The art of Skinner is full of mullets, monsters and metal heads, not to mention the lurkers, samurai and lil’ devils. The self-proclaimed nerd for life takes inspiration from the world of fantasy, giving life to the dreams (or sometimes nightmares) of Slayer fans and Dungeon masters everywhere. The beautifully detailed works combine the aesthetics of street art, comic book illustrations, and something akin to black velvet paintings on acid. Each work has such an immense sense of epicness, it’s hard to not get caught up in the world created. And while many of the paintings and drawings convey infinitely complex scenes that you could look at for hours, Skinner also makes lighter works that are hard not to love, especially when they’re called things like Eternal Jamnation, and have a dark, glowing monster jamming on a guitar, surrounded by bats. It’s the kind of work that just oozes passion, because no one could make images so far from reality without being totally immersed in the process. It’s like a Metalocolypse Halloween episode 365 days a year. But, despite the awesome appearance of his work, Skinner is extremely introspective and self-critical, constantly challenging himself as an artist and working to create something completely innovative. His determination to return to a more childlike inspiration, a time when “it was just raw freedom, there were no expectations, there were no ideas of good or bad it was just being in the moment and trying [his] best to do something that looks good.”
Robert Gligorov’s work attempts to shock the viewer. Each piece tantalizes the imagination, awakening it from a state of lethargy. Confronting a society accustomed to sophisticated and extreme forms of visual communication, Gligorov amplifies the shock value of his work in order to compete with the deluge of images that cloud our visual field. Gligrov lives and works in Milan, Italy and is represented by Aeroplastics Contemporary in Belgium, and Galerie Pascal Vanhoecke in Paris. More images of his work after the jump.
Andy Ainger creates eerie paper creatures. Even with his fun color palate, some of his creations still give me the heebie jeebies. Aiger works with simple materials, saying his interests lie in “craft based art,” and plays with accessible household items like paper, breakfast cereal, and possibly sealing foam?
The iconic pizza pie gets a fun twist in this series titled Pizza Is the New Black by the Paris design studio called Black Pizza. It features 10 different iterations of the dish, all set in a different color and that use some food as well as inanimate objects. Designers had the help of Chef Julie Bassett with support from Erwan Fichou, and together the team came up with “pizzas” that included pacifiers, ping pong balls, iPhone cases, and more on them. The dough was even dyed to match the color scheme. It all results in these visually appetizing images that are beautiful if not slightly repulsive.
Black Pizza describes the project, saying, “In a riotous culinary color scheme, Black Pizza pays tribute to the pizza, the symbol of sharing and pop culture.” The entire project only took a couple of days. (Via Miss Asphixia and UFunk)
Han Bing is an artist living and working in China. Working primarily through photography, with some installation, Bing explores the characteristics of the “modernization” of China. His work is an introduction to the land, the people, and the romanticism of the country. He had previously been featured by us a month or so back in our food art series post by Ms. Makena.
The work of Alejandro Almanza Pereda is colored with a dark sort of humor. While his installations are typically built of ordinary objects and materials, they are arranged with a near morbid wit. In a way, Pereda’s work gives boringly safe everyday situations a sense of impending danger. For example the last piece featured in this post is composed of what appears to be a section of the side of the ubiquitous high-rise building. They’re the heavy price tagged windows of a luxury loft sans room or even people to enjoy the view. The piece is aptly titled No Room With a View.
Bruce Ingram’s sculptures feel both natural and fantastic. Like discovering a new cave system or a perfectly preserved dead hummingbird in your garage (which really happened to me; the bird thing not the cave thing). I’ve always felt like one of the signs of “good” art is that you kind of forget that someone had to make it. Ingram’s work feels like it manifested itself–like the world meant for it to be.