Anders Oinonen, of Ontario, Canada, just opened “People people”, a solo show at Cooper Cole in Toronto. For a while now, Oinonen has been pushing the features of the face to new bounds in his paintings. The artist has removed familiar eyes, noses, and mouths from their intended plane, and inserted them along the lines of an Expressionist landscape. Such a presentation of the face -associated with communication of our inner life more than any other part of the body- in tumultuous states of despair and incredulity as stimulating blocks of color masterfully applied to canvas arranges a statement which is hard to miss and extensive in depth.
Jeremy Little is a graphic designer based out of Los Angeles, His poster designs dwell in the realm of the mystic. Themes such as totality and modernity are examined and radiated through his cosmic visual style.
During the summer of this year a small group of people struggled to preserve a public park. Quickly the scope widened, crowds grew, and the underlying anger became about something much larger than a park. The demonstrations were considered to be widely peaceful. At times, however, emotions and force erupted with violence. Photographer Barbaros Kayan was on the ground to capture the unfolding protests. There is a subtle difference about his series Occupy Taksim that distinguishes it from much of photojournalism covering the events, a certain frank grittiness. Its almost clear from the images, the photographer is familiar with the city, intimate with the battleground.
Franz Thues and Dirk König AKA Anarchy Alchemy are two art directors based in Düsseldorf, Germany. They make pictures harnessing the magic of generative design. All of their illustrations are generated by programs they write for each specific illustration series, allowing them to create a potentially endless stream of pictures on the press of a button.
Martin Klimas is no stranger to meticulously timed photography. From his speaker-induced dancing paint splatters to his shattered blooms and vases, Klimas’ work captures moments in time that record a disruption of order. Klimas’ porcelain action figures are dropped from a height of about 10 feet, and it’s the sound of the figurines crashing that triggers the high-speed camera’s shutter release. This methodology results in images that represent a temporary, dynamic moment in time that becomes a permanent, static image through the art of photography. Klimas’ figurines appear to be engaged in aggresive battle, each shattering figure creating a narrative made possible from a singular image. Mid-destruction, these figurines convey a strong power and energy that couldn’t be perceived pre- or post-destruction. (via juxtapoz)
Erik Parker was preparing for two solo shows, one in LA, and one in Fort Worth, when I visited his studio in Brooklyn. Parker is known for making large scale paintings that are as comfortable with their roots as they are disorienting with their forms and spaces. First you get a hug, and then a slap. He said he wanted his paintings to still look good 40 years from now. By reorienting Modernist and Pop sensibilities, and then almost using contrapposto to create a balanced but expressive distortion, Parker was remixing some old school classics — like flower still-lives– into something fresh. His LA show is at Honor Fraser and opens on October 30th, and the Fort Worth show is at the Fort Worth Modern and opens on December 5th, and is curated by Andrea Karnes.