The work of Alex Prager has always been dramatic…or perhaps the correct word is ‘cinematic’. It may not be surprising that in addition to being a photographer, Prager is also a film maker. His newest series of photographs, titled Compulsion, resemble movie stills the moment the film takes a turn for the worst. The images capture a distressing unresolvable anxiety. However, there is also a strangely pleasant disaster-flick aesthetic found in the images. The photographs underscore the prettiness and predictability of dramatized demise. [via]
To celebrate the launch of our brand new shiny Beautiful/Decay apparel website, we teamed up with one of our favorite shirt websites, Shirts on Sale! Eden herself has done a lovely job writing up the event at SoS here, but let me recap for ya.
Upload a photo of you wearing a B/D shirt to our brand new B/D community flickr pool, and if we like the photo, we upload it to our Community section and send you another B/D shirt, free of charge- just our way of saying thanks for being involved with beautifuldecayapparel.com and being a loyal fan! Deadline: February 20th. (If you miss the deadline, feel free to continue using our Flickr pool and we’ll still give you your five seconds of fame in our community gallery.)
Shirts on Sale also devised a way to hook their loyal readers up with shirts for free- just submit your best artork representing your love for SoS, and they’ll foot the bill for a free t-shirt as well!
Hope to see all of your shiny faces in our community section in the future.
“I heard my song at Whole Foods like a half an hour ago… this is weird”, said Montreal’s Cœur de Pirate, aka Béatrice Martin who performed this past weekend in LA at the El Rey Theatre in front of a very enthusiastic crowd. At only 23 years old, she already has two award winning LP’s under her belt and three new nominations from the ADISQ (Association québécoise de l’industrie du disque, du spectacle et de la vidéo) this year, and she was invited to perform at the Francofolies first American event, A Tribute to Édith Piaf at New York’s Beacon Theatre tonight. I was more than happy that the busy young singer/songwriter graciously sat down with me to chat before her LA debut.
“It’s my first California tour, I did Portland and Sasquatch about a year ago when I was still pregnant so that was intense”. “I wasn’t expecting such a turn out” she says about her show at San Francisco’s Great American Music Hall the night before. “I thought 3 people were gonna show up… it was packed… people that don’t know French and they’re just singing… it was really nice so I’m excited about tonight”.
Kim Burke’s miniature food sculptures are so realistic you’ll want to eat them in one bite. Inspired by the photorealist movement, Burke creates flawless dollhouse-scale meals from actual photographs, positioned at various angles for maximum accuracy. Each plate of food, so small as to be balanced on a human fingertip, is carefully rendered from clay using needles, razor blades, and a rock for texture. Chalk pastels add color. For cake frosting, Burke uses Translucent Liquid Sculpey mixed with solid clay. The artist’s company, Fairchild Art, offers a range of plates, from sweet to savory dishes, each at a 1:12 scale.
Burke’s passion for dollhouse accessories began as a hobby in 2008, but soon blossomed into what she calls an “obsession.” The work is painstaking and each piece typically requires one to three hours of full concentration, but the result is well worth it. She says of her process, “every time I make something new I always try to add something extra to make it even look more real.”
Decadent and indulgent, Burke’s tiny masterpieces combine the sensuousness of a Caravaggio painting with the whimsy of childhood play. Like Caravaggio’s Still Life with Fruit, each piece is entirely inedible yet invites a mouthwatering appetite. Burke’s delicate fruit baskets emerge like Eden’s forbidden fruit in miniature, igniting the imagination and uninhibited delight. Poignantly small, they remind us of the preciousness of our humanity. When seen on a plate the size of a penny, the most familiar food stuffs become miraculous and spellbinding. Made with tender love and care, the diminutive plates suggest our own fragilities and vulnerabilities. Take a look. (via Demilked)
Graphic designer and art director Albert Exergian’s humorous take on popular TV series “minimizes” the concept of each show into 2-3 colors and shapes. Remember old Penguin Classics book covers? This is the revamped modern sitcom version!
Paco Peregrín is an international photographer who creates experimental characters out of high-fashion images. This particular series is entitled Beautiful Monster, which Peregrín directed with the intention of exploring the effect of makeup on identity:
All photos that integrate Beautiful Monster allude to a very particular concept of beauty (sometimes unusual, alien or even beautifully monstrous), to its ephemeral nature and the passage of time. Naked men and women are on a neutral background where makeup comes great prominence, even avoiding the recognition of the models, thus reflecting on the idea of identity and a proposal for the makeup as a contemporary mask that protects us, on the one hand like a camouflage, [and on] the other helping us to build a super-ego. (Source)
Peregrín’s “Monsters” are fascinating, radiating with acid-bright color and cryptic eroticism. Most often nude, their faces are bound and adorned with rope, tape, paint, and jewels. Something happens when their features are obscured — their expressive bodies appear almost inhuman. In a style best described as hyper-real futurism, the images speak directly to a postmodern society so obsessed with beauty and constructed identities that it slips into beautiful absurdity.
Given that fashion photography is often criticized as being wholly commercialized and thus heavily restricted, Peregrín’s unique style is doubly surprising; he has worked with big names such as Chanel, Diesel, Vogue, and Vanity Fair, but still manages to bring his own creative and unconventional vision into his works. Check out his website for a gallery of his immersive and consistently experimental projects. (Via Art Fucks Me)
Ana Bidart‘s sculptures resemble small geological models. She wears away layers and layers of paper to create each piece. Reminiscent of rolls of receipt paper or even toilet paper, her medium in this series usually has a particularly utilitarian purpose. Her sculptures emphasize the objects’ more poetic characteristics. Though solid and consistent in appearance Bidart exposes the many layers that form the whole. Her work easily lends itself to various metaphors.
Daniel Entonado‘s work is friendly and wonderfully disproportionate. He conjures up whimsical situations, and executes them in a style mildly reminiscent of patchwork. I enjoy how his colors are not quite bright and not exactly pastel, but a nice medium.