Sam Grant, an American painter and photographer, creates incredibly catchy, humorous, and colorful pieces that are pop and vintage inspired. The vibrantly-colored imagery vibes with intensity, grandeur and witty observations; his collage-like compositions create a visual interplay between surreal elements, pulp imagery of the mid-20th century, and contemporary culture.
Though Grant’s paintwork is incredibly realistic, he still renders his subjects and settings with a whimsical appeal. Often paired with words (comic book style), his paintings reference several characteristics of contemporary culture; from texting to ideas of love and beauty, Grant covers it all in a subtle and comical way that, together with the vintage imagery, will make you wanna go back to the simpler times.
If you live in Oakland, California, you will have the chance to experience these pieces in person. Starting in March 7th,2014, Grant’s work will be on view at Loakal Gallery‘s Double Vision, a show inspired and completely devoted to/by Grant’s work. Double Vision will be up until April 1st, 2014.
The Graffiti Of War is a project started by Jason Parsons, an Iraq war veteran who was deeply moved by the graffiti done by fellow soldiers in the mideast. When Jason came back stateside he was having bad bouts of PTSD and decided to create a book documenting the graffiti left behind by thousands of soldiers as a form of therapy. This once simple idea has grown into a full time mission to support the troops and tell their stories one photo at a time.
Love these bizarre sculptures by Chinese artist Hu Ke.I couldn’t find much about what they are about or how they are made online but maybe one of you smart Cult Of Decay members will put on your investigator cap on and report back to cult headquarters with your findings.
Chris Little is a photographer and a film maker. His images are grainy and have a washed out tone, but this makes them rather enticing. His subject matter varies, everything from portraits, to ladies drenching themselves in milk, to drag racing motor sports. I dig it.
“Processes that give rise to forms are at the heart of our artistic work.” says German studio Deskriptiv (the combined work of Dominik Kolb and Christoph Bader), who describe their work as being rooted jointly in the (occasionally conflicting) realms of design, art and computer science. “We work on the interface of computer science and design and combine both disciplines. In this area of conflict to find new processes to deal with it, to analyze it and graphically prepare, that’s what fascinates us and drives. The formation processes, we define purely digitally with the help of our main working tool, the computer.”
Naturally 3D printing fits neatly into the Venn Diagram shared by these disciplines (see previous examples, such as the world’s first 3D printed room, Nick Ervick’s incredibly complex 3D sculptures, and more at Beautiful/Decay) and serves as the perfect medium in which to explore their intersection. In works like their “Hüllen” series (“Wrap,” in English), the duo utilizes clear and opaque plastics, combining them with more mirrored silver surfaces. The intricate complexities (and the imagined difficulties to achieve such subtleties without blending the materials) can also be seen in the their “Verbowen” (translation, “Interwoven”) series, combines a variety of materials and surfaces, weaving them in tight complexity. Meanwhile, their “Klebend” (translation, “Adhesive”) series focuses less on blended materials and more on form, choosing a singular palate to exhibit the true range of surfaces the technology is capable of. (via hi-fructose)
Chinese artist Lu Xinjian has been inspired by maps and cities for years, often collected in his increasingly large-scale acrylic on canvas series City DNA. But his newest work City Light expands on these inspirations, taking the flat abstractions and mounting them onto the wall with neon.
Using Google Earth images of the artist’s current home, the sprawling metropolis of Shanghai, Xinjian renders the map loosely in his abstract style. The resulting plans are rendered in neon on a solid black background, and run on a flash program which controls the timing of each area’s lines being illuminated. Starting with a small, centrally-located blue square, the rest of the surrounding area follows, until the entire piece is lit. Representing the rapid growth of the modern metropolis, the network of neon light tubes takes the language of city communication and visually abstracts the idea of rapid expansion. (via alwaysinstudio and designboom)
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you exclusive artist features. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color doesn’t just help artists create gorgeous websites but allows them to do so in a few minutes without having to touch a line of code. This week we’re happy to bring you the work and site of Los Angeles painter Asad Faulwell.
At first glance, Asad Faulwell’s heavily embellished and ornate works may call to mind middle eastern tapestries but upon deeper inspection you discover that in fact they are deeply rooted in both politics and art history. His current body of work depicts female combatants from the Algerian War of Independence. Inspired by Gillo Pontecorvo’s “The Battle of Algiers” these pieces attempt to show how these women were both aggressors and victims, victimized by both their French adversaries and their male Algerian comrades. All works in this series are titled “Les Femmes D’Alger” in reference to the series by Delacroix and Picasso. While the anonymous women in the Delacroix and Picasso works were depicted as sexual objects in an Orientalist scene, the women in Faulwell’s work defy simple classification and are depicted as saints, criminals, aggressors and victims.