I’ve been looking at abstracting the human figure in my own work lately so it was a nice surprise to find the work of Gillian Lambert in my inbox. Gillian’s self portraits contort, bend, twist, and pull her face in every which way creating surprising, grotesque, and beautifully awkward images for us to enjoy!
Pierre Andre Senizergues is a professional skateboarder and owner of Sole Technologies. He has developed his dream home that will be built in Malibu, California. The house is entirely skateable both inside and out and was designed to be a compact living space that will overlook the Pacific Ocean. The prototype was designed by Gil Lebon Delapointe and Francois Perrin. Nicknamed the PAS House this abode is a true skateboarders paradise.
Los Angeles has always held a special place in the hearts and minds of Americans, but for most it exists in an almost fictional capacity. Hollywood isn’t a real place – it’s a postcard, a huge sign on the side of a mountain bracketed with strategically placed palm tree silhouettes. Certainly not a place to call home, but for artist Justin John Greene that’s exactly what it is. Hollywood is a part of his heritage, and the work reflects that. Born and raised in the Los Angeles area, Greene’s work is strongly imbued with the history of the most romanticized industry in American culture. In his most recent solo show at Actual Size (an exhibition space he co-runs in the Chinatown gallery district of east L.A.) the influence of the film industry is in full focus. You Oughta Be In Pictures is a comprehensive installation that utilizes painting, sculpture, and video to create a truly immersive experience for the viewer. Installation may seem like a bit of a leap from Greene’s primarily two dimensional practice, but a closer look into the artist’s process bridges the gap seamlessly. His work is a distinctly enjoyable blend of sly historical references, direct compositional tactics, and cleverly applied humor. If you have the opportunity to see the work in person I strongly encourage you to do so.
French illustrator Marion Fayolle‘s illustrations are light-heartedly simple and provocative. Maria Popova appropriately compares Fayolle’s aesthetic to Codex Seraphinianus, Gregory Blackstock’s illustrated lists, and the vignettes of Blexbolex, but I think there’s also some similar absurdism to be found in Joan Cornellà as well. Fayolle’s illustrations are visually comic poetry, each one representing a surreal and nuanced narrative. Bodies and body parts are often replaced, removed, or erotically recontextualized, something that could be jarring to viewers, but Fayolle’s whimsical aesthetic undermines any potential grotesqueness of this concept. Though her work is playful, the tension between humor, longing, lust, loss, and separation is palpable and creates a space for the viewer to revel in the narrative possibilities in each illustration. It’s the fragmentation of these narratives that connects them, allowing for a cohesion of and engagement with particular themes. Fayolle published a book of her comic illustrations, called “In Pieces,” last September. (via brain pickings)
Christopher Lavery’s sculptures and installations work as poetic monuments– stretching beyond one particular brand or medium, and focusing, instead, on the art of humanity in relation to our natural state of dreaming.
For instance, Cloudscape (top image above), a collection of representational clouds, stands as tall as 42 feet and hovers alongside Pena Blvd. in Denver, Colorado. Each piece, made of steel, solar panels, polygal, and LED lighting, allows us to reconsider our own relationship with the sky– how a cloud is a talisman or connector: nature’s billboard, ephemerally reminding us to look up and inward.
Big Gold Word Bubble (plan and model, 2nd and 3rd image above), his latest endeavor, after completion, will stand 14’ tall and examine this idea of how, parallel to the clouds, language is both concrete and abstract: a beautifully harmonized collective word bubble and diversely individualized journey of interpretation. To help support its construction and transit to Art in the Park at Elm Park in Worcester, MA, click here. To view more Cloudscape installation shots, scroll down after the jump.
Brooklyn-based graphic designer Victoria Siemer, also known as Witchoria, has an ongoing photography series updated weekly called ‘Human Error” in which the artist digitally overlays an existential or lovelorn computerized error message over a scanned Polaroid. The error message prompts the viewer for an action or to wait, illustrating the futility of this technological exercise when perceived in the context of heartbreak or ennui. Siemer’s series elegantly pairs new technology, represented by the computerized message, with older technology, represented by the vintage mode of a Polaroid photograph, combining the nostalgia evoked by a Polaroid with the technological angst that fuels many of our modern relationships.
Taizo Yamamoto‘s shopping carts are familiar images we’ve all seen before. Crammed into alleyways or left abandoned in the streets, these shopping carts are part of the scenery of a city. Yamamoto uses graphite and colored pencils to illustrate the carts in great detail, highlighting their contents and the strange collections contained within. By choosing to exclude the people who use these carts, Yamamato is bringing all the focus to the carts themselves. There’s a sense of an anthropological study here, like these carts and the collections they contain are specimen meant to be studied.