Curiosity led photographer James Friedman to cut into his collection of golf balls to see what the cores looked like. To his surprise, he discovered that each golf ball contained a unique interiority, revealing elegant formal qualities and inspiring Friedman to become more enthusiastic about the possibilities of abstraction in his photography, especially as a corollary to his documentary work. His series, entitled Interior Design, captures these surprisingly colorful and distinctive golf ball guts, displaying the inner beauty contained within their homogenized white forms. Friedman has been fascinated with photography since he took his first self-portrait at 5 years old. He does not play golf. (via Lost at E Minor)
A few weeks back we announced the new format of Beautiful/Decay. It’s been great getting all the positive feedback and support from all of you. Within the first week we received over 300 new and renewed subscriptions!
We have 2 months until or first issue comes out and I wanted to urge all of those who want to get a copy of the magazine to subscribe as it’s looking like we will sell out of subscriptions within the next month. This means that issues will not be available on newsstands and only a handful of stores internationally will have copies.
If you aren’t familiar with our new direction you can read about it HERE
The new issue is by far our best, especially the cover which will be adorned by hand drawn art by Kyle Thomas. Yes that means every single copy of Beautiful/Decay issue: 1 will be a one of a kind, unique item!
Rune Guneriussen is a Norway-based artist who photographs orchestrated installations. Household objects are granted an anthropomorphic quality — they appear to be captured in a natural setting. Guneriussen believes “that art itself should be questioning and bewildering…” and would rather “indicate a path to understanding a story” rather than limit a viewer’s experience by being too prescriptive.
Evan DeSpelder’s paintings are an exploration of the formal and conceptual possibilities of the digitally mediated painting.Using painting as a vehicle to fundamentally question the way our realities are constructed, Evan’s work is an expression of modern ambivalence, a representation of the world in which we live, where truth and the human mind are malleable, manipulated, and history is leveled by an unprecedented access to information.
It’s really easy to hate on Thomas Kinkade. His landscape paintings, which boasts themselves as “paintings of light,” are dull, wooden, and nearly all the same. Wholly uninteresting, Kinkade’s paintings beg to have a little pizzaz added to them. Luckily, artist Jeff Bennett has solved this problem. He’s added the Star Wars Imperial Forces to Kinkade’s work. Storm Troopers, Star Destroyers, and more invade the candle-lit houses, babbling brooks, and flower gardens. Houses are set on fire and landscaping is trampled. And, throughout it all, you are cheering for the historically “bad guys.”
Bennett’s keen Photoshop skills allow him to seamlessly integrate the two worlds, making them believable and thus very entertaining. In a way, this series mimics the typical good vs. evil story. The exception is that who we perceive as good and evil is turned on its head. You’d think that tranquil Thomas Kinkade paintings would be harmless. But think again. Kinkade, with his lowest common denominator work, overpriced and mass produced chachkies, and greed (in 2006, his company was convicted of defrauding two Virginia gallery owners), is really the bad guy in this scenario. The Imperial Forces are helping destroy banality. (Via Adweek).
Dutch artist Daan Botlek creates commissioned murals and work for the street. His art makes use of simply conveyed bodies often contrasting the inside with the outside. Many of Botlek’s pieces illustrate a sort of literal introspection, looking inside each character. The characters peel off, crawl out of, and smash off outer layers to expose the inner person. Botlek works both in the gallery and on the street, his figures populating walls through out the city inside and out. [via]
Lucy McLauchlan of Birmingham, UK has been painting on every imaginable surface for over ten years. She has created everything from large murals to graphics for baby clothes. She usually works in flat black and white, depicting birds, trees, and whatever strikes her fancy. Most recently, she’s put up a lot of public work in East London, celebrating the Olympic Games. McLauchlan’s subdued compositions don’t scream “look at me!” (a message proliferated by many “street” artists), but -instead- “look at this!”. Honest, pure beautification of our public urban space without any ego.