French photographer Benjamin Bechet’s series “Je suis Winnie l’Ourson” explores the marginal side of life where illegal workers, the homeless, the poor, and the transient are replaced by pop culture icons such as Batman and Disney characters. (via gaks)
The work of Italian artist Franco Clun may lead you to believe he’s a photographer. Clun’s artwork, though, are created simply by putting pencil to paper. Clun carefully crafts each drawing to an unbelievable realism. Each drawing he completes seems to expand on the skill of the previous one. He says, “For each new drawing I dedicate more time and attention and I try to push forward my technical limitations. I learn something new every time I take a pencil in my hand.” [via]
Ángela Lergo is a Sevilla based artist specializing in sculpture and set design. Much of her work is centered around the human body and its evocation and relationship to its environments. Her background in set design has allowed her to play with the way space, lighting, and sculpture arrangements contribute to a particular atmosphere. Though the works are sculpted and stationary, they evoke a hint of performance in their presentation. Using human figures as a mode of expression, Lergo creates dream-like landscapes and resonances that are both poetic and emotional. Lergo uses a variety of materials for her installations, including ground stone, polyester resin, epoxy resin, wax, LED lights, video, sandstone, aluminum, feathers, industrial containers, and black oil.
There is always something wrong about Yvonne Todd‘s photographs. By utilizing the effects and techniques of commercial photography studios, Todd creates quietly strange images reminiscent of 90s glamour shots, or of head shots that always turn out looking amateur. Full of ill-fitting clothes, cringe-worthy props and awkward poses, Todd pushes the ideas of what is conventional beauty, and how quickly these norms change.
Her palette in itself is very rarely considered beautiful – saturated with sickly pinks, boring beige, flat creams, dull greys and flooded with unflattering light it is hard to find these images attractive.
The subjects appear confident at first glance, but there is an underlying sense of sadness, longing and an unease about themselves.
These people are reminiscent of trophy wives; of people obsessed with vanity and image; of compulsive individuals determined to be the best version of themselves. Men sitting uncomfortably, surrounded by objects they are unsure of; women staring into the mirror, practicing how to be seductive; girls striving to act above their age; amateur dancers trying to appear more skilled than they are. These poses are so often seen in modern advertising, and popular media. Todd says:
“My interest is a bit broader than beauty and artifice; I’m really interested in manipulating the conventional and familiar. I feel compelled to create “revised” photographic conventions drawn from advertising imagery, stock photography, catalogs, brochures, corporate portraits, mass-market fiction, religious cults, soap operas, show business, and the glimpses and fragments that resonate in my memory and imagination.”
These photographs may seem outdated and surreal, but could as easily be a reflection of all that is toxic in our modern day western capitalist society and our focus on image and representation of oneself.
Kevin Francis Gray’s neoclassicist-inspired sculptures are beautifully minimalist. Most of his work is created with leather, bronze, marble or fibreglass resin, depicting a stunning color palette of white, black, grey, brown, and gold. His subject is the human form and much of his work features shrouded figures. Gray attends to the detail and subtlety of the drapery that contain his figures, sometimes with a shocking element. His work exudes a familiarity and universality that is at once haunting and captivating. His work recently appeared in 2012’s Snow White and the Huntsman as a darker version of the mirror man. Gray was born in Northern Ireland and currently lives in London
Peter Scherrer is a Washington (state) based artist and makes amazing paintings about the woods he grew up around. His newer work feels like a combination of fauvism and DeKooning, but his older stuff is 100% woods and it makes the woods feel like a whole other kind of jungle. If you find yourself in Seattle in the next two days, check out his work at the Cornish College where he is hanging until the 13th. “You have to love the paintings of Peter Scherrer. They’re perfectly serious, thick and virtuosic and painterly and dark, and funny at the same time.” – Jen Graves of The Stranger ( via )