Sam Burford lives and works in London. Inspired by such films as Star Wars and Blade Runner he creates photographic work in multiple media that encapsulate entire films within them. Take for example his sculpture made out of jesmonite that consists of a time-lapse photograph of Star Wars IV transformed into a surface relief. The film is condensed into an abstract pattern and presented as a three dimensional sculpture. In another piece a time-lapse photographic detail from Blade Runner is highlighted on hand printed film and allowed to curl for a dimensional effect. With his work he serves to reveal the optical patterns inherent in the moving image that can be captured with modern technology.
The painter Tristan Pigott heightens the drama of everyday awkward interactions by imagining the mundane in dreamlike ways; altering proportion and shape to express his subjects’ self-conscious anxiety, he constructs an uncomfortable world dominated by the uncertainty of twenty-something men and women. As they form their adult identities, Pigott’s subjects fret over their appearance and public behavior.
Alcohol, hip clothing, makeup, and grooming products cease to be superficial or incidental and are transformed into poignant markers of inner dialogues. Two female subjects abandon words, opting instead to communicate through their own physical presentation; one applies mascara in her skivvies, while the other furrows her brow at a magazine advertisement. An attractive persona is of the utmost importance; a seductive lip tattoo becomes the subject of another painting, and similarly, a lady is shown carefully eating a hamburger that perfectly coordinates to her outfit, sure not to spill on her blouse.
Further heightening the psychological importance of public surroundings and everyday objects, the artist plays with perception, placing an out-of-context wine glass here, a gravity-defying newspaper there. Similarly, a see-through table alters the hue of the legs below as harsh brushstrokes break the illusion of realism, and a man peers at his watch, his anxiety seemingly circumventing the laws of physics and allowing his body to float above ground.
In this world where identities are malleable and uncertain, the male gaze is uncomfortably prominent. Where a man is shown to watch himself in the mirror, the women are seen with a subtle degree of voyeurism. In mixed company, women peer thoughtfully, even fretfully, at the viewer, where men seem to please only themselves, remaining blissfully unaware of onlookers. When the male subject is nude, his back and face are turned away, but breasts and glances of the unclothed female are directed outwards. Dominated by familiar social anxieties and uncomfortable sexual politics, Pigott’s imaginative public space is perhaps not as surreal as it might seem. (via iGNANT)
Welcome to the hyper colored world of Australian artist and designer Nick Thomm where neon covers everything, digital altered photos are the norm, and everything is just a bit surreal. From neon text pieces to altered scanned images nothing is safe from Thomm’s neo-psychedelic touch!
Not exactly “art” persay, but I wanted to share this article Huffington Post recently put together of the “geekiest tattoos of all time” featuring inks of hourglasses to Bill Gates. While I admit to being a lover and not a fighter of technology, some of these tats might be crossing my limit. Some of them are actually kind of clever though. What do you guys think? Ps, does anyone know of a good antonym for “Luddite”?
Designed by talented UK artist Christopher gray the Casual Apple print is one of the most minimal and clever prints that we’ve offered to date. Featuring everyone’s favorite cool guy taking a smoke break and kicking back, this print is sure to brighten up any room in your home or office office and set the mood for some serious relaxation. Get the Casual Apple print along with the hundreds of other prints we have for sale on the B/D Shop.
Miami based artist Asif Farooq builds highly detailed replicas of guns using only found cardboard, an X-Acto Knife, and glue. The weapons are build to mimic their real life counterparts in both detail and size. Farooq constructed 300 of these cardboard replicas in order to create an entire “gun shop”. The atmosphere of danger that surrounds the weapons is contrasted by the nature of his medium. His sculpture not only encourage viewers to confront a fear of the weapons but to also contemplate that fear. Farooq’s work is especially relevant in the midst of recent gun-control debates.
Portland painter Alexandra Becker-Black is talented beyond her years. Her paintings, soft-spoken and carrying the nearly absent weight of a shadow, illuminate the body in its pure and natural state. Becker-Black has a sophisticated approach in utilizing negative space to its full potential, creating an atmosphere that the body seems to emerge out of, in an ethereal, ghostly way; as if called forth. Perhaps due to her strong yoga practice, Becker-Black incorporates many yoga poses into her work, featuring women twisting their bodies elegantly in pose. A revolving theme of flight and birds is woven into most of her imagery; birds soaring overhead or perched on top of the figures. An allusion to freedom and flight; or pushing ones self to points of self actualization. Taken from Becker-Black’s website, this analysis by Shu-Ju Wang is an excellent summary of her work:
“Once recorded, she works with the still images but continues to purge from the already naked form, choosing only what she needs and adding only what is absolutely necessary. You see muscles tense and strain against gravity; you see figures in serene repose; you see energy suddenly released when a small flock of birds fly out of a woman’s opened hands. All of this is conjured up in front of your eyes even as a torso fades to gray or a leg disappears, creating work that is ethereal and luminously beautiful, haunting, evocative and complex.”
The way the tones and color melts away brings peace to the otherwise strained poses and moods that the figures themselves are experiencing. The implied motion is a driving force for the notion of change and evolution. Always moving forward, the beauty on the canvas in direct correlation to the act of living, breathing, being.
(Excerpt from Source)
If you think your dog sweaters or home cooked dog food doesn’t quite express the extravagant love you have for your dog, you might want to take a note from Kenya Hara designing and building a house specific to their size and aesthetics. Hara is a japanese art director, designer, and architect who commissioned eleven architects from around the world to design tiny structures based on the personalities of individual dogs. I love these. Partially because it’s reminiscent of the fact that humans effectively designed all these dog breeds themselves, but mostly because it is always fun to see dogs’ complete disinterest to things people have spent huge amounts of time designing for them, like presenting newborn babies with the socks you crocheted for their feet–just having no idea what caring even is, much less to care about whatever this thing on or around you. Yet the elegant maze does seem Papillon-esque and the geometric dome like a neurotic pug. Tons more day-makers after the jump. (via)