Recent university graduate Claudio De Luca has been experimenting with merging traditional sculptural methods with new technologies and coming up with some exciting results. He works with ceramics, bronze casting, wax and wood for the base of her artworks, and builds on them using modern, digital-based techniques. His final year’s work at the Cardiff School of Art and Design featured a series of ceramic skulls and heads that were filled with different material, and had cubic shapes bursting out from their fronts.
De Luca has been trying his hand at laser cutting, 3D printing, 3D scanning, 3D modelling, and CNC machining. The combination of these different methods are a nice metaphor for the subject of De Luca’s work. He explores the ideas of identity and representation in a modern world, and especially how we present ourselves in the digital world. He says:
Ones portrayal of themselves in an online ecosystem is largely skewed, this is a feature of who they should be, never are the insecurities shown or the flaws revealed. Vulnerabilities such as these are how we define our best attributes and ultimately forge long lasting relationships.
I look at how the facets of ones self are greatly lessened when choosing what information to construct in the digital space, through 3D scanning a person, I digitally ‘decimate’ the facets their faces are made of thus abstracting there true self. This I feel is what would best visually represent ones online identity in a digital setting. The less facets to be seen, the less a person is truly showing of themselves.
He uses the shapes in her work as a metaphor for the two realities merging – the physical and the digital. The effect of these ‘hollow faces’ are a scary reflection of what type of people we are becoming in this digital age. It makes you want to check your own reflection in the mirror, doesn’t it?
When someone loses a lifelong partner most people think of their loss in terms of daily companionship and financial security. Mourners rarely talk about another very important aspect; the loss of intimacy. A new product showcased at Milan Design Week by Dutch designer Mark Sturkenboom could change that and make the sexual transition a little bit easier for the open minded. 21 grams allows the partner of a deceased lover to use a sex toy filled with the decease’s ashes and symbolize the union that once was. It gives added meaning to keeping the fires burning and even though some may think strange is a unique and creative way to remember.
The device is made up of a memory box containing a hand-blown glass shaped dildo containing a small gold-plated urn which can hold up to 21 grams of a deceased partner’s ashes. The idea is to connect the living to the deceased again in a physical and intimate way. Accompanying the toy is a perfume diffuser, gold-plated key and iPod slot for music. The title comes from a study in 1901 by Duncan Macdougall who conducted an experiment on five dying patients seeking to prove that a soul existed and had ‘weight’. In the test patients were weighed before and right at the moment of death. When the final breath occurred all weighed 21 grams lighter thus proving Macdougall’s controversial theory. (Via dezeen)
Andy Freeberg‘s “Art Fare” series is currently on view at Kopeikin Gallery in Culver City, CA. The series captures gallery owners and artists, usually hidden behind desks and gallery walls, in plain sight at major art fairs. Simultaneously “real-life” and narrative drama, the photos depict the business of the art world in stark, natural light. The results are humorous, seedy, and honest.
The exhibition is up until October October 27th. See more photos from the show after the jump.
Images courtesy of Andy Freeberg and Kopeikin Gallery.
At first glance the above image might look like a digital collage where a simple cat doodle is drawn atop a photograph of an interior. But if you look closer you’ll see that the cat image is actually painstakingly drawn with tape in perspective to create the illusion of flatness. See more of Samantha Schubert’s optical tape doodles after the jump!
Since the 2012 shooting at Sandy Hook Elementary School and other tragic massacres, gun ownership and Second Amendment rights have been a site of intense controversy; on both sides of the debate, fear is a driving force, with one side arguing that guns provide protection and the other asserting that firearms cause more deaths and injuries.
How do guns factor into the lives of younger generations, born during this period of political strife? The photographer An-Sophie Kesteleyn adds to the dialogue with My First Rifle, a series of portraits of children bearing Crikett rifles, a firearm designed for children with a smaller scale and a variety of color choices. Beside each image, Kesteleyn places a torn, school-lined notebook page, onto which her subjects write their deepest fears.
Many of the .22 caliber rifles look like colorful toys; shot atop their small beds and beside Disney princess merchandise, the children appear as though caught by adults in a game of make-believe. They position their guns across their bodies in a protective manner, shielding themselves and their cozy bedrooms from the lens. The rooms, neatly ordered, maintain a certain innocence that is at times irreconcilable with the notion of a weapon intended to wound or kill.
Furthering this thread of childlike naiveté are the children’s drawings depicting their fears; these scrawling notes, touchingly misspelled, often assign terror to fictitious or extinct creatures: zombies, werewolves, dinosaurs. In this way, the artist incorporates the weapons into an elaborate realm of youthful nightmares. Depending on the viewer, this choice could either implicate NRA activists as infantile conspiracy theorists, or it could paint the world as a dangerous place wherein weaponry is necessary. What do you think? (via Feature Shoot)
Cuban artist Rubén Fuentes creates euphoric and surreal ink landscapes that serve as an admiration of nature as well as a quest within a meditative and serene space. Fuentes, inspired by the lush greenery of his homeland, uses his work as a means to sympathize and glorify “all of the ecosystems of our planet.” He greatly uses Chinese shan shui ink drawings as an influence methodically, aesthetically, and philosophically. Shan shui works are known for their beautifully detailed yet simultaneous almost mystical, abstract and dreamlike quality. They are strongly referential to Daoist notions of living in harmony with all— and, similar to the Abstract Expressionist movement — shan shui paintings bend and evolve the notion of what a painting is meant to achieve; these works are a vehicle for less tangible elements such as meditation and philosophy. Fuentes believes that art acts as a means of self reflection, and thus, creating art allows one to practice and improve on one’s ethical behavior and cognitive self. Therefore, the act of creating art is simultaneous, in a sense, to the act of meditation.
Within the statement of his series titled Mind Landscapes, Fuentes’ states that he tries “to represent in my art works an inner strength, a cosmological and telluric force within us that transcends the duality of matter and spirit. The practice of zen, along with a worship of mother earth and the invocation of vital forces in nature, inherited from the past of the native Cubans, Afro-Cuban culture, as well as Chinese Taoism, mark the center of my latest works.” (via INAG)
Last November I introduced you to Philadelphia duo, Lockets and their beautiful debut album, Camera Shy. Well, Todd Mendelsohn and Dani Mari are back with a new single, “Surrender” that they’ve graciously let us premiere down below. The two track, limited edition 7″ will be released July 9th on London based label, Beautiful Strange.
The lush song is filled with big beats and huge synths and Todd from the band says, “this is probably the most pop oriented track we’ve done”. It’s definitely a song you’ll listen to on repeat and then wait in anticipation for them to release the b-side.
Lockets will be performing in Brooklyn tomorrow night, May 3rd at Shea Stadium as well as a hometown show supporting Twin Sister at Johnny Brenda’s on May 12th. You can also still order their amazing limited edition debut LP, “Camera Shy” here. Be sure to follow them on Facebook for more news about the upcoming release and enjoy the premiere of, “Surrender”.