Today we go behind the scenes with Emory Allen, one of the ten featured artists in our upcoming “Art Works Every Time” exhibition. Emory will be showing his latest series, which uncovers and explores the mythology of his Filipino heritage. The result is a collection of strange and beautiful images, vibrating with energetic linework. Read on to discover more about Emory’s work!
Illustrator Jason Polan is on a mission. A mission to draw every person in New York. Jason is spending 2 minutes a piece drawing people he sees in the streets of New York City and blogging the results daily. The result is fun doodles of interesting characters and even some famous names. If you’d like to be a subject, check out the blog and email Jason, and he may inconspicuously sketch you at your decided location. More NY portraits after the jump.
Artist Andrew Scott Ross is interested in the ancient past, and uses it to better understand the present. Curious about the way museums present items from the past, Ross creates paper-dioramas, drawings and sculptures to display his own versions and representations of history.
In his 2013 work Tilden and the Theban Hero, for instance, Ross used photographic reproductions of Greek and Roman art from the Michael C. Carlos Museum near Emory University’s campus as a point of departure. He then cut by hand several elements and combined them to create an imaginative, large-scale installation. The piece employs Greek mythology as well as elements of Ross’s personal history. Informative, fun and engaging, Ross’ installations almost come to life before a viewer’s eyes.
See his work later this summer at the Winter Gallery at Millersville University in PA.
Sabi Van Hemert is a Dutch artist who creates sculptures that are fusions of children and animals. Van Hemert likes to play on the idea that the viewer has his or her interpretation on what they see. Because it is not immediately obvious what you see, the relationship between the spectator and the image is more complex, which is what Van Hemert strives to get from her work. Van Hemert says she has developed a rhythm to her work: precision, and the material she uses, help gives her work its alienating yet sensual, tough yet vulnerable character.
Simon Gerbaud’s artwork is kind of like an MRI for household objects. He disintegrates an item and photographs the process for a stop motion animation that reveals the insides of computers, shoes, and toy dinosaurs, among others. With some, like the chair, he carefully saws away larger chunks and then reconstructs it. The second life of the chair is much more fragile. It’s like the chair has been teleported and its atoms were all mixed up in the reassembly. It’s mesmerizing the watch the objects disappear seemingly into nothing in the animations, and fascinating to witness the innards of a computer, however messy the process becomes.
Another of his animations, Misterio No. 8, also focuses on everyday objects. Gerbaud animates chairs and bicycles to seem as if they are being pushed by a shadow of a flower or a hand. The wind sounds create an eerie feeling that make the shadows feel more ghostlike, but the animation mostly feels playful, experimenting with the non-existent force of the shadow. Gerbaud studied at the Sorbonne. His aesthetic – apart from when a hair dryer is half dust from disintegration – is very cool and clean. Gerbaud now lives and works in Mexico. (Via Design Boom)
Mexican born artist Ana Teresa Fernández “erased” a portion of the U.S. and Mexican border. Using a fifteen foot ladder, a spray paint gun and a generator, she painted a portion of the metal wall that separates Playas de Tijuana and San Diego’s Border Field State Park. By applying a powder blue paint, Ana Teresa Fernández was able to create the illusion that some of the border had disappeared into the sky. During her performance she wore a “little black dress,” representing the Mexican tradition of “luto,” which is to wear all black for one year during a period of mourning. This act is the artist paying homage to the hundreds of thousands of people who have lost their lives attempting to cross the border, getting to the true heart of the matter. Border patrol between the United States and Mexico has been a controversial topic for decades. Depending on which side of the border you are on, the large metal wall means something drastically different. For many Mexicans, the border represents being kept from opportunities and the ability to have access to a better life. Despite the project having nothing but optimistic intentions, the artist did face some objection. In the middle of painting, Ana Teresa Fernández was stopped by the police who attempted to arrested her. However, after a half an hour of explaining her concept, she was let go. Following the projects completion the artist received hate mail and was called a “Mexican terrorist.” She believes her project is feared because it “re-contextualizes a possibility” of peaceful coexistence.
NYC based artist Norman Mooney makes works that are at once physical and metaphysical. His works explore the elemental and cyclical synergies of nature. Materiality, pattern, scale and experience are key concerns within his practice. Although he works in a wide array of materials his massive burst sculptures are completely jaw dropping. Radiating from every angle these incredible explosions shimmer and shine like a star far off in the galaxy. (via)
Graphic designer and art director Albert Exergian’s humorous take on popular TV series “minimizes” the concept of each show into 2-3 colors and shapes. Remember old Penguin Classics book covers? This is the revamped modern sitcom version!