Marion Peck‘s paintings are all just a little bit twisted — and that is one of my favorite things about them. Peck has been a prolific painter these past few years, and now the art world is starting to show her some love. Her works juxtapose fluffy creatures and noble ladies with an assortment of creepy crawlers and obscene gestures. With such a mixture, there is bound to be a little something for everyone.
“Tulip”. Digital LightJet print of a hand-cut collage (2010).
“Cummy Loubous” (detail). Porcelain, custom glaze. 8.5″ pair of Mary Jane-style stiletto shoes (2013).
Elizabeth Zvonar is a Canadian artist whose collages and sculptures encounter us as objects of curiosity and contemplation. Her choice of mediums is vast, including brass, stone, porcelain, and hand-cut collage, but no matter what she creates, Zvonar’s work is tied together by a consistent style that is tactfully sexual, critically engaged, and subtly humorous. Her motifs include multiplicities of disembodied hands and fingers, magazine cutouts juxtaposing seductive imagery with the silly or strange, and high-fashion objects (such as porcelain high heels) splattered with a suggestive, white glaze. These works grab our attention and activate our minds, and this is precisely their intention. As Zvonar expresses in a fascinating interview with Here and Elsewhere,
“I like to make things strange and interesting to look at in order to engage. My method is tied to how advertising operates. I tend to use sex blatantly or metaphorically, mimicking advertising strategies [and] pushing the image/concept/work into unfamiliar territory.”
In this process of defamiliarization, Zvonar’s works become perceptual exercises in the effects of familiar and manipulative advertising imagery — the types of images that, as Zvonar acutely points out, inundate our waking lives “should one have their eyes open when walking down a street or in line at a grocery store” (Source). By removing idealized bodies and coveted material objects from their usual, seductive contexts and reconfiguring them in a socially aware manner, Zvonar’s creations cleverly critique the way fashion media and advertising operate on us by fragmenting and sexualizing the body.
Check out Zvonar’s website for a larger collection of her works, including a list of past exhibitions. If you’d like to learn more about her artistic themes and creative processes, I highly recommend reading the interview conducted by Here and Everywhere.
James Clarkson‘s collages take photographic images of objects from old art catalogues and treats them as a blank canvas to add abstract paint-strokes and form new art. The Sheffield-based artist focuses on the contradictions between high-art, design and mass-production; demoting the artworks of the photography to mere found objects in order to explore new forms and meaning. Check out more images after the jump.
Cath Riley is an artist who creates stunning, photorealistic drawings that explore the power of touch and the sensuality of flesh. In each image from this series, bodies are pinched, gripped, and squeezed, with Riley’s masterful shading depicting the smooth skin as it creases and dimples. And even though we are only given a small portion of the body — such as a hand clenching a waist, or pressing between the thighs — the drawings emanate warmth, intimacy, and humanity. In a synesthesia of visual perceptions and tactile sensations, Riley’s works celebrate the materiality and strengths of the body, exploring the pleasure and personal connections that derive from the loving, physical interplay of firmness and softness.
All of Riley works — which can be viewed on her website — portray an incredible attention to detail and awareness of the human form. In her Hands series, for example, she captures complex musculature and tiny creases with sublime accuracy and beauty. It is no wonder that her work has been recognized; her recent clients include Nike, GQ, and The New York Times, and she has won several awards, listed here. In regards to upcoming work, Riley writes that her “current on-going experimental ‘drawing’ includes very large scale drawing, based around the human figure, which are very different in character from the pencil portrait and ‘flesh’ figure drawings which are featured here. Some of the new work is abstract in nature.” She adds that “examples of this ‘new direction’ […] will appear on the site quite soon,” so be sure to follow her work (Source). More images from the Flesh series after the jump. (Via Juxtapoz)
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Women always say that men think with their crotch so Cuban artist Yoan Capote decided to create a series of work replacing the male genitalia with a giant brain. All of Yoan’s smart and witty conceptual sculptures mix a dash of irony with a dose of comedy such as the ladder with rocking chair legs or a pair of pristine running shoes carved out of pure marble.