Ultraista who I just saw perform their U.S. debut at the Echoplex just last week have a new video for their single, Our Song. The band was in great spirits as they performed most, if not all the songs from their self-titled debut and made great use of their colorful videos during the set. The trio features Nigel Godrich from Radiohead producing fame, drummer extraordinaire, Joey Waronker and Laura Bettinson on vocals. They are playing at (le) poisson rouge in New York on October 24th so be sure to check them out before they head to much larger venues.
For the Turkish artist Hasan Kale, the tiniest morsel of food inspires visions of sweeping landscapes. Using his finger as a palate, he adorns almonds, M&Ms, and the most translucent layers of an onion with astonishing renderings of his native Istanbul. Where most landscapes take up entire museum walls, commanding attention with their sheer immensity, Kale’s work does the opposite. In these miraculous works of macro painting, the infinite nature of the earth, sea, and sky collides with the impossibly minuscule, heightening the preciousness of the Turkish terrain.
Here, snack foods become as wondrous as great feats of nature and man. On thin slice of banana, a storm rages, its brushstrokes transforming the very texture of the fruit into that of a saturated canvas. On the inner flesh of an almond, he imagines the legendary baroque architecture of the Nusretiye Mosque. The iconic building becomes vertically stretched as in a romantic masterpiece, extending upwards to conform to the natural shape of the almond. On these tiny surfaces, the grandiosity of the city’s architecture is expressed through the vibrancy of color and the dreamy, sweeping whims of the artist’s brush.
Perhaps the most poignant aspect of Kale’s work is its impermanence. Unlike the great canvases entombed in museums, these paintings will decay, perish, or be lost. The banana will rot into mush; the fragile quail egg might crumble. A stunning mosque might accidentally be eaten. But in the meantime, these imagined landmarks exist for the sake of our wonderment. Take a look. (via Colossal)
Nicola Ókin Frioli’s award winning series of photographs documenting “Muxes”, Mexico’s transgendered community that is celebrated as a symbol of good luck.
“They drink beer, they are part of local governement and they are symbol of good luck for their family: they are Muxes, homosexuals of the “pueblo oaxacaqueno de Juchitan”, more than 3000 homosexuals who enjoy respect and admiration in all the country.
Los Muxes (in zapotec language means homosexual)are considered as a blessing in Juchitan and you can count almost 3000 of them.
According to a taxi-driver, there is a homosexual in every family and Muxes themselves assert to be “fallen fron a broken pocket of San Vicente Ferrer” the patron saint of Juchitan,during his holy walk over the town (a local expression to say they are lucky, chosen people).
It is a luck for a homosexual to be born in Juchitan, where in a population of 160.000 people, the most of them feel respect for Muxes, while they walk proudly in the streets, dressed as women with huipiles and enaguas, typical dress of the Tehuantepec Isthmus.
The homosexuals of Juchitan have gained a place in economical and political activities, normally reserved to men.
They are ownersof shops,they work in hospitals, they are successful stylists of the typical local dresses and owners of beauty salons.
A resident in Juchitan says ”Thanks to God, we have one of them in every family… they are like women, they work as a man, but they wash, cook, clean the house and when the other sons will get married and leave, they will stay and look after their old parents”.
“A lady living here, has accepted a son muxes… and then she has winned the lottery.. it is a real blessing. .everybody shoul accept them as they are.. in every place they are”.
Carlos Lopez Toledo, municipal concellor, explains that when a family relizes that a child has a bent for homosexuality, they treat him as a lucky charme, because Muxes are good producers.
“A lot of us are in this way, because our parents have converted us and treated as female “says Felina, a 36 years old Muxes, owner of an Estetica (beauty salon). ”I’m not a man.. I’m not a woman.. I’m a Muxes and there is place for everyboby in the Vineyard of Lord “.
Mistica, 27 years old, makes traditional dresses “When I was a child, I used to play with my sisters,I dressed as a woman and Imade myself up… my mother was happy and used to say she would like a son muxes… My father didn’t accept immediately and decided to bring me to to the farm with my brothers… but once arrived… I run to pick up flowers…- Nicola Ókin Frioli (via feature shoot)
Tables designed by Alexandre Chapelin make having coffee at the beach everyday a reality. By carving slopes into travertine and adhering layers of blue resin, his tables provide a home to what appears to be lapping waves on a sandy beach – transforming your morning coffee into a tropical vacation. Saint Martin-based, LA Table produces one of a kind tables forged with found objects and resin in order to give purchasers unique pieces that reflect their personal curiosities and desires. (via Colossal)
The photoseries Skins by British photographer Rosanna Jones has all the necessary elements of alluring art; a distinctive and unique perspective, inventive technique and haunting imagery. Describing herself as a fashion and portraiture photographer, as well as a mixed media artist, Jones currently studies photography at Falmouth University in Cornwall, UK. Created as part of her Final Major Project, Jones began the series investigating how the face many of us present publicly ends up being the front which conceals our true nature from ourselves. This perspective is particularly poignant for a fashion photographer, who no doubt has seen firsthand an industry which is quite openly based on hiding and disguising imperfections. Says Jones, “…my theme was Concealment – looking at concealing ourselves until we’re no longer recognisable.”
Jones’ work was also inspired by another photographer known for obscuring the human form, Rik Garrett and his Symbiosis series. Garrett explains his artistic goal in the over-painted photos as “erasing the boundaries of the human body. By applying paint directly to the surface of photographs, I have actualized an impossible dream…” a process that when paralleled to Jones’ Skin series creates a unique bond between the two photoseries.
Jones is intentionally vague on the specifics of how the over-painted and (possibly) collaged images are created, which only adds more allure to the shrouded and obscured works. Says Jones, “A few people were confused when seeing them in real life about what they literally were – the more mystery the better I say – but they’re digital photo collages which are then overpainted”, giving each work both emotive beauty and metaphorical weight rarely seen in conventional fashion photography.
Here is some nice atmospheric work from Spanish photographer Ivan Sanjuan. His hazy imagery fits the mood of this rainy Thursday quite well.
Nathan Kaso‘s series Miniature Melbourne takes a tilt shift look at the Australian city. Tilt shift is a photographic technique that essentially “corrects” the distortion created by perspective. The technique has the effect of making an scene resemble a miniature version of itself. Tilt shift photography has been featured on Beautiful/Decay in the past. However, Kaso transformed 10 months worth of his tilt-shift Melbourne photographs into a time-lapse video. Miniature Melbourne captures the work and play, the large life of the city. Watch the video after the jump. [via]
Ana Janssen’s erie hyperrealistic paintings remind me of the calm before a storm. In most of the work young teenagers sit still and stare at the viewer with an intense gaze while various animals sit on their shoulders, lay in their lap, or attempt to take a bite out of the figures hand.