Brecht Vandenbroucke’s paintings use humor to drive home themes of racism, social, issues, religion, and death. He work is the love child of Jules De Balincourt and Chris Johanson’s paintings who may or may not have had a three-way with vintage comic books. In other words, it’s really good!
John Parot, who was featured in our B/D Book 3, and Rachel Niffenegger currently have exhibitions up at Chicago gallery Western Exhibitions./(which, coincidentally enough, also stocks B/D Book 3!) John Parot, with his exhibition “Hobbies,” continues his poetic musings on gay urban living, and focuses in on internet dating to reflect how identity, meaning and love are constructed under the auspices of Web 2.0’s arrow. A multi-hued pie chart displays Facebook-esque likes and dislikes: “hot fudge sundae,” “enough with the man-scarves,” and “no beige!”
Rachel Niffenegger, in Gallery 2, creates sculptures and ephemeral-washed paintings dealing with the grotesque nature of the human body, executed with a hauntingly beautiful hand. Drawing its title from an ancient epitaph, “As you pass by and cast an eye as you are now so once was I,” the exhibition seems to conjure the ghostly spirits from beyond the gravestone she references.
How To Dress Well performing at the Echoplex, December 4, 2012
It’s late Tuesday night… VERY late, well it’s actually almost 1am on Wednesday morning when Whitney Houston sings out from the speakers and Tom Krell aka How To Dress Well makes his way onto the Echoplex stage. Ten candles burn at his feet and beautiful video projections illuminate him and his backing band when his voice, a beautiful haunting falsetto hits my ears and my head starts thumping to the beat.
Playing songs from Total Loss, his newish record out now on Acéphale and a few from his debut album Love Remains, the heartbreaking, but beautiful set highlighted not only his voice, but his talent as a songwriter. When he sang the song Set It Right, it rang out like an R&B version of the late Jim Carroll‘s, People Who Died with the names of friends and family who have passed or not in his life anymore.
A hermetically sealed canning jar containing a piece of sausage that is shaped into the sign of infinity
Adam Niklewicz creates humorous and poetic conceptual sculptures that reference his Polish heritage, his life long love affair with art ( He ate paint as a high school student), and his enginuity to create everything from an infinity sign to a working recorder out of Polish sausage. These and more projects by Adam can be seen after the jump.
I’ve always been a fan of sneaking around in the dark, exploring tunnels, and generally causing mischief in places I shouldn’t go to. Long before the documentary Dark Days came out I was spending days exploring and occasionally painting the Freedom Tunnels in NY. Now that I’m on the west coast I don’t spend as much time as I’d like in train tunnels with a flashlight. It may be that I’m a bit older and just a tad more lazy these days but LA just doesn’t have as many dark and damp train tunnels like most of the major harbor cities on the east coast.
One day while spending too much time on Facebook, longtime friend and artists Logan Hicks made a post about Beneath The Neon. After reading three sentences in I knew that I needed a copy stat. After all I had feverishly read The Mole People cover to cover 10 years prior so I knew that Beneath The Neon would be right up my alley. After a few google searches I tracked down author Matthew O’Brien who was kind enough to shoot over a copy for a review.
Considerably ancient art form of calligraphy is brought to new dimensions by Tolga Girgin, a Turkish electrical engineer by trade and graphic designer by heart. His series of 3D calligraphic artworks witness how a little bit of imagination and skill can breathe life to a slowly disappearing craft.
Looking at Girgin’s graceful letters and strokes it seems like they are going to leap off the page and float into thin air. The eye-catching effect is achieved by combining skillful shading and perspective. Bright colors also do justice for Girgin’s works. His letterforms look more like paper cut-outs than two-dimensional drawings.
Girgin also practices “calligraffiti” which blends the properties of calligraphic style with modern day graffiti: the art of writing meets the art of getting your (pseudo) name up in an urban environment. Calligraffiti borrows inspiration from ancient lettering styles: Japanese ancient brush characters, Arabic pictorial scripts, medieval books and quill writing. The new form of art was originally named and pioneered by Dutch artist Niels Shoe Meulman. (via Colossal)
Reed + Radar’s photography is both beautiful and haunting. I don’t know too much about this duo, but I do know that they’ve managed to give me the chills with all of these animated clown faces. Check them out, I’m pretty sure we’ll be seeing a lot more of them in the future.