It may be an understatement to say that the artist that simply goes by the name of Mossi is interested in lines and line-making. His drawings are incredibly intricate, containing innumerable lines. Mossi uses typical color pens to create his a typical work. Each piece is a sort of portrait. However, more than faces, the drawings are just as much investigations of lines, pattern, and facial composition. The portraits are meditative, perhaps as much for the viewer as they were in creating for the artist. The bright colors, and extremely detailed pattern make for psychedelic-like work that’s easy to get lost in.
Some artists just have a way with drawing. Each line is exquisitely placed on the paper with the most delicate ease as if it had always been there. Sarah McNeil’s drawings do just that. Her marks are so refined and gentle that they can even make a skull with a mustache and a cat tumbler look cute.
Petra Collins takes photos of her friends in cut-offs and puts neon Rihanna lyrics on gallery walls. It’s up for interpretation whether you see that as a form of feminism. She is a self-described feminist and walks the line somewhere between fashion and art culture. Not an uncommon thing to do, but certainly a path less easily tread by women artists addressing subjects that the fashion industry influences heavily and arguably negatively (…expectations of femininity and the female figure).
Petra’s practice sets out to embrace her own vision of what is beautiful, young and female. Conveniently, she is thin and (un)conventionally beautiful, but she has a point. There’s a definite irony in one woman telling another that what she does is somehow shameful or misrepresents the female gender. It’s slippery territory because one might wonder why Petra feels such affinity with this aesthetic. Is it because she was brought up on it, and what are the implications of that?
In 2013, Instagram deleted her profile for this picture after which she wrote an essay posted by Oyster Mag and the Huffington Post that you can read here on her website. Basically, She doesn’t want you to tell her what she can do with her body, whether you see it as feminist or not. Petra’s work is powerful, and yes, it makes young women and girls look sexy. The Teenage Gaze is a photo series from 2013 mostly of girls in highschool, bathrooms, with water, or applying makeup. It’s erotic and beautiful, delicate and girly in the most stereotypical sense. It defends the right to be as you wish as a woman, whether you fit neatly within or totally outside the box of preconceptions. See Petra’s most recent work on her Instagram feed (looks like she’s been too busy making art to update her website).
Welcome to the second week of Click To Collect, Beautiful/Decay’s new campaign to help art lovers start their collection of original artists works at affordable prices. Our second featured artist is Ben Tegel whose gorgeously rendered drawings have graced the pages of our print publication, apparel, and website dozens of times. Ben’s iconic Helter Skelter drawing which depicts the faces of Charles manson through the ages was one of the most popular Beautiful/Decay t-shirt graphics ever made. Now you can purchase the original piece and add it to your collection today! See the rest of the available work by Ben Tegel and read more about our Click To Collect project after the jump!
Amie Luczkowski Gibson is an Australian artist who creates unique, otherworldly characters in the form of planters, cups, sculptures, and necklaces. Each piece is uniquely molded with its own bizarre facial features and expressions. Recurrent throughout the works are organic shapes and multiplicities, with numerous faces sprouting from the same head or clusters of eyes rippling across ceramic skin. Most of the faces appear contemplative, as if lost in a dream or seeing into another world, emanating a sense of neutrality, wisdom, and intangible mysticism. In a statement provided to Beautiful/Decay, Amie explained the main sources of inspiration for her imagery:
I love how different everyone looks and how there is such beauty in that. Beauty in difference. I get inspired by people’s face shapes, lines, scars — I make my pieces to be as unique as people are. I also get really inspired by the vibe and aura a person gives off more than anything. […] I don’t know how I would describe my work, really. Weird, ugly, and interesting is what most people say about it. Each work is usually based on someone I have seen or met, or just some people’s general energy.
Artists like Amie remind us of the importance of supporting independent artists. As a one-woman show, Amie spends an incredible amount of resources crafting her designs, which — given the time it takes to fire the ceramics — is a process that can last days. Despite the tendency of our consumerist society to rely on and purchase mass-produced goods, Amie is working hard to produce art lovingly crafted by her own hands and individual vision.
Amie has recently relaunched her online shop, which can be visited here. You can also follow her on Facebook and Instagram.
After only a month and a half Beautiful/Decay:Future Perfect book is officially sold out. This book, as with all Beautiful/Decay books, will never be reprinted in its entirety turning into a limited edition collectible that will be passed down from artist to artist as the ultimate source of inspiration. If you didn’t get a copy of the book you have one final chance to get one of the highly coveted 1,500 copies. We have 10 copies reserved strictly for subscribers on a first come, first serve basis. Simply subscribe as soon as you read this and during checkout ask that we start your subscription with Beautiful/Decay:Future Perfect and you might just get one the very last copies available. We can’t guarantee that you’ll be one of the lucky ten but those that miss out will start their subscription with Beautiful/Decay Book 7!
Daniel Aristizábal is a graphic designer and illustrator who creates incredible digital works of art that are surreal and transport the viewers to a topsy-turvy Rube Goldberg-esque world. His Huevos series is playfully inspired by Dali’s “Eggs on the Plate without the Plate,” showing colorful variations on the common egg.
In some of Aristizabal’s work, the 3D elements pop out, almost like digital sculptures. Other works, such as his “Glitched Cubism” piece, utilizes the 2D GIF format to play with the dimensions and perspective of cubism. In an interview with Instagram, he says that his work is a “retro, colorful, geometric bonanza.” His art seems to draw on a palette that is by turns neon and sherbet but always whimsical.
Aristizabal continues to say:
“My main sources of inspiration are random thoughts that pop in my mind, like memories of dreams and places that I used to imagine when I was a child. I think the term ‘pop surrealism’ works well for me. My work is full of simplicity and organic shapes. It is nostalgic in its essence.”
Stefanos created a Euro Banknote Bombing project by incorporating minimal ink bled illustrations of a callous nature and torpid situations. The human figures he incorporates into the Euros embody the social and economic instability in Greece has been facing for the past few years. On a 100 euro, the Grimm Reaper “reaps” in the shadows. A “bomb” effect to showcase social decay and violence. This is just one of the many heartless illustrations that grace the paper.
Stefanos hijacks the European document, exemplifies artwork through a lack of reality, then returns it by spending it-sending it flight for circulation. By defacing the euro, he expresses his dissatisfaction for the economy to share in the hands of others. The graffiti euros have successfully branched all over, showcasing his depiction of this noise that Greece faces.