Romina Ressia set out to confront the realities of life and the fallibility of our childhood inspirations in her series “Not About Death”. The captions record her relationship to her subjects and her reasoning for casting them as each character. They are humorous portraits – especially when set up beside each other in the poster format – and the humour makes them that much more appealing as true figures of inspiration.
French muralist Seth Globepainter paints large, expansive scenes of people on the cusp of going some place else. The fantastical compositions feature young men and women whose heads are often in the proverbial clouds. Their bodies are obscured and half-hidden in another mysterious dimension that’s as easy to access as lifting a curtain.
These murals read as dreamscapes where the surreal and impossible happens. Everything is beautiful, nothing appears to hurt, and the color of the rainbow surrounds us wherever we go.
With their backs and side turned away from the viewer, it’s clear that Globepainter’s characters aren’t concerned about us. They’d rather make it to their next big adventure, or at least find out what’s behind that curtain. This creates a lot of intrigue, and we are founding asking questions about where they are going or what they’re leaving behind.
Thomas Mailaender’s creative use of sunburns in his project “Illustrated People” combines the surface of the human body with already existing negatives of photographs to create stunning and unusual results. His project consists essentially of manufacturing sunburns: he does this by placing negatives on his subjects bodies, and shining a UV light on the designated area. The light from the lamp shines onto the subject’s skin and, around the negatives in such a way that the image from the negative is reproduced. This method yields fascinating results that draw your attention, not only because of the photographs on display, but also the way he transforms the sheer pain of sunburn into a work of art themselves.
His juxtaposition of human bodies and other people’s lives makes for a sort of temporary tattoo, where the subjects carry the story of a stranger on their bodies. This project is truly beautiful in both its conceptual and physical form in the way that it joins human lives both past in present in a single work of art. The use of a natural element, albeit artificially inflicted in this case, such as UV rays in combination with the man made element of photography adds another dimension to the artwork and depicts human bodies as both artwork and creators of art. The temporary nature of the sunburn is also fascinating in its own respect: once it disappears, so will the photographs, giving the process of regeneration of skin an active role in this piece.
For women everywhere who grew up with Disney princesses, at one time or another have been disappointed to find out that “happily ever after” is a very rare occurrence, and even then life cannot be consistently easy or good without a few hardships. I feel that a small part of me is avenged through Dina Goldstein’s harshly realistic series “Fallen Princesses.” In this series, Disney’s version of princesses find themselves introduced to the real world, and battling a world their previous audience live in. Everything from a stressful married life, obesity, depression, illness, etc. Just like everyone else they must address their conflict, and confront whatever the outcome may be.
Deep Slumber Lake is an artist duo consisting of Todd White and Zachary Scheinbaum. Their imaginative wanderings into the ancient and epic themes of swordcraft, battle axes, and wizardry are grand in scale. These guys spent a lot of time in each other’s basements with 10 sided dice and Priest blasting on the record player. Overlaying this teenage-metal-shredder imagery is a beautiful sense of line work and composition.
Thanks to all the artists who submitted work to our Future Perfect call for submissions. We had well over 250 submissions for every single state in the US varying in medium from kinetic installations to drawings. It’s going to be extremely difficult to select only 70 artists from all the amazing submissions. In the next week we will be contacting artists who have made it into the book as well as announcing the grand winner who will get their very own exclusive interview in Beautiful/Decay Book: 6. Thanks to our sponsor Toyota Prius Projects for working with us to make the Future Perfect book happen and to promote and support new and emerging artists!
David Spriggs‘ installations are crafted meticulously with acrylic paint on panes of glass, producing an otherworldly effect that is utterly complete. Appearing like holograms before the viewers, they make a spectacle out of the conceptual, exploring ideas such as perception and emergence and consciousness.
In many of his pieces, it’s as though Spriggs has caught something ethereal and fleeting on a microscope slide, allowing us to inspect it however temporarily. His painstaking methods and striking presentation force viewers to look beyond the surface of his works, allowing the amorphous metaphorical nature of his subject matter to take center stage.
“Perception of Consciousness,” for instance looks at first glance like the many layers of a cloud. However, suspended in mid air, the image beckons and implies a deeper meaning. “My interest in clouds and atmospheric phenomena is not one so much of learning about them as natural phenomena, but rather an interest in their symbolic nature and representation,” Spriggs explains. “The cloud is an ephemeral form, without boundaries, and in constant change; interesting properties that in the context of history of art find affinity with Futurist theories and certain concepts of the light and space artists of the 60/70′s on the nature of space and form.”
Spriggs draws his inspiration from a wide variety of disciplines, such as psychology and the information age. He seeks to examine the relationships and dichomoties between abstractions and the way they affect the material world. The space they occupy is just as important as their shapes themselves. (via Hi-Fructose)
The inner child of Genadii Berёzkin craves cutting and pasting, but the grown artist understands balance and aesthetics. Together, they create fun and graphic collages. Berёzkin’s restraint sets him apart from his peers. His sense of simplicity lends his art charm; nothing is ever overworked.