With over 12 years of experience, designer and art director Diddo Velema has worked with a diverse range of clients, such as LABORATORIVM and Modernista!. Having taught at the School of Arts in Utrecht, Netherlands, and having contributed to various international projects like Frank Gehry’s Sentosa and UNESCO’s ICAT project in Costa Rica, Diddo just recently started up his own studio in Amsterdam. He aspires to blur the boundaries among art, design, architecture, fashion, photography, product design, etc. as often as possible. And he does it so phenomenally!
German hotel owner Michael Bonner has transformed a 600 square meter vacant warehouse into Base Camp Bonn Youth Hostel, an indoor landscape of 15 refurbished and themed caravans. Each caravan’s space is uniquely detailed and designed to reflect a particular era or theme, such as the “Hausboot,” “Flower Power,” and “Big Ben.” The hostel also plays host to two U.S. airstreams and two German railway cars that can accommodate small groups. This concept creates a charming community space for guests from all over the country. Prices vary per size and sleeping capacity, but start at EUR 54 per night. (via design boom)
Armed with his rake, a rope, an active imaginative and a willpower that will impress you, Andres Amador creates incredibly detailed ‘sand paintings’ around the coastlines of California. Creating designs that can reach up to 100,000 feet, he uses nature and his surroundings as inspiration and starting points for his large scale organic patterns. For the larger geometric patterns, he uses a rope as a compass to steady the design – but in general Amador loves to emerge himself in the act of creating and allows the artwork to grow without too much direction. Starting with a rough sketch in the sand, he makes sure he begins the process on either a full moon or at the very least, a low tide.
He works quickly and efficiently, completing most designs in around 2 hours. Depending on the beach constraints and the tides, he can take longer and can concentrate on perfecting the shapes and forms. Amador says he uses the contrasting shades of the raked sand, and non-raked sand to make designs that can resemble dried mud, honeycomb, flower buds, fern fronds, snail trails or snowflakes.
Used as a means of meditation, solitude, focus and reflection, Amador has been raking sand since 2004 and still finds pleasure in the activity. He revels in the impermanence of the material and enjoys the challenge of creating something so quickly that will be disappear as quickly as he made it.
Something big that comes with this art is the recognition of impermanence. I create with the knowledge of the impending erasure of my efforts, often while I am working. It has turned the artform into a practice of process over product. I am always striving for the perfect photo that I can share proudly. But when I get to the beach I have already let go of that expectation and surrender to the act of creation. (Source)
You can see many videos and mini documentaries of Amador creating his masterpieces here. (Via Honestly WTF)
Toronto-based creator Alex Fischer seems to prefer images laden with layers. Each image screams with a smashing of cultures and a tearing of borders. Fischer questions ownership in a similar manner to Richard Prince. Each image shows patience with a strident attention to detail, as each pressing of images goes further and further into a world all its own.
Caio Fernandes mainly paints portraits of faces that hold an incredible amount of intensity behind them. Intensity that could be interpreted as pain, doubt, or realization. Though the intensity we feel from Caio’s paintings compel us with curiosities as to what it all implies, Caio firmly states that the paintings stand for themselves.
From Goldfinches to Rooks, artist Zack Mclaughlin creates sculptures of birds made from wood and paper, along with other mixed media. He pulls inspiration from the natural world when constructing his incredibly realistic feathered friends. Feeling a connection with each one of his birds, this labor-intensive task takes patience and skill, as the artist uses paper, a very delicate material, to create such amazing detail. Using wood for the base or body of the birds, paper lends itself to the light, airy nature of feathers. Paper is even thin enough to let light through, much like real feathers. Each feathery texture is hand cut to perfection by Mclaughlin, down to the tiniest feather, which you can see balancing on the tip of a finger.
Mclaughlin began his bird making journey when he was in the process of creating a children’s book in which the story starred a boy and a bird. Although he is also an illustrator, he sculpted the bird character in the story to better visualize his concept. He enjoyed this process and working with the materials so much, that he went on to make a huge variety of these detailed, complex feathered beings. Mclaughlin’s malleable medium choices allow him to get creative in his process. He can use different kinds of paper while creating the birds, which is why one of his birds has wings made from book pages, displaying words on each feather. His birds range in color, size, and type, which include a large, white owl all the way down to a tiny hummingbird. Mclaughlin also constructs these bird beauties into lighting and even mobiles. You can find his majestic birds on his Esty page. (via Bored Panda)