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Yoon Ji Seon’s Intricate Self Portraits Use Hanging Threads As Hair

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Artist Yoon Ji Seon crafts her collection of self-portraits by intricately stitching photographs with a sewing machine. It’s an ongoing series titled Rag Face, and her facial expressions change with every piece. While they appear to us as similar-looking individuals, Seon changes it up with different colors and hairstyles. Despite these idiosyncrasies, each portrait has the same features. Most notably, these are hanging threads that mimic hair or tattered rags. The multiple layers of colors and stitches give these works a painterly effect, as if they are gestural and loosely handled; Seon obscures her images by working with her materials in this way.

In 2015, the artist will have a show at the Yossi Milo Gallery in New York City. They describe the her underlying concepts:

By sewing the photograph, a second image is generated on the back that is both a reflection of the front and a completely new image. The two images, combined with the original photograph as a third representation, recall the Buddhist theory that an object exists in many forms and there is no true form. Yoon Ji Seon’s work addresses Buddhist ideology deeply rooted in contemporary Korean society and confronts issues such as plastic surgery and suppression of speech. (Via My Amp Goes to 11)

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Paul Kaptein Tricks The Eye With His Exquisite Handcrafted Wooden Sculptures

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      Kaptein, Sculpture

Kaptein, Sculpture

Kaptein, Sculpture

Australian sculptor Paul Kaptein handcrafts laminated wood into exquisitely seamless sculptures. Interested in materialism and inspired by both nature and the concept of time, Kaptein creates works that are realistic yet surreal, rooted simultaneously in real life and in fantasy.

To Kaptein, the use of laminated wood is central to his practice. Representative of the dialogue between expansion and contraction and the relationship between interconnection and incompleteness, “the panels slip and slide, creating their own holes which exasperate the gaps in the fabric of the universe.”

While his wooden works vary in subject matter—a common motif being hooded, faceless busts—they all convey Kaptein’s innate interest in portraying of “the immaterial as an expression of the overt reliance (and ignorance of the composition) of materialism as a somewhat naive description of reality.” In one of his most recent works, And in the endless sounds there came a pause, the artist tackles reality through illusion: while the meditative figure is clearly distorted by the river-like grooves of his robe’s drapery when observed from the front or back, he appears perfectly normal when viewed from either side.

Ultimately, with its deceptive composition and well-crafted aesthetic, And in the endless sounds there came a pause merges two qualities characteristic of the artist: his interest in fabricating new realities and, of course, his undeniably superb woodworking skills.

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Artist Jessamyn Lovell Tracks Down The Person Who Stole Her Identity And Gets Revenge

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In 2011, a woman named Erin Hart stole artist Jessamyn Lovell’s wallet, and eventually her identity, racking up credit card charges, parking tickets, and even a theft charge in Lovell’s name. As an act of retribution for this infuriating and frightening experience, Lovell created an art exhibition called “Dear Erin,” featuring documents, surveillance photos, videos, and interviews documenting Erin Hart’s crime spree. Hell hath no fury like a woman with a stolen identity.

“Using a camera and occupying the varied roles of victim, stalker, investigator, artist, spy, and vigilante, Lovell offers a body of work that touches on contemporary concerns of surveillance and selfhood within the information age.”

The thoroughness of “Dear Erin Hart” is impressive and somewhat alarming. In the attempt to “[understand] this woman and the course of events that brought their lives together,” Lovell hired a private investigator and even photographed Erin Hart being released from jail, a series of photos that are disturbingly stalker-like. The project was exhibited at SF Camerawork from September 3 – October 18, 2014.

Now, in a continuation of the project, Lovell hopes to contact Erin Hart in order to deliver a letter she’s written. She’s raising money for her trip (from Albuquerque, NM where Lovell lives to San Francisco, CA where Hart lives) through the sale of her own photos on Etsy and using a crowd funding campaign posted on her Facebook page.

“Lovell says that her hope is to reach out to her identity thief one more time in an attempt to get her most burning questions answered. Lovell also says that even if her attempt fails and Hart refuses to talk to her, she will at least know Hart knows of Lovell’s existence. She also hopes that Erin Hart will accept the invitation to allow Lovell to interview her and agree to be recorded.”

Erin Case stole Jessamyn Lovell’s identity, time, and peace of mind. Lovell, in relentlessly pursuing her thief, robs her of her anonymity.

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Lizabeth Eva Rossoff’s “Terracotta Army” With Pop Culture Heads

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San Francisco-based artist Lizabeth Eva Rossoff has created a mashup of iconic statues and and characters in contemporary popular culture. By physically combining China’s ancient Terracotta Army with the heads of Bart Simpson, Batman, and Mickey Mouse, they fuse Eastern and Western culture. Rossoff class her series Xi’an American Warriors.

The artist explains that her work,  “playfully explores the concerns of American media’s global influence and China’s industry of counterfeiting the copyrighted properties held by said media.” In essence, these sculptures represent a cycle.

Each stately clay piece stands 18 inches tall, and their appearance was created by using the same process that built the original third century BCE warriors from Lintong District, Xi’an Shaanxi province. She even worked with a Terracotta Warrior replica studio in Xi’an who make their clay sculptures using the same ground that was used so long ago. And, for a limited time, these artworks are available to buy on her website. (Via Endless Geyser of Awesome)

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Chun Kwang Young’s Intricate Topographical Sculptures Crafted With Newspaper, Each Telling Its Own Endless Story

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Korean artist Chun Kwang Young began sculpting when he came to New York as a means to processing what he witnessed as a materialistic society ceaselessly searching for “more.” Using newspapers, which he folds into small prisms, these sculptures form as a compilation of our verbal recording of history, opinion, and discovery. Figuratively, the sculptures emerge like topographical maps of rocky landscapes, or planetary surfaces. Points and crags describing a rocky terrain that is nearly unnavigable. Metaphorically, this work is a culmination of the floating lexicon of our time; the ongoing conversation of man compiled in a three dimensional format, echoing the voices that pass each day through our print media. Each figure is a time capsule of pieced data and voice. Although the sculptures themselves are mute, each has a strong story to tell. As Young describes his work:

“Every piece of information is the end product of a struggle for hegemony, as well as an accumulation of human experience. One hypothesis ceaselessly conflicts with another, and finally becomes a new knowledge. While these kinds of processes are sometimes made in a peaceful way through debates and publications, they sometimes happen in the shape of physical conflicts like wars led by the governing class.”

His work is a symbolic expression of how words form into actions and become words again- a speech becomes a call to action, which becomes a war, which is then recounted through story. Everything seamless weaves into itself, a cyclical timeline we hardly noticed as we are so permanently bound to it. (Excerpt from Source)

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Pierre And Gilles’ Pop Icon Portraits Made With Sex And Glitter

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Pierre Commoy and Gilles Blanchard – Pierre and Gilles – have made portraits of Madonna, Jean Paul Gaultier, Andy Warhol, and Iggy Pop, just to name a few. The portraits are sexually charged and totally fantastical. Their subjects are placed under water, surrounded by flowers, or in what looks like a McDonalds ball pen (a not so subtle reference, in the tradition of most of their portraiture). Their kitschy and outlandish aesthetic has had them attain international recognition; they’re included in collections like the MoMA’s and have had a major retrospective at the New Museum in 2000.

Not only do they work together professionally, they have also been together as a couple for the duration of their shared career. Pierre is the photographer, and Gilles does the painting afterward. According to a VMagazine interview, the entire process of one portrait takes them about three weeks:

“We do everything from creating the décor to taking the picture to constructing the frame. We are always inspired by the person’s personality.”

Although their sexual orientation is a large part of their public persona, they say they are cautious not to pigeonhole themselves into what they call the “gay ghetto” and for this reason take portraits of a variety of celebrities they admire, while maintaining their own distinct style.

Their aesthetic is whimsical and edgy. Certainly setting a man up fully nude peeing into a garden of flowers is not an image you will see every day. It’s provocative, but not aggressive, probably because of the teasing, over-the-top nature of the accompanying imagery. They find a way to playfully bring the mainstream out of its comfort zone so it seems like every day should be filled with sexy nuns riding bedazzled horses!

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Mark Farid Wants To Spend 28 Days As Another Person Through A Virtual Reality Headset

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Artist Mark Farid is attempting to undertake a strenuous social experiment and is asking for your assistance. He has a Kickstarter project called Seeing-I which is aimed at raising enough money to develop a headset that he will wear for 24 hours a day, for 28 days in a row. With the piece of technology he will live his daily life completely and utterly through the experience of another person. He will see everything through the eyes of the second person, including when they go to the cinema, to the toilet and having sex. The only prerequisites for this other human – naturally called “The Other” is to be over 21 years, a heterosexual male, currently living with his partner, and they must agree it to. If you personally suit those guidelines, you can apply here to become a part of the experiment.

Farid will throughout the process be living completely on display in a small box containing only a bed, a toilet and a shower. All of his actions will be open for all to witness and completely transparent. Because of the intensity of this project and what could be mentally damaging to most people, Farid will have the support of one psychologist for one hour a day, and will be the only time he is able to talk to someone.

The Seeing-I project will result in a documentary wanting to explore just how virtual reality affects us emotionally, the role of the individual in the larger society, how we define ourselves through what we see, and we know of ourselves. Farid says about the integrity of the project:

I don’t think any of the realities in which we live are genuine. We take this physical reality as ‘real’, but, you know, every building, road, park and garden has been designed… Everything within our existence is unnatural. We live in an entirely man-made world, where none of it is ‘real’. (Source) (Via Dazed Digital)

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Mitch Dobrowner Photographs Stunning Scenes Of America’s Landscape

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Inspired by Ansel Adams and evocative of the past, the incredible work of New York-based photographer Mitch Dobrowner portrays sublime, monumental scenes of nature.  Rendered in stark black-and-white and beautifully composed, his photographs are undoubtedly aesthetically alluring.  Surprisingly, however, the story behind the visually captivating works is even more moving.

Raised in Long Island, Dobrowner struggled with his identity and purpose as a teenager. In response to this apparent lack of direction and sense of self, his father offered him “an an old Argus rangefinder to fool around with.” After researching photography and tinkering with his camera, Dobrowner was hooked. Shortly thereafter, at the age of 21, he left home and embarked on a journey to explore the American Southwest–a theme that which would eventually materialize as a major motif in his oeuvre.

After meeting his wife in California, Dobrowner set his photography aside in order to settle down, raise a family, and operate a business.  Although his photographic career reached a plateau lasting several years, he was inspired to reacquaint himself with the craft again in 2005. Rather than stagnating his zeal or hindering his success, however, his break from photography, if anything, added fuel to his fire.  He explains:

“Today I see myself on a passionate mission to make up for years of lost time – creating images that help evoke how I see our wonderful planet.”

And, with his snapshots of swirling storm clouds, harrowing canyons, and towering landmasses, both his passion and perspective remain undeniabily apparent.

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