French artists Zim and Zou, comprised of Lucie Thomas and Thibault Zimmermann, took Spain by storm this May during EXPO Milan 2015 with their elaborate, thought provoking artwork. In store windows in the streets of Milan, the talented pair installed displays of intricate, three-dimensional work bursting with color and environmental messages. Created mostly out of carefully cut paper, Zim and Zou’s series illustrates the harmful effects GMO’s and aggressive farming can have on the environment, our own bodies, and the food industry as a whole. This fell in line with this years EXPO Milan theme for 2015, which is “Feeding the planet, Energy for life.”
The series in the display windows, titled Edible Monsters, reveals an array of sterile looking plants and animals, complete with mutant-like features and unnatural colors. Although these seemingly bright and cheery scenes evoke feelings of warmth and pleasantness at first glance, they all hold a bizarre aura, showing how the path that we currently are on can lead to terrible and irreversible effects on nature. One scene displays brilliantly colored, happy flowers that devour insects. In another window, one can see a fish swallowing harmful pills and a rabbit with a mutated third ear and crazed eyes. Each installation is beautifully done, but has a dark undertone of what effects chemical use and genetic manipulation can possibly have on our future. These eye-catching window displays shed light on the important subject of the world’s dietary habits and sustainability in a fantastical way. (via Design Boom)
NYC based artist Norman Mooney makes works that are at once physical and metaphysical. His works explore the elemental and cyclical synergies of nature. Materiality, pattern, scale and experience are key concerns within his practice. Although he works in a wide array of materials his massive burst sculptures are completely jaw dropping. Radiating from every angle these incredible explosions shimmer and shine like a star far off in the galaxy. (via)
Evan DeSpelder’s paintings are an exploration of the formal and conceptual possibilities of the digitally mediated painting.Using painting as a vehicle to fundamentally question the way our realities are constructed, Evan’s work is an expression of modern ambivalence, a representation of the world in which we live, where truth and the human mind are malleable, manipulated, and history is leveled by an unprecedented access to information.
Like clues in a crime scene, Tetsuya Ishida’s paintings use a million tiny details to tell their story. The note on the table, the eerie playtime carnage–Ishida’s work often speaks of the uncertain union between Man and Machine. But I think the most unsettling thing about his paintings is that the human figures’ reactions range only from complacency to mild concern, as if I re-enacted deadly car accidents with my toys on a daily basis. In a tragic act of irony, Ishida himself was hit and killed by a train in 2005.
Happypets is an experimental lab in the creative, graphic design, image and illustration domain, based in Lausanne, Switzerland.
The Singapore based 3D printing company Pirate3D are making something very special happen. Using the fairly new technology of 3D printing, they are producing real objects based off photographs and drawings for the visually impaired. The campaign follows 5 different participants and their reactions to ‘touching their memories’. In the video produced by Lowe and Partners Agency LOLA in Madrid, we learn more about the memories each person sees in their minds.
There is Gabor – a director of photography who, despite losing his eyesight 12 years ago, still regularly shoots films. Now, after shooting a film in Bolivia, he is able to touch a reproduction of a scene he remembers so vividly. He runs over every detail from the frame – where the table was sitting, what the woman looked like on the chair. You can see how perfectly his memory and the miniature match up with one another. There is also Mario – a blind musician who lost his eyesight because of glaucoma. His memory that is printed for him is the cover design of his album a friend designed. This is the first time he can see how others see him.
Fred Bosch from the project says about the powerful effect of the experiment:
There were very long silences while we saw emotions wash over their faces as if they were being transported in time, but Daniela was perhaps who stands out the most. She chose a memory that not only brought her back to her childhood and the ski holiday she spent with her family, but also reminded her of intimate details that she had forgotten, like the wool cap she was wearing at the time and the crunch of the snow beneath her boots. (Source)
Their reactions make it obvious the potential of using technology to benefit our everyday life. And just like Braille, 3D printing is once again changing how we share and absorb information. (Via Designboom)