Sometimes simplicity is key such as in the paired down color schemes and minimal compositions of Amy Feldman’s paintings. Through subtle color shifts and iconic geometric imagery Feldman gets us to look a little bit closer at all the variations in the color black and the beautiful imperfections of the human hand.
Sacha Goldberger‘s done it again, capturing the spark of magic realism in a world similar to his Super Grandma series. This time, his photographs look like snapshots from an alternate super-history: one where Captain America poses for a 17th Flemish painter, the Hulk is super fancy, and Wolverine struggles mightily to dress himself in the morning. The series, called “Super Flemish,” shows a softer side of iconic childhood heroes and villains. Rather than valiant, Batman strikes a contemplative pose; beside him is a stoically dignified Robin. Alice of Wonderland fame seems grown up and wiser, perhaps having taken some of her own advice. Hands folded modestly, Wonderwoman looks almost docile.
“The collection demonstrates the use of 17 century techniques counterpointing light and shadow to illustrate nobility and fragility of the super powerful of all times,” reads the artist’s statement. “… The superheroes often live their lives cloaked in anonymity. These portraits give them a chance to ‘fix’ their narcissism denied.”
Goldberger’s photo series reframes modern heroes in a way that’s almost mundane but still removed enough by a handful of centuries so as to seem magical. Instead of fighting world-eaters and galactic villains, one could imagines them instead taking tea in the garden and brooding over their eighth praline — or whatever it is that’s hip in the county of Flanders.
He also pulls back the mask to show something undeniably human. “As science fiction meets history of art,” Goldberger says, “time meets an inexhaustible desire for mythology which is within each of us.”
Masaya Kushino‘s high heel designs are chimerical, fusing organic textures and materials with the manmade. He utilizes luxurious fur and lush jungle moss alongside meticulously stitched leather, creating works of art that are quirky and beautifully imaginative.
It’s fitting that the form he chooses to play with is the high heel: the height of artifice; impractical; undeniably evocative. It’s a choice that is brimming with meaning and possible interpretations. They’re an everyday item but commonly elevated by haute couture into something fantastical. To some people, they represent an unobtainable ideal, one that is rife with sociopolitical meaning and controversy. Whether you approve of the existence of stilettos or not, they’re admittedly architectural, intriguing in their contours and elegant curves.
Kushino emphasizes a number of these qualities, borrowing the jeweled swoop of a peacock’s tail feather and a bouquet of flowers to highlight the theatricality. In his latest work, called “Bird-Witched,” he incorporates an element of the grotesque: Three shoes that seem each an embryonic stage in the development of a chicken. The heel of the shoe is a gnarled claw, sharp-toed and grisly.
His subjects are anything from sausages to saucepans. He photographs hamburgers bursting apart – mayonnaise caught in the act of falling, tossed salads being frozen in mid-air. Smith explodes his food and accessories with the help of a bullet – fired from a 308 sniper rifle and travels at roughly 2800 feet per second at the point of impact, it creates the perfect environment for his photographs.
Elaborately posed, his objects stand out on his starkly minimal backgrounds – usually matt black. He shows cross sections of woks, elements, flames and pots, creating images reminiscent of modern abstract compositions. Smith says of his technique:
‘I had a pretty good understanding of compositing but given the large amount and complexity of photo illustration I spent many hours on Photoshop trying to find new ways to blend images together smoothly and quickly’.
Smith thrives on imbuing the mundane with life and motion. His photographs are a perfect display of what is it like to be caught in the maelstrom of food preparation, or destruction.
Brooklyn based artist Scott Albrecht has a new show opening this coming Friday July 3rd at Andenken Gallery in Amsterdam. Called Here And Now, it is an exploration of themes central to his work: time, inter-connectivity, perception, and consciousness. Albrecht has a holistic approach to his practice – working out different techniques and approaches to the same subjects. He uses a multitude of materials, but they are all definitely from the same collection, and have the same optimistic message: to appreciate life as it is and to live in the moment. He wants us perhaps, to sharpen our awareness of the moment.
The exhibition includes spiritual mottos inscribed on paper: “That brief moment when we forget where we are” “A moment in time”, “All things change”; psychedelic multi-textured star bursts assembled and collaged from paper, and carefully constructed wooden displays filled with philosophical musings.
Nostalgic and romantic, his work has titles that will pull at your heart strings: The Spark, The Visionary, Leaf Life Span, Adventurer, Easy Goer. They seem like personal tarot cards or affirmations for Albrecht. He explains the symbolism behind the leaves, hands and eyes in his work:
The hands are meant to be representative of personalities or character traits. I like using the hand as a canvas with the idea that you can be defined by your actions, and the hands are symbolic to helping facilitate those actions. The eyes are similar but represent observing individual situations. Here the focus is on the idea of those pivotal moments that we’ve all encountered. It’s also about being slightly more aware in your day to day. (Source)
Justin Scrappers aka Scrapperstown is an art director and artist based in Portland, Oregon who creates on the motto of “crazy ideas, low budget, fast pace, bare-bones crew and all the other magical things it takes to make sure nothing gets in the way of the work.” And as the main creative thrust of the Portland Mercury (the city’s one and only weekly newspaper), he really seems to have become the mayor of Scrapperstown. Shows you really CAN get the job done without having any less fun.
If you aren’t careful, the video Milkyeyes by Donato Sansone might give you nightmares. The piece describes itself as “A slow and surreal video slideshow of nightmarish, grotesque and apparently static characters.” The video clocks in at just over 2 minutes and features 26 different characters, and is accompanied by music you’d hear in an old, abandoned warehouse or horror film. Some characters have faces that have been mutilated and warped to the point where they are nearly unrecognizable. Milkeyes is a name that conjures an unpleasant visual. So, it’s not surprising that this video is a visceral journey into a world of unfortunate humans. We see steam coming from their heads, stuff bubbling from their lips, and eyes floating of their head. While they are affected, the environment behind them remains static and untouched. The juxtaposition between calm and a surreal chaos makes this video both puzzling and trippy. (Via Artnau)