When you take a look at Jazmin Berahka’s work you’re transported back to a time where craft was key. Her intricate embroidery drawings are flawlessly made, full of pattern, detail and distinct personality. You can clearly see how much thought and care she puts into each of her pieces. Her series range from shy girls with delicately patterned garments, to more abstract works showcasing her embroidery skills. Whichever you prefer, her work is definitely worth a good long look.
You don’t want to eat that, trust me. Each of these sculptural creations is made up of equal parts reclaimed wood, time, and toil. These handcrafted wall mounted bas reliefs are the speciality of Ron van der Ende, an artist based out of Rotterdam, The Netherlands. So barring a peculiar taste for splinters, don’t chomp on that meaty morsel. Do, however, take a closer look at these works after the jump.
Megan Leonard has a nice variety of photographs on her Flickr page but I keep going back to these images of the above model. At first I thought that this was Megan herself but looks like it’s not. Perhaps it’s Megan’s BFF, a favorite model, or even a muse. Either way I was drawn to the blank expression in all the shots.
Nils Karsten probes memories of childhood and adolescence to combine iconic images from pop culture, early British and New York punk, revolution (Baader-Meinhof), war (Vietnam) and even alien invasion with surreal and fantastic utopian vistas. The artist approaches these themes in several distinct ways, each influenced by his proximate relationship with the music and social upheaval of the 1960s and 70s.
KKK robes recreated, bullets shot on purpose on white paper, a video pointing out the current incarcerations and lynching images depicted on a throw.Paul Rucker’s exhibition is comprised of texts, a video, quilts, textiles and installations. All with the aim to tell stories that will shock, question and reflect on America’s police violence. According to Paul Rucker, it’s an ongoing process, hence the title of his exhibition: ‘Rewind’.
The artist’s vision is plural. The exhibition translates a dramatization of how the history of racism is affecting our present lives. The Klan robes are made out of new fabrics to strike and draw curiosity. He is using powerful symbols of racism to lead our current society to communicate and debate. His subjects are intentionally provocative. When he stitches killing images on throws that are originally suppose to bring warmth and comfort, he is deliberately choosing to oppose two major elements: life and death. In a ten minute video, he represents the 2.3 million people currently imprisoned on a map. The use of different color make the rendering visually more effective and speaks a greater deal to the eye.
Another series consists of shots on pieces of white paper. They are created with a pistol and are named by the city and date of the event. The artist runs a series of statistics and unveils that a number of unarmed individuals were shot by the police. Once again Paul Rucker wants to make a visual impact. Instead of explaining and narrating a story, the shots on the white papers create tension. It’s an effective summary of a thousand words.
The purpose of this exhibition is to make a clear testimony on what has happened, is happening and will, undoubtedly happen again in the future. Paul Rucker’s ‘Rewind’ exhibition is displayed at the Baltimore Museum of Art until November 15th 2015. (via huffington post)
Among abstract, disarrayed brushstrokes; faces emerge. Meredith Marsone depicts pure and flawless bodies and faces. The characters, calm and haggard; holding onto impalpable silhouettes are merely looking at us. The expressions on their faces translate deep and intense feelings.
New Zealand based artist Meredith Marsone uses oil paint to blend irregular lines and portraits onto a board. The features are perfectly detailed and their skin is softened, giving her subjects a subtle glow. The palette of colors is comprised of pastel tones. Rose, ochre, washed out browns, the shades coalesce with the nudes of the bodies.
The evanescent stream of flesh disappearing into the layers of paint are reminiscing of Klimt’s art. An influential source of inspiration to Meredith Marsone’s work.
The feelings encountered when looking at the paintings come close to sadness and melancholy. In the ‘Loveloss’ series, a woman and a man are holding each other, as if they only had few seconds before they being a part. We are looking in ’Intimate Series’ at snapshots of a woman’s delicate expressions. Her eyelashes, lips and look confer a strange aura to the whole picture. She seems to be out of this time, not present. We are drawn into her soul, terribly attracted to the moment she’s in, wondering what she could be thinking about and what could possibly bring her back to us.
Meredith Marsone’s series will be displayed as part of group shows at Haven Gallery in Northport NY until December 23rd 2015. And at Smash Gallery in San Francisco until January 2nd 2015. (Via INAG)
While the work of Lithuanian photographer Neringa Rekasiute ranges from surreal scenes of fantasy to eccentric portraits, each photo illustrates a prevalent theme of her oeuvre: an admiration and appreciation for the female form. Thus, it is no surprise that Neringa has teamed up with writer, journalist, and actress Beata Tiskevic and communications specialist Modesta Kairyte to create We.Women, a female-centric photographic series.
Inspired by theories of feminism and discouraged by Lithuania’s apparent and prevailing cult of beauty, Neringa, Beata, and Modesta imagined We.Women as an empowering response to the impossible standards of beauty projected onto women.
Using Beata’s Facebook page as a platform, the trio invited women with self-esteem issues to assist them with their project by partaking in a harrowing task: standing before a mirror, shedding their clothing, and allowing their bodies and consequent reactions to be photographed. The results—twelve black-and-white photos accompanied by a personal memoir written by each woman—are captivating and relatable, with the heartaches at hand spanning “anorexia, bulimia, breast cancer, vitiligo, depression, fat-shaming, and skinny-shaming,” as well as additional mental health perils and even cases of domestic abuse.
Deemed by Neringa as “a healing experience,” We.Women has undoubtedly aided the creators in their objective to spread awareness and, subsequently, to bring women together: “I just want women to feel united,” Neringa divulges, “I want us to feel bonded.” (Via Bored Panda)