I headed over to Brooklyn to check out what Ryan Schneider had cooking after not seeing his work for a year. He was painting when I got there; mixing a fleshly color on the big glass palette in the center of the room. Canvases lined the walls, some were finished and some were in progress. He paints all the nouns: people, places and things; and does so in a thoughtful way that reflects life. Still lifes which range from bathtubs to bookshelves, and landscapes which seem to suggest an alternate, more romantic reality.
The paintings are populated with figures, and he had interesting things to say about figure painting. In person, the paintings are very obviously physical. They combine juicy paint, carved-in-words, bold colors, and a funky sense of space. This makes for paintings which flip between pattern and illusion. His new paintings were confident, and maybe even more colorful and spatially complex than his previous work. Schneider recently left Priska C Juschka, his gallery of several years. Besides being a painter, Schneider is also a curator and has organized high profile group shows in locations near and far, and he was at it again. He is behind a show which just opened in Austin, at Champion Contemporary, called “Wild Beasts.” He included a group of artists who share a love of color and admiration for Matisse and the French Fauves. Read some of our discussion after the jump.
100 mugs in 100 days. The creative duo Charlie and Blair rose to the challenge. The result is a collection of ceramic mugs, hand made and hand painted. Passionate about their work, they were able without any difficulty to create the mugs in a conventional and less conventional way. Adrian ‘Charlie’ is the one making the shapes, while Heather ‘Blair’ paints. The project nourished their excitement and enthusiasm, striving to stay focused and creative at the same time. “It’s that passion and drive that keeps you motivated to create day in and day out”.
The design of the mugs started as commercial. Adrian says the greatest challenge was to innovate. To encounter the risk of facing self doubt, anxiety and failure during the process. Therefore, there’s a clear exploration of shape, form and function. Some pieces end up not representing at all a conventional mug. The paintings on the mugs were inspired by travels to Turkey, Korea and Japan. Heather translated architecture and decorative patterns on mosques, tiles and jewelry into the ornaments of the mugs. She mostly used quirky designs and doodles. There’s an intention to contrast the original and singular shapes with classic color tones. Making each piece unique and one of a kind.
This is The Doggie Gaga Project, Jesse Freidin’s brainchild, in which canines of all shapes, sizes, and creeds are dressed up like the iconic Lady Gaga and photographed for our enjoyment. Kind of like if those weimaraners were around the day that Glee went Gaga, Freidin has created something almost too good to be true, but more importantly, when does the calendar come out?
Doug Bloodworth’s photo realistic oil paintings transport us to another slower, calmer, and less anxious time. Whether it’s a still life depiction of the Sunday Funnies sprinkled with candies or a road atlas paired with matches and a roll of mints, we can’t help but feel nostalgic for our own quiet tactile interludes and luxuries minus the iPhone or Blackberry.
In self-described “experientialist” artist Lee Walton’s most recent project (though on his Vimeo, it seems the last upload was 9 months ago…), he will perform what his Friends on facebook are doing. This online project will only be viewable to those listed as Friends on the web site. The man is hilarious and ridiculously clever- I’ve added him as a friend, so should you!
Sculptural and mixed media work from David Nyzio. Working in material as diverse as algae and bug excrement, Nyzio’s work defies certain classification and provides a nice testament to the crossroads that can exist between concept and aesthetics.
Zacharie Gaudrillot-Roy is a French photographer whose Facades series is a personal exercise in land and city-scape photography, with one major difference. In each photo, the Lyon-based Gaudrillot-Roy digitally edits each image so that building itself is erased, leaving only the structure’s front, or facade, present. Now on his third iteration of the series, each village or city building carries ominous, almost surreal connotations of civilizations being abandoned, wrecked by recession, or left to slowly disintegrate. However, the images retain a still, quiet beauty, and are haunting in their simplicity.
Says the photographer, “The façade is the first thing we see, it’s the surface of a building. It can be impressive, superficial or safe. Just like during a wandering through a foreign city, I walk through the streets with these questions: what will happen if we stick to that first vision? If the daily life of “The Other” was only a scenery? This series thus offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge.” (via skumar’s)
Welcome to the world of London based sculpture Alessandro Gallo where bird people hang out on a ledge, Tattooed lizards chill with a mild case of beer guts, and a cornucopia of creatures read and patiently wait at a bus stop. More manimal hybrids after the jump.