Tokujin Yoshioka is one of the more famous contemporary artists today, even if his website’s bio modestly (or jokingly) claims “His works, which transcend the boundaries of product design, architecture, and exhibition installation, are highly evaluated also as art.” His current career retrospective at Museum of Contemporary Art Tokyo is titled Tokujin Yoshioka_Crystallize, a play on both the artist’s tendency to utilize both light and crystals in his work, as well as the idea of the alternate definition of crystallizing, meaning to give form to.
The exhibition, which is Yoshioka’s largest solo show to date, consists of well-known and previously un-shown pieces, though certainly centers around the immersive sculptural installation, Rainbow Church (pictured above). The installation is forty feet tall and consists of 500 light-refracting crystal prisms which project rainbow hues in the gallery space.
In a description of the piece for Fast Company, Margaret Rhodes describes the work, “The spare aesthetic doesn’t make it easily apparent, but Rainbow Church is influenced by an experience from his early 20s, when he visited Henri Matisse’s Rosaire Chapel in Vence, France. “I had a mysterious experience of being filled with overwhelming light and vibrant colors,” the artist says in a press release. “A dream to build architecture like this chapel came up to me strongly.” In a departure from the tangible materials he’s used in the past–foil for chairs, feathers for a snow-themed art installation–he’s building with light, the most ephemeral material of all.”
Other works also utilize the ethereal qualities of refraction, such as Ray of Light (below) also emits a rainbow glow, this time via a transparent crystal structure. The gallery walls are again activated by the light, as the gallery space is changed by the sculpture itself. (via designboom and fast company design)
This incredibly detailed newspaper art or “lace newspapers” are the work of Canadian paper artist Myriam Dion. Using an Exacto knife and a surgeon’s precision, Dion creates intricate lacey shapes using existing text images from newspapers, cutting out white space and leaving some of the paper image in tact. The results are beautiful new images that have been completely transformed through Dion’s skilled paper cutting and fine attention to detail. She creates other deconstructive work, like her ornate burned photograph series.
Dion is currently working on a masters degree in visual and media arts at the University of Quebec, and will have her work featured in a number of upcoming exhibitions, including Pulse Miami,Art Toronto 2013, and Foire en art actuel de Québec. (via colossal)
Jean-François Lepage’s fashion photography has a mysteriously surreal feel that you don’t usually find in fashion photographs. With complex non-traditional sets, makeup that is more often seen in horror films, and hand drawn line drawings directly on the photos surface, Lepage creates a world that lies at the intersection of art, film stills, theater, and fashion. (via bumbumbum)
A little while ago, I introduced you to a few artists who use cut paper as material for their artwork. Read on to learn more about today’s cut paper artists!
Ward Roberts was born in Australia and currently lives in Hong Kong and Australia. His work of quiet images depicting various lonesome landscapes are impressive. His contemporary eye has caught active locations and made them obsolete. Pretty neat.
Mia Christopher lives and works in San Francisco, CA. Her vivacious paintings are executed in an intuitive manner with a wide variety of materials. Latex, glitter, eyeshadow and more are utilized to create luscious abstractions that immediately storm the viewer. Equal parts exuberant and grim, the dichotomy of her work derives from innermost feelings that are poured out to each surface as a way to communicate and promote personal exploration.
32 seconds of symmetrical bliss courtesy of 2veinte. Watch the full video after the jump.