Nicolas Kennedy Sitton‘s Twisted series uses photographic manipulation to distort the architecture of San Francisco. The photographer adds concentric circles to the images to form new shapes, with the buildings seemingly folding and toppling into themselves.
Artist Mark Dean Veca opened his new solo exhibit Made For You and Me at Cristin Tierney January 31st and is on view through March 9th. The title of the exhibit is a lyric from the Woodie Guthrie song This Land is Your Land. The song, originally expressing an anti-capitalist sensibility, has since often been appropriated to convey capitalist sentiments such as growth through consumption. Interestingly, Veca’s work often reverses this same process. He re-appropriates corporate images to comment on corruption, consumption, and a generally waning culture. Appropriately the gallery statement calls his work a kind of “Sinister Pop”. This is particularly evident in his piece titled Tailspin. The piece depicts the Exxon-Mobil Pegasus pointing down, blue on one side, red on the other, and spinning. Tailspin subtly references a society’s consumption dependent on energy resources that are exceedingly spinning out of control.
With television game shows like Wipeout and American Ninja Warrior (and every slapstick movie, too), it’s no surprise that some of us derive pleasure from seeing people get hit. Photographer Sandro Giordoano’s twisted (both literally and figuratively) series In Extremis (bodies with no regret) capitalizes on the fall of others The staged images feature people comically posed in awkward and unflattering positions.
Always face down, the poor subjects are often garishly dressed and surrounded by their belongings. This is Giordano’s commentary on our attachments to our possessions; in every photograph, you’ll see the person clutching something like a watering can, oversized tennis ball, and even a power tool. To him, the characters in his compositions are oppressed by their appearance and the need to have things – and save them, even at their own expense. Their fall signifies that they hit rock bottom, and that they need to reexamine their life. (Via Laughing Squid)
Dina Litovsky‘s work examines “group interactions in both public and private spaces.” In her series Bachelorette, Litovsky turns the lens on the long-standing tradition of the bachelorette party, observing females actively performing the rituals you may have heard about but never witnessed.
An teacher of mine once said not to worry about if something has been done before, but instead of what you think has not been done enough. Jackie Gendel looks to be a die hard fan of Henri Matisse and André Derain, and feels the work they started has not been finished. It’s interesting to see how a style which was so radical a hundred years ago that a critic claimed in contempt that the work had been made by “wild beasts,” yet painted today seems perfectly beautiful and comfortable. The radicalism is gone, yet Gendel carries their spirit of autonomy of lines and colors. If you like what you see, you can see more of it at the Jeff Bailey Gallery until November 10.
What if you watch a film and whenever you pause it, you face a painting? This idea inspired Reza Dolatabadi to make Khoda. Over 6000 paintings were painstakingly produced during two years to create a five minutes film that would meet high personal standards. Khoda is a psychological thriller; a student project which was seen as a ‘mission impossible’ by many people but eventually proved possible!