French art director and photographer Patrice Letarnec combines his two talents when he devised this cleverly simplistic photoseries. Having his subjects switch their top and bottom clothes, Letarnec then has them stand on their hands, walking about upside down on their daily routes. Thus the title of the series, Head Over Heels, which is taken quite literally.
The results are subjects which look familiar at first, until a general unease sets in to the missing head, arms which are too long, and legs that are far too short. The orangutan-like subjects are more comedic than disconcerting, another win for Letarnec’s eye (who also deserves a bit of credit for finding subjects who can balance on their hands so well while blindfolded).
As part of Milan Design Week 2014, Citizen teamed up with Paris-based architect Tsuyoshi Tane (DGT) to create “LIGHT is TIME,” an immersive installation of 80,000 watch base plates. The result is a shimmering space, golden and ethereal, delicate and glowing.
“We envision a space-orchestration where light will fill the space, composing, through sound and vision, a sense of light and time never experienced by humanity before. In this exhibition, we have created a space of light and excavated within it three primary volumes to exhibit everything from CITIZEN’s first pocket watch as the company’s origin, through to the latest satellite watches.”Suspended from the ceiling, the golden watch base plates, the basic component of watches, are reminiscent of droplets of suspended rain. The sense of suspended animation conveys the idea of time and timelessness. It’s when time stops that you become most conscious of it.
“LIGHT is TIME” won “Best Entertaining” and “Best Sound” in the Milano Design Award Competition, and was so successful that a reconfigured version was brought to Japan and shown at The Aoyama Spiral in Tokyo.
“Time is light. If there were no light, then there would be no time. In the 20th century mankind digitized time, measured it and continued to economize our time, until eventually we forgot about its relationship with essence of light. Without light we never would have had the wonders of the universe, the richness of our planet or the joy and pleasure of our life.” (Via demilked)
Los Angeles-based painter Justin Bower makes portraiture a glitched metaphor, literally and figuratively, to the present and future of a combined human and computer existence. Bower “…paints his subjects as de-stabilized, fractured post-humans in a nexus of interlocking spatial systems. His paintings problematize how we define ourselves in this digital and virtual age while suggesting the impossibility of grasping such a slippery notion.”
Absorbing different movements and styles (visually one could see a connection to the paintings of Francis Bacon, Jenny Saville, Op Art, as well as early 90’s Cyberpunk and post-Millenium Glitch aesthetics), Bower creates large-scale works that seem almost pained, frustrated or weariness, but with a computer-like void of any tangible, specific emotion. This is balanced delicately by the controlled, digital-referencing malfunctioned backgrounds, combined with loose, painterly brush work, affirming the power and communicability of the paint medium.
Elvira ‘t Hart is a fashion designer who creates garments directly from the preliminary process of the sketch. Using a laser cutter she allows the intricacies of a simple line sketch to be realized in a physical garment. In her own words, “A lot of details contained within the first sketches are lost during the process of designing and executing clothing. By literally creating clothing patterns from the lines of sketches or sketching the patterns of clothing and cutting this out by laser, new shapes or suggestions of shapes are created. The clothing takes characteristics from the sketches: outlying lines, lines that trail off into nowhere and empty or unfinished areas. An image is reduced to lines, planes and areas which do not have to be fully formed or finished in order to portray ther ultimate meaning…” (via)
A new batch of character-driven, graphic paintings from Teddy Troops progenitor Flying Fortress was recently on display at Brooklyn’s Mighty Tanaka Gallery. As always, lots of clean lines froms FF’s steady claw. This show is closed, but the gallery is now holding a promising group exhibition entitled “Generations”.
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Jacob Ring captured images in Melbourne and Brisbane, Australia, as well as Hong Kong, Singapore and Thailand. His collections of film photographs are done on straight 35mm and shot on an old nikon f4. The collection was created to document travels to various destinations, while focusing on visual abstraction and strong color depth.
Alva Bernadine is a British photographer, so dedicated to his craft that he risks his freedom… literally. He has a new book called Gratuitous Sex and Violence: My Favourites. The images investigate the violent nature of sex and the sexual nature of violence. The images make you feel uncomfortable, but command your attention. Alva is a seasoned veteran, having worked for 25 years as a photographer for many publications like GQ, Elle and Vogue. Get mesmerized by Alva’s erotic surrealism!