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Radek Drutis

Radek Drutis has a nice collection of album artwork he’s done along with some illustrations he’s done for various magazines.

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Stephen Ives’ Mr. Dictator Head

I’m absolutely loving this series of of dictator sculptures by Stephen Ives’ based on everyones favorite toy Mr. Potato Head! Saddam Hussain, Stalin, Kim Jong II, Lenin, and even Hitler call all be made with the removal and addition of a few pieces. Now you can have playtime and pretend to be an evil dictator all at once!  More dictators and other amazing sculptures based on toys after the jump!

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Wendy White And Five Other Artists Deconstruct Text In Paintings

Wendy White

Wendy White

Feodor Vornov

Feodor Vornov

Glenn Ligon

Glenn Ligon

Jose Parla

Jose Parla

Text phrases, words and letters abound in contemporary art, ranging widely from direct witty phrases to text that has become illegible in its adaptation.  With increased crossover between different fields of art, the craft of editing text in literary arts is a skill and practice that has been incorporated into the visual arts more frequently.  Jenny Holzer is an artist who comes to mind in this regard.

However, in this article I am examining the other polarity of text in art.  As an artist who regularly uses text in my own art work, I am always interested in discovering the ways in which other artists step beyond the all too prevalent witty-one-liner on the wall into an artistic language that is far more expansive and uniquely cultivated.  The artists included here demonstrate the beautiful grey area that emerges between abstract painting, graffiti, constructivist painting and the written word, to name a few.  Here text becomes a vehicle for additional forms of communication, used as a foundation to expand upon with the artist’s particular vision or agenda.

Wendy White, Feodor Voronov, Glenn Ligon, Annie Vought, Jose Parla and Jel Martinez are all artists whose work takes text and language and pushes way outside the box.  Wendy White’s use of the lines and structure of letters themselves is deconstructed and echoed in lines that emerge within her abstracted and color washed work.  In the images of her work shared here, I particularly love the way in which she goes beyond the canvas in architecturally reconstructing the text-like elements along the border.

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Oil Paintings That Confront Playful Vapidness In The Wake Of Communism

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Teodora Axente is associated with the Cluj School, a group of Romanian artists making work after the 1989 Revolution, which ended Nicolae Ceausescu’s communist regime.

There is a dark sense of carousing in her work which examines the question of boredom in a secular world. Left to his or her own devices, Axente’s adult figures conjure up spirits or flights of whimsy in seemingly childlike ways, often seeking solace in shiny and tactile objects such as tinfoil, plastic wrap, or furs. However, translated to a non-secular world, each stroke Axente makes seem satirical or political, consciously examining religion or capitalism.

According to the artist, this dichotomy is the exact intention: “One of my concepts is to transform a real fact into a game . . . It is all about play from my perspective, the playfulness is more than a world of novelty in which everything happens and is reconstituted because of the freedom to act, to think.”

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Red Poppies Flood Like Blood From The Tower Of London Commemorating WWI Centenary

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Ceramic artist Paul Cummins and stage designer Tom Piper collaborate to create a stunning installation commemorating the centennial of the First World War. A scarlet sea of 888,246 ceramic red poppies will be “planted” around the Tower of London. Titled “Blood Swept Lands and Seas of Red”, the installation pays tribute to soldiers who perished during the war.

For the past few weeks, volunteers have been carefully placing the flowers all around the famous dry moat around the Tower. Poppies burst through one of the windows and then flow loosely, forming an arch over the footbridge to the castle. Each poppy represents a soldier from the United Kingdom and its colonies who was killed during WWI. Cummings says he was inspired by a line in the will of a soldier from Derbyshire.

“I don’t know his name or where he was buried or anything about him. But this line he wrote, when everyone he knew was dead and everywhere around him was covered in blood, jumped out at me: ‘The blood-swept lands and seas of red, where angels fear to tread.’ I believe he meant the angels to refer to his children.”

Poppy is considered a flower of remembrance in Britain. The reason is because most of the soldiers died fighting in the trenches in the poppy fields of Flanders.

The blooming field will continue to grow throughout the summer. The final flower will be symbolically planted on November 11th, Armistice Day. The ceramic blossoms are for sale for £25 ($42) each. 10 percent of the proceeds go to benefit six different charities. You can find out more about the project by following the #TowerPoppies hashtag on Twitter. (via Colossal)

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Video Watch: Niels Shoe Meulman’s Giant Water Calligraphic Graffiti

Watch this video of graffiti/calligraphy artist Niels Shoe Meulman create a giant piece of ephemeral calligraphy with a mop, 5 gallons of water and a rooftop canvas. Full video after the jump!

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The Cookware Sculptures of Adeela Suleman

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The art of Adeela Suleman is built of common cooking utensils found in her home of Karachi, Pakistan.  Suleman utilizes objects such as strainers, measuring spoons, tongs, and enamel pots among many others.  While many of her pieces appear organic, others seem to be a form of armor or helmet.  She juxtaposes traditionally domestic tools with the appearance of items of aggression and physical protection.  Perhaps, a reminder of physical abuse directed against women as well as the absurdity of violence.

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Simon Schubert’s Eery Elegance

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Simon Schubert creates an austere brand of hauntingly elegant forms that remind me of the creepy twin scenes from The Shining, minus the oceans of blood-bath (though somehow, is simltaneously implied.) They straddle the realms of design, human and esoteric form, at home either in some avant-garde London hotel for millionaires or some strange fun house carnival.

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