Artist Aki Inomata asks “Why not hand over a “shelter” to hermit crabs?” and this is exactly what she does. Inomata carefully scanned the structure of shells used by hermit crabs and took note of their specific needs. Then using 3D modeling software she created new “homes” for these crabs. Drawing a connection between humans and the hermit crabs, Inomata decorated the shells with human structures and dwellings. Somewhat similar to humans, the crabs out grow their shells and must look for new shelter. The project underscores the basic need of a place to live, regardless of the seeming complexity behind the issue.
A drive in movie theater and its silver screen. The scene looks real: parked cars, dim-lights, sunset and in the background a celebrity playing her best role. Andrew Valko is fooling us. The scenery could have been mistaken for a photography of a painting representing a celebrity. The artist is used to depict fragmentary narratives in hyper realistic paintings. Marilyn Monroe, Audrey Hepburn, Amanda Seyfried, Angelina Jolie or Anthony Hopkins are taking part of this set up.
Andrew Valko creates a glowing contrast between the portraits and the surroundings with details meticulously painted. Playing with the flare and shadows of the street and car lights accentuates the expressions on the faces. Each painting represents a different parking lot with a different background. The feeling of nostalgia due to the context is palpable. There’s a will to go forward, represented by the contemporary actors. Yet the old school drive-in scene is taking us back to the past.
In the artist’s paintings, our eyes take turn alternatively as viewers and voyeurs. We start off as being the viewers, as if we were participating in the scene, comfortably watching from our car. And we quickly become the voyeurs; standing afar from the whole scene, watching the viewers watching the movie. This juxtaposition is interesting in the work. Clearly Andrew Valko manipulates us until the end. Therefore we could investigate and go as fas as wondering if the use of Hollywood stars is a pretext to entice us into the paintings. (via Design Boom)
Jerusalem-based industrial designer Naomi Kizhner created a series of sci-fi jewelry than harvest kinetic energy from a human’s body and turns it into electricity. Titled “Energy Addicts”, Kizhner’s graduation project addresses world’s forthcoming energy crisis. Her jewelry is an attempt for an existing renewable energy source that hasn’t been tested yet.
“It interested me to imagine what would the world be like once it has experienced a steep decline in energy resources and how we will feed our energy addiction. There are lots of developments of renewable energy resources, but the human body is a natural resource for energy that is constantly renewed, as long as we are alive.”
The jewelry is made from gold and 3D-printed biopolymer. Each piece contains sharp stings that neatly pierce the skin and serve as bio energy harvesting devices. The energy is generated from the body’s subconscious movements, such as blood flow or blinks of an eye. Kizhner created several designs to be worn on different body parts and to draw energy from specific physiological functions.
According to the designer, technology is not too far from turning these ideas into reality. However, she argues that the important part lies in human psychology: “<…> Will we be willing to sacrifice our bodies in order to produce more energy?” asks Kizhner. With her project, artist yearns to provoke people and spark the discussion on our possible future. (via Dezeen)
Christina Mrozik is a modern day Audobon following in the footsteps of other talented contemporary painters such as Tiffany Bozic. but what separates Mrozik from the rest is the quiet darkness that looms around each and every one of her delicate paintings. Whether it’s vulture like birds with their beaks tied together or a partially skinned wolf guarding a cracked egg these paintings delve into the underbelly of the natural world with a surreal and macabre flare.
Opening tomorrow, September 27, is Chinese artist and activist Ai Weiwei’s exhibition @Large in the former San Francisco Bay prison, Alcatraz Island. The sculpture, sound, and mixed media installations are staged in four locations throughout the space: the New Industries Building; a group of cells in A Block; the Hospital; and the Dining Hall. Ai’s work inside creates a dialogue about how we define liberty, justice, and individual rights.
In 2011, Ai was secretly detained by Chinese authorities for 81 days, and is still not permitted to travel outside of the country. He was unable to visit Alcatraz during the planning of the show and was developed in his studio with the help of the FOR-SITE Foundation.
There are a variety of pieces in @Large, including Trace, which is 176 portraits of political prisoners and exiles made from LEGO blocks. The impressive works began at Ai’s studio in Beijing and were completed in San Francisco by a team of 90 volunteers. Cheryl Haines, the exhibition’s curator told the San Francisco Chronicle, “I’m overwhelmed by how remarkable it looks. This is the face of the individual in the fight for freedom, but it’s also a collective statement and to see the density and quantity of people that are incorporated in this work, I find deeply moving.”
In addition to Trace, there are six other themes: With Wind, a giant traditional Chinese dragon kite; Refraction, stunning metal wings; Stay Tuned, sound installation that occupies 12 cells; Illumination, the sounds of Tibetan Buddhist and Native American chants; Blossom, fragile floral bouquets; and Yours Truly, where visitors can write postcards to prisoners. (Via FOR-SITE and Artnet)
British artist Matt Williams A.K.A Uberkraaft should be renamed Uberkool! He’s got a beautiful portfolio full of ultra detailed black and white illustrations as well as perfectly colored pieces that are bold but not too pushy. More visual eye candy after the jump!
Polish photographer Pola Esther takes us behind the scenes of the concert film of the K-Pop world’s hottest band, Big Bang. Although the South Korean band’s five infamous members star in this film, Esther has turned an eye onto the bad girls that steal the show. The unforgettable women in the film include Gia Genevieve, Stephanie Shiu, TK, and Briana Michelle, and cameo appearance of James Goldstein. The photographer gives us a glimpse behind the scenes us of the powerhouse characters on set.
The creators of the film, Dikayl Rimmasch and Ed Burke, have had their hand in cinematic music videos before. They also collaborated on Jay-Z and Beyonce’s film “Bang Bang” featured during “On the Run” tour which has a similar film noir feel as the Big Bang’s film. The film’s unmistakable style pulls inspiration from American mythology. This incredibly dramatic film portrays the group in high-speed car chases, like that of the Fast and the Furious, and Tarantino-like scenes similar to Reservoir Dogs that are full of high tension. Esther, now based in New York City, has a photographic style that fits together perfectly with the seductive qualities of the film directors’ approach. Her work takes us one step deeper, showing us a little of whom these bad girls are in the film. Each photograph holds a sense of classic mystery, with the flair of old Hollywood. Make sure to check out more of Esther’s captivating and sensual photographs on her website.