Ted Gahl is making some beautifully paired down paintings. They are amazingly suggestive for the minuscule amount of information they present. The painting above feels, to me, like portraits in profile, but is it really? I’ve never seen a face like these pink hieroglyphs. It’s interesting what a painting can make you think you see, and with just a few clues. Gahl is in a bunch of upcoming shows: The Power Of Selection 3, curated by Ryan Travis Christian at Western Exhibitions, in Chicago; 2020 at the Above Second Gallery, in Hong Kong; and Color Me Bad(d): Joshua Abelow, Ted Gahl, and Hugh Scott Douglas at Nudashank in Baltimore.
In “Shooting Blanks,” Gina Osterloh combines installation and preforming arts featuring herself on a paper stage. Her latest works, including “The Rash Room,” “The Cut Room,” and “The Turquoise Room,” are staged for the camera with Osterloh as the main subject enclosed in rooms of brightly colored bond paper. However, the candy colored walls frame a darker matter; Osterloh obscures her face behind her hair and often covers her entire body in paper strips, toying with the notion of identity crisis. In each installation, she slowly removes herself from the room, and is gradually eaten by the empty space, leaving behind a vacancy that echos that emptiness, or “blankness.”
Salão Coboi is not a singular artist like you’d assume from the sound of the name, but rather a collective of individuals based in Portugal. They hit major attention on the blogosphere in 2011 when they did a project named Generation H, in which they sculpted figures wearing clothes modeled after actual items by haute couture houses like Prada, Alexander Wang, and Junya Watanabe. And there’s just something charmingly unique and European about the characters Salão Coboi create, which really makes me feel the same positive energy I get whenever I look at the wonderful designs of The Yellow Submarine and Wallace & Gromit. However, Salão Coboi have taken that kind of work to the next level by making it not just for children, but also adults as well. Beautiful/Decay featured the work of Salão Coboi a lift bit ago HERE.
Ariane Irle’s portfolio is full of great experimental typography, illustration, and motion work.
July’s shirt of the month is an ultra-limited edition shirt with a one-of-a-kind color way & printing process we are calling “B/D Yoga Vintage.” With only 25 units ever made, this shirt will definitely sell out quickly! The shirt image of a playfully levitating yogi has been printed without a white base to give it a lovingly-faded appearance. It looks like your favorite shirt, without having to wear & wash it 200 times to get the same effect. Once gone, this shirt will not be reprinted–so pick up yours ASAP!
LA local Ashlie Chavez shoots only in film. Her images are captivating. I love the texture and depth in her work . Her photographs at times have minor imperfections that create beautiful images…reminds me of the human touch that you don’t see with digital. Ashlie collaborates with her twin sister Amber, also a very skilled photographer.
Mariano Garcia is an amazing art director from Las Palmas De Gran Canaria, Spain. Mariano’s work is colorful and fun with plenty of eye-popping illustrations. Check it out.
A collaboration (of sorts) between Mother Nature and Los Angeles-based artist Emilie Halpern, Shōka, Halpern’s current show at Peppin Moore, has been on view since the autumnal equinox on September 22nd, and it closes on the upcoming winter solstice on December 21st. The exhibition has three stages, which is a concept derived in part from the shōka style of ikebana, the traditional Japanese art of floral composition. The shōka style, cultivated in the Ikenobō school in the 15th century, is a minimal description of the universe in three parts: the earth (地), the heavens (天), and humanity (人).
The first part of her exhibition titled 地 (pronounced chi, meaning ‘earth’) consists of fluorescent rocks set up in a rectangle according to the proportions of the gallery. In the day, the lights appear to be minimal earthwork. At night when exposed to black light they become fluorescent.
Part two was titled Shōka 天 (pronounced ten, meaning ‘heaven’) and it documented the sunlight in the gallery on the first day of the show. Gold leaf marks the gallery space at the time when diret sunlight hit the interior on October 26, 2013.
The final part of the show is 人 (pronounced jin, meaning ‘human’) and it consists of a collection of Halpern’s pottery works. Representative of the human interaction and manipulation of the two prior elements, pottery is an apt culminating medium.
Halpern’s exhibitions are the final for Pepin Moore Gallery.