From illustrator and photographer Matt Lee, here are some photos of film posters around South India. It’s interesting how foreign film industries so close follow American trends. I expected to see posters that are more in the style of traditional 70s Bollywood posters (basically nicely illustrated montages of multiple characters, each in an action pose, and a cool look treatment of the title), but it seems that just as Hollywood has moved on since its days of ornately illustrated movie posters, so has India. So instead of illustrations we have Photoshop jobs.
Artist Roxy Paine will be having his opening reception tonight at James Cohan Gallery called Dendroid Drawings and Maquettes, on view May 1 through May 30, 2009. The exhibition includes a scale model of Maelstrom as well as drawing studies from the artist’s well-known series of stainless steel Dendroid sculptures. This show runs concurrent to Roxy Paine on the Roof: Maelstrom, a site-specific installation at The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden on view from April 28 through October 25, 2009
Londoner Tyler Vipond’s work plays mostly with space and depth created out of formerly 2D surfaces. Bridging the space between sculpture and painting, his work leaves you with a feeling of tension and intricacy while still feeling almost effortless. I particularly love his series “A Collapse” whose pieces are almost reminiscent of deconstructed origami.
Luke Butler is a recent graduate from with an MFA from San Francisco’s CCA. For Luke Butler the greatest form of strength is openness. For his model of vulnerability, Luke Butler looks to a most stout and reliable figure. He didn’t have to make one up- if you have watched enough TV, you know this to be true. Doesn’t totally make sense? That’s ok. Check out Whitehot Magazine for a more in depth article about a visit to Luke’s studio.
Always psyched to see some new Mark Mulroney jams! Haven’t exactly heard of Charles Linder, but I must say, that installation is looking wild. Here’s a taste of both artists most recent exhibition endeavor, more after the jump…
Heeseop Yoon is a Korean artist based in New York concerned with clutter, junk, and our impossibility of absolute perception. His enormous installations begin with photographs of people’s piles of hoarded objects, which, like Giacometti, he then draws and re-draws and re-draws, leaving initial lines to remind him of the instability of his own perception, then re-draws them on enormous scale using tape (which is a form of junk in its own right) galleries and on buildings. The combination of cluttered objects and the instability of perception is a pretty perfect one, they feel like the exact opposite of Gursky’s 99 Cent store photograph yet weirdly similar, both enormous in scale, both about the glut of objects in our society, but executed in inverse manners. His pen and paper drawings are amazing too, check out his website to see more!
Last night I was invited to attend a preview of Exit Through The Gift Shop, the much hyped documentary by the street artist Banksy. By now, you all know that I’m an avid documentary junkie. I’ll watch a documentary about paint drying on a wall if it’s well made. I’ll admit, I went into the screening room expecting to hate it- so was Banksy able to win me over?
Painter Jeff Muhs‘ latest series “Slipstream” features bright smears of color birthed from newsprint chaos. According to a press release, the series tries to bring the viewer to a “crossroad of intention and chance, where color and motion are freed from an objective context and becomes the subject itself.” The result is what feels almost like a vortex of hues that is floating in space, devoid of any real world shape or form.
According to Muhs’s biography, he draws much of his inspiration from the natural world. This influence is clear in the jewel-toned colors he uses and the organic way he allows the shapes to emerge from the background. Though there isn’t anything fabulously new about Muhs’s art, there is a meditative quality to it that makes you pause and take a moment to simply appreciate the colors of his work, much as you might do for a sunset. (via Dark Silence in Suburbia)