For Translated Vase, Korean artist Yeesookyung assembles broken and discarded pieces of ceramics into new and contemporary work. According to Yeesookyung, about 70% of ceramic work does not reach the perfectionist standards of many ceramic professionals and masters. From this ceramic trash, she puts these broken pieces together as if she’s assembling a jigsaw puzzle, finding pieces that seem to connect from disparate shards, then covering the seams with 24 carat gold leaf. “While the use of gold lacquer is seemingly related to Japanese traditions of mending ceramics known as kintsugi 金継ぎ for Yeesookyung her choice of gold is based on the Korean homophone of “gold” (geum) and “crack” (geum). She observes, ‘I wanted to add a sense of humor to my work by filling geums (cracks), which are considered as defects, with a valuable material, such as real geum (gold).'” (via)
Laurent Gongora creates interventions in nature, and this is his biggest stunt yet. The artist made 24 metal plates and attached them to the façade of a waterfall, the Cascade de Vaucoux in France, to redirect its flow. The name of the project is Les Cascadeurs, which means stuntman in French, and also references cascades, which can mean waterfall. It looks like a much more majestic plinko (that game in The Price is Right where you drop a chip and try to land it in the $10,000 slot). In a video you can see on Gongora’s website, the power of the waterfall is accentuated by the installations as they waver back and forth under the bombardment of water. Gongora’s aesthetic gives the piece even greater impact, as its simplicity allows you to wonder about the logistics of mounting such a piece.
Another artwork that acts similarly to Les Cascadeurs is Le Diamant Noir, where Gongora places a black diamond in the middle of a forest in Pays de Condé, France. The land is a heritage site which used to be a coal mining bassin, and so the diamond represents the interaction between the natural landscape and the mining enterprise. The black diamond was installed over a tree, but the material is a metal with holes all over. Slowly the tree grows out from under the diamond and will theoretically overtake the structure. It is a balance between nature and human intervention, and Gongora demonstrates that each may have an effect on the other. (Via My Modern Met)
Street art is really branching out these days into unchartered waters. Case and point, Trash Orcas. Our mammal pals were found swimming through various piles of trash all over Cincinnati. It’s sad to see that such elegant creatures digging through trash for a can of half eaten sardines. Guess we can blame it on the bad economy.
Somewhere In The Fold is an exhibition that recently closed at the San Francisco Gallery The Popular Workshop. The show was curated by Luca Nino Antonucci who is an artist and co-founder of Colpa Press as well as the San Francisco Newsstand turned zine shop Edicola. The exhibition examines the intersection of fine art, design, book making and publishing. From the press release: “There is a broad dialogue between publication and art object, far more complex than the straightforward union of the two into the ‘art book.’ Somewhere in the Fold is a survey of the relationship between the current state of publishing and the art practices of contemporary artists. These disciplines have converged into processes of editing and editioning, making once disparate fields singular. The participating artists and publishers of Somewhere in the Fold approach this conversation by showing work that deliberately confuses the terms ‘publication’ and ‘art object’, while attempting to discover a place where they can exist together both in form and concept.”
Make sure to come early to grab a seat as this event will fill up!
The Marc Jacobs & Louis Vuitton documentary kicks off a month long series of free outdoor screenings at Space 15 Twenty, hosted by Beautiful/Decay Magazine.
The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair!
We kick off with Loic Prigent’s behind-the-scenes documentary, “Marc Jacobs & Louis Vuitton” (2007) delving into Marc Jacobs’ busy creative life, and featuring appearances by Victoria Beckham, Uma Thurman, Demi Moore and Sofia Coppola and other fashion-forward Hollywood starlets. This documentary is not to be missed if you are a fan of fashion.
Drinks, Snacks and Popcorn are available at SnackBar.
Marc Jacobs & Louis Vuitton – Wednesday May 6th
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
Artist Randy Ortiz has been tantalizing the eyes of illustration fans for years, illuminating concert and movie posters both professionally and as creative tasks for a great imagination. While past work emphasized ink line work and detailed black and white charcoal drawings, recent work has become more colorful, with flat background colors which perhaps surprisingly emphasize the darker thematic weight in the mystical figures and composition.
The self-taught Canadian artist uses evolved techniques to illicit a near-Surrealistic response from his often-human figures, draped in masterfully rendered drapery and fabrics. Despite the often serious undertones immediately noticeable in his work, the obvious sense of humor is evident (mutant visual remixes of Drake’s oft-mocked album cover seen below for example). In other works hooded figures clamor over each other, all reaching for a disembodied hand holding a small heart talisman representing love, or mystical-triangle-eyed cats eye floating balls of string. With Ortiz’s visual narratives and painting style evolving at a rapid pace, he is definitely ahead of other illustrator/artist to watch.
Influenced by 21st. century technology like video games, Google earth, Internet, and You-tube, Kenneth Burris drawings become an expression of isolation and sporadic: envisioning apocalyptic tableaux with a future of decadence and decay.
Aptitude, a digital agency based in Bedfordshire, U.K., pays cheeky homage to the (lost?) art of the album cover. They’ve picked an array of such album covers, some more tongue-in-cheek than others, and played around with the design by showing what’s been left out. On their site, you can scroll over each photo and “zoom out” to view the imagined bits from the cutting floor.
“Album cover art used to be meticulously created to portray some kind of message that the band or artist was trying to convey,” Aptitude says. In a way, that sums up their mission with this project as they set out to turn that message on its head. Their designs also function as a retrospective as they add a time traveler’s souvenirs into the mix: Justin Bieber’s My World pans out to reveal his untimely arrest; Bubbles glares balefully from a jail cell on the outskirts of Off the Wall.
Bruce Springsteen’s iconic Born in the U.S.A. zooms out to show the rock star approaching food truck serving — what else — burgers. In the foreground is a stereotypically hefty American. A bit on the nose? Maybe, but all in good fun.
“We all have a favourite album,” the agency says. “One that means something to us more than others.” (via Demilked)