If Ellie Cryer weren’t focusing on drawing she’d be chasing storms or spotting planes, both of which occupations are probably in high demand seeing as the recent events in Alabama and Pakistan (yes, us killing Osama means we should be on an even higher terror alert). Luckily, despite the allure, her focus seems to be on the drawing board where she brings together an exotic mix of color with human emotion attached to nature and other surreal elements. Enjoy more of he work below.
Hey! Remember that interview with Keegan McHargue that we posted not too long ago? He mentioned that he was doing some sculpture work and I asked him what they look like. They look like this. Pre Teen.
Laura Crosta has a plethora of work in her portfolio but her balloon series is one of my favorites. Also make sure to check out the “I Date A Hooker” series which documents Jeff Fischer’s dating highlights with hookers.
In this post, featuring images from the last quarter of 2011, we remember a tumultuous year of change across the globe, the capture of Khadafi, the 10th anniversary of the attacks on the World Trade Center, the passing of Apple icon Steve Jobs, fire, famine, flood and protests. A memorable year, indeed. — Paula Nelson (via Boston Globe)
National Transitional Council fighters fire against Muammar Khadafi troops in the town of Sirte, Oct. 10, 2011, as they move in against the strongman’s remaining diehards. (Aris Messinis/AFP/Getty Images)
Carved carefully into the delicate surfaces of shells, Gregory Halili’s magnificent human skulls look like forgotten human fossils, discovered long after the extinction of our species. The New Jersey-based artist draws inspiration from the wild plant and animal life the Philippines, where he lived into his teenage years; his medium, black-lip and gold-lip mother of pearl, are gathered from the shores of the island country. The artist’s shimmering skulls are complex bas-reliefs, and his technique, which includes detailed oil painting, is evocative of ancient coins; in the place of hard metal lies a soft partially organic material, and portraits of kings are replaced with ominous skulls.
Halili’s skulls are poignantly fragile, far less durable than human bone. A single slip of a tool, and the tender piece is ruined. The shape of the shell lends itself to the humanoid form; encased within its circular bounds, the skull appears like a child in the womb. The shell material that once protected a gastropod with maternal determination, softly frames Halili’s expert carving. In this way, the artist forces a collision between birth, the “mother” of pearl, and death, represented here with the skull. Like relics washed ashore, these masterful pieces serve as a memento mori, reminding us of our own mortality, our creation and our inevitable demise. Take a look.
Skateistan is a beautifully shot mini documentary about skateboarding in Afghanistan. Shot against a backdrop of war and destruction it documents young skaters and the Skateistan charity that is the worlds first co-educational skateboarding school. This gives a whole new meaning to Skate And Destroy!
Joanne Leah‘s photographs have a kinetic aura, a dark mysterious crackle of energy that seems to hint at struggle and loss. Even with swathes of jewel tones, Leah’s work is muted, almost like crime scene photos. Some of her subjects are strewn about the floor like fallen souls on a battlefield. Others seem to be entombed — though whether in a sort of grave or a chrysalis, it remains to be seen. Permeating all her photos is a feeling of suffocation, of the inevitability of the inescapable.
In her artist’s statement, Leah says:
“When I was a child, I would explore the woods behind my house. I ventured alone, following a small creek. One winter day, I deviated from my usual path. As I walked, I heard a man shout. A pack of barking dogs ran toward me. I immediately dropped to the snowy ground and pretended to be dead. I held my breath. The dogs surrounded me, sniffed and snorted. I had never felt that kind of fear before, the fear of being eaten alive.”
There is a surreal fairy tale feeling to Leah’s photos. There is also an unmistakable feeling of intimacy. There’s also a sense that this is a cautionary tale, that these everyday people have come to quietly grim fates that could happen anywhere, to anyone. (via Dark Silence in Suburbia)