Not exactly art…persay in the strictest sense, I guess that’s why I filed it under New Media for lack of a better category. For example, take Sandy Paws Grooming Shop, a service “for those who are overly concerned about the dogs emotions. Cindy [the poodle] loves the attention. She will prance around and expects your attention. This is a Creative Grooming Contest and Cindy will look like this for only a few hours. After the contest Cindy will be shaved.” Some of these are kind of scary actually, like Cindy in a chicken costume (…?) looks like she formed a tumor then ran into a wall with her head…
In the year 2237, after we’ve all been forced to move to the Moon, we will keep warm with these post-apocalyptic future quilts. That is, of course, assuming rumors are proven false and the moon isn’t really the Death Star. Anyway, thats my take on London based artist Roger Kelly’s work. His pieces are not just a random collection of abstract shapes, but on close inspection, fragments of buildings, rocks, and trees all stitched together to create Kelly’s overwhelming vision.
Start your Monday and the right foot (or should I say paw?) with The Zax’s Nothing To Celebrate video which tells the story of “Peke” a mature pekingese dog and his mistress, the ‘Pink Lady’, living a lavish lifestyle and an having an impossible romance while bored to death in their pink apartment drinking pink champagne and playing all day and all night. Watch the full video directed by Ben And Julia after the jump.
Brad Spencer doesn’t just build things out of bricks, he also sculpts them into existence. Much of his work is large-scale and features human figures or elements that appear to emerge naturally and seamlessly from this solid medium. Bricks are normally used architecturally to build structures with 90 degree angles. Spencer challenges this conception by creating fluid shapes from this recognizable form. He uses a relief technique – starting with unfired clay, he sculpts the walls and figures into a brickwork pattern. He then fires the pieces separately, and assembles the entire piece on the day it’s set to display. Spencer says,
“Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment.
Projects may include bas (low) relief, high relief, full dimension free standing and often a combination. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.” (via my modern met)
“Disturb Me” is an interactive installation by The Popcorn Makers between human and his environment. It is to make perceptible the reciprocal links and often forgotten contact, that we maintain with our environment.
The projection depends on the sound emitted by the spectators and creates consequently, a transitory and colored environment. The projected forms are revealed when in contact with surfaces of the room.
Aether & Hemera’s ‘Voyage’ installation consists of three hundred floating ‘paper boats’, encasing coloured dynamic LED lights that come alive at night in the Middle Dock.
The etymon of the word ‘voyage’ comes from Latin ’viāticum’, which means ’provision for travelling’, and the aim of the artwork is to allow viewers to travel and sail with absolute freedom to all the places they care to imagine.Colourful paper boats’ on the water invites everyone to make a transition from reality to imagination, reliving childhood memories and embracing our freedom; blurring the lines between the real and hyper-real, ‘Voyage’ invites the thoughts of the visitors to cross the borders of their imagination.
Voyage installation is designed to be an interactive experience; people can engage with it and impact on the behaviour of the lights from their mobile phone. (via)
“Sitting is perhaps the most common condition from which we experience architecture. Whether we work, relax, watch, eat, sleep, or talk to each other, sitting is at the core of our relationship to buildings.”
“SEAT” is an installation in Atlanta’s Freedom Park produced by E/B Office (Ju Lee and Brian Brush). The piece involves 400 chairs assembled in a sine wave formation “drawn into an agitated vortex rising from the ground.”
The “SEAT” pavilion was organized in part by Flux Projects, an Atlanta based public arts organization. (via)