Greetings from the Future! This is an update to let everyone know that our Future Perfect project is progressing…well, perfectly. With new submissions coming in each and every day, we’re looking forward to receiving your image of what a better tomorrow will look like. The deadline for all artists to submit work is March 29th and is quickly approaching. Visit the Future Perfect website for the details and submission guidelines and start picturing the future today!
Create your vision for a better tomorrow and get featured in Beautiful/Decay book 6.
We want to see the world you want to live in, your Future Perfect. Submit your work of art based on the Future Perfect theme; you are free to use any medium and interpret the theme as you see fit. On March 29th we will pick one lucky person from the submissions who will get a package of Beautiful/Decay goods valued at $300 and a 10-15 page interview in Beautiful/Decay book 6! Up to 70 additional future perfect submissions will also be selected and published.
Share your vision, plan a better tomorrow and join Beautiful/Decay to create a Future Perfect.
B/D pal Lyndsey Lesh recently created a series of illustrations for The Rattling Wall, a literary journal published by the PEN Center USA & Narrow Books. To kick off the books release Lyndsey has teamed up with our favorite alternative art venues Synchronicity Space for a one night show of artworks from the book. Come see a selection of works by Ms. Lesh, get a signed copy of the book, and eat some free Strawberry Chardonnay Ice cream from LA’s best ice cream shop Scoops! If doing all the artwork for the book wasn’t enough Lyndsey decided to add more work to her plate by creating a writing and drawing process blog of her very own called Off Thee Wall. Read more about Off The Wall and see more of Lyndsey’s illustrations after the jump.
LYNDSEY LESH: THE ART OF THE RATTLING WALL
featuring the art pieces from the journal’s second issue. Synchronicity Space | 7-10 PM
713 N. Heliotrope,
Los Angeles, CA 90029
Javier Pérez’s video, En Puntos, features a ballerina who puts on a pair of pointe shoes that are extended by a pair of sharp kitchen knives. Once she has the shoes on, she begins to balance herself on top of a grand piano, the tips of the knives scratching, scraping, and cutting the surface of the piano. At times, she finds herself on the edge of the piano, and she yelps as she struggles to keep her balance and maintain her strength. At the end of the video, the curtains close on her “performance” in an empty theater. Meant to resonate with the idea of a music box, Pérez’s video captures the fragility and discipline embodied in ballet, while also demonstrating the vulnerability and despair brought to stage performance in general. Also apparent is a delicate violence that makes you wince as the ballerina traverses the piano’s surface.
“Through this work, Javier Perez investigates and reflects once again upon the human condition. Using a strongly metaphorical language rich in powerful symbolism, he reveals the weaknesses that become the boundaries between seemingly irreconcilable concepts such as: beauty and cruelty, fragility and violence, culture and nature or life and death.” (via)
I love me a good cut paper illustration and Jared Andrew Schorr’s portfolio is jam packed full of them. My favorites have to be his typography work which brings to life a wacky cast of characters to create beautiful text pieces.
Taylor Baldwin’s highly crafted sculptures are filled with hundreds pieces that come together to create a complex explosion of texture, color, material, and sculptural techniques. From representational wood carvings to computer assisted laser etched drawings, Taylor combines anything and everything to bring to life his rich pieces that will have you staring at them for hours.
Really clever and adorable (!!) stop motion video about a wolf who wants to eat a pig… the whole thing is constructed of photos in developed film, involving multiple mediums and layers of reality. Kind of meta-meta. Also, last I saw it was in the popular section of saved bookmarks on Delicious!
Italian artist Federico Lombardo’s portraits are washy, delicate, and often straightforward, yet in their best moments they possess qualities that are strange and askew. His subjects look distinctly Angelo Saxon or Scandinavian, light skinned and fair, and are conventionally attractive. Their faces, bare and plain, stare straight at the viewer with the knowing look of being gazed upon, often smiling or glaring in response. He has series of women and men, as well as couples and children made with oil, watercolor and by digital tablet, but by far, his watercolors showcase his best efforts. The way Lombardo applies his paint is mostly very controlled, yet in crucial areas he gives way to the fluid nature of the medium and in effect produces subtle, bizarre deviationsin his otherwise bland looking subjects. In this sense, these instances of surrender are reflective of the work of Marlene Dumas; however, Lombardo’s work is wholly different in that it stays safe in its uncontroversial directive.