Jodi.org (Joan Heemskerk and Dirk Paesmans) has always been the pioneers of the net art movement subverting websurfing logics and breaking your browsers since the mid ’90s and have been deconstructing web platforms such as Google Maps, Blogger, and now Twitter too has fallen victim. Taking place last Monday in the Netherlands, “Sk8monkey” involved a group of skaters using wheeled wireless keyboards instead of regular boards which were connected to a number of computers logged-on to a Twitter account, which was subsequently overloaded with nonsense “tweets”, made solely of random characters. Maybe these nonsensical keyboard mash sessions are actually more interesting than some users’ sensical ones, ha!
Oren Fischer and Anton Avramov are the owners of the Meshuna Gallery in Tel Aviv. First thought as a studio space for both artists, they decided to dedicate one of the rooms to exhibit new artists; mainly street artists. Located in the Florentin area, surrounded by graffiti walls, Meshuna Gallery welcomed this past Saturday Prettimess, a small art collective to present the STICKERZ! exhibition.
31 artists were invited to design all sorts of stickers. Some of them were available to buy on site, some were displayed on road signs all over the gallery, others were printed in a large version and sold as a set in collaboration with DaSilva skateboards. The rest of the stickers were sold in small packages at affordable prices (5 US$).
The idea behind the stickers is to promote “culture for the people”. An immediate, effective and fun medium to spread the artist message directly to the mass. By making exhibitions, parties and alternative events the young Israeli collective behind this event reveals young and talented culture activists (all linked to alternative sport, urban art and music scene).
So why the rise of street art in Tel Aviv? According to Nneya Richards from PaperMag the graffitis in the city are seen as a pure way to express ideas and are not always fined.
“It’s no secret that some of the best art comes out of social turmoil and, in recent years, nothing is a better reflection of this than the burgeoning street art scene in Tel Aviv”
Photographer Marshall Scheuttle travels across the country, bringing his lens to bear on our nation’s cultural patchwork. In his work, desolate landscapes are occasionally dotted with a baptism or bolo tie, a snake charmer or carnival worker. It is a world that is lonely, powerful, surreal, and distinctly American.
Dutch photographer Isabelle Wenzel’s playful photographs bend, twist and manipulate the human form into new and unknown positions. Whether it’s tackling the idea of the artist as artifact or manipulating the minimal and mundane motions of office workers Wenzel pushes the envelope of how we see the human form and how simple juxtapositions and movements can completely transform the most familiar image into the unknown. (via)
Miya Ando is a metal-finishing artist who creates layered finishes on steel with a process she invented, utilizing fire, acid and automotive lacquer. Can you say badass? She will be showing large-scale steel works for the first time, the show is entitled Shinobu [perserverance] on October 7 at de Castellane Gallery. Her show will be comprised of large scale steel wall works and her series of hot-rolled steel skateboards, monotypes created by skateboarding on liquid graphite-coated paper. Saying this chick is hardcore would be an understatement.
Miya Ando Solos Exhibition Shinobu [perserverance] will be presented from October 7th – 29th, 2010. Opening October 7th, 2010, 6-9pm. Free to public. The de Castellane Gallery is located at 525 Atlantic Avenue, Brooklyn, New York. Sponsored by Milgo Bufkin Steel/Fabrication, Diatom Winery, Element.
In photographer Rebecca Reeve’s series Marjory’s World I, she captures Floridian landscapes that reference a late 19th century Holland tradition. The idyllic scenes depict the swampy Everglades of long grasses, lily pads, and a lot of standing water. Framing each image is a set of curtains that blow in the wind. This is inspired by an old practice where during the wake of the deceased, it was customary to cover all of the mirrors, landscape paintings, and portraits in the home with clothes. Doing so makes it easier for the soul to depart the body and subdues any temptations to stay in this world.
Marjory’s World I is Reeve’s own interpretation of this act. To her, the ritual was confirmation of the deep connections and experiences we have with the natural environment. It also gave her a way to contextualize her fleeting time spent in the Everglades; All of these images were produced during her Airie Artist in Residence Program. Since she couldn’t take with her when she leaves, this symbolic act made it easier to depart.
In addition to the personal connection the artist draws from the work, to us it recalls the distance that many of us have to this untouched landscape. As we continue to develop an increasingly urban existence, these thrift-store fabrics create a window to the unfamiliar. (Via Artsy Forager)
Graphic designer and art director Albert Exergian’s humorous take on popular TV series “minimizes” the concept of each show into 2-3 colors and shapes. Remember old Penguin Classics book covers? This is the revamped modern sitcom version!
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you another exclusive artist feature. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color doesn’t just help artists create gorgeous websites but allows them to do so in a few minutes without having to touch a line of code. This week we’re happy to bring you the mixed media collages of Tim Furey.
The work of New Jersey based illustrator Tim Furey is full of texture, shapes, neon colors and best of all aliens! Combining a wide array of media in his collages Furey creates psychedelically hued interiors, still lives, and narratives that will hint at the story without giving away the plot. Inexpensive craft paper meets holographic stickers and crayon scribbles create images that are as primal as they are futuristic. The result is a hypercolored world where aliens mingle with mankind to create unknown future worlds.