Married couple, Akiko Ida & Pierre Javalle, use their culinary, photographic, and miniature figurine making skills to create an endearing body of work where food become recognizable landscapes. Not quite the equivalent of my dream for mountains of blueberries, but close enough!
New York-based artist Marco Gallotta uses paper cutting as a way to create intricate portraits that “portray people in their natural state.” A combination of linocuts, watercolor, and collages, the multilayered images feature frontal views of people who have decorative shapes masking their faces. Patterned flourishes, water-esque ripples, and clashing swirls appear front and center as they obscure any sort of realism and transform it into an abstract work of art.
Despite these different techniques and media, Gallotta brings them together in a harmonious way. Here, each layer seems to tell a different story. There’s often a photo beneath the artist’s hand cut work, but it’s what’s above it provides a conceptual look at who the subject is. It’s their essence, and these decorative adornments speaks to the complexities of who someone is – their perceived versus actual identity. (Via Lustik)
Dane Lovett mixes retro and modern electronics with the tried and true classic, floral still life, to create a completely modern take on the idea of “still life”. His work looks into modern relationships with technology and pulls at the strings of technology of days past. Each piece is serene and intriguing, feeling both familiar and new all at once.
Daniel St. George is a fine artist living in Brooklyn, NY who has steadily amassed a body of work that is equal parts entertaining, eclectic, and engrossing. St. George blends elements of collage, printmaking, painting, and drawing to create clever inverted representations of classic cartoon and pop icons; often placed into dynamic interaction with a found paperback leaf or music score in a personal, methodical context that is all his own.
Langdon Graves is all about the mystery of deception and illumination. Her drawings utilize two contradicting devices, photo-realistic rendering and surrealist narrative, all to create trompe l’oeil images that astound and leave you wanting more. Each drawing has elements that are immediately recognizable, but the second you think you know what is going on, you realize something is amiss. Some drawings are easier to decode, while others have a ‘wait a minute…’ quality that would make M.C. Escher proud. Unlike Escher, Graves saturates her drawings with a folk-like narrative that evokes the feeling that we should be learning some kind of lesson. As if we are seeing just a glimpse of a much larger, more complex story, and are hungry for more.
There is a delicate sense of instability that disrupts the calm in each drawing. Whether it’s Grave’s beautifully subtle use of color, or the quiet violence implied in many of the images, we are not looking into a world of sunshine, lollipops and rainbows. Instead, Graves creates a world where a dark cloud hangs over each perfectly coiffed head. The combination of innately feminine symbols with clandestine actions produces a tension that lures you in like a moth to a flame. Yet, like any successful illusionist, Graves is careful to not reveal too much, leaving us in a state of expectation similar to the feeling of anticipation when opening a present. You know something special is inside but you only have a few clues to guess what it is.
Matthew Coleman is an artist in many senses of the word. He’s a writer, a photographer, a painter and, apparently, quite a prolific paper crane folder. “I create from the inside out. To direct the intensity of feeling outside of me, to release them in great bursts,” explains the artist. With such a passionate artist’s statement, it’s no wonder Coleman’s creativity has driven him down so many diverse avenues of discovery.