Imp Kerr & Associates is an insightful fiend living in New York City. She collects large amounts of intriguing bits on The New Shelton Wet/Dry and seems to enjoy grinding modern culture into a fine paste that she applies any where she feels like. Her work can be purchased through the Spacer:One show right now.
Adela Andea’s light installations and sculptures seem otherworldly. They almost feel organic, reminiscent of vivid underwater scenes, but the lights, wires and other tech that make them seem more like alien landscapes. The Romanian-born, Texas-based artist seeks to explore the line between actuality and virtual reality. Weaving LED and CCL lights with pulsing electrical components Andea creates installations that transport a viewer to a place where art becomes experience, and that experience is all encompassing.
Andea likes to think of her work as incorporating many layers of truth. She embraces the possibility that there isn’t one reality, and her work strives to capture that notion visually. With the fast and overwhelming advancement of technology, Andea’s installations represent the dialogue between people and new technologies. The desire for a viewer to have a personal experience with her work, but to also think about the way that information can be manipulated to form one’s notion of reality is the driving force behind her complex installations.
In her artist statement Andea writes: “The numerous transitions in my life made me think about the enormous capability of people to adapt to situations and even more, search for the new possibilities of personal development through inquisitive experiences.” A witness to the Romanian Revolution in 1989, and eventually forced to immigrate to the United States in 1999, Andea is certainly qualified to make work that comments on the experience of experiences.
Her work is currently on view at the Texas Biennale, now through November 9th at the Blue Star Contemporary Art Museum in San Antonio, Texas.
Photographer Rachel Hulin’s photographs of babies floating through the air remind me of every classic painting ever made of small rosy faced babies floating through space with big lush white wings. Are these contemporary counterparts modern angels with invisible wings or is NASA training toddler astronauts? We may never know.
Jan Otto Schreiber, a photographer from Hamburg, Germany, decided to explore Australia last year. He traveled by cargo ship for two months, traveling on the Panama Canal, and in that time documented his surroundings with over 250 different shots of islands, ships, and the sea. He spent weeks editing the proofs of his documentation, and ended up with 14 dreamy images.
This series is titled: Somewhere Between the Shores. A yellow-tinged, pale collection of photographs that mimics the experience of quiet nostalgia, the subtle stillness of the ocean, and the mystery inside moving silhouettes.
Jean Cocteau once said,”a poet doesn’t invent, he listens.”
The pieces built by self-proclaimed “melancholic post-situationist” artist Robert Montgomery, likewise, work as interesting dreamy receivers or lightning rods, absorbing bursts of humanity’s collective subconscious in relation to varying environments.
Translating frequencies and teetering between genres, Montgomery, in Interview Magazine asserts, “Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn’t get all cynical about them just because Banksy made some money.”
D-Barcode is a Japanese design firm which apparently specializes entirely in designing barcodes. I wish I could tell you more, but I don’t speak Japanese and pretty much the only English on their site is their slogan – BIG IDEAS ARE SMALL, DESIGN BARCODE. Can any Japanese readers tell us more?
Jed Turner, a sculptor based over in Eugene Oregon, uses steel and found objects to create an aggressive body of work. Though Jed was originally trained in drawing/ painting, he finds his passion in sculpture. Influenced by the science of dichotomies, Jed enjoys working with contradictions usually between nature and machinery. Jed’s work will be featured at Parlor Gallery in Asbury Park, NJ for their show “Oh My Skull!” If you are in the area, make sure to stop by.
In her latest series of ceramic and underglaze sculptures entitled Habitats Collide, artist Crystal Morey underlines the role and impact of human beings on nature in the most melancholic sense. Her work represents human beings with stern looks on their faces “encased” in the bodies of animals. Morey states that the animals she has chosen for this series are either endangered or extinct, which adds to the thoughtful aspect of her project.
She states that her work is inspired by the Byzantine, Renaissance and Ancient Egyptian eras. It also bears a strong resemblance to Native American totem art, due to the visible ridges in the pieces which are designed to look like fur as well as the merging of human and animal forms. Her work, being inherently totem like is thought provoking on many levels beyond its aesthetic composition.
Her representation of human beings as both a part of nature and a problem for nature is in line with many current debates concerning the role of humans as linked to the impact we have had and continue to have on our environmental surroundings. She states that her work seeks to address “current psychological, environmental, and cultural feelings”, which she does perfectly through the facial expressions of the human components in her work. She hopes to create a dialogue centered on technology, progress, and, on a greater scale our relationship with nature.