Food art is back from the dead! And you thought that those crazy Fluxus artists from the 60’s were long gone…
Scandinavian artist Camilla Wordie creates textiles out of textures found in our daily eats. Her project is a synthesis of her love for both the culinary world and the arts. Edible textiles extends from Wordie’s other food-related productions (Am I chocolate or not? and Wearing Rice is Nice) which include tableware inspired by grains of rice and tables made of chocolate powder.
Polish photographer Pola Esther takes us behind the scenes of the concert film of the K-Pop world’s hottest band, Big Bang. Although the South Korean band’s five infamous members star in this film, Esther has turned an eye onto the bad girls that steal the show. The unforgettable women in the film include Gia Genevieve, Stephanie Shiu, TK, and Briana Michelle, and cameo appearance of James Goldstein. The photographer gives us a glimpse behind the scenes us of the powerhouse characters on set.
The creators of the film, Dikayl Rimmasch and Ed Burke, have had their hand in cinematic music videos before. They also collaborated on Jay-Z and Beyonce’s film “Bang Bang” featured during “On the Run” tour which has a similar film noir feel as the Big Bang’s film. The film’s unmistakable style pulls inspiration from American mythology. This incredibly dramatic film portrays the group in high-speed car chases, like that of the Fast and the Furious, and Tarantino-like scenes similar to Reservoir Dogs that are full of high tension. Esther, now based in New York City, has a photographic style that fits together perfectly with the seductive qualities of the film directors’ approach. Her work takes us one step deeper, showing us a little of whom these bad girls are in the film. Each photograph holds a sense of classic mystery, with the flair of old Hollywood. Make sure to check out more of Esther’s captivating and sensual photographs on her website.
From a distance, artist Ye Hongxing’s works on canvas appear like pointillism technique, as if it’s thousands of tiny painted dots occupying a single canvas. But, as you look closer, her images are much more than that. The small spots of color are actually decorative stickers! Cartoonish dogs, cats, fruit with faces, smiling raindrops, and virtually any cutesy design under the sun make up the complex compositions. They’re a collision of subject matter, and you’ll find pop culture icons, animals, flowers, and historical references are just some of the things you’ll find in these swirling works.
The dizzy mosaic are meant to fuse traditional Chinese imagery with contemporary society. Religious statues, for instance, flow into Darth Vader’s mask. This juxtaposition is the artist’s reflection on China and how its culture has been influenced by the West. “Using stickers is a conscious challenge to traditional and conventional mediums,” she writes in an profile for the Lux Art Institute. “A sticker has an enormous amount of information in it, they reflect the time we’re living in and they are fragmented and mosaic, so I can give them a new order in the landscape I’m creating.”
It is always exciting and refreshing to see traditional art methods used in a whole new way. Artist Danielle Lawrence‘s fresh eye on contemporary art takes the conventional framed painting and transforms it into highly textural and sculptural work, taking it to another level. In her work, the frame is often still present, but the art inside it is spilling out, exploding from the frame that confines it. It is almost as if the paint has a life of its own, trying to escape from the cage and constraint we have given it. Lawrence explains that the frame is a symbol of patriarchal structures and restriction.
Lawrence’s non-representational painting method allows the colors to melt and drip, creating incredible movement in each piece. These colors appear bent, folded, and manipulated, creating organic forms. Each bright, glossy color erupting from each canvas and frame turns the typical two-dimensional painting into a more palpable, three-dimensional piece that reaches out at the viewer. Her artistic journey began while experimenting using trash as subject. Still pulling inspiration from found objects, the artist’s work often includes items from her studio, including plastic bags and bubble wrap. Lawrence’s take on form and material is both chaotic and structured, creating order out of an eclectic range of colors and media. She flawlessly creates a beautifully balanced mixture of classic painting methods with a new, contemporary approach.
She’s an avowed formalist with an eye to the street. Her works are lustrous and abject, smooth and sharp, blunt and sophisticated. While painting is clearly her passion, she makes promiscuous use of other media: sculpture, drawing, photography and video.
Hong Kong’s Society for Community Organization (SoCO) has created this birds-eye-view series of unbelievable pictures documenting some of the poorest living conditions in Hong Kong, one of the richest cities in the world. These cramped spaces, many no bigger than a small bathroom, serve as their inhabitants’ bedrooms, living rooms, kitchens, and pantries and represent the homes of a growing number of underprivileged Hong Kong inhabitants. One of the most densely populated areas of the world (426 sq mi and a population of seven million), Hong Kong’s high rent costs and public housing waiting lists force many people to live in these incredibly small spaces. These spaces are so cramped with stacks of living essentials that it takes an observant eye to capture everything represented in the photographs. These particular images were taken in the districts of Sham Shui Po, Yau Tsim Mong and Kowloon City, but is representative of the slums in the city’s 18 regions.
SoCO’s director, Ho Hei Wah, told MailOnline: “Hong Kong is regarded as one of the richest cities in the world. However, lurking beneath this prosperity is great inequality in wealth and a forgotten group of poor people. Hundreds of thousands still live in caged homes and wood-partitioned cubicles, while the unemployed, new-arrived families from China and children in poverty struggle for survival. SoCO’s underprivileged clients are increasing in numbers – while the city’s wealth continues to accumulate.”
Hong Kong has long been a center of international trade and manufacturing, but in the 1980s, it witnessed a shift from a manufacturing to a knowledge-based industry, which has become the driving force of economic disparity in the region. Since 1997, when China regained control of Hong Kong, it has operated under the principle of “One Country, Two Systems.” This has allowed the city to retain some independence from China, including the retention of a capitalist system that has been widening the gap between the rich and the poor. These photographs document the small-scale density of the lives of individual citizens and families in order to draw attention to the large-scale problem of population density and economic disparity. (via the daily mail)
Deborah Simon sculpts anatomically correct bears out of polymer clay, faux fur, linen, embroidery floss, acrylic paint, glass, wire and foam. Aside from their size (around 22″ high), Simon’s bears are realistically detailed and meticulously fabricated. Her inside-out bears tread the boundaries of taxidermy, toy, and sculpture.
“Evolution has always held a particular fascination for me, informing how I create and group the animals in my work. As I’ve read and dug through museum collections to research my pieces, western science’s mania for labeling, codifying and collecting has stood out. Most of this categorizing bears little resemblance to how animals and plants exist out in the natural world and I find this disconnect fascinating.” (via design boom)