You don’t want to eat that, trust me. Each of these sculptural creations is made up of equal parts reclaimed wood, time, and toil. These handcrafted wall mounted bas reliefs are the speciality of Ron van der Ende, an artist based out of Rotterdam, The Netherlands. So barring a peculiar taste for splinters, don’t chomp on that meaty morsel. Do, however, take a closer look at these works after the jump.
JeongMee Yoon’s current work, “The Pink and Blue Projects” explores the trends in cultural preferences and the differences in the tastes of children (and their parents) from diverse cultures, ethnic groups as well as gender socialization and identity. The work also raises other issues, such as the relationship between gender and consumerism, urbanization, the globalization of consumerism and the new capitalism. The topic seems to be well tread territory already but it’s still crazy to visualize. Some of the poses that these kids strike are interesting too.
The artwork of Justin Bryan Nelson has this folk-like quality with minimum colors and symbolic imagery that not much is needed in the drawings to appreciate its symbolic and rather mysterious illustration. What I like about them, it’s just how delicately done the pencil and ink marks are on the illustrations but also how the artwork revolves around one main subject, without cluttering the audience.
Adam Friedman celebrates the unchanging mystery of nature in his surreal, hybrid paintings that dissect landscapes from the real world. His newest body of work is bold in color and line, as he portrays scenes of glorious mountains and unwavering glaciers. His unique style depicts scenes of tremendous natural beauty, transformed them into something even more stunning. Plates of the earth seem to shift and glaciers are mirrored in a reversed world that Friedman so skillfully creates. The artist experiments and warps perspective in his paintings, like an M.C. Escher drawing toying with our mind. Sections of mountains are divided and manipulated into geometric patterns and shape that make you question exactly what it is you are looking at. Friedman describes his artwork’s intent.
“Millions of years are compacted into a single instant and rocks become fluid. I strive to present a moment that defies human intervention in the landscape, and pays homage to the potential in the inexplicable.”
Friedman explains that his work celebrates the unknown that the natural world possesses. Society attempts to explain, examine, and make sense of our environment, but there are some things we cannot understand. The beauty in the unknown can be felt in Friedman’s powerful series that radiates with intensity. Mirus Gallery in San Francisco, California currently has a solo exhibition of Friedman’s work on view until July 11th. If you have the chance to see this exhibition, titled Into the Aether, make sure to check out his compelling paintings in person.
C. Owen Lavoie’s (better know as C. Owen) series of photographs entitled Trophies captures the emergence of exotic creatures out of darkness. Because they are shrouded in so much darkness, these portraits at first seem to be taken in close proximity to live animals, but Lavoie is able to get so close to these beasts because they are taxidermied. This creates a haunting and mysterious effect that reflects on ideas about preservation, death, and hunting. The lens captures the preserved expressions of the creatures’ vulnerability, creating a sort of double preservation of the dead animal that stares right back at us. Lavoie says that she considers the series “a way of bringing the animals back to life for the public eye. It’s sort of like a third generation; first the animal was born, then hunted and handed over to a taxidermist so it can be displayed and finally in the end, modified by my lens.”
Barcelona based graphic design studio Good Mondays specializes in areas of art direction, corporate identity, editorial design, package design, and illustration. I am particularly fond of the above Donut Explosion piece.
Israeli artist known as Know Hope recently shared his latest works, projects, shows and travels.
Know Hope is known for his street art, in which he depicts characters through several story lines. An overarching theme within his work is the need for momentary connection in daily reality. Or, in other words, the everyday human struggle.
Joe Davidson creates beautiful sculptures from plaster sunflowers. Devoid of color, the hanging bouquets look as though they could be bones, bleached coral, or some other organic form drained of life. The Los Angeles-based artist is interested in repetition. A tradition based in Minimalism—repeating the same form over and over again—Davidson’s flowers are less about Minimalism and more about material. Davidson is interested in allowing an idea to be driven by the inherent quality and symbolism of the material used. Through the similar plaster casts (all are cast by hand), Davidson is creating shadows of the original. The mass production generates an effect whereby individual elements become part of a uniform, monochromatic whole.
Davidson strives to allow viewers to consider that which surrounds us; he wants to show beauty in the mundane and the individual within the mass. Subtle yet stunning, Davidson’s floral sculptures are like three-dimensional still lives, conceptually engaging and visually appealing.