Tom Price melts a lot of plastic in his work. He bends the distinctly man-made material to his specifications, creating highly conceptual chairs, tables, trees, and other objects. It’s easy to see which aspects of Price’s sculptures are the result of his molten process, and some element of intense heat and power lingers long after required cooling periods. You can almost feel the plastics melting in your hands, and smell the awful scent of burning tar. Such lingering power is what makes these works so intriguing. They’re also beautiful, but who’s counting? (via)
Stacy Kranitz focuses on the multidimensional character of Leni Riefenstahl, whose focused vision and murky set of morals greatly inspired Kranitz. These grey areas spoke to her desire to understand people beyond the constraints of good vs. evil.
During Pennsylvania’s yearly reenactments of the Battle of the Bulge, Kranitz portrays Leni Riefenstahl and behaves with soldiers as she would. Kranitz examines how the photograph documents and shapes history, since much of our conception of history is based on images. The 500 reenactors base the authenticity of their looks on images and, in particular, on Riefenstahl’s film Triumph of the Will. Kranitz focuses on how these historical images have been filtered through both the media and propaganda, becoming history as generations pass and memories fade. Photographs and film become the dominant forces that shape the public imagination.
Iva Gueorguieva, currently a Lux Art Institute resident, is a Bulgarian-born artist that paintings are incredibly filled with energy portrayed with color, composition and expressionist brushstrokes. The dreamlike abstract landscapes are highly energized by the amazing intensity in colors and the layers create such dynamic organic like environments, they can’t help but captivate the viewers attention with the exuberant hues and dizzy brushstrokes.
By now most of you have seen or heard about this brilliant documentary by LA filmmaker Nirvan Mullick about a 9 year old boy named Caine and his amazing incredible DIY arcade. Stuck at this fathers office on the weekends, Caine took his boredom and turned it into one of the most awe inspiring arcades I’ve ever seen, completely made out of discarded cardboard and packing tape. Unfortunately Caine rarely got any foot traffic in his little shop of fun. That is until Nirvan came by and decided to share this little boys inspiring story with the world. With a few Facebook invites and some help from strangers Nirvan managed to create an amazing day for Caine by way of a surprise flash mob.
What’s more amazing about this story is that since the videos launch just a few days ago Nirvan has helped raise over $114,000 towards a college fund for Caine. Watch this video, get inspired to do better, and get off your ass and make something. There’s no more excuses now that you have seen the amazing things that a 9 year old boy with no money and a bunch of creativity can accomplish! (via colossal,mefi)
Hong Kong artist May Sum sculpts figures out of lipstick. While she sculpts animals and other objects, most of her figures are modeled on influential women in a series titled “Woman Power.” Lipstick comes in various shades, packaging, and shapes, and Sum uses this variety to her advantage creating a series of finely detailed iconic busts. The medium used to sculpt these women is fitting as powerful women are often judged against cultural ideals of beauty and image.
Sum doesn’t just limit herself to iconic women as subjects for her sculptures. She also takes custom orders. If you send her a photograph of what you’d like sculpted, she’ll create a miniature lipstick sculpture in its likeness. (via design taxi)
Marc Sinaj has such an eye for detail and dedication to quality, that his sculptures have observers constantly mistaking them for actual people. Strangers often try to interact with the figures, talk with them and even complain when they don’t receive any response. Born and based in Milwaukee, Sinaj often spends anywhere from 6 months to a year on a single sculpture (although usually working on multiple ones at the same time), and the hours he invests definitely show in the finished piece. He chooses to replicate figures with stories; people and characters with many wrinkles, pimples, blemishes, pores, stretchmarks, ingrown toenails and grey hairs.
…the vast majority [of the sculptures] are of all shapes and forms, some scrawny, other obese, some old, some young, some weak, some burly, the gamut of humanity. Sijan is like a superb writer in that regard who writes not only about the rich and famous, but instead about all facets of life on earth. (Source)
Working for over 40 years, Sinaj has perfected his skill of realistically reproducing the human form. Carrying on from the traditions of Roman and Grecian marble sculptors, Sinaj is a true modern master of bodies. Painstakingly building up layers of paint, and placing every individual hair, goose bump and freckle exactly where they should be, he shows of the extent of his talent. He never replicates someone without their permission, and always asks before taking their photo, as he is, in a way, cloning them.
Sinaj not only creates unbelievably realistic sculptures, he is effectively turning a mirror back onto ourselves – showing us in such a blinding light, we can’t ignore that humanity (with all of our flaws) is a strange and wonderful thing. He is celebrating the ugliness of reality. (Via Ignant)