Photographer James Loveday produces beautifully polished images for both fashion spreads and his own personal projects. What strikes me about Loveday’s work is that, regardless of whether he’s photographing golden perfection or morning-after mayhem, his work maintains a richness that you can almost reach out and touch.
Floating high above the sky Patricia Piccinini’sSkywhale hot air balloon is a thing of wonder. Commissioned by The Centenary Of Canberra the massive flying sculpture that is a cross between a turtle, breasts and prehistoric fish will be making the rounds in Australia during 2013.
Here’s what creative director of the COC had to say about this project:
“Observing Canberra’s continuing love of the spectacle of hot air balloons , each autumn gracing the airspace over the national capital, I wanted to offer this highly visible ‘canvas’ to an Australian artist as a Centenary of Canberra commission. Patricia Piccinini is one of Australia’s most successful ‘sculptors’, her work seen in major collections in Australia, and a survey show broke all attendance records for the Tasmanian Museum and Gallery: she has had recent exhibitions in Nashville, Istanbul and London. Her highly imaginative work invites us every time to think about the human condition, and it was this relationship with the very concept of ‘life on Earth’ that made me think of her. Many special shape balloons have started to replicate characters or animals, but they are mostly caricatures and in the realm of kitsch, rather than art.
To my delight, Patricia was immediately responsive to the idea of her work in a new form, and insisted that it would not be a novelty, but a continuation of her ouevre and its years of investigation into the way life has evolved. This is exactly what the new work is, and we are so proud to have been able to find the resources to help this great artist make it happen. That Patricia was educated in Canberra, also makes this a celebration of the fine talent that the national capital has, and continues to produce.” (via)
Watch three fantastic videos with the artist in her studio as well as footage of the Skywhale in flight after the jump!
Alex Valentine is an artist, DJ, teacher, all around awesome guy, and a master of the offset printing medium. Offset printing is a traditionally commercial process somewhere in between digital printing and lithography that uses ink on rubber blankets to transfer images to paper, and is how magazines, cereal boxes, and Red Stripe bottles are produced. Using this process, Valentine creates layered, painterly abstractions that are intuitive and crisp, showcasing his command of color, form and transparency. His recent solo show at Devening Projects + Exhibitions in Chicago, ‘Blonder Tongue Audio Baton,’ borrowed its title from a 1950’s analog graphic equalizer and the title of a Swirlies album. And it makes sense: there’s something about Valentine’s work that indicates a stringent belief in the analog, recalling early 90s record cover design.
I am really enjoying Jane Benson’s work. One series in particular of hers I find to be quite intriguing; The Chronicles of Narcissim. Its narrative takes a closer look at people’s preoccupation with material and identity transformation as well as the tension that exists between both the natural and the artificial form of beauty. Benson was born in Thornbury, England and lives in both London and New York.
Although difficult to generalize, a common theme ties together the exhibitions currently on view at the Museum of Contemporary Canadian Art (MOCCA) and the Art Gallery of York University (AGYU). “At the Far Edge of Words” and “Imaginary Homelands” engage on some level, with the complex reflections of the artists cultural identity in relation to their exchanges with western culture, concepts of otherness, and navigating the hybrid spaces between while defining ‘home’. Rather than allowing these notions to become static, absolute, or restrictive, the artists invoke politics, humour, and nostalgia as a means to mediate their competing definitions of identity.
As a child, Jonathan Latiano found his artistic inspiration in the displays and dioramas at the Philadelphia Academy of Natural Sciences. Latiano uses his understanding of biology, astronomy, physics and geology as starting points for the creation of his work and the way he contextualizes his physical world. Created with a variety of materials, his work evokes tensions of temporality and permanence, physicality and ephemerality, destruction and creation, stasis and kinesis, and fragility and strength. “I find the poeticism and concepts of the physics of our universe simultaneously fascinating, beautiful and horrifying. The pieces that I create contrast abstracted human intuition with the reality of our natural environment. I strive to emphasize the areas that exist in-between the boundaries of defined regions. My work, in many ways, is my own personal attempt to understand my place in the physical universe.”