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Stacy Fisher’s Burlap Sculptures

Brooklyn based Stacy Fisher utilizes Hydrocal, shellac, burlap, wire mesh, paint, and wood to create subtle yet unrefined forms. The platforms in which her structures reside are as integral to the work as the rough abstractions that take center stage. These monuments  remain tethered at times by chains and bolts as if imprisoned. Fisher presents vibrant and simplistic structures that exhilarate their environment.     

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Katja Sonnenwend

Polaroids by photographer Katja Sonnenwend retain the nostalgia of the medium while adding a lovely freshness.

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Chad Wys’ Shuffles and Manipulated Familiar Forms in His Multi-Disciplinary Works

Illinois-based artist Chad Wys does a lot of different things. He’s worked with collage, sculpture, textiles, aerosol, digital media, and more. A lot of his w0rk manipulates and completely shuffles the tone of established, familiar forms. Strategically removing aspects of canonical portraiture, painting a kitschy duck sculpture in pastels, and stenciling text elements onto benign porcelain and china are a few methods he’s employed to mess with our brains. But this type of art isn’t produced in a malicious way. It’s just the artist’s way of getting us to see things the way he sees them for once. (via)

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Video Watch: This Is It’s Don’t Hug Me I’m Scared

This Is It is a London film collective that make the great handmade-style films. Don’t Hug Me I’m Scared is one of their latest, and uses their arts and crafts aesthetic to make a hilarious mock-children’s PSA about creativity. It’s delightfully nihilistic, self-aware, and taps into something all of us have probably felt in any sort of Creative endeavor, namely that “creativity” isn’t just the purely positive act that popular culture makes it out to be. This is one you need to watch to the end, it’s 100% worth three of your minutes. Full video after the jump!

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Beautiful/Decay Book: 5 “Psychonauts” Released

Book 5

In Beautiful/Decay Book 5: Psychonauts we raise our anchor and set sail on an unknown voyage with seven featured artists whose work pushes the possibilities for consciousness within contemporary art. They each work in various mediums and conceptual frameworks but all share a common interest in the human condition. In addition to the features, we also invited 14 artists from around the world to create original work for our psychonaut project pages. The results are extremely unique and anything but predictable. Book 5 also includes a die-cut sticker created by artist, Gunsho.

With a limited edition run of only 1,000 books, 800 copies have already been sold which means that only 200 copies remain. Once Book: 5 sells out it will not be reprinted so stop waiting and reserve your limited edition copy today.

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Pierre André Senizergues’ Fully Skateable House

Pierre Andre Senizergues is a professional skateboarder and owner of Sole Technologies. He has developed his dream home that will be built in Malibu, California. The house is entirely skateable both inside and out and was designed to be a compact living space that will overlook the Pacific Ocean. The prototype was designed by Gil Lebon Delapointe and Francois Perrin. Nicknamed the PAS House this abode is a true skateboarders paradise.

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The Awkward Tension And Beauty Of Natalie Krick’s Mother

 

Powerful photographs by Natalie Krick of her mother.

“The colorful seductive nature of cosmetics act to mask, conceal and deceive while drawing attention to the surface and the superficial. By emphasizing both the facade of glamour and the physicality of the body I am interested in what can be revealed through these surfaces.

In this collection of photographs of my mother she performs certain tropes used to visualize female beauty and sexuality. This act is further complicated as her appearance and gestures fluctuate between my overt stylized ideals and her own physical body. These photographs expose an awkwardness and tension in being looked at and scrutinized while also implying a longing to be seen as desirable and beautiful. By creating images that can be perceived as both garish and seductive, I question the fantasy of idealized beauty and what culture designates as flattering and desirable.” (via)

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Wouter Klein Velderman’s Monument For Transition

Monument for transition is a monument for the constant changes that the people of Moengo are subject to. It’s as well a monument for changes in the past as for changes that are happening on this very moment. It’s a monument for small changes, that are hardly noticable, and huge changes with great concequenses. It’s a monument for nature, that rapidly changes all unused objects into jungle by covering it with moss, bushes and tropical flowers. It’s a monument for Toyota, that changed the streetscape drastically by filling up the streets with their cars. And it’s a monument for the Chinese that came to Suriname and took over almost all of the supermarkets. It’s a monument for the enormous amount of schoolchildren that grow up in Moengo and are developping their talents and eventually might use these talents to make even more transitions to the town. But it’s also a monument for the enormous transition that took place after the civil war. A transition that is still having it’s effect on the people. And at last there are the transitions that are still to come. What transition will the current government bring? And what transition will take place after Suralco, the mining company where many Moengonese are employed, leaves the city? –Wouter Klein Velderman

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