Artist Fabian Oefner has a strange way of painting. For this series a rod is covered in various colors of acrylic paint. The rods is connected to an electric drill which in turn is connected to a sensor that activates a camera flash lasting only 1/40,000 of a second. The moment the paint begins to be flung in all directions off the rod (according to Oefner, one millisecond, to be exact, after the rod begins spinning) is caught by the carefully timed flash. An instantaneous hurricane of color is frozen in midair capturing a structure that only exists for a fraction of a second. [via]
Fun stop motion video by the good folks at Nissan on the streets of Tokyo.
Special Problems is a multi-disciplinary creative studio composed of Campbell Hooper, Darron Lilley and Joel Kefali. Their work fuses hand drawn, painted, video, animation and illustration–often recontextualized in new and surprising ways. They recently interviewed with Beautiful/Decay to discuss their design collective, their approach, and thought processes behind their videos.
String woven to look like lace from NeSpoon, of Warsaw Poland. NeSpoon weaves designs into locations all over the artist’s native Poland and elsewhere, These images are taken from a recent project on the coast of the Baltic Sea. Nice to see people interacting in and around each piece. Each installation looks so natural in it’s setting, as though they just floated in on a breeze or washed ashore underneath a wave. When people hustle so hard to get noticed and make their mark everywhere, it’s nice to see NeSpoon making art that’s in perfect balance with the rest of the world. In this way, everything around us, man-made or not, takes on an unprecedented beauty. (via)
Documentary filmmaker and photographer Angela Boatwright spent about six months recording the punk-rock scene in East Los Angeles. The series, titled East Los, takes an in-depth look those who are active in it. This not only includes shows, but delves deeper to showcase the individual lives outside of the mosh pits. We see this facet of the Latino community in their homes, with grandparents, and their unique personal styles.
This project uses still images as well as video footage from various events. East Los gives us a glimpse into a probably unfamiliar “backyard” music scene; It champions and explores youth, catharses, and the idea of family. We see love, friendships, injuries, and ice cream. It’s not just something that these people do on the weekends, but is a lifestyle that is a framework for how to view the world. (Via Feature Shoot)
Serbian photographer Boogie, captures some of the grittiest street scenes that you could imagine. Boogie has been living in New York City since 1998, when, after a stint in the military, he won a green card in a lottery. He has spent several years chronicling the lives of New York’s gangsters, drug addicts and hustlers. From NYC to Belgrade, Boogie has an intimacy with the subject that is rarely seen today. To gain access to what he’s seen is probably a once in a lifetime opportunity.
My good buddies at Two Rabbits Studios have recently updated their site and online store. If you haven’t heard of these fellas, you should put your ears to the ground more often. Though they may be named after a small gentle animal, they are a stampeding herd of buffalos who will trample you with their design and printing skills. They’ve done concert posters for all of your favorite musicians and probably your mother’s favorites as well. (P.S. They silk screened one of the inserts in Book 2).
Rajni Perera’s work is a wondrous fusion of different mythologies, cultures and viewpoints. Her wildly colored drawings combine Hindu imagery, pre-historic animal beasts, galaxy prints produced by the Hubble Deep Field Telescope and the figures of exotic women. She works with techniques and symbols from Indian miniaturist art, Blaxploitation and pop culture references, forming her very own mythology.
Born in Sri Lanka, Perera is drawing on her own immigrant background and her transient state moving between Eastern and Western cultures to illustrate a unique standpoint that it both specific and universal. Her work is an exploration of what it means to be cross cultural in today’s world, and is her trying to dissect those layers in a way she, and us, can understand. A big subject in her work is the representation of female sexuality, and also the presentation of Asian and South Asian cultures in a predominately male Caucasian world. But she says perhaps it isn’t that straight forward.
I don’t know if I really want to make statements about racial prejudice, at least maybe I feel I’ve moved past that in my work. More like I try to make images questioning the projected, or fabricated sexuality behind circulated images (be it on screen, print or the web) of the colored female body in pop culture or otherwise, i.e. ethnic pornography. (Source)
We’ve all seen them- they’re these hyper-stereotypical web images of African girls in beads and wood, Japanese girls in kimonos, and Indian girls in saris; all very subservient, all very saleable; this is my point. There’s something for sale there. (Source)
For Perera the thing that is a common thread connecting Eastern and Western cultures is Kitsch: The idea of culture being re-appropriated by, or passed between, one another. Hollywood and Bollywood are essentially two heads of the same beast, and Perera certainly draws that beast spectacularly.