Recycling is a way of life in Cateura, Paraguay. Many people there earn money by scouring the huge landfill for items that can be recycled. A certain garbage picker, though, began recycling for much more than money: for the young people in his community. Nicolás Gómez began creating instruments – violins, cellos, drums, guitars – from the trash he sifted through and gave them to local children. The idea picked up steam and children’s orchestra known as “The Recycled Orchestra” came to life. Landfill Harmonic, a documentary on Gómez and the orchestra, is slated to capture the inspirational story. [via]
Looking like a set of architecture models for a Gaudi building, Richard Sweeney‘s paper sculptures are organic, poetic, intricate, and mostly made without the aid of glue or tape. Taking his inspiration from the shapes and forms that occur in nature – like clouds, mounds of snow, he folds paper into beautiful geometric pieces. Not confined to working on a small scale, Sweeney also constructs wonderfully complex forms that hang from the ceiling to the floor.
He was recently part of a show called Above The Fold, and is a part of a group of talented modern day origami masters. Taking the ancient art of paper folding to a new level, Sweeney and his contemporaries are redefining the limits of what can be done with paper. Biological structures, and the essence of form and function are Sweeney’s inspirations. He talks to Design Museum more about what motivates and inspires him:
As I have mentioned, architecture is a great inspiration to me, but aside from the man-made, I am also inspired by natural forms. It is not so much the organic shapes, but the means by which they are generated that interests me. It makes great sense to borrow from elements from biological structures, as these forms demonstrate the pinnacle of material, structural and functional efficiency. (Source)
Like a true designer, Sweeney is giving the humble piece of paper new life and function. You can even attempt his paper folding technique at home by watching this short tutorial here. (Via Exhibition-ism)
Ceramic artist Paul Cummins and stage designer Tom Piper collaborate to create a stunning installation commemorating the centennial of the First World War. A scarlet sea of 888,246 ceramic red poppies will be “planted” around the Tower of London. Titled “Blood Swept Lands and Seas of Red”, the installation pays tribute to soldiers who perished during the war.
For the past few weeks, volunteers have been carefully placing the flowers all around the famous dry moat around the Tower. Poppies burst through one of the windows and then flow loosely, forming an arch over the footbridge to the castle. Each poppy represents a soldier from the United Kingdom and its colonies who was killed during WWI. Cummings says he was inspired by a line in the will of a soldier from Derbyshire.
“I don’t know his name or where he was buried or anything about him. But this line he wrote, when everyone he knew was dead and everywhere around him was covered in blood, jumped out at me: ‘The blood-swept lands and seas of red, where angels fear to tread.’ I believe he meant the angels to refer to his children.”
Poppy is considered a flower of remembrance in Britain. The reason is because most of the soldiers died fighting in the trenches in the poppy fields of Flanders.
The blooming field will continue to grow throughout the summer. The final flower will be symbolically planted on November 11th, Armistice Day. The ceramic blossoms are for sale for £25 ($42) each. 10 percent of the proceeds go to benefit six different charities. You can find out more about the project by following the #TowerPoppies hashtag on Twitter. (via Colossal)
When people observe art, the try to find a purpose, a message behind the whole thing. In many art pieces, the message may not be obvious or clear. Within the work by Ripo Visuals, their clear, easy-to-read, simplistic messages are powerful. Catchy, funny, truthful, clever phrases have been left on buildings all over Europe and South America. Courtesy of Ripo Visuals.
Zacharie Gaudrillot-Roy is a French photographer whose Facades series is a personal exercise in land and city-scape photography, with one major difference. In each photo, the Lyon-based Gaudrillot-Roy digitally edits each image so that building itself is erased, leaving only the structure’s front, or facade, present. Now on his third iteration of the series, each village or city building carries ominous, almost surreal connotations of civilizations being abandoned, wrecked by recession, or left to slowly disintegrate. However, the images retain a still, quiet beauty, and are haunting in their simplicity.
Says the photographer, “The façade is the first thing we see, it’s the surface of a building. It can be impressive, superficial or safe. Just like during a wandering through a foreign city, I walk through the streets with these questions: what will happen if we stick to that first vision? If the daily life of “The Other” was only a scenery? This series thus offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge.” (via skumar’s)
Helle Mardahl holds nothing back in her work both in subject and materials. Her background in fashion is evident, but her collections are not made for any runway. Start with her show A Royal Orgy Of Consumptionwhich was on display atWAS gallery in Copenhagen, August 2008. Keep exploring; there’s a world of intricacies and complexities wanting to be seen.
Taking her football player series and combining it with a product usually reserved for the masses, artist Asja Jung has found a clever, new way to market her work. She has created a limited 40 edition set of calendars featuring tightly drawn renditions of NFL players. Admittedly not a big football fan, Jung first became intrigued with these brutal ballerinas when she patroned a local sports bar in her Queens, NY neighborhood. Images in the following day’s papers of Mark Sanchez, Eli Manning and Geno Smith grabbed her attention and she started incorporating the stills into her narrative. Another series which she had been working on just prior to finding the players, entitled “Neighbors”, placed subjects in an elaborately detailed background similar to a dense, tropical forest. Her thoughtful rendering produced a positive/negative space offset by vibrant color. The figures in these, which have included chimpanzees and reptiles, acted as buffer points to highly imaginative designs. Jung proceeded to use the same aesthetic in staging her football drawings. The dramatic nature of sport provided a rich source of information and the players soon replaced the creatures in “Neighbors”. To arrive at a final draft, dozens of studies were made, showing countless variations of mid-air tackles, high catches, scrimmages and close up personals. The finished drawings feature a nice balance between unique draftsmanship and mainstream accessibility. To date, pieces have been shown in the VIP section of Jets Stadium, and The National Art Museum of Sport.
A message from The Savants Collective: There are images found in the human unconscious that mean similar things to all of us. By understanding these images, it is possible to analyze our dreams and to learn from them. Our life experiences influence our interpretation of these images and as a result each person’s dream is unique to them and can only be truly understood by them.