Japanese artist Fumie Sasabuchi reworks the pages of fashion magazines by deconstructing the original image and the body in the image. She uses the image and idea of death to explore a surface, creating a series of hybrid body images in which promotional aesthetic is fused with material naturalistic anatomical study.
Created using the digital software program Painter, artist Chet Phillips of Chetart creates the most whimsical human – animal connections. Poodles as wrestlers? Monkeys smoking pipes? Make sure you check out the titles of all his pieces, they are as silly as the images. The one above is entitled Phineas H. Flabbergast.
Adrien Mondot and Claire Bardainne, the French performance art duo that forms Adrien M / Clair B Company, has created a stunning display of dance and the digital. “Pixel” combines the physicality of human movement with unique technological creativity. Dancers leap from mountain to mountain, splash through wire-frame water, and fling themselves through showers of shimmering pixels.
In collaboration with Compagnie Kafig, the performance is an hour long and described as “a work on illusion combining energy and poetry, fiction and technical achievement, hip hop and circus.”
Aleksandra Domanović deals with sculpture that echoes monuments from the past from her native (former) Yugoslavia. While some sculptures take on more traditional forms of post-Communist leaders, the Berlin-based artist also began experimenting with unique materials in her work. 19:30 Stacks was created by piling size A3 and A4 paper with photos printed on their sides with ink-jet printing. First creating a massive PDF file of a photo, Domanović set the printer to ‘border-less print’ setting, which coated the ends of each paper, and when stacked upon each other, revealed the finished image.
For a time this work was open-sourced so that anyone could make one for themselves by downloading the file (now broken), printing it out, and then placing it between 1500 empty pages on the top and bottom of the printed stack. According to her artist statement, Domanović’s “work focuses on profound social and media-technological transformations, and their interdependence. Some of her projects give form to the relationships of meaning imposed by archival models. Others suggest alternate models that draw on her observations of shared memory and feelings of community. Domanovic uses material related to her autobiography — the television, music, and monumental art of Yugoslavia — as well as materials that claim transcendence of the personal and national, such as Getty Images’ database of stock photography and (on the blog Vvork, which she co-edits) international contemporary art production.” (via u1u11)
Michael Hansmeyer’s Grotto Project involves the conception and design of a new column order based on subdivision processes. It explores how subdivision can define and embellish this column order with an elaborate system of ornament.
An abstracted doric column is used as an input form to the subdivision processes. Unlike the minimal input of the Platonic Solids project, the abstracted column conveys a significant topographical and topological information about the form to be generated. The input form contains data about the proportions of the the column’s shaft, capital, and supplemental base. It also contains information about its fluting and entasis.
When entering the exhibition room, the viewer at first perceives sixteen columns. This effect, created by the use of two floor-to-ceiling mirrors on adjoining walls, is intentionally accentuated by the columns’ design. Thus the columns are symmetrical along only a single axis, and they have different appearance when seen from the front or the back. In effect, two column permutations are united in a single column – with eight virtual models for the four physical objects.
While the procedural approach to design enables this multiplicity of output, it also expands the solution space on the level of the single object. It thus allows the creation of objects that are otherwise undrawable – and perhaps even unimaginable – in terms of their detail and complexity. (via)
“Bela” is a short documentary which follows the day in the life of a street performer named Bela Erdei or “the cat man”. Bela, a recognizable face to some, travels hours by train throughout the south of France to perform with his affectionate house cats. An affable and eccentric character who has a real passion for what he does. Watch the full documentary after the jump.
Owen Gildersleeve’s cut paper illustrations must take a million razor blades and lots of patience to create. From book covers to ads Owen swings his blade at cut paper with no fear creating ultra detailed imagery for you to feast your eyes on. The only question is whether his business cards are also hand cut one at a time. Now that would be intense!