Greg Lundgren of Lundgren Monuments is an artist in bringing light and color to the one situation where the dress code is all black. Lundgren, who is a Seattle artist and entrepreneur, has built a business that has people seeing the final resting place in a whole new light.
Starting with the thought that there should always be beauty with the burial, Lundgren challenged conventional notions of fixed, grey headstones once he began to create his own. Working with bronze, steel, granite and cast glass, Lundgren designs personalized headstones and urns that will best communicate the light and energy of the departed. Often done through a collaborative planning process with the family of the deceased, what emerges from his designs are stunning, illustrious sculptures that capture and emulate the warmth and respect felt toward the lost loved one.
As said on their website:
“Cemeteries are not known for their colorful sculptures. Typically they are monochromatic landscapes – variations of grey and black and other stone types. There is no burst of color, no spectrum of light or illuminating sense of life. And this seems grossly out of character to represent the diverse, colorful and individuality of the people cemeteries honor and represent.
Even in the depths of grief and loss, a little color – a little rainbow, can help us remember the magic that is life and the good times that our loved ones experienced, lived and continue to fuel. Even in the darkest hour, it is important to remember that the people we have lost were vibrant, illuminating, and entirely one of a kind. That is the kind of memorial Lundgren Monuments wants to create, and we are very honored and proud to help contribute to this memory, this reminder, this alternative to the cemetery landscape.”
Who wouldn’t want to be buried beneath something so beautiful? (Excerpt from Source)
Ben Grasso is wired for telekinesis. Before painting he warms up, surrounded by mystic runes and burning incense, by bending spoons with his mind. Just kidding, but that is what I want to believe. His paintings are filled with magical forces; it’s to do with buildings and de/construction, but there are other characters – namely beer cans, explosions, and scarecrows. It’s entertaining to be presented with something walking the fine line between real and totally illusory, Grasso is making work in that sweet spot.
Need to brighten your day? Get ready. This is a stop motion music video from animation duo Katarzyna Kijek and Przemysław Adamski for Japanese singer-songwriter Shugo Tokumaru. Inspired by an everlasting chain of memories, It features a continuous parade of about 2000 silhouettes extracted from PVC plates set to Tokumaru’s quirky track Katachi (which means “shape” in Japanese). Really. I dare you to be sad after watching this.
For anyone with a fondness for west coast life, the gritty, glorious scenery that unfolds across Bay Area painter Laura Sutro‘s canvases is nothing short of sentimental. In simple, generous strokes, Sutro uses tastefully honest narrative to spell out one person’s journey on the freeways, down the sidewalks and through the bedrooms of a contemporary California. Her lush, layered color palettes echo a careful, critical study of light, while her snapshot sensibilities make each piece feel curious and fresh.
Adam Vorhees’ photographs portray animals in a new light. Gone is the image of a pathetic beast destined for a crappy zoo or slaughter house. Instead Adam presents portraits of complex and intriguing animals that you want to keep around forever and maybe even go for a jog with (Babe’s training for a marathon!).
Artist Anne Ten Donkelaar‘s series Broken Butterflies takes its inspiration from a children’s book. According to the story, because of his dream to create a mix between a flower and a bird, the protagonist Arno is banished to an insect workshop. In a way, Donkelaar works from her own insect workshop. She says:
“I had my own collection of damaged butterflies, so I decided to repair each one differently according to their needs. So in a way, I now have my own workplace with butterflies and give the butterflies a second life.”
Much of her work begins with objects that are often overlooked. Infusing them with renewed attention and narrative, Donkelaar then reintroduces the object to the viewer.
It’s all in the little details for artist Sanda Anderlon. Her illustrated collages and animations use the things that make up our personal, social and public lives to create portraits that tell stories through objects which give clues to the person. Similar to an archeological dig which reveals intimate details about a community or civilization her panoramic illustrations speak through a cluttered and chaotic aesthetic but once you take a closer look they become interesting clues into someone else’s existence.
Through basic titles such as fashionista, neighborhood, party and at the beach we’re given an overload of things which describe life as a human in the 21st century. In fashionista we see the materialistic excess of the fashion conscious. The dozens of shoes, clothes and wigs become an interesting survey into what some deem important. In neighborhood and party Anderlon comprises an exhaustive survey of the people and things which make up both. It takes on historical significance since the artist uses images from various time periods to complete her picture. Adding some depth to her work are animated versions which take on a different perspective. These move through the works as a timeline and offers a documentary style aesthetic.