Artist Federico Pietrella was born in Rome and now lives and works in Berlin. His work gives new meaning to the term… “time-based media,” using time and date stamps (you know, the kind from libraries) to compose his artwork. Check out a good sampling after the jump.
I’m absolutely loving these explosive junk portraits and sculptures by Tom Deininger. Comprised of found objects each piece is created with various plastic and metal debris that the artist finds. The work reminds me a little of Vik Muniz but Tom still gets a pass in my book.
Yasamin Keshtkar’s work is about examining the role of painting through process, material, and the nature of the two dimensional image. Each painting is part of an effort to solidify these elements into an effective/legitimate result. Personal questions about what she is doing are carried from one painting to another, underscoring this foundational dichotomy between painting and reality that she is trying to represent.
Jaroslav Kyša’s sculptures and site specific installations and alterations blend a nice mix of concept and humor that I always appreciate. From a geode forming in a baguette to gold leafing an old railroad marker in a park Jaroslav brings a bit of art into the everyday and mundane.
Wish I could have more info about Hippolyte Hentgen’s bizarre paintings and drawings of eyeball pinups, Lizard ladies, and sausage head girls. But all I was able to find was this great collection of images by the mysterious artist.
The UK’s Matt Martin is a film photographer working out of Brighton. His work gives us a refreshingly intimate look at adventure, a subject that’s typically trampled to death by passionless snapshots, Matt shows us how to do it right. He’s also an extra hardworking and motivated young man, heading up The Photocopy Club, a series of DIY photography exhibitions aimed to take photography off of the screen and back into the hands of the people using one of the most accessible mediums – the photocopy. The next show opens in London on Feb. 3rd.
Much of this series of photos was taken from Matt Martin’s new double-zine Goodnight Neverland / Thank God I’m Forgiven published by No Fun Press.
Michelle Ramin starts her gorgeously rendered drawings by photographing friends in various situations wearing ski masks. These images are used as metaphors for twenty-something hipsters playing dress-up to make the banality of the 40-hour workweek seem more enjoyable. Discussing the need to both hide and reveal ones unique identities, Michelle Ramin’s work is certainly one to watch.
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