Carol Milne fires up small structural sculptures of knitting made entirely of glass. Though there’s no mistake that this is no ordinary yarn — unless it’s the crystalline yarn of some mystical other plane — it’s still incredible to see the amount of detail and the illusion of malleability.
The technique Milne uses involves wax, refractory molds, molten glass (at a startling 1,400 to 1,600 degrees Fahrenheit), and a steady hand; once the initial process is done, Milne has to carefully free her work of art from its mold, piece by piece.
The sculptures are at once whimsical and delicate, poised as though mid-conversation during a most magical knitting club session. Her sculptures, on average never exceeding 12 inches, are also flavored heavily with surrealism; one sculpture pays homage to M.C. Escher who, no doubt, would have appreciated her clean, understated lines.
There are, too, some sociological undertones; Milne says in an artist’s statement:
“I see my knitted work as metaphor for social structure. Individual strands are weak and brittle on their own, but deceptively strong when bound together.” (via This Is Colossal)
Through some intense thought and focus, French artist Nicolas Jolly meticulously pieces together thousands upon thousands of tiny black streaks (from his finger imprints) in order to create a cohesive image. The end product comes to be this series of eerie landscape scenes that take inspiration from the early works of the symbolist movement.
Jolly’s practice involves the alterations, in width and length, of his finger markings in order to simulate light, shadows, and shape. When viewed from afar, the images seem whole with a magnificent sense of movement and texture. Jolly’s ability to create figurative work with small abstract markings is, clearly, quite remarkable.
(via My Modern Met)
busybuilding reeks of talent– talent to combine different mediums and make it work. Sure, lots of design firms can pull that off, but would you guess that busybuilding, with their impeccable English and streetwise ways would be centered in Athens, Greece? Taking from pop, punk, eco-friendliness, minimalist, EVERYTHING, busybuilding’s collection makes it impossible to right-mouse-click-save-as an adequate selection to represent just what they can create.
David Datuna, a Georgian-born American artist, established his signature technique of laying a cascading veil of varying optical lenses over an intricate, multi-dimensional, interactive narrative. In December 2013 David Datuna became the first artist in the world to utilize Google Glass in a contemporary work of art with the piece ‘Portrait of America’- a part of his Viewpoint of Billions series.
The piece resembles an American Flag; the 12-foot ‘Portrait of America’, is made up of about 2,000 eyeglass lenses as well as 400 portraits of relevant Americans that either magnify or shrink underneath the glass.
The monumental flag, the first of 10 works in the “Viewpoint of Billions” series, is covered in Datuna’s signature style with hundreds of eyeglass lenses. Creating an experiential dialogue through a sculptural veil of optics, the artist uses different magnifications to draw the viewer to the thematic collage inside his work. The prismatic effects invite inspection, while offering a vehicle for observation, and expanding the definition of modern portraiture.
These embedded images include historical and contemporary American figures: George Washington, John F. Kennedy and Martin Luther King, Jr. as well as Lady Gaga, Steve Jobs and Michael Jackson.
You must be wondering when and how the google glass factor comes into play here. It turns out that the premise of the piece comes alive when it is viewed with a pair of GG. It is then that the work turns into, what the artist calls, a living organism.
By working with Bricksimple, Datuna was able to construct a work that simultaneously worked as a standard tangible piece of art, to something that becomes alive digitally, through audio and visual clips presented on ‘our’ Google Glasses. By simply looking or speaking about the work, your voice and movement will trigger a series of short video clips and questions (to be answered by you) that further examine ideas of power and democracy and its relationship to the history and current state of the U.S. Ten cameras, embedded in the artwork, together with the built-in camera in the Google Glasses work to record your answers and to take your portrait. These clips of information, taken from you, will be archived as a part of the digital collage emebedded in the work. Your interaction with the artwork will also be sent out to the world via social media.
The work becomes, in a sense, a living and ever-changing archive that simultaneously works as a piece of art and a malleable and interactive biographical ‘text’ that takes shape into relevant historical (in both art history and world history) progress.
After being apart from her own birth mother for more than 22 years, photographer Ashley Comer decided to meet the woman missing from her life and document the very personal and intense journey. While living in Georgia, Ashley decided to contact the adoption agency that facilitated her very own adoption and found that her birth mother Sheila was living in Florida, a mere 4 hour drive away from her at the time.
Using the excuse of the photographic project, Ashley contacted her birth mother and over several weekends and took some intimate and touching photographs. She managed to capture beautiful scenes of the two of them getting to know one another again, and the similarities in their physical appearance. They not only feature in the photographs together, the images are actually a collaboration between the pair.
It is easy to see the natural bond between the two women in Ashley’s snaps. And even though Ashley has now returned to Massachusetts, meaning they are unable to spend weekends together, she doesn’t doubt that they will keep the newly formed relationship going.
You can see the full collection of photographs from Ashley’s project Meeting Sheilahere. (Via Feature Shoot)
Troy Moth was born in a remote tree-planting camp on the west coast of Canada and spent the first few years of life in a tent guarded by large dogs. He loved the wild and abundant nature he grew up immersed in, but eventually the call to adventure became too much and he moved, first across Canada to the big city (Toronto), then across the world to India, to pursue a career in photography.
Troy has worked for numerous commercial and editorial clients, including Vogue, Harper’s Bazaar, Rolling Stone, GQ and many others. But he’s never forgotten his roots, so with a career in fashion now behind him, he’s focusing instead on his art, and living, once again, deep in a forest on the west coast of Canada.
Peter Bowen, a London based illustrator, creates detailed works that carry a whole lot of raw energy and humor. A wide range of influences put a hand into his work, as he derives inspiration from lowbrow counter-culture to dense Victorian engravings.
Lots of cool stuff coming from Blake E. Marquis, a do-anything artist making his way out in NYC. Especially awesome typography, along with killer logo and typeface treatments. Throw in some eye-popping patterns, a super-sick silkscreen, a t-shirt, some posters for good measure, and we’re only beginning to touch the tip of the iceberg – this guy does a little bit of everything, and does it all really well.