Michelle Morin’s works are beautifully detailed natural scenes depicting flora and fauna. Each of her pieces is full of painted texture, and puts an earthy calm spin on classical animal paintings. As a once professional gardener, she has a unique insight into her subject matter. I think it makes all the difference, don’t you?
Australian artist Ben Frost’s Lost in the Supermarket (now showing at Bout, a reference to The Clash song, remarks on the over stimulation, confusion and daily hypnosis we are trapped by, as we struggle to stand still on a buzzing psychedelic landscape of brands, identities and social demands.
Van Orton Design has recreated cult classic movie posters as vibrant digital works of art. The team is a creative collaboration of twin brothers from Turin, Italy. Using digital illustration tools, the brothers have created stained-glass reminiscent, 1970s retro themed images that are unbelievably elaborate and profoundly structured. Each poster is formulated by using the classic “one point perspective.” This is a a formula used by old masters that organizes an entire image based on a single vanishing point in the center. Every line is aimed to draw attention to the exact middle of the work — perfecting it’s perspective while simultaneously controlling the viewer’s eye. The posters portray a familiar scene from each film. The series ranges from new classics to older cult epics including The Shining, The Life Aquatic With Steve Zissou, Pulp Fiction, 2001: A Space Odyssey, Young Frankenstein, Knight Rider, Deep Red, Indiana Jones and The Last Crusade, The Legend Of Zelda, Big Trouble in Little China, Brazil, and others of the likes. Their style is simultaneously unique and archetypically vintage. The use of loud color and clever hue pairing scream out for attention without being overbearing or overtly overwhelming. Van Orton Design‘s work hits the mark of what any good movie poster should achieve; they both embody and generate excitement for every single film. The duo have created something truly collectable and and absolutely fun. (via designboom)
Radical ceramics, paintings and drawings by the talented Amy Gartrell. Do these images make anyone else think of 80’s super fresh flavor, complete with the crazy squiggly lines? Her show “Whatever and Ever” is on view at Daniel Reich Gallery in NYC until June 26th, so go check it out!
Large-scale public art installations and sculpture by Chilean born artist Sebastian E. His work draws upon a wealth of political and religious themes in very clever ways, often with a deeply twisted sense of whimsey.
Twitter user @TechnicallyRon has spent a fair amount of time creating clever and humorous graphics for his very active account. His recent experiments with taking the format from the Daily Mail (a tabloid-format UK gossip paper) and replacing the newspaper headlines with actual user comments might fall more into a category more darkly revealing than humorous.
While some of the comments veer towards inane internet message board chatter (example, “I don’t know which Kardashian this is.”), the results often head to darker opinions that are better left unsaid, hence their prevalence behind the safety of computer screens (such as the misogynistic comments about women over 50, below).
As this story is still developing, @TechnicallyRon has not made any opinions public about these works, or if the series will continue. (via thepoke).
Illustration and design studio Brosmind created a series of illustrations that peeks under the surface. The series depicts 20 characters and what really goes on inside their bodies according to the wild imagination of the studio. Food, organs, pianos, even entire cities inhabit the bodies of each strange character. The series illustrates a curiosity for inner workings. Via the series’ statement, Brosmind says:
“We’ve been always passionate about how things work, and that’s why we created this project. A collection of 20 characters that are opening themselves with the help of a young Lydia Lopez (our lovely main character from our latest project SHE ).”