Chris Pell is a 21 year old graduate from Brighton University. Pell is a very unique animator, photographer, and illustrator who uses religious symbolism in a majority of his work on Flickr. Just incase you were wondering, Pell loves “fantasy worlds, alchemy, soca music, mysticism, horror movies…” and the list goes on. He is readily available to take commissions and also has prints for sale upon contact.
Jacob Ring captured images in Melbourne and Brisbane, Australia, as well as Hong Kong, Singapore and Thailand. His collections of film photographs are done on straight 35mm and shot on an old nikon f4. The collection was created to document travels to various destinations, while focusing on visual abstraction and strong color depth.
Brett Wilkinson’s experiments in minimalism and geometry have led him to create Onesidezero, a collection of his latest works in illustration. Whimsical and playful, his style reflects the cheerful shapes and colors of childhood toys and coloring books. Not only does he specialize in prints, but his works are also featured on mugs, laptop skins, and wall vinyls. Wilkinson has also designed for Panasonic and the Big Chill Festival 2009, and created the cover for Digital Arts Magazine.
Lee Bul’s transformative installations pull you into a fractured space of infinite mirrors. The Korean artist, both well versed in illustration as well as installation and sculpture, forms complex, maze-like structures with interiors made of mirrors that reflect in all different directions, creating a disorienting effect. Bul takes seemingly small, secluded spaces and magnifies its size by making the space seem never-ending, keeping you exploring each layer of the multi-faceted structure. The highly industrial installations create such intricate depths and perspectives that allow you to fall into a place of vertigo. Each fractured mirror bounces back color and light in a way that transforms and bends the space around you into an intense kaleidoscope. Bul’s interactive artwork gives way to a fractured universe of distorted shapes and space.
The artist, being multi-talented, mixes elements of architecture in her work to design the sleek exteriors of her installations. Adding to the lustrous, reflective surfaces of the interior walls are the reflective floors of the exhibition, creating even more confusing space perception. This unique work creates a range of emotions from the anxiety caused by the ambiguity of depth, to the overwhelming awe from the beauty and sublime of the endless space around you. Each installation is a portal to another world, absorbing you in its abstracted images that include your own reflection. This unearthly theme is present in much of Bul’s work, as her illustrations often include unknown beings and aliens. Bul’s stunning mirrored labyrinths are now on view at the Museé d’Art Moderne in Saint –Eitienne in France. (via Design Boom)
Jeremy Willis had me over to his Brooklyn studio and we hung out and talked about his paintings. Willis describes the paintings anthropomorphically – as wanting to be doing something human, like giving birth, hugging you or selling you illicit substances. The majority of the paintings are big and surround you with saturated colors and chaotic space. They do feel like they have an overwhelming emotional content, and the paintings reflect the messy nature of life. Look for more from Jeremy soon.
New York-based artist Brian Dettmer’s sculptural, multi-layered books are so intricate that they require him to use surgeon tools in his process. He carefully carves illustrations and text out of old medical journals, dictionaries, maps books, encyclopedias, and more. Nothing inside of the books is implanted – pieces are only removed. The idea is that these subtractions will reveal new histories and memories now that the story and context has changed. Dettmer sees his work as a collaboration with the existing work’s past creators.
He writes about his creations, which are a comment on the changing landscape of technology. From Dettmer’s artist statement:
The age of information in physical form is waning. As intangible routes thrive with quicker fluidity, material and history are being lost, slipping and eroding into the ether. Newer media swiftly flips forms, unrestricted by the weight of material and the responsibility of history. In the tangible world we are left with a frozen material but in the intangible world we may be left with nothing. History is lost as formats change from physical stability to digital distress.
The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge. (Via Demilked)
“I heard my song at Whole Foods like a half an hour ago… this is weird”, said Montreal’s Cœur de Pirate, aka Béatrice Martin who performed this past weekend in LA at the El Rey Theatre in front of a very enthusiastic crowd. At only 23 years old, she already has two award winning LP’s under her belt and three new nominations from the ADISQ (Association québécoise de l’industrie du disque, du spectacle et de la vidéo) this year, and she was invited to perform at the Francofolies first American event, A Tribute to Édith Piaf at New York’s Beacon Theatre tonight. I was more than happy that the busy young singer/songwriter graciously sat down with me to chat before her LA debut.
“It’s my first California tour, I did Portland and Sasquatch about a year ago when I was still pregnant so that was intense”. “I wasn’t expecting such a turn out” she says about her show at San Francisco’s Great American Music Hall the night before. “I thought 3 people were gonna show up… it was packed… people that don’t know French and they’re just singing… it was really nice so I’m excited about tonight”.
Originally from Seoul, Korea Ji Yeo now resides in Rhode Island. From 2009 – 2012 she worked on an extensive photography project entitled The Beauty in which she documented numerous women in Seoul, Korea immediately after they had undergone plastic surgery. With a sensitive demeanor Yeo highlights an aspect of our current culture that has become increasingly commonplace. Ji explains that “…Beauty is integral to human nature, and people find beauty in the most difficult circumstances, during emotional chaos and disorder, within social taboos and the breaking of such taboos and even in the face of death. My work focuses on ideas of “beauty” in contemporary culture, specifically in how women in our culture come to define and enforce an ideal of beauty on themselves…”