Artist Ana Strumpf uses creative color schemes and patterns to redesign fashion magazine covers. In her series Recover, trend-setting magazine like Vogue and Vanity Fair are transformed into whimsical worlds with eye-popping patterns complete with quirky make-up added on to the models. Striking, beautiful women posing for the camera are given pink hair, rosy cheeks, and green eye shadow, turning them into silly, fun characters. The primary colors and simple shapes are reminiscent of childhood and dress up games. Although her clashing patterns and neon colors at first may remind you of doodles, they all somehow look amazing. The interesting color palettes Strumpf chooses to add work beautifully in their own unique way.
Strumpf is a jack of all trades in the arts, as she designs and fabricates chairs, couches, lamps, and pillows on top of being an interior designer. Based out of New York, the artist studied fashion design at the Fashion Institute of Technology, which accounts for her love of high fashion magazines! Her cover redesigns are funky enough to be album covers, with the models now radiating lines and shapes along with the occasional third eye. Her wild stripes and spots form fresh new designs that really look like they belong on the cover of a magazine, like they are the next big trend in fashion. (via Honestly WTF)
Tyler MFA student Erica Prince’s work shows an exploration of alchemy, scientific thought, and creation of intricate worlds. In a recent interview she did with Masters of the Visual Universe, she describes her work as “focused around the idea of the Utopian society”. Her newer work bridges between installation and drawings, where some of the spaces she creates in 2D also have a 3D counterpart. Her work is strong and well researched both visually and philosophically. Each one brings you deeper and deeper into her own visual Utopia.
The following series of photos are apart of an ad-campaign for Italian Based shoe firm, Luciano Carvari. Using these playfully surrealistic images, the photographer feeds off the wacky, bold, and daring styles of the shoes to create an intense visual. When viewing the photographs for the first time there is an obvious juxtaposition between child’s play and adult situations. The role reversal captures your attention and never lets it go.
You can catch her tonight, February 1st in Houston at Fitzgerald’s, Feb. 5th at Phoenix’s Crescent Ballroom, and next Friday, February 8th at the First Unitarian Church in Los Angeles along with Deradoorian from Dirty Projectors fame opening the show. She’s also performing on April 20th at the Desert Daze festival in Mecca, CA along with Warpaint. Check out her video for Flatlands and grab a ticket to one of her upcoming shows for what I’m sure will be a beautiful evening of music.
For as long as she can remember, Kerstin Zu Pan has been drawing and painting. when she began her studies of the arts, she gravitated to photography as her medium of choice – and with it, refined her unique visual style while combining the languages of various media. using her imagination like a brush, kerstin’s lens takes the familiar and rearranges it, catching beauty by surprise when it plays around in rare, unobserved moments.
The Berlin-based photographer has worked her craft in unusual circumstances, blurring the boundaries between fashion photography and high art. The powder white skinned and rainbow colored hair figures in Zu Pan’s Supervision series (featured here) is one of our favorite bodies of work by the talented photographer.
Like many of us, artist Anna Gensler joined the social media app, Tinder. Like many women who are on there, she received crude, objectifying messages from men. Her way of retaliating against this unacceptable behavior was to draw the message senders’ unflattering naked bodies and post the finished pieces on her Instagram account.
Gensler’s intention was for the male subjects to not enjoy these images, and she makes them look fat, unappealing, and not very well-endowed. “It was sort of the most basic, juvenile, immature thing I could possibly do, which was completely perfect,” she told Buzzfeed. “These guys are immature and their lines are incredibly juvenile, yet they are still offensive to the women they are aimed toward. The same can be said for these doodles.”
After a month of posting these drawings, Gensler embarked on another part of her project. She now sends her drawings to these men and documents their reactions. Not surprisingly, they are hostile towards her about how she’s depicted them. While some are just plain angry, others convey a more nuanced view of what she’s doing (but still insult her).
This project hasn’t afforded Gensler any clarity about why guys are creeps on dating websites, and why they feel they can speak to someone in this way. She told Slate, “I feel like girls get a lot of messages and matches on places like these, but I don’t actually think that guys do, necessarily. You’d think that when they do get a match, they would actually try to say something nice and intelligent. But I guess not.” (Via Buzzfeed)
Perhaps in the strictest sense, these abstract pieces by artist Siebren Versteeg aren’t paintings (or maybe in any sense they are not really paintings). However, they do say quite a bit about painting and creativity. Versteeg created code that utilizes a complex set of algorithms to create these pieces. The work is then often printed on to paper or canvas. Versteeg observes patterns, tendencies, styles in abstract expressionist painting and uses these as the basis for the code that create these “paintings”. His programmed algorithms work with variable qualities such as viscosity, color, drips, and so on. The program then “decides” how to use and combine these variable in several layers to create a complete composition. In a way, the art is in the code Versteeg creates – the paintings merely a visual manifestation of that code.
You might remember Kumi Yamashita from one of our October posts featuring her extraordinary collection of works with light and shadow. If you recall, Yamashita subtly manipulated materials such as paper, fabric and wood to strategically use lighting on them in order to create shadow art installations. Her imagination and impressive craft skills lead her to create this new ongoing series entitled Constellation (a title that references the Greek tradition of tracing mythical figures in the sky).
This body of work consists of three materials: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread. She creates these stunning portraits by using the single,unbroken thread wrapped around thousands of nails. The task at hand is laborious, but the result is well worth the work.