I don’t know much about photographer Germinal Roaux because his Wikipedia page is in French, but just the fact that he has a Wikipedia page is good enough for me. Not to mention his lovingly rich black and white photos. They look like I could scoop them up with a butter knife and smooth them over my morning scone. From ballerinas to rock stars, Roaux wraps each of his images in his own special blend of spellbound.
While in Dubai & Sharjah I had the chance to see some amazing arabic and persian calligraphy. If you’ve ever been into typography or graffiti you will surely walk away from this region with a renewed appreciation for the amazing calligraphy you find around every corner.
For her frightening and beautiful portraits, the artist and designer Tamara Muller uses her own face, pasting it atop various haunting figures. Within the context of these crudely drawn bodies, her features, seen over and over again, take on an uncanny, trance-like quality, allowing them to collectively span her entire lifetime from girlhood to the present. Within this expressionistic realm, the barriers between childhood’s innocence and the guilt of adulthood are disturbingly blurred to create a narrative where play and fear work in tandem.
Muller’s faces leap dizzyingly through the ages: baby, child, adult, blurring the lines between male and female in the process. A seemingly incomplete rendering of the bodily form appears to the post-Renaissance eye as primitive or childlike, creating a cognitive and visceral tension with the heavily weighted heads, which are given a disproportionate depth and dimensionality. For this reason, the fleshy, flushed faces seem dangerously precarious, as if they were too psychologically burdened to rest comfortably on a naive and doll-like body.
In a realm where child self and grown self live side-by-side, an uncomfortable eroticism emerges, carrying with it the guilt of innocence lost. In one image, a woman bears her naked breasts, her head taxed with the weight of a baby face robbed of her body. In another disturbing piece, a young girl sits on a rabbit, normally a symbol of fertility and sex, baring her disturbingly youthful genitalia. A woman holds a younger version of herself, and the latter’s body wilts, rag doll like. In these powerful images, it’s unclear who is haunting whom; is the grown self plagued by her childhood, or is it the other way around? Take a look. (via HiFructose)
Jacek Yerka is a Polish painter whose work melts pastoral beauty into worlds of fantasy and psychedelic dreams. Featured here is the series 4siders, wherein the four “walls” of each scene have been staged and fused together to create multidimensional spaces; rotate the images, and a different room (or landscape) appears. In “Budoir,” for example, the furnishings of an entire house loop dizzyingly around each other; in “Four Seasons,” a lonely bungalow slides from winter’s chill to spring’s awakening while the eye is drawn to the uniting, empty sky beyond. Both logical and disorienting, the 4siders paintings demonstrate how slight shifts in perspective can alter our notions of the rational world.
Blending the classically creative styles of Bosch and Bruegel with reality-bending contemporary art, it is no surprise that Yerka has achieved much recognition in the world of fantasy art — fantasy, after all, derives from a melding of history with the outer edges of the imagination. Some of Yerka’s genre-related accomplishments include collaborating with fantasy author Harlan Ellison in the compositions of Mind Fields (a collection thirty short stories accompanied by Yerka’s surrealistic paintings), as well as the notable reception of the World Fantasy Award for best artist in 1995.
Yerka currently lives in rural Poland with his family, where he paints his immersive dreamscapes in the shade of an “old and mysterious” apple tree (Source). You can learn more about his work on his website, Facebook, and Twitter. (Via Fubiz)
We here at B/D think product design is an important aspect of the design and art spectrum because product designers create the objects we live with every day. Artfully designed objects can make your life easier, or in this case brighter, and look good doing it. At first glance this looks like your classic metal pendant lamp, but it’s made of rubber that you can squish! This unexpected element and the bright colors are why we love this Pendant lamp by Form Us With Love for Muuto, if you love it too, it’s available at A+R, click here.
Matt Root combines old star atlases with religious and cultural icons, presenting them as shrines or monuments. Through these images he asks questions of identity and ownership within the American landscape. Currently Matt has been focused on objects that symbolize the cultural conflicts of life on the US/Mexico border and Arizona’s tenuous relationship with reality.
Four months of exhausting hard work in an abandoned area with no sun just artificial light. The final result, a stop motion movie with no digital effects where everything is handmade. everything is handmade. Over 5000 pictures were processed with an average of 15 per second to make this come alive! By Quintessenz Creation.