Pae White often uses graphics and decals in her works and she has produced a series of graphic treatments, unique to each vehicle, entitled ‘Rover Momentum’, using an interpretation of the dusks and dawns of the countries represented at the Fair. Her designs create a striking and dynamic ‘vehicle’ for the Fair as the vehicles move across London during the days of the exhibition.
Jerry Kearns’ new work meditates on the construction of images post-9/11. The stark blue sky found in all of the paintings sets the mood as surreal and stands in for the strange blue sky behind the Twin Towers after the attack. Kearns explores various ways of representing the present body by subverting notions of masculinity and strength with both feminine and androgynous signifiers.
Visit her site to pick up a copy for yourself!
Nick Cave combines free-spirited motion exploratory modern dance with ostentatious sculptural detail to breath new life into contemporary art. In many ways, Nick’s work function within the vein of African art/costuming in the sense that they are intended to be “danced,” and enlivened within the context of performance and dance to illustrate and reflect upon societal mores and the cultural landscape. With references to haute couture, sculpture, performance, African American culture, costume, masquerade and beyond, Nick’s “Sound Suits” defy categorization. Beautiful/Decay recently had the opportunity to interview Nick Cave to discuss his background, inspiration and ideology behind the suits. Nick Cave is currently showing his latest works at Jack Shainman Gallery, until Feb 7, 2009.
Abu-Bakarr Mansaray creates futuristic images using an aesthetic similar to blueprints. Engineering plays a large role in these works that lay out a design for space-like machines and hybrid alien-robot figures. His works are intricately constructed with scientific precision and laboring detail combining image and text. While these futuristic prototypes draft the structure of machines and figures, they also reveal an inner narrative of conflict, war, and turmoil. Blueprints are highly neat and organized, yet Mansaray chose to subvert this aesthetic and portray his vision as chaotic, powerful, and in motion as though they have a life of their own.
I’m really shocked by how life-like (and well-dressed!) these plaster figures are– what a great art and fashion combo. He also balanced a taxidermied elephant on her trunk, proving something that seems outside the realm of possibility by what we think we know about gravity.
(Photo courtesy Neotorama)
Alright, that’s it for taxidermy! I’ve maxxxed out!
Digital Design Collective eBoy Discusses their Limited Edition BD Apparel Shirt “Jerk”
The digital design collective eBoy, comprised of Steffen Sauerteig, Svend Smital and Kai Vermehr recently sat down with Beautiful/Decay to answer a few questions about their recent limited edition shirt, “Jerk.” eBoy’s design was one of our most technical cut and sews ever, taking months to produce! Only 250 of these exclusive shirts were produced and are selling out fast- visit our Online Shop to purchase one!
Read on to garner some of eBoy’s pixellated points of interest and inspiration behind their work and Beautiful/Decay Apparel design.
BD: Can you talk a little bit about your design collective and how it got started?
eBoy: We started in 1998 with eboy.com. The concept was to only show our free projects and art. The first feature about eBoy was in a Japanese book, from there the level of awareness for eBoy grew steadily.
BD: Can you describe your aesthetic, how you became interested in the pixel-by-pixel look, and what you think it says about the current visual digital climate today?
eBoy: One of our previous projects was a digital picture book series called Ogdig(c)’s, which was distributed on diskettes. It was that project that made us start to work for the screen only and use pixels as the technique of choice. When we went online with eBoy.com it was justnatural to go on using this technique.
BD: What are some of your inspirations, whether visual, musical, ideological…?
eBoy: ffffound.com … TV Shows like The Wire, Sopranos …
BD: What was the inspiration behind creating the Eboy shirt?
eBoy: Northern Irish murals!
BD: What was the process like of creating your artwork in a t-shirt form, what were the most enjoyable parts, or most challenging?
eBoy: We were thinking of the T-shirt as a house with awkward window positions.