Life of a graphic designer.
With simplified brushstrokes and a sophisticated sense of color, Ohio-based painter Timothy Callaghan‘s most recent works carefully construct a narrative around the passing of time. His eye for immediacy takes the form of crumpled love letters, a buzzing neon sign and the stillness of shirts hanging in a closet—each piece a quiet, tongue-in-cheek observation of daily life.
Callaghan released his first book this week through William Busta Gallery, highlighting his own work, as well as that of several other contemporary artists working in observational painting. Definitely worth a look.
Phrased very well by BLDGBLOG as a possible scenario and usage of Sebastien Wierinck’s public furniture: “After a long day at work, then, you would walk into your house – which has no permanent furniture – and you’d see a shimmering mass of black tubes swaying in a slight evening breeze above your head…You’d push several buttons, and the system would begin to move, drooping down in long loops and turning back and forth in tight corners and curves, all laying out the forms of temporary furniture – bed, table – as you get ready for a quiet night at home.” I love the photo documentation- each set of furniture seems to have its own mood.
Torafu Architects has installed an interactive haunted playhouse in the Museum of Contemporary Art in Tokyo. Paintings move, portrait eyes dart back and forth, and children climb through picture frames installed at the museum. A secret passageway exists within the installation, allowing children to interact with nearly all of the featured art, most of them re-creations of classic works. Museums and galleries are usually places reserved for more serious contemplative reflection, discouraging touching and interaction of any kind. Torafu Architects has transformed this perception, creating a space that encourages engagement and creativity. Be sure to check out our previous post about Torafu’s kid-friendly designer information kiosk here.
Make sure to catch Kevin Cooley’s gorgeous show at Kopeikin Gallery in Los Angeles up until February 11th of next month. Titled Take Refuge, the exhibition features large scale photographs and videos evoking human struggles in the harsh and unforgiving, yet sublime, natural world. This body of work was created in disparate locations including the Arctic territory of Spitsbergen and the American West as well in more ordinary places such as New York City and Los Angeles. Referencing the Romantic movement in art and literature, the work attests to both the fear and longing nature inspires.
The series Hipster in Stone was captured by photographer Léo Caillard and retouched by Alexis Persani. The series’ premise is simple: classical statues don a hipster wardrobe. The effect, though, is amusing. A simple change or addition of clothing seems to transform each figure’s timeless grace to a modern boredom. Subtle expression becomes cool aloofness. However, the photographs do draw a strange similarity between ancient figures and modern models. A preoccupation with appearance and appreciation for (or obsession with) physical beauty seems to never have left us entirely.
Chicago-based illustrator Deb Sokolow is a conspiracy theorist. Or at least that’s what her work seems to suggest. Creating long, linear, installation-based drawings which look similar to the kind of thing your typical movie serial killer has on his wall, Sokolow pays tribute to the great American tradition that is the modern conspiracy. Her work always has a strong narrative, usually featuring a nameless narrator uncovering some kind of sinister plot; plots which may involve anything from office life to the government (of course) to gangster movies to Barbara Walters.
Maja Daniels, a Swedish photographer based in London, compiled the series “Monette & Mady”, a photo collection of identical twin sisters, Monette and Mady.
Daniels approached the identical twins in 2010 after years of watching them from afar in the streets of Paris. The photographer was intrigued by their way of being and coexisting with each other. Neither Mady nor Monette have married or had children, they always eat the same kind of food in identical portions, they dress the same, and they move in similar ways. If they ever go out dressed in different outfits, people stop and ask why they argue- there is no room to be different from each other.
With the beauty of the Parisian sidewalks as her backdrop,Daniels shoots photos of the twins’ interactions and eerie resemblance. Some may look at the collection as a classy lookbook, others may find that there is something quite peculiar and surreal about their ways with each other. Many will wonder about the mysterious bonds between twin siblings.
This addition of fiction makes for a dreamy atmosphere, a bit like a mirage that reflects my initial impression of them. The streets of Paris make the perfect backdrop for such ambiguity to be played out, confusing us with its references to fashion, film and art. It makes the documenting of everyday events somewhat surreal.