“Shadow” is a technological and artistic collaboration between design collective Rhizomatiks and dance troupe elevenplay. Featuring a dancer alongside three drones, “Shadow” feels like a cyberpunk performance from the future. It’s a surreal technodream of algorithmic and human elegance.
The strobe lights make the performance almost feel like glitchy stop motion. It also plays with shadow and light, by turns making the dancer’s shadow look larger than life and then, in the next moment, like a doll spinning on top of a music box.
Both Rhizomatiks and elevenplay hail from Japan, where they are a part of a wave of multidisciplinary artists that seek to explore the intersections of man and machine. In an interview with D&AD, Rhizomatiks says,
“We all have passion for and expertise in technical matters, and wanted to use this to set our imagination free across the disciplinary boundaries of design, art and entertainment. We like to challenge existing formats, from interactive to spatial design.” (h/t Laughing Squid)
Michigan-based artist Pat Perry creates surreal drawings and paintings that play on the relationship between identity and memory. Often, they feature a single person who has imagery swirling around in their head or the rest of their body. Perry is an avid sketchbook keeper, and he draws these complex, alluring compositions on yellowed paper. It’s clear that he is a skilled draftsman and is able to balance of small details with blank space.
Landscapes are a prominent part of Perry’s work, and you can’t help but think that these subjects are recalling that specific place. But why? His work begs us to take the narrative further and imagine the stories behind these people. (Via Design Crush)
One may find the concepts explored in Ward Roberts’Billions series confronting, given that the images within this series represent a fast-forming reality, predicted to be the dystopian future not so long ago. But the present is never perceived as the future we envisaged in the past. We move along the arrrow of time as stationary observers, watching the world transform before our very eyes, yet rarely aware of our transition into ‘the future’.
Billions removes us from this stationary reality for a brief moment, lifting us to the surface for air. From this detached place, these images allow us to see our world, yet we feel neither comfortable nor uncomfortable about it. We find the challenges of cognitive mapping, the loss of individualism, that theorists like Fredric Jameson were concerned with. But we seem not to feel alarm. Perhaps we have evolved along with our ideas, with our effects on the world and its dynamic entropy. Our minds have unconsciously integrated what was, through past eyes, a forecast of chaos. In our times, the concept of a billion no longer overwhelms us. As these photographs show us, we can stay solid and identify connectedness between floating transparencies. We now recognize a new kind of whole. It is a work that allows you to recognize your world and your place within it that is truly effective.
Originally from Armenia, artist Ana Bagayan studied illustration at California’s Art Center College of Design. Her many paintings and drawings are populated with doll-like youths and human-alien hybrids, showcasing the artist’s special interest in the metaphysical. In particular, many of her hybrid creatures were inspired by the stories told by avowed alien abductees while under hypnosis. Bagayan’s drawings and paintings have been displayed in galleries across the US, including most recently at Thinkspace Gallery in Culver City, California. Take a look at more metaphysical marvels after the jump.
LA-based photographer Jeff Burton shoots mostly gay porn. Okay, that’s a bit of a misnomer. He shoots photographs on the sets of gay porn films, though the resulting work is far from pornography. Burton seems more concerned with displaying the nude human body in a traditionally artistic, non-erotic way, rather than using it to titillate. The intersection between art and porn is an interesting space.
One of the saddest things to see while walking around your neighborhood is a missing pet poster. A new book Lost: Lost and Found Pet Posters from Around the World by Ian Phillips captures the desperation and panic in these hand drawn, hand written xeroxed pieces of paper. It captures the highly emotional experience when someone loses a pet and also tries to give a funny but poignant look into the whole culture of what people write and draw to catch the public’s attention in helping them find their beloved fur ball.
One readily apparent trait is that most of the signs are created by someone who is not in a logical state of mind. This is not said in jest but observation because who in their right mind would draw a picture of their pet and expect someone to recognize the animal if spotted in person? Most end up looking like cartoon line drawings and it just adds to the poignancy of the whole situation. The other thing made clear is the cathartic power of drawing and writing. Even though the drawings may not look like the actual missing animal it gives the owner a chance to let out some of their emotional stress through drawing and writing. It’s no secret that creative expression has wonderful cathartic powers and in some ways might help the panic stricken person cope a little more with the situation at hand. On a positive note the book also takes a look at found animal posters which is just as funny and poignant.
Studies have shown that only 23 percent of lost dogs are reunited with their owners and 2 percent of lost cats. A microchip which can be inserted into the animal at a very low cost is a wonderful and harmless way to secure that if your pet is ever lost or stolen you have a good chance of finding them. It’s been shown that animals with microchips have a 38 percent chance of returning home to their owners if lost or stolen. (via hyperallergic)