Canadian photographer Hana Pesut’sSwitcheroo series of work examines how couples start to look and dress alike as their relationship progresses. The process is simple. Get dressed in the morning, show up, and then switch your entire outfit with your significant other and mimic their pose. The result is a humorous body of work that examines sexual politics, social identity, and how we express ourselves through our clothing.
The year 1968 was a tumultuous time in America’s history, and Washington, D.C. was often in the middle of controversy. Following the assassination of Martin Luther King, Jr., on April 4, 1968, six days of race riots erupted in the Nation’s capital. Dr. Darrell Clayton Crain Jr. captured parts of the event and put them on Kodachrome and Ektachrome slides. Thanks to technology, these were scanned in to the computer and digitized. They’re now featured on the Flickr account Posthumous DCC, along with other pictures throughout the years.
If you aren’t familiar with the riots, they started as news spread about King’s death. Crowds began to gather at 14th street and U. Stokely Carmichael, an activist who had parted ways with King in 1966 and removed as head of the Student Nonviolent Coordinating Committee (SNCC) in 1967, lead members of the SNCC to different neighborhoods. At first, they politely demanded that stores close out of respect. Eventually, the crowd became out of control and were breaking windows. Widespread looting started by 11PM (as well as in 30th other cities).
Things got worse in the following days. Anger was still evident and it resulted in violent confrontations with the DC police. Buildings were set on fire. Police unsuccessfully tried to control the crowds with tear gas, and eventually the National Guard was brought in. Marines mounted machine guns on the steps of the Capitol and army troops guarded the White House. It was the largest military occupation of any American city since the Civil War.
These vintage images showcase just how bad some of the destruction was. By the time the city was considered calmed down, 12 were killed (mostly in burning homes), 1,097 were injured, and over 6,100 were arrested. The devastation to property was $27 million (over $175 million today). Some neighborhoods in DC didn’t start to economically recover until the 1990’s.
It’s a common myth that all albinos have red eyes, a myth easily dispelled by these stunning portraits by Gustavo Lacerda. Since 2009 Lacerda, a São Paulo-based fine art photographer, has been researching and approaching albinos to photograph in his studio.
Many of his subjects, used being treated as ‘outsiders’, were initially uncomfortable with the process but later felt great pride after seeing the results.
This series has been making the rounds online and three of Lacerda’s images were featured in the Pirelli/Masp Photography Collection, which honors excellence in the Brazillian photography community.
Beautifully shot videos in conjunction somehow for YEASAYER’s new Ambling Alp single. You use your mouse to pan around this camera that in the first video is propped up by all the members in unison in some sort of boxed with mirrors all around. The second video is more voyeuristic. You can move the camera around however you like- you don’t always have to be looking at what they want you to see (the band running around in a desert) so it has this first person exploration/Myst/Second Life feeling. Sort of reminds me of this Flash video Black Mother Super Rainbow did.
The photography of cooking enthusiast and photographer Brittany Wright simply and beautifully displays the natural range of hues held by various types of fruits and vegetables. The Seattle-based photographer states that she has a goal to learn how to cook everything and anything. Sharing cooking ideas and recipes online, Wright began photographing the ingredients to share as well. This love of experimentation with ingredients and flavors eventually lead to photographing the produce, starting her series titled Food Gradients. She arranges each edible item in rows, columns, and clusters according to their pigment or size, which is often attributed to the stage of lifecycle the specific food is in.
Some of the fruits and vegetables Wright chooses for her rainbows of ingredients naturally have a wide variety of colors, like apples ranging from deep reds to bright yellows. Others, however, are discolored for a different reason, because they are rotting and dying. Many of her Food Gradients brilliantly display the lifecycle of the item, showing the beginning of its life all the way to its elegant death. Because of her subject, you would think Wright’s inspiration comes from food photography, but because she sees food and cooking as a creative and artistic outlet, she finds more inspiration from abstract art. (via Faith is Torment)
” I see food as an art, and an opportunity to do something creative.”
Liz Insogna‘s Afterlife draws from Greek mythology surrounding the realm of Hades. Two bodies of water, Lethe and the Pool of Memory, offer dead souls a couple of options in how they want to handle their past life’s memories when reincarnated. Common souls flocked to Lethe to wipe the slate clean. For those who resisted the temptation of Lethe and convinced the guards to let them pass, the Pool of Memory promised knowledge of past lives as well as the future well into your new life.
It’s a rich territory that Liz Insogna explores with dream-like watercolors and oils, lingering, swirling and fading near subjects that seem despondent.