Copenhagen-based artist and illustrator HuskMitNavn (RememberMyName) applies his tasty character work indoors and out. Whether in a gallery or on the street, his goofy characters are usually spot on. Here’s a small selection of what the guy’s been up to during the past few years, but I highly recommend checking out his site which is packed with images from past projects. Would love to see a collaboration between HMN and Malark.
UK photographer Laura Dodsworth took 100 photos of women’s bare breasts for her project Bare Reality. Her goal is to present a non-Photoshopped spectrum of bodies of women aged from 19 to 101. It’s not just about appearances, though. Dodsworth also gathers personal stories about the participants and narratives about the way women feel about their breasts.
“More than simply part of our bodies, breasts represent sexuality, motherhood and femininity. When we talk about breasts we talk about intimate aspects of our lives as women, such as growing up, sexuality, motherhood, breastfeeding, relationships, body image, health, cancer and ageing.”
There has been a lot of attention paid to the portrayal of women’s bodies recently. Natural beauty and non-surgically altered physiques have started to appear more frequently in ad campaigns and fashion magazines. During European summers, it’s more common to see topless women of all sizes and shapes. In the US, the breasts we tend to see outside of our mirrors and homes are youthful or enhanced. It leads to a skewed view of reality; what to expect from one’s own body and what to expect in a partner.
These real women with real bodies are all different. Some are marked by age and time, others by disease. Small, large, upright, and sagging, each portrait has a story, including: “I’m one of the lucky ones,” “Breasts make you feel like a proper woman,” and “My milk went when Hitler marched in.” Dodsworth writes:
“I have always been fascinated by the dichotomy between women’s personal lives and how they are depicted in the media; between how we feel about breasts privately and how they are presented for public consumption. Bare Reality is, for me, the inevitable result of being a woman, a feminist and a photographer.”
Dodsworth’s is currently holding a kickstarter campaign to publish a book of this project.
Multidisciplinary artist Georgios Cherouvim’s installation titled Debate looks like your average conversation between two political candidates. But, there are some big differences: the figures’ heads are replaced with flashing geometric forms and they talk using unintelligible robot noises (think a series of beep boops). And of course, these aren’t people – they are realistic-looking plastic mannequins that are animated by an Arduino micro-controller with a custom “conversation” – stimulating program.
Cherouvim says that he entered the world of visual arts through computer animation, which explains the complex nature of Debate. The triangular and rectangular “heads” are controlled by an algorithm that changes lights and sounds based on parameters like how long one of them has been talking, if there was any silence, and the last time one was ignored by the other.
In his artist statement, Cherouvim writes:
My work is a visual representation based upon my perspective of social and political issues. I question established ideas of the modern lifestyle and how common social behaviors and ideologies have turned us against our environment and our selves. I want my work to invite the viewer to step back, observe our actions from a different perspective and associate them to the consequences.
“The act never reaches a conclusion and it is performed in a non-deterministic way,” Cherouvim told The Creators Project. “Their language is incomprehensible, causing the viewer to lose interest in the conversation and politics all together.” (Via The Creators Project)
Mike Perry is of the artist/illustrator/designer/art director/teacher/typographer/zine-maker breed who have put all their energy into making a living off of creativity. Taking inspiration from Steven Harrington (an LA contemporary), cartoons, and mid century ad copy, Perry’s work is all about enjoying life and encouraging others to live more creatively à la Sister Corita. He has a show up right now until November 20 in Brooklyn called Wandering Around Wondering. I use the term “show” loosely, Because keeping in the spirit of 100% outward-directed positivity, it’s equal parts original work, workshops, and open community events, all of which are free. His press release describes it pretty well:
“Wandering Around Wondering is a free three-month community exhibition and series of events that will coincide with the launch of my monograph, published by Rizzoli. The event space will host workshops, screenings, gatherings, open discussions, and much more — conducted by me and a select group of design and illustration professionals. The space will become a dynamic environment for continuous creation, where visitors will be able to explore freely and create their own unique experiences.”
Vasa Mihich lives and works in Los Angeles where he is the senior Professor of Design at the University of California. His geometrical pantings and sculptures explore the relationship between light and color. He is producing an ongoing series of radiant cast acrylic sculptures. The sleek prismatic forms reference geometric shapes as well as minerals found in nature. The mass production of the industrial plastic used to create each piece is referenced in part by the distribution of the series as they are all available as multiples.
“Bela” is a short documentary which follows the day in the life of a street performer named Bela Erdei or “the cat man”. Bela, a recognizable face to some, travels hours by train throughout the south of France to perform with his affectionate house cats. An affable and eccentric character who has a real passion for what he does. Watch the full documentary after the jump.
Well bless Saturn’s moon, if ain’t Mr. Roy G. Biv stoppin by to bend his multi-colored grin right on over the offices of Beautiful/Decay! And not one, but two heavenly bows of Indra gracing our window! We happened to notice this full bow, DOUBLE rainbow straight from our office window this eve, I swear! Ah, and then, it was gone….as Virginia Woolf once said, it was all just as ephemeral as a rainbow.
Tyler Orehek’s photographic interest lies in vintage-style photography, which he creates with his young son, also Tyler, as the subject of his portraits. Each scene is meticulously planned as Orehek selects the environment and props beside which he casts his son. It’s really enjoyable to see his son inhabit each character, and he does it well. Tyler looks like a shrunken man from the 1900s on, as a bookie, a boxer, a police officer, and more. It’s obvious that Orehek has done his research.
Orehek speaks about his love of vintage photography, and his reasoning for his approach in his artist statement:
My intent was not and is not to replicate existing vintage photographs but to capture the mood, feel and the visceral emotion of that period. Having a child in lieu of an adult in my work allows the viewer to focus on the “essence” of those past environments and professions with greater clarity through juxtaposition.
He’s right on that by including Tyler instead of a full-grown man, the scene seems fresher. The images are drenched in nostalgia, but they seem living because of the naïve air of his son, who is really making the part his own, while trying to emulate the moods his father strives for.