A few months ago I had the pleasure of interviewing artist Sean Pecknold regarding his video work. He has a nostalgic, bittersweet charm to his works that evoke a feeling similar to discovering a sepia-toned portrait of your great grandparents and a dried rose from an undiscovered dusty cigar box in the attic. His animations often complement the music in strange ways, not creating direct narratives that “spell out” the lyrics of the song, but rather riff off the themes within the music in unexpected ways. He recently just completed a new video for Elvis Perkins in Dearland, a slowly sinking band presiding in a lit cave above a murky, watery world of ancient lion sculpture…haunting, beautiful and strange.
Join us in celebration of the highly anticipated release for Book 1: Supernaturalism, Saturday July 25th, 2009 at Gallery Nucleus. Don’t miss artist Kyle Thomas, who will be signing and taking requests for custom, one of a kind covers for each attendee. Works by Kyle as well as featured artists Ben Tegel, David Jien and Seth Curcio will also be on display until August 3rd. Artists from the book as well as the entire Beautiful/Decay team will also be in attendance.This is a rare opportunity to get a hold of a completely customized, original copy of the limited edition Book 1! Details after the jump.
A nod to the passing of prodigious asinine youth culture documenter, Dash Snow, who reportedly fell victim to the same choice of poison as his photographic subjects. Most of his images are too gnarly (snorting cocaine off a penis, sexual escapades, general urban debauchery) to post on this blog but I’m sure you’ll find them very well & easily if you just Google him. Here’s some of tamer ones after the jump…
German artist Heike Weber creates paintings and drawings by utilizing techniques of heavy repetition. Some of these pieces are purely textural, like the blue ballpoint pen drawings (after the jump), though I think the ones I like the best are in his “Kilims” series, which seem to reference Eastern calligraphic styles.
Inspired by the recent photography book Store Front: The Disappearing Face of New York, commercial illustrator Bryan Christie has begun posting some new recreations of NYC storefronts on his blog. The illustrations are done in his familiar style – very slick and clean 3D stuff, which creates an interesting disconnect from these stores’ urban environments. There are three of them so far, hopefully more to come.
One piece of advice we impart to our interns at Beautiful/Decay is that a well-designed, professional business card is one of the most critical tools anyone seeking a job can have- especially in the creative field! So, Beautiful/Decay is presenting a competition to see who can design the best business card for themselves and/or their business. Please send us your most innovative, eye-catching card graphics! The most creative card will win 500 free cards printed courtesy of UPrinting.com! (Note: We will be posting the winners on the blog–so if you don’t want your personal information broadcasted please also send a version of the file with dummy text.)
Deadline: July 28th, 2009 6:00pm PST
-Email submissions to: [email protected] with the subject line: Business Card Contest
-Format is 2 x 3.5″
-Business card graphic includes front & back, full color
-Winner may select any paper type
-For all template & file specification requirements please visit UPrinting’s guidelines.
It’s been on the street and it’s been in shows all over – Luke Ramsey has taken his work from something rugged to something refined and maintained the exact same detailed aesthetic all through it. His illustrations really play on the versatility of the “line.” His limited use of color makes his drawings that much more intense to look at – like Meatwad, after the jump, which is primarily constructed of one kind of squiggly line. They’re funny, cynical, sometimes dark, but always captivating. – there’s something light and relatable about it.
Allan Ludwig’s simple paintings are curious. The majority of his work online is painted primarily in only three colors – black, blue, and white. His variety in brush strokes and weight of the ink color change his minimal compositions, which often include references to eyes, basic representations of landscape, and barriers or obstructions. More after the jump!