Business cards exist as a tangible resource and advertisment for offering one’s trade. Benedetto Papi and Edoardo Satamato of Italian creative agency Invasiona Creativa began to wonder: what jobs would pop culture characters have, and how would their cards look?
Beginning with the idea that these characters (ranging from science fiction to comedy to horror and action films) lost their jobs, how would they rebrand? Although most of the results involve wordplay over any serious retelling of the character’s myth, the results are playful and fun, which seems to be the duo’s motivation.
On their website, the group declares, “A different approach compared to canonical style of advertising agencies: a NERD APPROACH…We will do everything to…give new life to mundane communications, to re-invent social campaigns completely useless, to regain lost contact with the consumer, to open new horizons in the world of apps…” (via mymodernmet)
Blinking City is an ongoing project from Instant Hutong that challenges the traditional concepts involved in map making by re-imagining and creating new context around maps of downtown Beijing. Above (and after the jump), are a few images of a stencil piece created in conjunction with Blinking City. Bright colors bleed slightly into one another but maintain their own strength in an orbicular representation of a Beijing neighborhood. The project is awesome and full of good intentions. From the site: “The urban analysis provides the framework for a deeper and street related urban approach involving inhabitants and their lifestyle, in which experience, time, paths, observations, encounters and ideas become eventually as important as the built environment.” The Blinking City webpage, which has details on tons more Blinking City related stuff and other Instant Hutong projects, is really worth a click. (via)
If you like pretty ladies, gypsies, wild beasts, and mystical sunsets, I bet you would love the photography of Alexandra Valenti. You can just tell this girl knows how to live and we are jealous. So keep it up Alexandra! Oh and her site is rad so check it out (click her name).
Emilia Brintnall lives and works in Philadelphia where she is a member of the Space 1026 art gallery and co-op. Her paper-mâché sculptures revel in the vibrancy of the animal kingdom as well as everyday objects. Snakes, Dinosaurs, Foxes, Fruits and Ghosts are simplified and minimally painted. Small yet mighty, Emilia’s spirited figures are a buoyant reminder of the merry and oftentimes silly world we inhabit.
When Philadelphia-based artist Drew Leshko cycles around his neighborhood, he can’t help but look at the buildings, windows, doors, posters, trash cans and signs around him in a very different way than most people do. For him, they are the beginning of his next project – shrinking them into miniature replicas of themselves on a scale of 1:12. He cuts, glues, builds, layers, and sculpts 3D versions of different store fronts from wood and paper. Leshko says his art form is a way of preserving and archiving the condition of the buildings on his street, the rate and speed of gentrification and also comments on what people consider worth preserving, and what is worth destroying.
His paper sculptures are nostalgic of a time past; a look at his local life when he was younger; a recreation of what was. He has created versions of his grandfather’s camper from the 80s, a local church, a strip bar, a cigarette outlet, a deli, dumpsters, even vending machines. The accuracy of his miniatures and the attention to detail are what make his sculptures as impressive as they are. He even paints rust on over the old gutters or windows and puts acid rain deposits on the footpaths.
Leshko has not only been busy making building facades and details, he has also turned his attention to replicating campervans.
The buildings are huge undertakings and take a lot of time and patience. So I began to think about some smaller sculptures I could make, but most importantly, what type of objects can be constructed of paper? I started to think about tractor-trailers, vans, food trucks, and similar vehicles when I landed on camper trailers. My work has always included commentary on the temporal nature of things, so the transient nature of “RV culture” fits right in to that idea. (Source)
Leshko’s celebration of a particular moment in time is a good reminder to appreciate the way things are in our own neighborhoods – because they will certainly be changing, for better or worse.
UK based Lindsey Gooden is a freelance illustrator and also contributes to a collective at Panther Club. Her collage work combines the digital and the hand drawn, exploring themes like seduction, freedom, hallucination, and transfiguration. I’m really enjoying her use of free-spirited colors and trippy compositions.
A new campaign in Brazil called, “virtual racism, real consequences” is plastering Facebook comments that are racially derogatory on billboards in the backyards of their authors. The point of the project is not necessarily to call out anyone or expose anyone, instead, the idea is to create a greater understanding of how these comments actually affect reality. It is far too easy to hide behind the screen. By taking these words out of virtual reality and placing them within a physical reality, perhaps those who write comments such as these will be forced to come to terms with the fact that even their internet selves are an aspect of their real selves, and, that words on social media have an equal effect (if not a heavier one as they reach a wider audience) as words in person. One example of the billboards is a post the states “cheguei em casa fendendo a preto,” which translates to “I got home stinking of black people” (“Preto” is an offensive way to refer to black people, as opposed to “negro,” which is unprejudiced). The idea for the project was conceived after Maria Júlia Continho, the first black weather forecaster on Brazilian prime-time television, was the victim of hateful comments referring to her race, after she corrected another newscaster. The project, headed by the Criola group, a nonprofit that works to defend the rights of black women, uses location tags from Facebook photos to determine what neighborhood the person who wrote the post lives in. The group then buys billboard space in their area, and plasters the post, blurring the name and profile photo. (via Yahoo Finance)
The 9 Worthies is a series of sculptures produced by art project Salão Coboi. Each sculpture highlights pieces from the autumn/winter 2012 fashion collections…as worn by polymer resin monsters. The creatures model clothing from brands and designers such as Maison Martin Margiela, Jil Sander, Raf Simons, ACNE and Paul Smith. Sculpted, hand painted and signed by Salão Coboi, each piece is part of an edition of twenty.
Salão Coboi (Portuguese for Cowboy Salon) is the personal project of artist Apolinário Pereira. Originally, the project began as a “collective that was born in 2009 two days after Michael Jackson’s death in the European Wild West (Portugal)”. Pereira now operates Salão Coboi as a solo project.