This is Red Bowl, an installation piece put on by Cao | Perrot studio (L.A./Paris) in Beauvais, France. The work draws its inspiration from hardship and pain (biblical lepers) but is actually quite pensive, complete with a small pond “covered with a veil of water lentils to create a soft green proliferating surface.” The concept of renewal comes forth pretty strongly as Red Bowl “recalls man’s moral dimensions and the belief in being able to purify the body of diseases by a bath of blood.” A couple more images after the jump but definitely take a look at what else is coming from this really nice landscape architecture studio. (via)
Sculptures looking like lace drawings floating in the air. Zadok Ben David, an Israeli artist based in London is using metal to create magic and illusion. A personal mean he chooses to connect culture and innovation.
From far, the sculptures seem indistinct, projecting only a large silhouette. Up close, we are able to discern the intricate details that form the shape. Zadok Ben David laser cuts themetal to generate the irregular patterns covering the surface. The pieces should not be visualized from one angle. By circling around the pieces we uncover the hidden feature: the flatness of the sculptures. The artist is playing with volumes, going from 2 dimensional to a make belief 3 dimensional structure.
Zadok Ben David depicts human bodies in unusual postures. The individuals seem to be in the middle of an inner contemplation and the artist have caught them by surprise. He is rendering spontaneous moments and delivering them to us. The artist’s meaning behind the figurative sculptures is to question humankind’s place in the world. This notion of presence is channeled by the representation of the botanical inspired motifs, the airy silhouettes and the harmonious combination of it all.
Walter Robinson creates amusing sculptures that work as witty social criticisms about consumerism and popular culture.
I’m fascinated by the human drive to possess material objects and by our intransigent attachment to the things we own. In my work I investigate the ways that consumer products have been crafted to perpetuate hunger for more. Brand and corporate logos, mascots, cartoon characters, advertising text and signage are the semiotic sources I draw from.
Robinson subverts meanings of familiar brands and Western cultural symbols by tweaking their scale, context and color.
With marketing and adverting psychology in mind, Robinson uses seductive surfaces, saturated color, bling and glitter to draw his audience to examine their own relationship to consumer culture and it’s effect on the environment and world events.
When it comes to fashion, the most groundbreaking and expressive creations aren’t always the most objectively practical. Kermit Tesoro is a designer known for his bizarre high heels, such as one with a backward-arching platform and a skull impaled on the heel. Tesoro’s work caught the attention of Lady Gaga, who commissioned Tesoro to create the iconic (and seemingly gravity-defying) heel-less heels. In addition to covering them with sequins and black “slime,” Tesoro has designed shoes in the likeness of horse hooves and, more recently, a set of writhing tentacles.
For Tesoro, clothing is a physical/mental extension of one’s personality. Instead of using fashion to downplay or conservatize identity, he strives to make it strange and shocking, exaggerating (and thereby celebrating) one’s inner eccentricity. In an interview with StyleBible, Tesoro explains further:
“I want to translate people’s deviations into my own creations. It’s like a fashion interpretation of the biological or psychological deviation of a person. I’ve always been driven to create clothing articles based on inner conflicts or the inability to control one’s inner impulses or failure to structure one’s behavior in an orderly way. These traits are quantified into one as a form of aggression against others due to frustration that ignites nothing but rebellion. If my collections have violated one’s conventional control or if the collection amazed people, either way I’m very grateful with the outcome. There is no agitation without provocation.” (Source)
Earlier in the interview, Tesoro says that when it comes to making original and captivating designs, “one must follow his own instinct, and the trend will follow.” His methodology derives from deeply personal perspectives and inspirations, channeling a variety of emotions — from love and happiness to joy and despair — to create shoes that defy superficial notions of beauty in pursuit of daring forms of self-expression. Follow Tesoro’s work on Facebook and Instagram. (Via Bored Panda)
Onania is an infected universe that has been accumulating character and detail since Jan Manski’s MA at Central Saint Martins in 2010. Onania’s development has been unrelentingly pervasive of Manski’s practice, appropriate to its nature as a diseased scourge.
Manski’s meticulous and total attention to minute detail has borne a product encased in the methodologies of this eminently inviting and hostile environment. Onania hosts an alternate reality and fertile breeding ground for mankind’s most despicable modern habits. Narcissism bred from frantic consumer culture is shown at its most destructive, with Onania’s inhabitants seeking its prime offering – unadulterated and uninterrupted pleasure.
With funny fake titles that satirize the real thing, Harland Miller paints a colorful collection of paperbacks which function as a shrine for predictable literary personalities from Waugh to Hemingway . . . and he doesn’t stop there. He also gets personal, implicating his own self-titles into the mix, adding a whole other autobiographical subtext that is both playfully light and familiarly bold.