Echoliia, a collection of photographs taken by Timothy Archibald, is a heart-warming study of the photographer’s 5-year-old autistic son, Eli. In hopes to get his frustrations out through creativity, Archibald photographed his son’s odd but endearing behaviors in order to understand him better and create a stronger, trustworthy relationship between the two of them.
The collection reveals the child’s unique perspectives and interaction with the world around him. With a trashcan on his head and a cardboard tube ’arm’, Eli conquers his world. His dad couldn’t be prouder to capture the uniqueness he exudes.
“I never wanted [Eli] to think that he was normal. I wanted him to be aware of how different he was and see that as an asset.”
Through this series, not only do you acknowledge Eli’s quirks, but also witness Archibald’s accepting and loving gaze.The father and child collaboration is available in book form on the artist’s website. (via My Modern Met)
To get you excited about the release of Book 4, we’re giving you a sneak peak at the one of a kind hand-silkscreened original print that will be included in the issue. Friends and design studio Two Rabbits have been slaving away on a unique Exquisite Corpse themed mini-poster, featuring a collaboration between their artists.
And, if that’s not enough, subscribers will receive a premium, limited edition, multi-color edition that can’t be bought in any stores. So be sure to subscribe today to insure you get this special print!
Nancy Rubins‘ grandiose sculpture exhibition Our Friend Fluid Metal is open to public at the Gagosian Gallery, New York. Famous for her explosive installations featuring re-purposed objects, this time Rubins’ transforms old equipment from children’s playgrounds into dynamic large-scale floating structures.
The title of the exhibition refers to materials Rubins’ used to create her surrealist sculptures. The monumental figures are constructed from recycled aluminum playground toys. But the story goes back even further, as the playful critters (elephants, ponies, giraffes, etc.) were made with aluminum from WW2 military planes. Sturdy and, at that time, cheap material was perfect for making thick children’s playground equipment. For the artist, this flux was a natural inspiration.
“Even before the airplane parts the aluminum was a part of the earth and before it was part of the earth it was probably parts of stars and meteors and things that slammed into the earth.”
The exhibition consists of four massive sculptures, all compound through a system of steel trusses and tension cables. Dimensions vary, but the largest measures 17 x 42 x 24 feet. Despite that, Rubins’ works ten to evoke a sense of lightness and stillness, like someone had pushed a Pause button in the middle of an explosion. Her expressionist take towards unwieldy constructions reveals the fair line between rigid and gracefully fluid.
Cris Bruch’s work might be found on a more tasteful version of planet Pandora. His shapes have this mysterious, organic quality that I imagine existing on an alien planet populated by giant blue people who are really into saving the environment and stuff. His exhibition at Elizabeth Leach Gallery, Gather and Wait, from July 1st – August 28th explores the artist’s creative process through a series of drawings, photographs of works in progress, and completed sculptures.
Preparing for the 24 Hours of Le Mans race, is a round the clock job. Mr. McDreamy Patrick Dempsey found this out for himself as he prepared to race on Porsche’s team. Porsche’s clever video features Dempsey and his racing partner Patrick Long and follows them on their final preparations over the 24 hours before the race at their little chateau in the middle of France. Practice makes perfect so these two are always prepared for a driver change whether it is at the breakfast table, in the study, or even in bed.