Dale Dreiling takes inspiration from the everyday occurrences in Los Angeles, highlighting icons that are often overlooked, from street vendors and other characters, to liquor stores, swap meets, and catering trucks. Though his paintings bring color and focus to those images that go unnoticed, his subjects are often eerily faceless. Perhaps this is just for the sake of anonymity, or maybe Dreiling is attesting to the idea that we are not as different from others as we think.
A successful piece of furniture is timeless. It simultaneously looks brand new and like it’s existed forever. Atelier Pfister’s pieces have that quality. After the jump you can see more of our favorite pieces.
San Francisco-based body painter Trina Merry has created a series of scenes that blend nude bodies into New York City landscapes such as the Brooklyn Bridge, Guggenheim Museum, Empire State Building, Central Park and the New York City skyline. Due to Merry’s fine attention to detail and composition, the painter’s subjects seamlessly disappear into their surrounding environments.
Of her medium, Merry writes, “My surface is living, breathing human beings making this a highly relevant & immediate medium. I use non-toxic hypoallergenic paint applied with a brush or airbrush. The painting is temporary, like a Tibetan sand painting, beginning to change into another work as soon as I stop painting, changing texture & color.”
Merry has an impressive portfolio of projects on her site, including the Human Motorcycle Project, a project which entailed painting bodies to look like motorcycles. (via visual news)
The drawings of Dean Sullivan (Flickr moniker A E I O U) could make seriously awesome wallpaper but only if you don’t mind being creeped out once in a while when you get too close to it. The densely meticulous lines create lush eco-systems for drippy hairy demons and caves…I wanna go! He also makes really awesome shirt/sweat shirt graphics and possesses this thing that make me think he’s actually a 5-year old with a more perverse imagination than usual picking up the markers and pencil for the first time and scribbling away. It’s great!
Reed + Radar’s photography is both beautiful and haunting. I don’t know too much about this duo, but I do know that they’ve managed to give me the chills with all of these animated clown faces. Check them out, I’m pretty sure we’ll be seeing a lot more of them in the future.
Dan Bradica lives and works in Chicago. Using extremely basic materials (paper and fluorescent lights) he obscures, highlights, and examines the world around him. An image of stacked cardboard boxes in a field of barren trees becomes a metaphor for the consequences of deforestation. In other work pieces of bright paper take form of apparitions and playfully haunt the scene. These simple alterations reinvigorate the landscape and simultaneously comment on waste, excess, and consumption.