As we move further into the digital age, designers are looking for new ways to offer products that will make even portable devices obsolete. A new product by a company called Cicret is offering a bracelet that will enable the wearer to project the functions of his/her Smartphone onto their arm. Through a simple bracelet design, a series of sensors would pick up a smartphone’s signals and project it onto your wrist. Once projected, it will be fully functional as a phone on your skin. Depending on the amount of memory you choose, social media, email and web surfing functions would all be available in places you’ve never imagined before. Those who opt for more gigabytes could also play video games. It’s Bladerunner convenience with a flick of the wrist. A video on Cicret’s site demonstrated how an arm will now function as an ipad. A scary thought, when taking into consideration the ipad was only invented 5 years ago. The speed technology moves today is lightning fast. The company currently needs 1 million euros to make a prototype. According to a statement, they currently have close to 5,000 donors but it doesn’t mention how much money has actually been raised. If they can pull it off, Cicret has a cool chance of becoming successful, and in the process, put a few of the tech giants out of business. Another issue is cost. Currently, Google glass, a similar product, is selling for $1500. As a young startup and in order to compete, Cicret would have to offer their bracelet at a third of the price. Let the games begin. (via Designfaves)
New video by Jon Clark and Spencer Longo for Los Angeles band LA Vampires’ (in collab with Matrix Metals) catchy number “So Unreal” combines all the things I love most about 80s/90s video aesthetics: head wraps, odd mystic paraphernalia, soft glows, and of course a healthy helping of neon. Jon and Spencer sacrificed their living room to set up this dark lair for a whole month! Spencer Longo currently has an installation up at the Pacific Design Center as a part of MAN, SUCH AS WE KNOW HIM, IS A COMPUTER. Jon is currently working on completing a 30 minute short called ‘Spectrum Hunter’. Watch the full video after the jump.
When Sally Mann published a series of photographs of her children titled Immediate Family in 1992, she spotlighted childhood with a rich tonal backdrop of a Virginia riverside summer house, and she was met with accusations of child pornography. About twenty years later, caught in a starkly different contemporary artistic current, the photographer Alain LaBoile presents La Famillie, a series that for its distinctive silver gelatin aesthetic and subject matter seems to pick up where Mann left off.
LaBoile’s work, unlike Mann’s, lacks the suggestion of immediacy, binding viewers within the nostalgic frame of childhood play, entirely carefree and unabashed. Mann’s work is urgent: she reveals a haloed shot of her daughter, blonde hair dancing in pool of water like some inexperienced Ophelia, and she tragically subverts its innocence with image of the last nude swimming photo her son let her take. Childhood for Mann is something to be beautifully lost, but for LaBoile, it’s more of a constant realm, easily returned to with a flash and made blindingly undeniable by jarring accents of white.
The innovative power of this contemporary work relies upon oh-so-subtle symbols of purity and incorruptibility of youth; a boy digs himself from mud filled and grave-like abyss, resurrected in glowing white to a young girl who prances about the Edenic verdure. Similarly, another daughter remains preserved in a class case, safely nuzzled between fine china and a white cat. Bums innocently moon the camera like those of cherubs. A boy printed in a blinding sort of white appears to hang from a tree; yet upon closer inspection, he’s just climbing, playing the part of a-not-yet-fallen Adam for an onlooking sister. Take a look. (via Feature Shoot)
Aysha Bano‘s images are a mash-up of sexual energy meets Hardy Boy murder mysteries. I can’t tell if the women in her photos are sex crazed perverts or plotting an evil scheme filled with violent murder and sinful secrets.
London based artist Jacky Tsai takes one of the most iconic images of all time and breathes new life into it by taking away the negative associations that might come to mind when one thinks of the human skull. Covering his sculptures, prints, and drawings in ornate floral imagery Jacky’s take on skull imagery have opened up many exciting doors such as working at Alexander McQueen creating patterning and textiles for the famous fashion brand. Now working on the debut of his own fashion line Jacky is definitely one to watch both on and off the runway. (via)
French street artist and photographer Etienne Lavie‘s photography series, “OMG, Who Stole My Ads?” envisions the city of Paris without advertisements, replaced by stunning classical works. Lavie photographs the street scenes and paintings separately, and combines them later with digital editing. The result is a beautifully effective and realistic utopian city where people aren’t surrounded by images that encourage conspicuous consumption, but are instead living among masterpieces that decorate their chaotic urban world. (via huffington post)
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Alaina Varrone is a embroidery artist who, according to her, was born to a family of weirdos and storytellers. She uses this natural inclination to tell tales using thread which are often explicit and erotic in nature. We see naked men and women, sexual acts, and general kinkiness stitched into cotton fabric. Sometimes, Varrone will use delicate-looking floral patterns that add to the delightful absurdity of her work.
Typically, embroidery is seen as a craft, and an activity that’s a favorite among grandmothers (although it does have a thriving community of younger folks). It’s content is generally seen as inoffensive and family-friendly. Varrone has turned this convention on its head by sewing scenes that that are anything but. Her characters go after their desires and fantasies, creating an amusing juxtaposition between how we’re used to seeing embroidery versus all of its possibilities. (Via Juxtapoz)