Inka Järvinen is an illustrator/designer from Helsinki. Järvinen works mostly in detailed collage’s, her output is dark, as she draws inspiration from the old sci-fi aesthetic of the future in the 1960’s and 1970’s. I love her illustrations and simple use of color.
Josh Evans is a Los Angeles based illustrator who works his pieces from varied sources of inspiration; a music icon, the meaning behind a word, an historical yet obscure event. I admire Josh’s illustrative methods which change from one work to another… he seems to choose a medium best fit for the story of his subject. Don’t miss Josh’s recently published zine titled Rankle Jones, and the curious history of how this publication came to pass.
Zachary Zezima is an illustrator from New York that graduated from Parsons School of Design. His illustrations are unnervingly disoriented and chaotic yet are seemingly able to carry out emotions. The work consists mostly of black and white with touches of colors to accentuate certain parts of the illustration. The characters in his work float in the chaotic backgrounds and play with the elements added in the illustration, making them quite dynamic and interesting to look at.
James Thurber said, “Humor is emotional chaos remembered in tranquility,” which seems to be a tactic comic artist and illustrator Kate (Ellen) Lacour has mastered in her recent drawing series Bodies, which she has only described with three words, “body horror beauty.” The motives, inspiration, or goals behind the series have not been disclosed, yet appear to be a distinct side-project from her usual cartooning work, replacing a visually lighter style with a combination of human anatomical drawings found in textbooks. The results twist the familiar style of textbook, anatomical human renderings, creating drawings which utilize symmetry, unique and unusual body arrangements, and religious or spiritual iconography.
Symbolic poses are taken by transparent, headless bodies, such as the Lotus position, a pose with Hindu, Jain, and Buddhist relevance. Lacour (who perhaps tellingly also works as an art therapist) enhances this peaceful, evocative aesthetic by drawing lines with ink and pen but softly coloring the drawings in with food coloring. However, even with the emphasis of religious and anatomical text, the drawings evoke a humorous effect, replacing heads with comically screaming mouths and adding eyes to the Fallopian tubes of a levitating uterus. The most successful works are those which pack in detail, such as Devouring Mother (first drawing, above) where a creation myth entirely new is presented by mixing tales and traditions of the past. (via hi-fructose)
MICA 2012 printmaking grad James Bouché is doing some really dark, meditative work touching on themes of history, death, and decay. Yeah- it’s something we’d like. Bouché’s lithographs and screen prints of desolate wastelands, crumbling artifacts, and dead soldiers hit the tone pretty well. There’s almost like an arcane magic at work here, as though the artist is in touch with the ancient Mayans, transmitting 2012 death knells via ink on paper. But even if such sinister implications are completely imagined, the works’ ability to generate them in the first place is pretty special. But I’m still hoping that James is talking to the Mayans anyway. That’d be pretty cool.
In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He then simply disappeared from the face of the known world. He became a coveted star of the North Korean propaganda machine, and found fame acting in films, typecast as an evil American. He uses Korean as his daily language. He has three sons from two wives. He has now lived in North Korea twice as long as he has in America. At one time, there were four Americans living in North Korea. Today, just one remains. Now, after 45 years, the story of Comrade Joe, the last American defector in North Korea, is told.
Based on our work on the two North Korean films over the last five years, VeryMuchSo Productions, in partnership with Koryo Tours, has gained the trust of the North Korean authorities. This has enabled clear and unrestricted access to James Joseph Dresnok and to the North Korean-based families of the other U.S. defectors.
Lernert & Sander embrace the urge for cosmetic overkill in Natural Beauty where they apply 365 layers (1 years worth) of makeup in one day to see how much is needed to go from a natural look to an outrageous one. Makeup artist Ferry van der Nat and his assistant Vanessa Chan helped to execute the vision, slathering a host of Ellis Faas products on Belgian beauty Hannelore Knuts, who was recently named the new face of Swiss fashion house Akris. Lernert & Sander began collaborating in 2006; since then they’ve done everything from melt a chocolate bunny with a hairdryer to repurpose household appliances as sex toys in the name of video art.
Noah Scalin lives and works in Richmond Virginia. His work consists of various skulls created from mundane objects such as wine corks, bed sheets, and tea bags to name a few. His daily creations culminated in the Skull-A-Day art project and blog in which Noah created and photographed one skull a day for a year. His latest skull creation is entitled “Dead Media”. Made from 497 VHS videocassettes, the installation comments on materials that were once considered cutting edge. Scalin’s clever variations on the skull remind us of fragility while inspiring us to see mundane objects as opportunities to playfully manipulate.