Photographer Sophie Gamand’s series Wet Dog captures portraits of exactly that – wet, half-washed dogs. This amusing series answers the question of what our furry friends look like while they are being groomed. Some dogs fare better than others, and look relatively normal. With others, their hair looks matted or completely covers their face. Each dog in this series looks miserable and wants the beauty treatment to end. Gamand writes about her series, stating:
Wet Dog is a series on dogs being washed during their grooming sessions. The way the water plays with their hair in a very painterly manner, and their facial expressions as the water is poured on them creates striking portraits.
The idea of Wet Dog is a silly one that is light-hearted and amusing. But, just because it is doesn’t mean that the technical ability of Gamand goes unnoticed. All dogs are posed similarly, but Gamand chooses how to capture the essences of their personality. Even though we have never interacted with these animals, a lot can be told about them. One dog (directly above), has water dripping and is gazing both upwards and at the camera. It’s been caught just before he shakes his coat dry. Instead of looking as animated, others remain still with hair matted over their eyes. These dogs looks docile and defeated, and I feel a tinge of sadness. Gamand’s series humanizes these animals in an odd way. With the absence of their four legs, it’s recognize someone we know in these portraits. (Via Lost Moorings and The Guardian)
It may be hard to believe, but these colorful creations of Jason Hackenwerth‘s are made from hundreds of balloons. He twists and sculpts latex balloons around each other to resemble different kinds of organic and biological forms. Hackenwerth creates all sorts of creepy shapes and forms that look like you are seeing something in a scientist’s laboratory magnified. Super colorful amoeba, cells, or rhizopods hang from the ceiling. Bacteria-shaped sculptures are grouped together, sprouting weird sorts of growths in every direction.
The artist is not only inspired by science – last year, Hackenwerth unveiled a large piece in Scotland at the Edinburgh International Science Festival. Titled Pisces, it is an interpretation of the Greek myth about Aphrodite and Eros. Made from over 10,000 balloons, it was a massive twisting spiral of two fish and took three staff members almost 6 days to blow up. Hackenwerth says more about it:
I see this as a metaphor for the evolution for life and the unexpected ways we can transcend our greatest threats. My plan for Pisces is to create a complex spiral that will open into a huge seashell like form. This spiral will correspond with the dynamic with the motion of the universe – the double helix. It is the spiral from which all life is derived. (Source)
Hackenwerth starts his process with drawings and sketches to help visualize how his pieces will work on a large scale. He then inflates balloons and arranges them in various structures to see what will work for the final piece. He talks about the importance of his medium:
Using balloons as a medium for expression came from a desire to connect with a wider audience. Balloons are accessible and they seem to have a magic ability for people to feel joy. Perhaps it is a regression to childhood. (Source)
Artist Federico Pietrella was born in Rome and now lives and works in Berlin. His work gives new meaning to the term… “time-based media,” using time and date stamps (you know, the kind from libraries) to compose his artwork. Check out a good sampling after the jump.
The street artist Basik has a singular style. Though often sparse in color, his murals don’t lack in detail. The compositions seem extensively planned. No component is set without intention as if its precise creation were some sort of ritual. Basik’s extreme attention to line is rare in the aerosol can wielding medium. He says of his work:
“I found human and animal bodies, especially hands and weird face expressions, very captivating. I started a research about lines, shapes and solid aspects of the colours. Subjects painted are often idealized and slightly surreal. Strokes become bones, while paint’s matter turns into flesh. I love to make my works on useless and broken items. Painting becomes more intense and dramatic whilst the support gets a whole new dimension and dignity.”
The title of this post pretty much sums up this hilarious body of work by photographer Daniel Ehrenworth. Find the naked person clinging for their life and you’ll win the grand prize. More nudes holding on after the jump!
Nicolas Holiber works in the middle of unwanted pieces of wood and thrown away shipping pallets. He also recycles feathers, nails and found objetcs. In his Brooklyn based studio, he creates instinctively from this magical chaos. The result is expressive, colorful mixed media sculptures representing portraits and busts of kings. One of the most emblematic ones, Goliath; from the famous tale David and Goliath is currently installed at Tribeca Park, in the heart of New York.
The sculptures come alive after being assembled, destructed and rebuilt. The process is the same each time, no exceptions. Nicolas Holiber creates from doing; with the intent of building beautiful things from a mess. Give him trash, reclaimed wood and a couple of nails and he will be able to come up with a bold, vibrant and stimulating piece of art. He will only be satisfied when he can look at the piece over and over without feeling the urge to retouch it. But beware, beautiful and finished doesn’t mean perfect. He doesn’t want anything to look too figurative. His work has to feel new and exciting. Otherwise, It just doesn’t work for him.
Until recently, the artist used to create for his own pleasure. He still does but he now shares his work by teaching sculpting classes, attending residencies (the next one is scheduled for Spring 2016 at Governor’s Island) and showing his work to the art scene.
Nicolas Holiber’s Goliath is at Tribeca Park, New York City until July 2015.