I’ve been following Peekasso‘s (real name: Peter Stemmler) work on his Tumblr page for awhile now, and he is easily one of my favorite internet artists. I’m never bored with any of his creations, but his gif work is especially impressive. Using a combination of clips from film, video games, pornography, commercials, pop culture, and other internet ephemera, Stemmler assembles a curious juxtaposition of images. Some of his gifs have a brainwashing quality to them – a quick succession of disparate images and the loop of the gif medium force the brain to make connections between starkly contrasted imagery. The result is dizzying, and for me, satisfying in its absurdity. Underneath this absurdity and within the juxtapositions there is a critique of some of the imagery that seems to emerge, a perspective that seems to mock much of media in general.
As an internet artist, Stemmler also has an impressive output of static digital images and illustrations that you can check out on his website, blog, or Flickr. He lives in New York.
Etienne Bardelli, also known as Akroe, was a graffiti artist before he became a well respected graphic designer. Twenty years later, on his own time, he can still be found painting empty walls in the less populated parts of France. (Although he admits: “Actually, I don’t really know why I’m still doing it!”) Graffiti may be illegal, but surely this counts as beautification?
Photographer Juuke Schoorl‘s collection is called “Rek,” which means “stretch” in Dutch. It’s a fitting name for both the act observed as well as that demanded of viewers as they are asked to consider all manner of textures both natural and unnatural. In her artist’s statement, Schoorl says that she “[explores] aesthetic possibilities of the human skin through a mixture of image capturing techniques.”
Using nylon fishing rope and cello tape, she creates temporary perforations and artificial patterns on what she calls “this curious stretchable material.” Some of her experiments look natural, almost like scarification. Others approach alien, such as one that tugs the side of a woman’s neck into what look similar to gills or another kind of grittier protrusion.
Interestingly, Schoorl’s subjects all look composed, serene even as viewers might flinch back on instinct. Perhaps that is the point; Schoorl invites viewers to be curious, to wonder at these new patterns and human landscapes. She wants us to consider our “biological upholstery that aside from it’s [sic] protective capabilities could also serve as a medium for aesthetic expression.” (via Juxtapoz)
Photographer Martin Klimas‘ series “What Does Music Look Like?” is a fun attempt at answering that very question. He uses paint as a vehicle for sound. Klimas places brightly colored paints on a surface that sits just above a speaker. Playing loud music such as Kraftwerk or Miles Davis makes the paint splatter above the speaker with the vibrations making it “dance”. The paint jumps and splattes while being captured by the camera. Klimas snapped approximately 1,000 photographs to capture the set.
Not really sure what Placer Deshacer (it seems they are a musical group with an alter-presence) is about but these pictures remind me of educational videos from the 70s and 80s, or the vague way that conceptual art is photographed. I love how the absence of color makes the human body look so mysterious and full of knowledge…
Directed by Ryan Hope, Skin is a dark, stylish examination of tattoo culture as high art, and a film that tests the boundaries of art and the human body. Featuring contributions from Damien Hirst, Jeff Koons and Raymond Pettibon, the film is a beautiful visual essay from the frontiers of contemporary British art. Watch the full documentary after the jump.
The work of Sara K Byrne is definitely multilayered. Her images are double exposures – a technique that originated with film cameras. Basically a segment of film would be exposed to light twice. The darker areas in the first photograph would record light in the second photograph. Byrne uses a digital camera, one of a handful of models that can perform the same technique. In addition to more examples of her work on her website, you’ll find a tutorial on how to recreate the effect. [via]