I’m completely blown away by these photographs by Maciek Jasik. They look like a gradient filled world where we all can fly through the air as long as we’re naked.
UK-based artist San Pierre has a slightly unorthodox method when creating his work. Instead of displaying a simple image in a frame, he draws designs over top of the print with threads that are secured with nuts and bolts. These intricate, criss-crossing strings form delicate shapes that alter how the viewer interprets the image. Depending on the depth and color of the strings, the artwork might appear diffused or distorted with geometric fragments.
Pierre’s use of thread adds not only a physical layer onto his work, but a conceptual one as well. His piece titled Discontent No. 6 (top two images) features a dark figure who looks as though they’re trying to gingerly find their way. With the technicolor strings, however, it now reads as a barrier or a wall. Instead of freedom, this being is trapped. (Via My Amp Goes to 11)
Gestural fluid abstraction and geometric patterns usually don’t well together but Kent Michael Smith has figured out a way to make them live harmoniously on the same surface. By using resin inbetween layers of paint he manages to combine these two disparate forms of mark making that reference Nascar color schematics, hunting gear, camouflage, and graffiti.
Stephanie Tillman‘s designs match a subject, often an animal or two, with a matter-of-fact line of text. She applies the imagery to postcards and prints, but the embroideries are the most successful in capturing a sense of earnestness behind them. All handmade by the artist herself, each piece is permanently glued to a flexihoop — such a great touch as a frame — and finished with fabric to hide the stitching on the back. Available through her Etsy store.
Star Wars is a popular franchise that spans decades, so it’s no surprise that it has crept up in many artists’ work. We’ve seen it in paintings, expressed through Legos, and it’s even influenced engagement rings. Clearly, the fictional story has resonated with many. Cedric Delsaux can also count himself as someone who finds inspiration from Darth Vader, droids, and the vehicles made famous in the films. He’s expertly inserted Star Wars characters into desolate urban areas that look abandoned and dismantled. The results are images both poignant and haunting; and, given what we know about the characters, Delsaux sets the scenes for alluring narratives that are like a suspenseful novel. Something is going to happen, but we aren’t sure what.
His bleak and stylish works have caught the attention of many, including George Lucas himself:
Over the years, many artists have interpreted Star Wars in ways that extend well beyond anything we saw in the films. One of the most unique and intriguing interpretations that I have seen is in the work of Cedric Delsaux, who has cleverly integrated Star Wars characters and vehicles into stark urban, industrial – but unmistakably earthbound – environments. As novel and disruptive as his images are, they are also completely plausible.
When Philadelphia-based artist Drew Leshko cycles around his neighborhood, he can’t help but look at the buildings, windows, doors, posters, trash cans and signs around him in a very different way than most people do. For him, they are the beginning of his next project – shrinking them into miniature replicas of themselves on a scale of 1:12. He cuts, glues, builds, layers, and sculpts 3D versions of different store fronts from wood and paper. Leshko says his art form is a way of preserving and archiving the condition of the buildings on his street, the rate and speed of gentrification and also comments on what people consider worth preserving, and what is worth destroying.
His paper sculptures are nostalgic of a time past; a look at his local life when he was younger; a recreation of what was. He has created versions of his grandfather’s camper from the 80s, a local church, a strip bar, a cigarette outlet, a deli, dumpsters, even vending machines. The accuracy of his miniatures and the attention to detail are what make his sculptures as impressive as they are. He even paints rust on over the old gutters or windows and puts acid rain deposits on the footpaths.
Leshko has not only been busy making building facades and details, he has also turned his attention to replicating campervans.
The buildings are huge undertakings and take a lot of time and patience. So I began to think about some smaller sculptures I could make, but most importantly, what type of objects can be constructed of paper? I started to think about tractor-trailers, vans, food trucks, and similar vehicles when I landed on camper trailers. My work has always included commentary on the temporal nature of things, so the transient nature of “RV culture” fits right in to that idea. (Source)
Leshko’s celebration of a particular moment in time is a good reminder to appreciate the way things are in our own neighborhoods – because they will certainly be changing, for better or worse.
Make sure to come early to grab a seat as this event will fill up!
The Marc Jacobs & Louis Vuitton documentary kicks off a month long series of free outdoor screenings at Space 15 Twenty, hosted by Beautiful/Decay Magazine.
The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair!
We kick off with Loic Prigent’s behind-the-scenes documentary, “Marc Jacobs & Louis Vuitton” (2007) delving into Marc Jacobs’ busy creative life, and featuring appearances by Victoria Beckham, Uma Thurman, Demi Moore and Sofia Coppola and other fashion-forward Hollywood starlets. This documentary is not to be missed if you are a fan of fashion.
Drinks, Snacks and Popcorn are available at SnackBar.
Marc Jacobs & Louis Vuitton – Wednesday May 6th
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
Gorgeous paintings by San Francisco based Seamus Conley.
“In my recent body of work the visual elements of Sci-Fi and point and shoot photography intersect. The resulting overlap of vivid imagery evokes the idea of parallel universes and alternate versions of ourselves. These other worldly landscapes are inhabited by “mall chicks and misfits” and conjure up questions of how we connect with these hypothetical figures. I like working with opposites, conflicting genres, and subjects from polarized sides of the social scale. I find that when you interweave contrary ideas, it gives a perspective on how strange it can be in present day life.”