Toshiko Horiuchi MacAdam began her career as a textile artist. While exhibiting a piece titled “Multiple Hammock No. 1” a couple of children in the gallery asked if they could use it. Surprisingly she allowed the children to play on her sculpture. The amusing incident led to an idea, and her work has since become much larger and fun. Adding color, size, and interactivity, her work soon transformed from sculpture to public art and finally to playground. The playground pictured here is hand knit by MacAdam and located in Tokyo.
32 seconds of symmetrical bliss courtesy of 2veinte. Watch the full video after the jump.
Alexandra Newmark weaves mohair, the silky soft stuff of holiday caps and scarves into into these horribly creepy characters. Their forms are a little bit frightening, sort of contradicting the nature of the material being used.
Preparing for the 24 Hours of Le Mans race, is a round the clock job. Mr. McDreamy Patrick Dempsey found this out for himself as he prepared to race on Porsche’s team. Porsche’s clever video features Dempsey and his racing partner Patrick Long and follows them on their final preparations over the 24 hours before the race at their little chateau in the middle of France. Practice makes perfect so these two are always prepared for a driver change whether it is at the breakfast table, in the study, or even in bed.
Arranged like a symphony orchestra, approximately 200 antique vacuums, mixers and washers are transformed into musical instruments. They form an ensemble that the conductor, harpsichordist and composer Michael Petermann, alias weiserrausch.de, has now completed after eight years of preparation: The Stupid Orchestra.
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The title of Joseph Gerhard‘s series Unmade Beds is self-explanatory. Gerhard says he thinks of these photographs as “portraits by proxy of the person who just slept there.” It is interesting to think of these as art — no two alike, ever-changing, telling a story about your form and movement — a daily unintentional installation that speaks on your behalf.
The future predicts a change in the definition of gender as we know it. The new work of Can Pekmedir, a Turkish artist, could not fall at a better time. In his series “Bone Structure” he is examining how the human face would look like with distorted features and a seamless flesh.The result is intriguing and repulsive. The flesh and individual hair seen so close creates a feeling of discomfort. He manipulates photographs using an algorithm and three dimensional technology. Through 3D, the viewer has the freedom to examine the visuals, whereas when it’s in 2D, he is following the artist’s point of view.
Coincidence and failed experiences are at the premise of these artistic discoveries. Can Pekmedir is instinctively morphing recognizable body shapes to get harmony. “My studies are focused on reconstructing and deforming bodies by altering the physical conditions in which the entity exists and/or treating them as test subjects for virtual experiments”.
If these creatures are perceived as mutants, then in no time we can imagine being close to sci-fi and fantastic inhabitants populating the earth. The artist isn’t telling us a story, he is delivering a brutal reality of his artistic vision. We have the liberty to accept or reject it, but the fact that a change is yet to come in the way the human race will evolve is a crucial point to investigate. (via designfaves)