I met Tisch Abelow a couple months back, and whenever I’m around her I can’t help but feel inspired by her levelheaded, simple and straightforward attitude. I also continually seem to find myself in a state of deep transfixion, staring deeply into the center of her colorfully precise and exacting work. Tisch can draw and paint with the best, has collaborated with a ton of great artists, and has traveled all over this great country of ours. I recently caught up with this wonderfully talented lady and asked her about making art, living life and eating lunch in the big city and beyond.
Not only does he have the COOLEST name ever, but illustrator extraordinaire Maxwell Loren Holyoke-Hirsch also happens to be one of my favorite artists. I am so inspired by his work and so excited to be blogging about him. Check out his work after the jump!
The artist’s canvas is not just where the brush meets the surface. It is also a window into the artist’s mind. When viewing Lari Pittman’s work, the flashes of bright color and chaotic landscape of wild, yet calculated brush strokes, tantalize your eyes. You’re looking through the window of a genius. It always amazes me how people conceptualize abstract works such as this. Truly remarkable.
Slept on artist- extraordinaire and all around good guy, Ben Stone, just broke out his 3rd solo show here in Chicago @ Western Exhibitions. Full of ambition and humor, these new sculptures are NOT meant to be missed. More after the jump…
For over 25 years, Woods Davy has worked with natural materials (primarily stone) as his medium of choice. In an incredible balancing act, he places the stones in fascinating formations that intrigue the mind. With his work with stones, he became one of the first “green” Postmodern artists. Even artists go green! You can catch Woods Davy’s exhibit at the Craig Krull Gallery in Bergamot Station, Santa Monica, CA until October 9th.
Rachael Weitzman’s work would brighten up anyone’s home and add life to any art gallery. Her paintings are more like narratives, there is a story line behind it all. For example, in her “Helter Skelter” group of paintings, (not pictured), each piece holds in stasis an unfolding event. Often, the different speeds of the brush–slow, careful pointillism, or sweeping gestural marks– vie with each other and echo the struggle for containment within the painting.