Artist Sasha Ira draws stunning portraits of youthful and carefree depictions women. Her collection of work almost acts like an invitation into her sketch book; each drawing exists in a beautifully allusive state, provoking dreamlike moments and open ended thinking. Her work depicts ethereal renderings of young women surrounded by flora and fauna, decorative hints of cloth, and open, fluid strokes of what lies behind. Her style nods to both Art Nouveau, fashion illustration and Japanese anime styles, giving her images a contemporary, fun and youthful feeling. Her work shows a clear influence of Symbolist artists such as Gustav Klimt and Egon Schiele (who took their inspiration from Japanese art). There is a very innocent vibe to this work. As if the viewer is given a look into a fantasy of a teenage girl. These drawings are captivating and charming. They give just enough information and intense draftsmen that leaves the viewer intrigued wanting for more, as if having his or her own gleeful trance into a moments past. They are reminiscent of a very adolescent state of mind, having an aloof aura to each one. Ira has created a beautiful series of drawings which truly get in touch with a feminine and whimsical essence, tugging at a spectrum of the freedom of adolescent bliss.
Arranged like a symphony orchestra, approximately 200 antique vacuums, mixers and washers are transformed into musical instruments. They form an ensemble that the conductor, harpsichordist and composer Michael Petermann, alias weiserrausch.de, has now completed after eight years of preparation: The Stupid Orchestra.
Dave Rittinger was bored of the boring graphic tee so he embarked on a creative voyage of spicing up his wardrobe with some shirts that are sure to be one of a kind. You know what they say about a sharped dressed man (in a leaf shirt).
P.S. Make sure to check out Dave’s other photo and installation projects on his website.
Cambodian-based artist Anida Yoeu Ali conceptualized The Buddhist Bug Project, which sprouted from her fascination of other religions. She was raised in the Muslim faith but is drawn towards the Buddhist religion. Her project attempts to reconcile these two interests. Ali explains:
The Buddhist Bug Project seeks to map a new spiritual and social landscape through its surreal existence amongst ordinary people and everyday environments. The Buddhist Bug (BBug) is a fantastic saffron-colored creature that can span the length of a 30-metre bridge or coil into a small orange ball. Rooted in an autobiographical exploration of identity, the Bug comes from the artist’s own spiritual turmoil between Islam and Buddhism. Set amongst everyday people in ordinary moments, the Bug provokes obvious questions of belonging and displacement.
The Bug’s colorful exterior references robes worn by the Buddhist Monks, while the style of its head piece is modeled after the Islamic Hijab. The travelling project has made its way to Cambodia, where Ali and photographer Masahiro Sugano stage site-specific performances. We see the Bug wrapped around tables, in a boat, up a flight of stairs, and more. Its presence allows for others to interact with it and take part in the project, which is part of Ali’s intent. “…meters and meters of textile act as skin, as a way for the surface of my body to extend into public spaces, and as a metaphoric device for stories to spread across an expanse.” She says. “For me, performance and storytelling become ways of bridging the interior and exterior space of self as well as initiate critical dialogues between communities and institutions. (Via design boom and The Philanthropic Museum)
I stopped by Melissa Oresky’s studio the other day. She is a Chicago painter who has been around for a minute and makes some really nice landscapy paintings with lots of collage and drawing thrown in for good measure. Check out what’s going on in the studio!
In her visceral, raw still lifes, the 21-year-old photographer Madison Carroll captures the grotesque remains of meaningful moments gone by. Used condoms, pregnancy tests, and blood stains grace her compositions, punctuating a narrative that skips dizzyingly from girlhood to womanhood, from innocence to experience. As if plucked from last night’s waste basket, these soiled items emerge; in the context of Carroll’s clean, immaculate technique, they become all the more haunting.
As if part of some unusual crime scene, waste products are left out, forensically archived by Carroll’s lens. Here, rotting fruit and old bandaids mark not a murder but the more gradual, subtle trauma of growing up, of being woman. Like a pool of blood, tea spills from a delicate, shattered china cup; a lemon, once fresh and aromatic, rots. An egg cracks, the yoke spilling out into a satin pair of Victoria’s Secret underwear like a giant, monstrous ovum released during menstruation.
In Carroll’s disturbing yet thrilling realm, the dangers and joys of femaleness collide in a moment of brutal self-reflection. Death and fertility become indistinguishable. In a frilly, feminine doily, a cockroach lies dead, rotting beside a snuffed-out cigarette. A Clear Blue pregnancy test sits on an old rust-stained rag, the urine and tissue in the toilet simply a blurred afterthought.
Like a hoarder of significant items, Carroll’s lens seeks out that which might be thrown away, forgotten by time. A male lover, sprawled on the bed, is captured asleep, in a state of heightened vulnerability, his pale nakedness pressing against the border of the frame. At the artist’s feet, a condom evidences the intimacy that occurred minutes or hours before. (via Feature Shoot and iGNANT)
Classic typography with a twist, slick illustrations, and just the right amount of humor go into all the works in the portfolio of Parisian designer and illustrator Mike Stefanini A.K.A Atomike Studio.