Ryan Kenny’s photos seem to be about quiet moments of youthful exploration. Like those days when the city just boils over and you head up to Ojai to catch your breath for an afternoon. You and your favorite people are driving through those oak trees and no one’s really talking but that’s how it needs to be. These images are like that–catching your breath.
Rebecca Ward lives and works in Brooklyn, NY. She uses miles of colored tape to transform white exhibition spaces into dynamic rooms with vibrant intersections. The nature of the medium results in a temporary transformation and adds to the importance of in-person viewing. From her bio: “Ward frequently works with tape installations whose primary concerns are colour and space. Tape adheres to the gallery’s ceilings, walls and floors converging with the architecture. This perceptual play of colour, texture and light is set into motion by the viewer’s interaction with the work.” (via)
Last year, we featured the work of Dutch artist Patrick Bergsma. Featured today is a selection of his newer works, which demonstrate his endless creativity in sculpting floating, post-apocalyptic homes. Appearing to defy gravity, old ramshackle buildings painted in rustic shades meld with rock formations and elaborate root systems. Bonsai trees sprout from the top, creating darkly beautiful habitats for tiny, marooned people; a helicopter lands perilously atop one, and on another, a girl kneels pensively amongst the roots of a dead tree.
Aside from being objects of imagination and extreme detail, many themes seem to be occurring throughout Bergsma’s sculptures, such as the reclaiming power of nature; trees appear to be taking over the ruined buildings, returning the small, blasted fragments of earth into a more natural state. There are also dual feelings of sorrowful entrapment and isolated simplicity; the inhabitants appear lonely, but their quaint living spaces are also beautiful and calming, referring to a simpler way of life. Whatever your response to Bergsma’s sculptures is, they each tell a story that will pique your curiosity.
Richard Colman will be displaying new paintings, sculptures and site-specific installations at New Image Gallery for his exhibition “Keep Out The Light,” opening this Saturday, May 22nd. Fusing a vibrant palette, super-flat pop sensibility and geometric ephemera, his work are like mandalic inscriptions for millenial worship.
Liz Insogna‘s Afterlife draws from Greek mythology surrounding the realm of Hades. Two bodies of water, Lethe and the Pool of Memory, offer dead souls a couple of options in how they want to handle their past life’s memories when reincarnated. Common souls flocked to Lethe to wipe the slate clean. For those who resisted the temptation of Lethe and convinced the guards to let them pass, the Pool of Memory promised knowledge of past lives as well as the future well into your new life.
It’s a rich territory that Liz Insogna explores with dream-like watercolors and oils, lingering, swirling and fading near subjects that seem despondent.
Sarah Roesink from across the pond in London, photographs her surroundings. We really enjoy her series, as they seem to be so… not spontaneous, but .. normal. In a good way. Like she takes her camera and her skills with her wherever she goes and photographs with a series in mind that she decides while she’s walking past a field.
Amy Boone-McCreesh’s sculptures take inspiration from celebratory and funerary displays found in various cultures. They also remind me of birds nests if they were dipped in fluorescent paint. Her drawings are great as well.