Most people know Jeremy Mora via his gallery space POV Evolving but Jeremy is also an amazing sculptor. He recently headed to Lisboa, Portugal for a “larger than life” show at Zaum Projects featuring hundreds of sculptures.
Jeremy primarily works in sculpture creating miniature worlds out of everyday debris. Each piece is like a small planet, inhabiting tiny people going about their everyday life in a world built out of styrofoam, paint, and wood.
Congrats on a great show Jeremy! Wish I could have seen it in person.
Actually quite a simple video and concept, but it has the key elements that I’m personally into: shapes and floating faces underneath a retro fuzz. Director Olivier Groulx also worked on a video and website concepts for Arcade Fire.
Gabriel Isak is a Swedish photographer who uses digital techniques to create surreal scenes inspired by the inner worlds of dreams and psychology. Recurring through Isak’s images are people isolated against a backdrop of fog and vast emptiness. With their faces obscured by hair, balloons, mesh, or smoke, they become intangible wanderers who symbolize our own unconscious states. There are also repeating images: “birds, [the] ocean, and the fog” — the three things that symbolically compose Isak’s life, as he writes on his Instagram (Source). In their apparent ambiguity, Isak’s dream-like visions evoke a series of shifting experiences and emotions: serenity and mystery, safety and loneliness, hope and despair. In a statement provided to Beautiful/Decay, Isak described his creative process:
I have always been fascinated by the psychological world and the many places we encounter in our dreams. Whenever I create an image, I mostly start with some sort of brainstorming, whether it is writing down words, listening to music and drawing down the vision that appears, or a place I dreamt about. I also get very inspired by locations and always try to find interesting but simple sceneries that I can use in my imagery.
Working in a stream-of-consciousness fashion and drawing on the vagueness of dreams, Isak manages to create scenes of vast interpretative potential. Like the visions seen through a dream, there is an atmosphere of darkness and melancholia — his faceless characters, after all, are all donned in black — but the longer you look and the more you read the symbols, a sense of peace arises. Isak writes:
In my work I use photography as a metaphor for experiences of the soul. My objective is to bring common human emotions into my photography, where the viewers can interact with the moods of the images and find a piece of themselves within it.
Isak is currently residing in San Francisco, where he is obtaining a Bachelor of Fine Arts in photography at the Academy of Art University. Check out his website, Facebook, and Instagram and immerse yourself further in his turbulent-but-still, dark-but-uplifting dreamscapes. (Via Juxtapoz)
Ash Thayer photographs are the reflection of her life. Portraits, landscapes and places that represent the beginning of her life as a young woman braving the intense city of New York. ‘Kill City’ is her memoir through those years. It’s a compact diary comprised of photographs taken when she was living in the See Skwat squat after she got evicted from her first apartment in the city. The pictures are raw and incredibly emotional. It’s not a wish to uncover a way of living, it’s a desire to extract the beauty that lies inside the characters and scenes she witnessed.
At 19 years old, Ash Thayer found herself evicted. With no resources and no family, she found in a Lower East Side building a shelter, a roof to call home. She surrounded herself with a new family, punks surviving just liked her. Soon realizing that she was deeply touched by social activism and protest movements she took part in defending and documenting the subculture she was living in.
The subjects of her photographs are simple and honest. People from her daily life posing naturally under the dim lighting of the squat. There’s no intention in claiming a harsh living situation or showing off extreme conditions. In her pictures, the artist depicts vulnerable sincere souls supporting each other. “On the street [people saw us as] street hustlers, trouble makers, vandals—that just wasn’t really the case. We were hanging out, drinking and watching 90210 around one TV, like 15 of us”.
Ash Thayer’s photographs will be exhibited at Superchief Gallery in Los Angeles starting September 19th 2015. The ‘Kill City’ book is available for purchase here.
Nina Chanel Abney, a New York based painter, creates these amazingly bold, and politically charged pieces of work. Incredibly blunt with a mix of clever symbolism (such as rubber gloves to represent “dirty work.”)
Kilian Rüthemann was born in 1979 in Bütschwil, St. Gallen, Switzerland. Kilian always engages with the given situation of an exhibition space. He investigates the architectural and spatial qualities and in a surprising manner and makes precise, generally minimal interventions into the existing structure. Pretty neat.
Javier Pérez’s video, En Puntos, features a ballerina who puts on a pair of pointe shoes that are extended by a pair of sharp kitchen knives. Once she has the shoes on, she begins to balance herself on top of a grand piano, the tips of the knives scratching, scraping, and cutting the surface of the piano. At times, she finds herself on the edge of the piano, and she yelps as she struggles to keep her balance and maintain her strength. At the end of the video, the curtains close on her “performance” in an empty theater. Meant to resonate with the idea of a music box, Pérez’s video captures the fragility and discipline embodied in ballet, while also demonstrating the vulnerability and despair brought to stage performance in general. Also apparent is a delicate violence that makes you wince as the ballerina traverses the piano’s surface.
“Through this work, Javier Perez investigates and reflects once again upon the human condition. Using a strongly metaphorical language rich in powerful symbolism, he reveals the weaknesses that become the boundaries between seemingly irreconcilable concepts such as: beauty and cruelty, fragility and violence, culture and nature or life and death.” (via)