Donna J. Wan’sPromised Lands series documents the merging of nature and urbanization. Wan’s work asks “how has our perceptions of the landscape have changed over the two centuries, after we have remade a considerable part of it in our image. Does the land, sea or mountain still represent places onto which we can project our hopes and desires? Or, have we become alienated from it and only respond strongly to it when we are shown images of its devastation?”
Some artists may use oil paint, acrylic, or watercolor as their medium of choice but Matthew Cusick chooses to create his ultra detailed imagery using the medium of maps. Cusick slices and dices maps of all sizes, colors, and regions to create fantastical images that take you down undiscovered routes and send you on an epic visual voyage. Lets hope you don’t need to stop and ask for directions?
Who knew skull chairs were a thing? Here is a small collection of our favorite chairs that resemble the most iconic part of the human anatomy. Pictured above is the Skull Chair from the Vanitas collection by Vladi Rapaport.
Interdisciplinary artist Pamela Saturday has a body of work that toys with layering both in painting and installation. Her game of hide and reveal creates a fantastic energy. From her statement she says “any truth is partial, and that the actual includes potential” which I think perfectly describes her work.
Being in flight is one of the most unnatural, extraordinary, ordinary experiences of modern life. When we climb to 30,000 feet, our perspective looking down at the world becomes that of a deity, and the rules of time and space are altered as we rush over the earth. In flight we are able to view the most remote corners of the natural world and the vast spread of the world we have constructed. It gives us the unique perspective to look at the interaction of the natural and constructed in a truly holistic way. In its totality, the unnatural or extraordinary experience produces great fear and excitement. We confront death a little every time the doors close – and this closeness to death intensifies the extraordinary experience of being in flight. On the other hand, our ‘in flight’ experience is filled with the most unremarkable daily activities: reading a comic book, finishing a crossword puzzle, eating, sleeping. The cabin becomes our shared world, temporally removed from the world that we’ve left back on land. What connects the ordinary and the extraordinary is a powerful trust in the human capacity to take us beyond the mundane. The plane becomes a temple of humanism, where we put faith in all that get us and keeps us up in the air – engineers, pilots, researchers, air traffic controllers – a web of people, underwritten by collective knowledge, keeping us alive, together.- Phillip Kalantzis-Cope
Johnston Foster will be showing a variety of recent works at POVevolving in Chinatown tomorrow including an 8ft mixed media sculptural installation featuring an intricately crafted skeleton ( made from plastic lawn chairs ) riding a small pony that has been assembled from pieces of old tables and misc scraps of wood. The entirety of the work is surrounded by a swarm of wasps, each and every one, hand crafted from bits of recycled material. In addition to the epic centerpiece, the artist will be showing 15 wall mounted ‘masks’ – each one, incredibly expressive and created from random bits of detritus, including tires, hair brushes, shoes, car parts and a wide range of other reclaimed materials. More info about the show at Povevoling.com.