The artwork of Jillian Salik offers up understated surprises. Her new exhibit DUEL TINT features frames, window dressing, and other wall fixtures adorned with baroque ornamentation. However, the typically gilded and gaudy colors that typically accompany such adornments, the reflections and windows that should fit in such frames were no where to be seen. Salik only offers the bare structure of the frames and ornamentation. Also, Salik makes an interesting choice of material: cardboard. She contrasts high-society trimmings and embellishments with a decidedly “low” material and digital production processes.
Desi Santiago recently opened a solo show at envoy enterprises’ 87 Rivington St. NYC. The show includes sculpture, installation, and video works in “an enigmatic environment fluctuating between the realms of seduction and mourning”. Robotic skulls with chattering dentures, glowing pentagrams, and masks cast from the artist’s face are a few of the things you will find in the space’s first floor and basement. This looks really good and should not be missed. Click past the jump to see more of what you can expect from the show, which is entitled This Pop is Perfection.
All images courtesy of the artist and envoy enterprises, New York.
Beautiful/Decay is honoring its DIY zine roots by teaming up with 5 artists from around the country to bring you their limited edition zines. Mailed exclusively to Beautiful/Decay subscribers, each copy of Beautiful/Decay Book:8 will come complete with
it’s very own zine. Each B/D subscriber will receive a different zine blind packed into their issue. These zines are not available in stores, only B/D subscribers will receive them. Subscribe today to make sure you get your hands on one of these exclusive zines. Read about the talented zine makers after the jump and click on the subscribe link to reserve your copy of Beautiful/Decay Book:8 with the limited edition zine today!
The artist Amelia Harnas creates dazzling portraits from spilled wine, using embroidery thread to trace and refine her crimson-faced subjects. Like delicate watercolor, the wine has an ethereal texture; the artist admits a certain unpredictability and instability in her unique process. Using wax resist on soft white cotton fabrics to set the images, she cannot determine how long the delicate images will last, and the transient images float like ghosts across the page while thread guides the eye.
Art historically, wine is associated with the god Bacchus, the god of drink and sexuality who inspired mortals to drink to the point of confusion, a state where the lines of identity and gender are blurred. Here, the spilled wine soaks the fabric in such a way that only the slightest mark provides a hint into the distinctive temperament of the subject. It is the thread that defines personhood, outlining the divisions between eye and flesh, hair and scalp. Without the meticulous embroidery, men and women become murky, drunken figures.
The miraculous tension between accident and purpose heightens the drama of each face. The cotton foundation is seemingly drenched in reds and pinks, the colors chaotically spreading throughout the image and creating serendipitous halos around the portraits; in stark contrast, the embroidery is distinctly rational and deliberate, forming complex geometric shapes like concentric circles, squares and triangles.
As the volatility of wine stains collides with the reason and order of human craft, Harnas presents a startlingly complex vision of the human condition. As illustrated in this work, art, like man, is governed by both passion and sound intellect, doled out in equal measure. Take a look. (via Colossal and Oddity Central)
Photographer Anna Ladd’s poignant series, Things I Told the Internet, But Didn’t Tell My Mom, examines the way that blogging has impacted her life. The Philadelphia-based artist has been sharing her thoughts and feelings via this medium for the past six years, and it’s changed her conception of privacy. Intimate and revealing admissions are made to seemingly countless anonymous people on the web, but has never been talked about in person.
Ladd’s photos depict landscape scenes of backyards with concrete walls, scalloped awnings, and parked bikes. The everyday places are adorned with cut-out letters attached to strings that spell out a phrase that was directly taken from something that she posted online. Sentences, while obviously out of context, communicate sadness and the pains that come from things like loss of love, growing up, or some greater trauma.
There’s a peculiarity to these images, a cognitive dissonance of sorts. We first see the letters like you would at a party, like they are decoration. But a phrase like, “I want to puke and sleep for six days” is not something you’d celebrate. It could be a metaphor for the facade we put on towards the outside world, where we seem happier than we actually are. The anonymity of the web knows our true thoughts and feelings.
It’s difficult to overstate how large Jorge Rodriguez-Gerda‘s portraits are. While much of his work consists of enormous charcoal portraits inhabiting the sides of entire apartment buildings, Rodriguez-Gerada’s Terrestrial Series are best viewed through an airplane window. The artist typically uses natural materials such as sand and dirt to draw out faces from the earth. Speaking about the reasons for his portraits’ huge scale he says:
“I am critical of the marketing that has crept into so many facets of our lives. I decided to do work that would counter it by using the same codes used by advertisers such as scale, visibility and eye catching images. I wanted these new iconic images to be huge and placed in strategic places.”
Andreco, negli Italia (that’s Italian for “from Italy”… I hope) recently had a project where he showed videos created from paper-cuts as a live performance “shown in a very old palace in Bologna citycenter, (‘RE ENZO Palace’, the old King Enzo building.),” according to the artist. I love the simplicity and stiffness of the stop motion, and the morbid beauty of the figures.