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Website Builder Made With Color Presents: Tim Furey’s Mixed Media Alien Worlds

Checmical Factory on Alpha Z84 alien

X Sector Dormitory alien

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Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you another exclusive artist feature. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color doesn’t just help artists create gorgeous websites but allows them to do so in a few minutes without having to touch a line of code. This week we’re happy to bring you the mixed media collages of Tim Furey.

The work of New Jersey based illustrator Tim Furey is full of texture, shapes, neon colors and best of all aliens!  Combining a wide array of media in his collages Furey creates psychedelically hued interiors, still lives, and narratives that will hint at the story without giving away the plot. Inexpensive craft paper meets holographic stickers and crayon scribbles create images that are as primal as they are futuristic.  The result is a hypercolored world where aliens mingle with mankind to create unknown future worlds.

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Mike Rea

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Ambitous artist and force of nature, Mike Rea, never disappoints. Check out these life-size wood sculptures and be impressed.

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Kevin Corrado’s Human Limbs DippedIn Paint Cleverly Play With Landscapes

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In the photographic works by Kevin Corrado, human limbs and objects intersect with the landscape. They are painted over, dipped, and blend in the with the horizon line. The series entitled Transfer best showcases this idea as different hands are encased in varying colors of paint. Corrado talks about how this is not only a connection made design-wise, but our notions about the things we see. He writes:

The project began as a playful idea of the ocean being a giant sea of blue paint rather than water. The idea of a blue sea is so engraved into our minds, even though in most cases, water is not actually blue. In all three pieces, a hand becomes covered in paint by touching a landscape of that color. In its entirety, the project speaks about our intense connection between common landscapes and their assigned colors. Possibly something that was instilled in us during our elementary days. The project also addresses my role as an artist, and what color I will choose for my landscapes, even though my tool of choice is a camera (a tad bit ironic). A painter is given the task to paint a tree, but that painter must choose to use green paint.

The quietly compelling images play with our sense of scale; hands are huge, looking like giants and whose veins appear large enough to line up with the choppy waves. (Via Slow Art Day)

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Eliza Bennett Embroiders Her Own Hand In Courageous Statement About Women Laborers

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For the artist Eliza Bennett, her flesh is her medium; in embroidering her palm with thick threads, she hopes to explore the ways in which we view gender roles. Her hand, swollen and bruised by her own careful work, is titled “A Woman’s Work Is Never Done,” and her gruesomely precise handiwork serves to remind the viewer of the strife of women laborers, many of whom are paid far less than their male counterparts.

Embroidery, like most traditionally female crafts, is often belittled and considered frivolous, but Bennett’s representation of women’s work is urgently and painfully profound. By literally—and unflinchingly— penetrating her own epidermis, the artist subtly subverts the notion that the efforts of women are superficial or shallow.

Building upon these themes of gender constructs, Bennett’s project blurs the lines between the private realm, coded female, and the public realm, coded male. In many ways, her skin serves as the bridge between the internal self and the external world; in embroidering it, she makes a public spectacle of her own personal narrative. As if reading her own palm, she traces its lines in various soft colors, creating intricate patterns and granting certain patches of flesh both psychological and aesthetic importance.

Bennett’s pointed social critique of ideas of femininity is made stronger by the intimate nature of the work. Feminist scholar Betty Friedan once explained that in the battle for gender equality, the personal lives of women must be made political, that internal struggles must be made visible. “A Woman’s Work Is Never Done” is a poignantly simple execution of this idea; here, Bennett weaves a painful visual story onto her hand, stretching it outwards for public consideration. (via Hi FructoseDesign Boom, and anti-utopias)

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Aya Kato creates world for fans in Mr. Chiizu app

 

Aya Kato’s illustrations suck you into her world of star-crossed lovers, intergalactic space travel and art deco reverie on first contact. As a Beautiful/Decay cover artist on long since sold out Issue K, her posters, t-shirts and books have been amongst the most sought after the publication has produced.  We spot her Mermaid shirt on fans at least once a month. She recently teamed up with Mr. Chiizu, an artist’s decoration iPhone app that gives art and illustration lovers a chance to get inside works of their favorite artists. She was a natural choice for a Mr. Chiizu collaboration, giving fans a chance to step into her rich fantasy world. Her theme has been flying off the iTunes store shelves since its release earlier this week.

 

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Carlos Amorales Creates Swirling Clouds of Darkness With Black Paper Moths

 

In 2007 and 2009, Mexico City-based artist Carlos Amorales created two huge installations, both entitled Black Cloud. The works positioned thousands of paper black moths on walls and atria, forming a swirl of darkness. Each moth was a replica of one of 36 different species. The end result of each work contains an overwhelming force that evokes biblical overtones. See more images of Black Cloud after the jump. (via)

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halsey hathaway

Elegant geometric abstractions with layers of veiled colors and color shifting borders by New York painter Halsey hathaway.

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Lauren Utter

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Lauren Utter, a New Jersey native, documents her punk rock inspired, pan-handling, train-hopping adventure filled life through her aggressive yet delicately drafted drawings. Lauren briefly attended the School of Visual Arts, but decided that her experiences outside of the institution’s walls were what truly inspired her.

Every little mark on the surface is stark, rigid, and untamed. Lauren isn’t interested in dressing up her subject for the purpose of comfort or aesthetic. She wants to bring to the audience her encounters exactly as how she found it. Yet upon closer inspection, you are guided to notice the underlying beauty, and appreciate the aggressive approach of Lauren’s work. This is where the irony in her work is present. It is the moment, confrontation, and/ or eye contact captured. The kind of transient situation most of us rarely have the time or guts to pay closer attention to.

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