It’s been sometime since we’ve heard from Natasha Khan’s Bat For Lashes, but that all changes on Oct. 23 when her new album, The Haunted Man is released in the US on Capital Records. The Guardian has a preview of six songs that I’ve been listening to on repeat . She’s playing a handful of shows in Europe in the next couple of months so definitely try to see her live if you can. What do you think of the cover photo by Ryan McGinley?
Want more Bat For Lashes? Check out the video for the new single Laura after the jump!
Simple, small and intriguing, U.K.-based artist Anthony Zinonos‘ most recent collage works are a visual delight. Working together simple materials like magazine clippings, construction paper and glue, Zinonos presents his audience with a vintage-hued investigation into space and composition. The result of an obsession with collecting second-hand trade catalogs, magazines and old books, his works elegantly mesh together bits of commercial imagery, magazine editorial and simple geometry to produce works that are striking in their spareness, and charged with curiosity.
A member of the WAFA collective, and also represented for his illustration work by WICCA Agency, Zinonos has parlayed his aesthetic sensibilities into projects for brands like Kate Spade, Alfa Romeo and Chanel.
A good collaborative gallery show is like a good relationship—each artist’s work supports the other without being repetitive or unharmonious. “The Give and Take,” an exhibition in The Joseph Gross Gallery at The University of Arizona School of Art by Kristin Bauer and Emmett Potter, works on both levels. The married couple often collaborates and has exhibited together on numerous occasions.
The artists both work in multimedia and they share a similar aesthetic and point of view. Bauer says,
“I often juxtapose two or more iconic references or material of my own creating, drawing from a wide range of sources that spans anything from Renaissance sculpture to Jayne Mansfield, Shakespeare to Spielberg films, the Great Gatsby to Cheap Trick. How we make meaning of things as cognitive creatures, what we attach to and what we are repelled by is what keeps me engaged.”
Similarly, Potter incorporates vintage comic book imagery into his work. He combines different color palettes and emphasizes what is absent against what is present, making pointed statements about pop-culture. Both Bauer and Potter adapt, appropriate, alter and excavate our shared public domain in an attempt to decode how we attach meaning to the iconography of our culture.
On exhibit since May 28, a closing reception for “The Give and Take” will be held on August 29 from 5:30-7 p.m.
Next month, Jay Howell is having a solo show of 25 new works on paper at FFDG in San Francisco (“Enthusiastic Person”, opening February 1st, 6-9pm). Always excited to see what this guy is cooking up. Every new series he does seems to improve on the last without abandoning the sense of freedom and experimentation that makes his work so appealing. This will be Howell’s third solo exhibition with the gallery, and if you’re in the area, I definitely encourage you to check it out. Click past the jump to see more new character-filled work, and keep a look out for the artist’s upcoming animated series with Nickelodeon, “Sanjay and Craig”.
For the Turkish artist Hasan Kale, the tiniest morsel of food inspires visions of sweeping landscapes. Using his finger as a palate, he adorns almonds, M&Ms, and the most translucent layers of an onion with astonishing renderings of his native Istanbul. Where most landscapes take up entire museum walls, commanding attention with their sheer immensity, Kale’s work does the opposite. In these miraculous works of macro painting, the infinite nature of the earth, sea, and sky collides with the impossibly minuscule, heightening the preciousness of the Turkish terrain.
Here, snack foods become as wondrous as great feats of nature and man. On thin slice of banana, a storm rages, its brushstrokes transforming the very texture of the fruit into that of a saturated canvas. On the inner flesh of an almond, he imagines the legendary baroque architecture of the Nusretiye Mosque. The iconic building becomes vertically stretched as in a romantic masterpiece, extending upwards to conform to the natural shape of the almond. On these tiny surfaces, the grandiosity of the city’s architecture is expressed through the vibrancy of color and the dreamy, sweeping whims of the artist’s brush.
Perhaps the most poignant aspect of Kale’s work is its impermanence. Unlike the great canvases entombed in museums, these paintings will decay, perish, or be lost. The banana will rot into mush; the fragile quail egg might crumble. A stunning mosque might accidentally be eaten. But in the meantime, these imagined landmarks exist for the sake of our wonderment. Take a look. (via Colossal)
In a culture addled with conspiracy theories and apocalyptic prophecies, photographer Thomas Brown thinks a red herring could do us all some good. Exploiting the hyper-paranoia he sees in today’s society, Brown’s “Meteor” series is a collection of clean, tranquil images resembling doom-wreacking meteors at first glance, that upon further inspection manifest as simply crumpled pieces of paper. Just like the overwrought fears that constantly inflict anxiety on our population, these “meteors” too may initially appear violent and threatening, but ultimately both prove to be as inconsequential and harmless as discarded pieces of paper.
Facebook cover photos don’t just have to be a photo of your grandma or a view from your last vacation. When done correctly, they’re an art form. Like user Nikki, for instance. She’s taken these images to the next level and combined her cover photo and profile picture into often-hilarious pairings. Nikki takes on personas like Jesse Pinkman from Breaking Bad, Daenerys of Game of Thrones fame, in addition to appearing Jurassic Park, and throwing a football with Johnny of The Room (a personal favorite).
The key to Nikki’s success is believability. Not that she’s actually Jesse or that she’s affiliated with Sherlock, but that between cover photo and image, they both line up. She took the time to get the colors and costumes correct, and it’s seemed to have paid off. Nikki has won the admiration of the Internet with her unique spin. (Via Gizmodo)
Antoine Magnien of French design agency Mugshot has created a beautiful and poignant series of images for Amnesty International‘s new ad campaign. Rendered completely in 3D, the campaign depicts the horrific scenes of Lynchings, killings, and injustice that Amnesty International fights against out of candles (Amnesties logo). The result is a powerful reminder that we have to keep educating, fighting, and protesting to create a safer, more just world. (via)