Graham Little’s delicately rendered color pencil drawings bring together a mix of the baroque, surrealism, and high fashion.
Designer Ross Lovegrove teamed up with glass manufacturer Lasvit to create the new architectural glass panel. The panels take inspiration from natural forms. Using a high precision heat transfer process the crystal glass flows and optically shifts that which is behind it. People and objects look as if they are standing behind a waterfall. Colors warp and fracture throughout the surface. Organic shapes created by nature are processed into dynamic architecture.
Digital Design Collective eBoy Discusses their Limited Edition BD Apparel Shirt “Jerk”
The digital design collective eBoy, comprised of Steffen Sauerteig, Svend Smital and Kai Vermehr recently sat down with Beautiful/Decay to answer a few questions about their recent limited edition shirt, “Jerk.” eBoy’s design was one of our most technical cut and sews ever, taking months to produce! Only 250 of these exclusive shirts were produced and are selling out fast- visit our Online Shop to purchase one!
Read on to garner some of eBoy’s pixellated points of interest and inspiration behind their work and Beautiful/Decay Apparel design.
BD: Can you talk a little bit about your design collective and how it got started?
eBoy: We started in 1998 with eboy.com. The concept was to only show our free projects and art. The first feature about eBoy was in a Japanese book, from there the level of awareness for eBoy grew steadily.
BD: Can you describe your aesthetic, how you became interested in the pixel-by-pixel look, and what you think it says about the current visual digital climate today?
eBoy: One of our previous projects was a digital picture book series called Ogdig(c)’s, which was distributed on diskettes. It was that project that made us start to work for the screen only and use pixels as the technique of choice. When we went online with eBoy.com it was justnatural to go on using this technique.
BD: What are some of your inspirations, whether visual, musical, ideological…?
eBoy: ffffound.com … TV Shows like The Wire, Sopranos …
BD: What was the inspiration behind creating the Eboy shirt?
eBoy: Northern Irish murals!
BD: What was the process like of creating your artwork in a t-shirt form, what were the most enjoyable parts, or most challenging?
eBoy: We were thinking of the T-shirt as a house with awkward window positions.
A few weeks ago we featured LA photographer Dave Tada and his collection of analog images. Well, last Saturday night, Dave showed up with his Fuji Intax camera at Beautiful/Decay’s Art Works Every Time opening to capture the happenings! Between the live music, the art-adorned walls, the free ice cream, free t-shirts and plenty of free Colt 45, there was plenty of silliness to be had – particularly towards the end of the evening. Thanks for the pics Dave.
South Korean artist Lee Yun Hee creates narrative ceramic pieces inspired by literature and story telling. She uses both Western and Eastern influences, creating a style of her own that is striking, unique and undoubtably contemporary. Her work is fragile and flawless, almost creating an aura of effortlessness. She uses her work to reflect upon stories of everyday people; their struggles, fears, hopes, and anxieties. Yet, most importantly to her, she is truly interested in documenting their “cures” — the sort of “up from below” type stories that end with a protagonist who has had the strength and endurance to overcome a difficult task. For example, her piece La Divina Commedia, reinterprets the classic 14th century poem by Dante. In her version, she depicts a young girl’s search for truth. She explains the tale behind the piece in an interview with Brilliant 30. She states,
“there was once a girl that received an oracle, telling her future. The knowledge, the predestined desire and insecurity left her troubled. In search of happiness and peace, she embarked on a journey. Along the way, she encountered many obstacles; but at the end, she discovered the peace she has been striving for…By overcoming anxiety and suppressing desire, the girl reaches a state of ultimate peace.”
Her work acts as windows into her own version of a fairy tale; she is able to re-create morality stories within her own framework. She refers to her self as a collector— she takes influence from everything she sees. She explains, “I have been keen on collecting images since I was a child. I would rather cut out the pictures from cartoons than read them. Even the encyclopedia wasn’t safe. These processes have had more influence than anything else on my background as an artist.”
Lee Yun Hee’s work is mystical and fantastic. Though balancing modern, classic, Eastern, and Western styles, she has creating an epic body of art that is honest, profound, and truly unique.
Vancouver based Ben Skinner’s text based work is inspired by hand made folk objects, nostalgia, the banal, and the inherent history in old objects.
Timothy Gaewsky’s installations and assemblages are full of pop sensibilities and bold colors.
Photographer Maja Daniels is studying aging. Her photo series “Into Oblivion,” shows the raw and fragile lives of those living in an Alzheimer’s ward. Working in a geriatric unit in France, the Swedish photographer Daniels spent three years documenting life for the residents. Those suffering from Alzheimer’s were kept in a locked ward as a protective precaution due to their innate tendencies to wander and get lost.
“This series documents not only the day-to-day challenges in an often ignored sector, but also the wider implications of the growing populations of elderly in modern society as an increasing life span has coincided with the breakdown of the family unit. These aspects have caused a growing disregard for the elderly, swept aside by a commercially driven, youth-obsessed culture. As growing old and being dependent is more taboo than ever, the geriatric institution hides our elders away, safely out of sight.”
“While giving a vision about what living with Alzheimer’s in an institution might mean, I want to motivate people to think about current care policies and the effects it can have on somebody’s life. This project gives a rare insight to a part of the modern geriatric institution. It attempts to create a discussion about our institutionalized, modern way of living as well as the use of confinement as an aspect of care.”
(Excerpt from Source)