Any attempts to describe the madness that was Art Basel Miami 2010 in a few sentences will undoubtedly fall short. Put succinctly – lots of art, lots of people, lots of sun, lots of fun. People go to Art Basel Miami for many different reasons, but yours truly went in search of the ever-exciting, awe-inspiring, never-before-seen, knock-your-socks-off, kick-ass kind of art that makes me say YES! Did I find what I was looking for? It’s hard to say my friends, so loyal B/D reader you be the judge. Here are some of the highlights from Day 1: Art Basel Miami Beach…
Sølve Sundsbø is a London-based (Norway-born) photographer whose highly stylized shoots bring an experimental edge into the world of high fashion. This particular series — called Points a la Ligne — was shot for Numéro magazine’s May 2008 issue. The concept is simple, yet powerful; patterned shadows of stripes and circles are cast across the body of a nude model (Edita Vilkeviciute). Between the model’s painted-white skin and the pitch-black shadows surrounding and traversing her, the photos are strongly contrasted. Her lipstick — in varying bright shades — is the only source of color that punctuates the series, attracting the eye to her mouth.
The result of Sundsbø’s experiments with light and shadow is a photo series that lends a sensual geometry to the body. In some images, the shadows — which appear painted on, initially — give her body a feline appearance, and in others, almost a pop-art/film noir aspect, or even more abstractly, the way sunlight reflects off of sand dunes. The interpretations are varied, but the illusory effect on her form is beautiful.
Sundsbø has shot for a number of fashion publications and beauty brands, including Vogue, NYTimes, Chanel, Dolce & Gabbana, and H&M. You can explore the rest of his imaginative, sensual, and highly polished work on his website. (Via Art Fucks Me)
Portlander Kyle Jorgensen combines ethereal, cosmic subject matter with explicitly tactile media selections, and it really works. In the age of Photoshop, a lot of this type of imagery is often generated through digital means. It’s really nice to see a guy just go all out homegrown. Great palette here as well. Click past the jump, and then check out his blog for more.
Today is your lucky day if you’ve ever wondered what the inside of a brothel looks like. Photographer Jasper White takes us on an intimate tour of brothels where colored lights are king and mundane things like paper towels, bed sheets, and body lotions turn into charged objects that take your imagination down a dark and erie path.
It’s that time again folks. Super intern Julie Yeo graduates from the B/D Cult University and goes off into the real world. Join me in thanking Julie for all the hard work around the office, the non-stop blogging, and the daily post office runs. We never did make her scrub the floors, get us coffee, or give back rubs to the various artists that drop by our space but hey we got a whole new batch of interns coming that can pick up on the slack. When Julie’s not busy prowling the streets at night eating brains she’s busy with her illustration and design. So make sure and stop by her site and see what she’s up to. Bust of luck Julie!
I’m loving these psychedelic geometric abstractions by D’metrius Rice.
London based Dines is a graphic, type and interactive mono-named designer. Whether his designs are destined for commercial industry or for more personal musings, his bright, active voice rings loud, yet harmonious, through each project- a stamp of his personal design style. You can catch up with his freshest work and news via his blog.
Artist Hillary Waters Fayle creates delicate stitched collages using found leaves, branches and pods. The artist’s work transforms natural elements into tiny keepsakes using traditional methods of needle work. She coats her source material with a non-toxic preservative, allowing each piece to remain unharmed. The use of her hands during her artistic process invites in a recognition and romanticization of man’s interactions and relations with the nature. Her work aims to explore and encapsulate the complexity of this relationship, proving it to be one that is simultaneously “tender” and “ruthless.” Each of Fayle‘s pieces, with their intimate details and delicate disposition, almost create an aesthetic of Victorian jewelry, yet are in of themselves completely timeless. Each work truly acts like a tiny object that can transcend the notion of time and place. Within her artist statement she notes:
“The way I think about and make art mirrors the way I think about my life and how I walk through the world. What I do is about elevating details. It is about noticing cycles and connections. It is about regarding a familiar object in a new way. It’s about seeing things and considering their connection to you, their potential futures and possible pasts. There is a depth and an importance to what is present, and what is absent. Invisible narratives are woven into and around each piece, each interaction. As I gather materials with which to work, I consider what connections might exist between us, or how each object might be related to another.”
(via Design Favs)