Photographer Marshall Scheuttle travels across the country, bringing his lens to bear on our nation’s cultural patchwork. In his work, desolate landscapes are occasionally dotted with a baptism or bolo tie, a snake charmer or carnival worker. It is a world that is lonely, powerful, surreal, and distinctly American.
Michael DeLucia draws with a scary talent for hand-rendering intense geometric grids and patterns. The Rochester born, Brooklyn-based artist (whose sculptures were previously featured here) creates drawings that reference shape, geometry and intersecting lines to create familiar and affecting moiré patterns. Utilizing carefully spaced lines, which intersect and diverge in different points, gives the work an almost meditative quality for the viewer, and more than likely for the artist during their creation.
Perhaps unsurprising when considering the strength of depth and field in the drawings, DeLucia has received more attention for his sculptural work than the works on paper, though both quite obviously inform each other. Several sculptural works (Partial Sphere and projectionfor example) echo the same skill and detailed work as the drawings, and exist as both independent and linked artworks. (via butdoesitfloat)
Multidisciplinary artist Georgios Cherouvim’s installation titled Debate looks like your average conversation between two political candidates. But, there are some big differences: the figures’ heads are replaced with flashing geometric forms and they talk using unintelligible robot noises (think a series of beep boops). And of course, these aren’t people – they are realistic-looking plastic mannequins that are animated by an Arduino micro-controller with a custom “conversation” – stimulating program.
Cherouvim says that he entered the world of visual arts through computer animation, which explains the complex nature of Debate. The triangular and rectangular “heads” are controlled by an algorithm that changes lights and sounds based on parameters like how long one of them has been talking, if there was any silence, and the last time one was ignored by the other.
In his artist statement, Cherouvim writes:
My work is a visual representation based upon my perspective of social and political issues. I question established ideas of the modern lifestyle and how common social behaviors and ideologies have turned us against our environment and our selves. I want my work to invite the viewer to step back, observe our actions from a different perspective and associate them to the consequences.
“The act never reaches a conclusion and it is performed in a non-deterministic way,” Cherouvim told The Creators Project. “Their language is incomprehensible, causing the viewer to lose interest in the conversation and politics all together.” (Via The Creators Project)
Australian sculptor Paul Kaptein handcrafts laminated wood into exquisitely seamless sculptures. Interested in materialism and inspired by both nature and the concept of time, Kaptein creates works that are realistic yet surreal, rooted simultaneously in real life and in fantasy.
To Kaptein, the use of laminated wood is central to his practice. Representative of the dialogue between expansion and contraction and the relationship between interconnection and incompleteness, “the panels slip and slide, creating their own holes which exasperate the gaps in the fabric of the universe.”
While his wooden works vary in subject matter—a common motif being hooded, faceless busts—they all convey Kaptein’s innate interest in portraying of “the immaterial as an expression of the overt reliance (and ignorance of the composition) of materialism as a somewhat naive description of reality.” In one of his most recent works, And in the endless sounds there came a pause, the artist tackles reality through illusion: while the meditative figure is clearly distorted by the river-like grooves of his robe’s drapery when observed from the front or back, he appears perfectly normal when viewed from either side.
Ultimately, with its deceptive composition and well-crafted aesthetic, And in the endless sounds there came a pause merges two qualities characteristic of the artist: his interest in fabricating new realities and, of course, his undeniably superb woodworking skills.
Designed and authored by Richard Hefter, Martin Stephen Moskof, A Shufflebook is a nonstructured reading and storytelling “book” which is designed to offer children maximum variety and flexibility of image grouping. The 52 illustrated cards can be arranged to make an endless number of word and picture stories.
Beautiful/Decay has partnered with premiere website building platform Made With Color to bring you some of the most exciting contemporary artists working today. Made With Color allows you to create a website that is professional and easy to use with just a few clicks and no coding. This week we bring you the delightfully skewed paintings of Travis Collinson whose gleaming white and minimal website was built using the Madewithcolor.com platform.
San Francisco artist Travis Collinson’s drawing and paintings investigate portraiture, perception and sense of place. His works, though seemingly allegorical, are rooted in a sense of the absurd and abstract. Working from personal photographs and sketches derived from a process of automatism, Collinson selectively couples elements from each, reinterpreting them at a larger scale. Drawing from the influences of both classical painting and minimal abstraction, Collinson’s work creates a framework for people, nature and space to exist in an anxious state of entropy. With a skewed perspective and distortion of unassuming subjects, objects and environments, the artist’s compositions are at once familiar and enigmatic.
Kant, in “The End of All Things,” suggested that the imagination is more active in the dark than in the light. The current exhibition at Matthew Bown gallery explores this concept for its current group exhibition. Taking its title from Baudelaire’s description of his Creole lover, “noire et pourtant lumineuse,” (black and yet luminous), Matthew Bown literally “turns the lights off” in the gallery, shrouding it in total darkness, to present a group of artists who explore concepts of lightness/darkness within their work. Alexander Brodsky, above, creates an organ griding machine that plays the Beatles, and encases a lit-up city in the murky depths of an tank aquarium tank. Gunda Forster’s work consists of a wedge of intensely bright light, shining through a crack between the door and the floor- referencing the great divine mystery of that which lies beyond. The exhibition runs until May 25 in Berlin.
Honk Kong-based artist Johnson Tsang creates alternative ceramic creations that spook viewers. Employing a realist yet surreal sculptural technique, Tsang looks to produce exaggerated, almost cartoonish, bizarre human forms that look very convincing (and very disturbing). Besides his famous creepy, chubby, porcelain babies–whom he calls his own ‘children’–Tsang is known for his ability to morph both functional objects and the human body to put forth an alternative line of work that challenges the craft oriented world of ceramics. Much like Beccy Ridsdel Dissected Ceramics, Tsang has the ability to make ceramic pieces that in a way remain functional, but still work as a conceptual piece of art.