Alice Anderson’s giant installations created out thousands of feet of red colored doll hair are a thing of wonder. Selected for its relationship to her own bright red hair, Anderson selected the material to refer to her childhood where she invented rituals based around her hair to calm her anxieties when left home alone. Draped over buildings, walls, and every imaginable surface, Anderson’s work is just as much about reinterpreting an everyday material as it is about coming to terms with the ghosts of her youth. (via)
The installations, sculptures and street art, of Jakub Geltner is subtle, disconcerting, and very in-sync with the Zeitgeist and hot topic of the moment. The Prague-based artist installs groups, or rather – herds – of security cameras, satellite dishes, and surveillance equipment in different outdoor settings. Drawing attention to the presence of being watched and filmed in some way or another, the groups of equipment is very creepy.
Geltner places the gear in absurd places – screens are tilted to look directly at a brick wall, or to spy on a moss covered rock at the beach. Satellite dishes are clumped together on the side of a church – obviously not much use for anything and cleverly parodies the aesthetic of so many apartment blocks littered with the dishes in our modern day, technology-obsessed cities. The artist explains a bit more about his work:
My project is simply called “Nests” and mimics the random human activity in the urban landscape. I was inspired by the characteristics of several cities on my travels around the world where I often found different unplanned, almost organically placed, elements that interfere with the typical facades of the buildings in specific cities.
Through this project I wanted to point out the extent of these “infections” to show how disruptively absurd as well as interesting the urban space can become. I have been working on these nests since 2011, when I set up the first “Nest 01″ in the city center of Prague. I installed it directly on the waterfront of the Vltava river while I was still studying at the Academy of Fine Arts in Prague. (Source)
So maybe next time you are walking on the street around your city, remember to look up and check out just what, where and how many technological ‘infections’ there are around you…..they may just spread their disease to you…. (Via Bored Panda)
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In today’s environment, it’s often hard to get noticed if you only do one thing. Even if you do it very well. It seems, sometimes, you just gotta do it all. NYC resident James Moore seems to have his fingers in almost every mode of expression imaginable. And he’s not afraid to get them dirty. Really nice to see a guy who’s bringing as much raditude to his graphic art as he is to mind-blowing sculpture and installation work. Moore is fresh off a great group show at Kunsthalle Galapagos in Brooklyn, and my eyes can’t get enough of his new work.
Oliver Payne‘s collages present many juxtapositions: East and West, new and old, digital and analog. In an interesting way, though, the images of Japanese Bullet Hell Games and photographs of classical European sculpture compliment one another. A tradition of fantastic stories and violence are present in each. Further, the gallery statement mentions that the “Greek statues serve as a background and a reminder of the fantasy worlds produced in Japanese arcade games, which often picture rural Europe.” While exhibited, the collages are joined by the raucous soundtrack of the noises of a traditional arcade flowing through the gallery.
Los Angeles based photographer Jordana Sheara makes lovely work, both personal and commissioned. With an inclination towards fashion photography, Sheara creates two distinct worlds in each of her photographs; the illuminated and the shadowed, lending instant drama to her photos. Her subjects always have a beauty about them, even right after waking up, when all you really care about is that first cigarette of the day.
Tom Bendtsen’s first book sculptures appeared in 1997. After initially creating basic structures, his work evolved with the idea of using the books’ colors to create a pixelated image effect. Bendtsen even fills the gaps in his structures with objects or scenes that ask the viewer to consider ideas of history, narrative, and creativity. The laterality of the structures and how this mirrors our absorption of contrasts and oppositions inherent in written narrative are also at play. His largest structure is composed of 16,000 books. String is used to create the forms of the sculptures, and then those forms are filled with books.