Dutch artist Art Van Triest plays a dangerous game. He encourages people to break the law, just by fitting a jigsaw puzzle piece together. After tracking down different weapons that are illegal to possess (Kalashnikov, Pistol, Machete), he uses a water cutter to splice them up into traditional jigsaw puzzle piece shapes.
For Triest it is important for the work to be made out of an actual weapon, and for the person solving the puzzle to be committing an illegal activity. He tells The Creator’s Project:
According to Dutch law, it is illegal to have any object that can be mistaken for a weapon, even when that weapon it is no longer useable… [to possess] a non-working gun-like object is already prosecutable. As an artist I think it is interesting to create work that embodies a kind of friction, an object that is at once a toy and a weapon. (Source)
Triest creates many different games and playful art pieces he wants the audience to interact with. He aims to change how people perceive everyday items they would normally avoid. In one piece (Dubbellloops / Shake Hands) he has welded two guns together and asks people to hold one trigger at the same time, as a method to ‘get to know each other’. In his installation Platoon, he places visitors looking directly down the barrel of a firing squad and has lasers following them around the space. Exploring the border between ‘object’ and ‘weapon’, Triest turns normally dangerous items into harmless, even playful ones.
Exploring turning other unsuitable objects into puzzles, Triest has a bright idea for his next project, that I’m sure will attract a lot of curious people wanting to solve it.
Last but not least is Polish artist Wojciech Kosma who spent took some birthday shots with us last Friday. Wojciech lives between Berlin and London, working between art and composition. His artworks and performances are often spatial, sonic, obliquely interactive and poetic, creating speculative aesthetic interventions and oft times deal with pain and endurance: how long an audience can extend their short attention span to “endure” an image that does not change drastically, how long a female performer could perform the act of oral sex on a microphone, or how to “Count down and come or fail to come on one.” Wojciech’s answers were brief but to the point, you can check a more in-depth interview by Johanna Reed (who performed his piece Friday night).
The best Intervention episodes are always the really odd ones. Meth addictions are a dime a dozen, but M&M addictions are something to talk about! Artist Rena Littleson-Montenegro appears to be drawing the usual photorealistic, tortured souls, but by pairing her subjects with bottles of ginger ale and blood thirsty toy dinos she gives the concept a refreshing and playful spin. And the extreme foreshortening really lends these binges that the-first-step-is-admitting-you-have-a-problem sense of urgency.
Ángela Lergo is a Sevilla based artist specializing in sculpture and set design. Much of her work is centered around the human body and its evocation and relationship to its environments. Her background in set design has allowed her to play with the way space, lighting, and sculpture arrangements contribute to a particular atmosphere. Though the works are sculpted and stationary, they evoke a hint of performance in their presentation. Using human figures as a mode of expression, Lergo creates dream-like landscapes and resonances that are both poetic and emotional. Lergo uses a variety of materials for her installations, including ground stone, polyester resin, epoxy resin, wax, LED lights, video, sandstone, aluminum, feathers, industrial containers, and black oil.
Treasure Hunt “Treasure Hunt is based on the artist’s childhood memories. Lee devoted three months to crafting the lush multitude of wire leaves – it evokes a child-like wonderland.”
South Korean artist Jee Young Lee spends weeks and even months converting her work space into an elaborate tableaux which the artist then photographs (and never alters with computer after effects). In a Seoul studio measuring smaller than 12′ x 13.5′ x 8′, the artist creates intricate scenes, employing various materials, and camera tricks to create narrartive photos which reference fables, cultural metaphors, and stories personal to the artist herself.
According to curator Hyewon Yi “Lee’s constructed realities belong to the “directorial mode,” employed since the 1980’s by Postmodernist photographers in repudiation of the Modernist practice that sought truth in the everyday world. Lee’s “constructed image photography” may be compared to the works of German sculptor and photographer Thomas Demand…U.S. installation artist and photographer Sandy Skoglund’s orchestrated room-size installations. But in contrast to these earlier artists, Lee’s subjects are deeply personal and intensely psychological. Drawing upon prodigious powers of imagination, she labors for months to create effects that seem to expand and contract physical space. And always, a lone figure inhabits and completes her narratives. Jee Young Lee assumes the roles of set designer, sculptor, performer, installation artist, and photographer – and she executes them all magically.”
OPIOM Gallery in Opio, France will be presenting Lee’s first European exhibition, a selection of her ongoing body of work called Stage of Mind. The exhibition opens February 7 and runs through March 7, 2014.(via mymodernmet)