With summer in full swing we’re looking forward to lots of new adventures in the sun. Whether it’s hitting the beach with friends, going on a road trip to unseen sites, or throwing the ultimate party, we’re looking to make this summer the best one ever! The good folks at Malibu love summer just as much as the rest of us and have decided to help us start on the right foot by encouraging all of us to just say yes to fun, sun and adventure with their Best Summer Ever Project. All you need to do to get started is to visit their YouTube page and create your very own Best Summer Ever List out of hundreds of fun suggestions. If you’re feeling extra brave hit the random button and Malibu will randomly assign you your very own list! If that’s not enough starting on July 17th you can watch Malibu’s Youtube reality show where four friends spend forty days taking on 40 challenges. They’ll be in the drivers seat and you’ll get to watch all the fun and crazy shenanigans as they embark on their summer adventure. So on your mark, get set, Go! Your best summer ever awaits!
French photographer William Farges‘ series “White Line” features surreal reflections of body angles, parts, and positions. Farges creates new shapes and figures by placing the reflections of nude bodies side by side, representing a continuity of form that is both startling and elegant. The series is, of course, named for the white line that dissects his diptychs – an element that emphasizes the new forms’ symmetry as a product of an inversion. These forms reach and pull into each other, appearing as if each could disappear into the other. Farges’ images are Rorschach-like deconstructions that are smooth and round and contained. “White Line” is the result of another series of Farges that similarly deconstructs and reimagines the human form, “Chimera.” (via feature shoot)
Scripturient: Possessing a violent desire to write.
Acersecomic: A person whose hair has never been cut.
Biblioclasm: The practice of destroying, often ceremoniously, books or other written material and media.
Dactylion: An anatomical landmark located at the tip of the middle finger.
“A-Z of Unusual Words” is a self-initiated project by Irish based graphic art duo The Project Twins. It depicts “strange, unusual and lost words” explained through a set of beautifully crafted minimal illustrations and visual wit.
According to the artists, James and Michael Fitzgerald, “the images explore the meaning behind the words, which are sometimes even more strange and unusual”. The bold and simple aesthetics of these illustrations resemble Bauhaus’ style of conduct through style and form.
The artist statement of Project Twins points out: “Curiosity, humor and wit are a predominant feature in their work. <…> They are interested in observations and oddities and enjoy taking the familiar and turning it into the surprising.“ The series of “A-Z of Unusual Words” has been exhibited during Design Week Dublin in 2011 and was also awarded a Merit in the 3X3 Proshow and featured in 3X3 Illustration Annual 2012.
In New Hampshire-based artist Megan Bogonovich’s magical ceramic sculptures, well-dressed women and men peek into gigantic anemones and castle-like coral reefs, plunging headfirst inside like Alice in Wonderland. Looking at the sculptures is similar to reading an enchanting fairytale, with each ornate detail given the attention and intricacy usually afforded to the illustrations in a children’s storybook. Bogonovich’s eye for detail is perhaps most evident in the underwater creatures poised to swallow their small-scale human counterparts. Made colossal in comparison, they foster the sense of wonder and impending adventure that Bogonovich is so adept at creating for each of her sculptures. There’s no end to the number of details one can glean looking at just one of Bogonovich’s sculptures, from the little girl peering into the rose-like openings in a slab of coral to the woman on the cusp of falling headlong into a multicolored anemone that, with its open valves, strongly resembles a human heart. Bogonovich’s sculptures are painted in vivid pastel colors of yellows, pinks, and greens, which lends them an even stronger storybook aesthetic. This serves them well in conjuring up all of the magical scenarios to follow the spellbinding scenes her sculptures capture. (via Hi Fructose)
A giant red ball has traveled the globe for the past 13 years. Aptly called the RedBall Project, it’s stopped in cities from Paris to Perth and is currently stationed in Rennes, France at the historic Place de la Mairie. It’s there from July 3rd to July 9th as part of the Les Tombées de la Nuit Arts Festival.
The larger-than-life inflatable sphere is currently squeezed into the Opéra de Rennes’ narrow archways and begs for the passersby to interact with it; at 250 pounds and 15 feet tall, it’s hard to miss. Reminiscent of a child’s toy on steroids, it adds a sense of playfulness to the landscape as it’s photographed, touched, and even bounced into.
The creator, Kurt Perschke, explains the idea behind his sculpture:
The urban environment is overbuilt and full of possibilities, and the project is about seeing the sculptural spaces of a city. The humor and charisma of the piece allow it access to the city and invites others into its story. I think it’s essential for public work to do more than be “outdoors” – it needs to live in the public’s imagination. (Via designboom)
Made With Color, a website builder for artists and creatives, and Beautiful/Decay team up each week to bring you some of the best contemporary artists and designers from around the world. Website builder Made With Color helps artists easily create well-designed mobile/tablet responsive websites in a few minutes without having to touch a line of code.This week we are pleased to present the work of Made With Color user Rachel Meuler.
New York City based artist Rachel Meuler is a collagist of sorts. However instead of cutting up magazines and books to create her imagery, Meuler cleverly combines a mix of animal and human figures to create a new species of hybrid beings.These half man half beast figures are in a constant state of motion and transformation. The combination of human and animal imagery reinforces the similarities between all living things, while referencing characters from ancient mythologies, folklore and fairy tales, Jungian archetypes, evolutionary anomalies, and the mutant results of genetic engineering – beings originating from and entrenched in cultural fears and fantasies. These subjects are shown exchanging information through a language of posturing, mirroring, projecting, and cannibalizing traits from each other and their surroundings, within compositional structures that imply hierarchy and narrative, but remain inconclusive.
Paper artist Rogan Brown, featured previously here, finds an exquisite beauty in even the most deadly pathogens, of which he constructs astonishingly detailed replicas from thinly cut and layered paper. For Outbreak, he maps out a stunning typography of microbes, neurons, and human cells. Renowned for his fastidious process, Brown spends up to five months on a single piece, a true labor of love that serves as a testament to the reverence he holds for the organic world. Here, the smallest microcosms of the human body are expanded, made vivid and sparkling. In complex webs, they form an impressive interlocking network that is heartbreakingly delicate and fragile.
Where disease-causing pathogens and microbes are typically disparaged as unsavory or unclean, Brown’s masterful and unparalleled craft recreates them in dazzling white, like organic snowflakes possessing endless wonderment. In a fast-paced culture increasingly dominated by technology, Brown draws inspiration from the likes of the romantic poet William Blake, who married his love for the earth with a thirst for the divine and mysterious in nature. While he begins from scientific sketches by biologists like Ernst Haekel, the artist ultimately surrenders to the currents of his own imagination, allowing for the warmth of the human mind to color and transfigure the microscopic forms that make up our bodies. After all, isn’t our own evolution and living existence the most intricate and miraculous artwork of all? Take a look. (via Colossal)
Do you know what kind of trash you accumulate over the course of a single week? For California-based photographer Gregg Segal, this question comes with a loaded context: there’s the irrefutable issue of Americans producing more trash than nearly any other country, as well as the large-scale ramifications producing so much waste has on the environment. In his new ongoing series, ‘7 Days of Garbage,’ Segal recruited friends, neighbors, and other acquaintances to compile a week’s worth of their personal garbage and allow him to photograph them lying in it. The photos are provocative, with Segal crafting beaches, bodies of water, and other natural settings to place emphasis on the garbage his participants were willing to bring to him. “Of course, there were some people who edited their stuff. I said, ‘Is this really it?’ I think they didn’t want to include really foul stuff so it was just packaging stuff without the foul garbage. Other people didn’t edit and there were some nasty things that made for a stronger image.”
Segal aimed to include people from different socioeconomic backgrounds, providing for a fascinating display of different kinds of trash. By shooting from an overhead angle, garbage strewn between created natural environments, Segal crafts startlingly personal portraits that are oddly still detached, conveying a more poignant message lying underneath. “Obviously, the series is guiding people toward a confrontation with the excess that’s part of their lives. I’m hoping they recognize a lot of the garbage they produce is unnecessary,” he said. “It’s not necessarily their fault. We’re just cogs in a machine and you’re not culpable really but at the same time you are because you’re not doing anything, you’re not making any effort. There are some little steps you can take to lessen the amount of waste you produce.” (via Slate)