Edinburgh-based artist Polly Verity creates detailed and intricate sculptures out of paper and wire. Most of her subjects are animals or mythological creatures and the size of her sculptures range from palm to life sized. The wire for the sculptures is built up into a 3D frame and this becomes the contour and outline of the creature. The wires are joined together through wrapping and pinching; no heat is applied to forge the wire. She then applies wet fine paper that she first sizes with glue onto the structure. The paper dries and tightens up while formed on the frame. Her creations are usually kept encased in a glass dome or box for protection and display.
In addition to these incredible sculptures, Verity also creates geometric origami paper art and wearable paper art. Her ability to meticulously create such delicate and intricate designs out of basic and simple tools like paper and wire is impressive. Be sure to check out her Flickr page for more photos, including some of a project she worked on with her brother involving the sculpting of crumpled tissue paper organs.
Is there any doubt that cats rule the internet? Probably not, and the photographs by Barrere & Simon play into this trend with the cat-themed book Lolchats. Costumed cats depict different personalities and professions, like a painter, beach bum, beauty queen, and diplomat. Perfectly posed and accessorized, these cats are amusing and sassy.
Stories and quotes about and “said by” the cats accompany each portrait in the book. The portraits are enhanced with a little extra information. Katsumi, the rainbow, watermelon-loving cat (above) has the following written about her: “She loves soy milk, maki shaped smileys and Cat’s Eyes. Since her stay in Shibuya last summer, she learned to make the V sign with her feet and always says “meow” in Japanese. ‘Nya!'” Likewise, Vinz, the cat with the guitar and leather jacket says, “He loves strings and shots of Jack Daniels. He hates deworming and new wave. ‘My greatest pride is my grandfather posing on the cover of the first Stray Cats'” (Via Aristide)
Italian illustrator Virginia Mori uses black ballpoint pen and pencil on paper to create strange, lady-centric compositions. The minimal drawings feature long-haired women in surreal situations. Heads are often seen severed or parts of the body are fused with furniture. Although they are weird, Mori’s work isn’t gruesome. Even when a umbrella handle is coming out of a character’s mouth, there’s no blood or guts. It’s simply a surreal scene.
Mori separates mind from body, in both literal and figurative ways. Heads are rolling, they exist on different levels, and are obstructed by hair. It represents the idea that we can “disconnect” our mental from our physical self, and that this separation can feel like two entities. But in Mori’s illustrations, what causes it? Mystics? Physical ailments? Lessons not learned? The sparse compositions allow for multiple interpretations.
Did you just awake from a twenty year coma? Then youre probably wondering where you can pick up a current issue of .info, a magazine dedicated to Mac computers way back when they were called “Amigas“. Sorry dude. The nerds are dead, we killed all of them. But hey, cheer up! You can still see some knee slappin’ episodes of .info magazinesBryce: one of the first comic strips created digitally.
Common movie scenes are showing us police mug shots, incognito faces in crowds and wanted killer posters. None of these seem unnatural or chocking anymore, we are tamed by cyberculture and technology. We could not imagine having to go through an identity check other than with our passport, signature or a police officer physically present in front of us. Yet, we’ve already left those ancient methods and engaged with facial, retina and odour recognition; fingerprints and hand geometry. We’ve entered the biometric data era. Not always conscious of how fast the world evolves around us, Tony Oursler has set a mission to “invite the viewer to glimpse themselves from another perspective that of the machines we have recently created”. He has been exploring the link between the growth of our technological dependance and its effect on our psychology.
The artist has created magnified face images, some of them coated with a stainless steel panel embeded with video screens and others marked with geometric patterns of algorythmic facial recognition mapping. He is embarking us with a dash of humor into the disturbing technology’s effect on the human mind. Tony Oursler plays with the face. Starting with the eyes and going down into the neck, he is suggesting that technology will use every bit of skin and organ to study the daily behavior, emotions and rituals of humans in order to categorize them. The viewer when facing those giant profiles is left with the strange feeling of being watched. The artist wants to highlight how uncanny is the process of teaching machines how to observe only the external appareance and to pretend, from there, to understand human’s true nature.
Jamie Isenstein’s work questions the traditional divisions between sculpture, performance, and video. Isenstein is known for blurring the lines between performance and sculpture, often through her use of her own body as a ready-made object.
New York-based travel photographer Sivan Askayo explores intimacy through a universal behavior: hanging clothes out to dry. Askayo’s series Intimacy Under the Wires depicts clotheslines from around the world—snapshots likely more personal than intended. According to Askayo, the project began in Tel Aviv, and continued through Madrid, Barcelona, London, Florence, Venice and Buenos Aires, and we have to take her word for it: aside from small hints in t-shirt logos, random signage and perhaps an architectural clue, locations are largely a mystery.