Furniture is most always ignored as art. T. M. Schmid’s Swiss furniture studio Strala has created some stunningly beautiful sculptural pieces, which should hopefully help change that image. His designs are amazing examples of furniture as art and each of his unique pieces brings a different feel of strength and eloquence.
The BERLIN FESTIVAL OF LIGHTS is one of the largest and best-known illumination festivals and public events in the world. It takes place each year in October, where for 12 consecutive nights, Berlin’s world famous landmarks, cultural monuments, historical buildings, streets and other locations become transformed through light, projections and events. Extraordinary illuminations, light projections and light objects are presented by many local and international lighting artists. (via)
Hungarian photographer Flora Borsi digitally “distouches” images of models. After analyzing fashion portraits, the artist took note of the overt emphasis on perfection the images took. She then decided to play with the process to perfect by attempting the opposite. Her images wink to the classic artist portrait, perhaps even take their composition from what looks like could be a model or actor’s headshot, yet instead of aiming to portray women at their most beautiful, her mission was to create something truly unusual. Her portraits highlight distorted faces of women that tend to have three eyes, peculiar brow lines, and lips that droop, giving an almost absent chin. With a thread of shiny hair and dramatic lighting, this body of work almost acts as a portrait series of genuine alien beings. The artist explains the project in her own words:
“In this project I’ve been analyzing some fashion portraits, how perfect they are. So I made the opposite of retouching, somehow I distouched these pictures of perfect models. This project is connected to surrealist painters point of view: beauty wasn’t enough to give me interest. I love imperfections as much as I love surrealism. These pictures are my little monsters, no one wants to look like them, because they are totally unique.”
Borsi’s work uses digital manipulation in order to explore her fascination with surrealism. She focuses on issues surrounding identity, relationships, emotions, and dreams with the aim to investigate the complexity of the human psyche.
Brazilian artist ALMA has been getting up a lot lately with these haunting, stark, sometimes figurative pieces that move in and out of decaying urban environments in an incredibly natural way. I like that he mixes it up between extensive, symmetrical work that kind of reminds me of Richard Colman, and flat black stuff that’s really hard to define but affective nonetheless. South America is always killin’ it.
Today’s featured “Art Works Every Time” artist is Jesse Wiedel. Wiedel describes his unique blend of metaphysical trailer-park angst as “trashy yet mystical;” Wiedel finds the complexity in actions taken out of context and placed within a cheap motel, the dialectical meaning in the iconography of the van, the spiritual gesture of a face-shoving match, the hostility in a complacent family vacation portrait. His works are uncannily American, displaying a David Lynch-like curiosity in society’s two-faced duplicity, its simultaneous suburban superficiality and seedy underbelly. At once dark and humorous, Wiedel’s works startle and shock through their sheer familiarity.
Misha Hollenbach lives and works in Melbourne, Australia. Using found and created objects he presents the viewer with absurd and alarming “artifacts” in which the eloquent clashes with the primordial. Swiss publishing company Nieves describes his work as “…merging contemporary culture with tribalism. Working across the mediums of collage, screen-printing, painting, sculpture and installation, his work is often driven by carnal desire, and a return to the basics/basis of human existence.” While speaking of his motivations Hollenbach frames his body of work perfectly stating that “Things can always be a bit more insane.”
British artist Chris Agnew Predominantly works with drawing and a self-developed technique of etching into panels with oil painted details. Agnew’s practice is focused upon the cultivation of belief systems through legends, mythologies and actual events. The works take the form of intricate and highly-detailed examinations of specific locations where the origin or destiny of particular events are/will be played out.
At the root of Matthew Monahan’s sculptures and drawings are physical attributes common to all humans: the face and the body itself.