If Raul Gonzalez had a soundtrack to accompany his drawings, it would be a mash up of old Disney movie themes, Death Metal and Mariachi music. It’s a bizarre mix of badass and cute, (cute like a two-year old giving you the finger) all on color splotched and stained pages that make you feel like you’re getting a secret look into Gonzalez’s personal sketch book. You can imagine the free-association process that went into each image, each element building, as if at some point Gonzalez thinks to himself, ‘it would be rad if the chicken was coughing up a human tooth,’ or ‘this guy should have a beat up severed head in one hand and a flaming cigarette in the other.’ And what may look like stains or scribbles reveal themselves to be crucial compositional devices that contribute to the overall success of each illustration. Best of all is the playful freedom: while the characters are often beheaded, impaled, beaten, or in some state of peril, there is always an aspect of humor and joy. Even if it’s the kind of joy some of us got from frying an ant hill with a magnifying glass as kids. Gonzalez brings to mind some of most underappreciated cartoons to hit the glowing screens in American homes, shows like Ren & Stimpy, Beevis and Butthead, and even Itchy & Scratchy on The Simpsons. Shows that are so awesomely gross and hilariously violent they pull at the heart strings of those of us who liked to poke dead things with a stick.
Evelyn Bencicova’s photography is stark and haunting, which could probably in part be attributed to the headless-ness of her subjects in most of her works. The colouring is sterile, and the figures’ body language imitates the stillness of their environment. Although each naked body touches at least one other, there is no sense of sexuality or pleasure. The bodies seem like one larger, unified organism, like some strange jellyfish or starfish. They splay themselves over surfaces, as if they’ve been washed up across the desk they rigidly lie on. They are compelling because although logically you realize you’re seeing a human body, they lack any recognizable aspects. It’s near impossible to feel empathy or understanding without facial features or visible imperfections or distinguishing character. It is especially with so many clones together. The series is an interesting experiment in identifying what defines our living human character.
I want to apologize in advance for making this comparison, but if I’m being completely honest, I’m reminded of the film Human Centipede. Of course, conceptually they are completely opposite, one being completely vile and horrific, the other pleasantly vacant. Still, if the Human Centipede were instead an experimental art film, maybe it would be the Human Starfish, and the film was about a multi-human entity that slowly explored an abandoned hospital or institution, these photos would be the stills. (Via Daily Metal)
Ana Maraž has captured and lulled out of me (and into) the warmth of a late summer’s afternoon. I love that simplicity in the composition of these photographs still holds expressive qualities. They just make me so happy and dreamy…(I’m also listening to Nina Simone.)
It’s no secret that Melbourne-based artist Phil Ferguson is fond of food. After all, giant slices of crocheted pizza, cracked eggs, bacon, hot dogs, and much more are strapped onto the top or side of his head. They take the form of decorative hats and costumes that frame the wearer’s face, and their larger-than-life scale makes them a delight. Ferguson posts as @chiliphilly on Instagram where he has 14.2K fans (at the time of writing).
The artist is originally from Perth in Western Australia, and he started crocheting the food and sharing on Instagram as a way to connect with other artists in the area. It all began with a burger that was inspired by Tuck Shop Take Away, his place of work. “From that point onward I thought about how to do food hats,” he told Daily Mail. “[Food] has been the most accessible thing people can relate to and it will stay that way until I’m bored.”
Depending on the design, Ferguson is able to complete a piece in two to three days. The artist describes himself as a self-taught crocheter (he watched instructional YouTube videos) who has never learnt to read patterns. Even so, he’s crafted 24 delectable creations so far. (Via Daily Mail and Milk Made)
I am transfixed to Jason Matthew Vivona’s dense, psychedelic portfolio of work. There is just so much going on! At first glance I thought I saw a parade of body organs, but upon closer inspection, I noticed beautiful works of intricate detailing, patterns, colors, etc. It’s kind of difficult to imagine this is all from tea, wine, coffee, or whatever Jason was drinking at the time. I wonder what he is drinking right now…
The good folks at LG are introducing the UltraWide 21:9 monitors to the creative world in a unique way. Instead of a boring ad campaign they’ve decided to team up with YouTube sensation and master extreme sports video impresario Devin Graham A.K.A devinsupertramp. With 3/4 of a billion views and 4 million subscribers Devin has a loyal fan base that expects only the absolute best in video production and design so teaming up with LG was a natural fit. The UltraWide 21:9 monitor allows Devin to film and edit footage in glorious “Cinematic” aspect ratio making each of his videos feel like a real movie for the big screen. Find out more about this unique cinematic collaboration here and get more information about the new LG UltraWide 21:9 monitors here.
Mr. Bean as Thomas More by Hans Holbein the Younger.
Mr. Bean as Vanity by Frank Cadogan Cowper.
If you are a fan of Mr Bean, beautiful paintings, internet memes, stupid expressions, or laughing out loud, you will love what caricature artist Rodney Pike has been up to lately. Basing this series on the skit from the TV show when Mr Bean sneezes on a painting (Whistler’s Mother), and ends up replacing her face with a cartoon one, Pike decided to take the joke one step further.
Who knew that Mr Bean’s dark eyebrows, large eyes, swollen nostrils and chin full of stubble would fit so well under a fair maiden’s headscarf? Or that he could so effortlessly turn Mona Lisa into a nosy neighbor peering over the fence, or into someone who is so smug with themselves it is repugnant? Not only are these Photoshopped images a display of Rowan Atkinson’s theatrical talent, but also of Pike’s vision to imagine what would fit together. Combining two very different styles and eras, Pike is able to re contextualize many historical paintings that no longer have relevance to our contemporary lives.
Adding Mr Bean’s face into these Renaissance and Medieval paintings, Pike has re awakened the art lover in all of us cultural-meme-obsessed fans. He tells the Daily Mail
“I think it just adds to the absurdity when working with such serious source material and Rowan Atkinson can make any situation funny no matter how absurd. He’s always lots of fun and it is good therapy and a welcome break to the stresses of work sometime.”
You can see more of his hilarious faces on his website here.