirls that are like liquid in one moment, and smoke in the next. The hot and cold oranges, blues, and whites add an elemental aspect to the work, complemented by the natural skin tones and clean bright lighting of the original photograph. The work is airy and also haunting as the tantalizing figures ghost in and out of existence in plain sight. (Via Illusion Scene 360)
Epic hesher Skinner will be exhibiting all new works at Grass Hut this Jan 8, 6-9pm. For the show “My Guitar Wants to Kill Your Mama,” he’s designed a legion of spectral-axe-ular demons straight from the Necronomicon of Rock! And don’t think this is damp in the annals of a strictly-dude dungeon, there are babin’ guitar-esse heroes like Lita Ford of the Runaways and Anne Wilson of Heart. May the most righteouss riff win!
Check out Amandine Alessandra’s clever use of objects to create typography. I have to admit that they could be at times hard to read… especially her project “Take a seat and say something” (you can see it after the jump) but it’s really refreshing to see the transformation of mundane things when you look at them in another perspective.
Two brilliant artists, Amanda Charchian and Jose Romussi, have collaborated and created and incredibly dreamy, breathtaking series. LA based artist Charchian has a very unique style of photography that emphasizes the human body in creative, innovative ways. This combined with Chilean artist Romussi’s technique of embroidery on photograph, brings an entirely new focus on the figure. In their collaboration series, the scene is set in a dramatic black and white, bringing an unearthly white glow to the subjects. A mysterious aura can be seen in each surreal image, with both figures embodying a ghostly feel. One aspect of this series that is so intriguing is the choice in wardrobe and makeup. The subjects both sport little to no clothing, but what little they do have on is somewhat theatrical and reminiscent to a different era. The makeup is equally dramatic, with each figure having stark white or jet-black eyebrows, with black, heart shaped lips. Each scene mystifies the viewer while intriguing them into the next situation.
Both artists’ indistinguishable style shows through in this captivating, collaborative series. Charchian’s interesting use of aesthetically pleasing positions of the body still ring true, while Romussi’s embroidery adds a whole new element that skews your way of seeing. This hazy, ethereal series often displays a duality of bodies that is reminiscent to the internal and external self. Prints of this stunning series are available for purchase on her website. Make sure to follow her Instagram for more amazing photography.