Generally speaking, mushrooms are fascinating organisms. As part of the fungi family, they are neither plant nor animal and have an incredible capacity for growth. As evidenced in these stop motion gifs, we witness the mushroom cap or fruit, sprouting out of the ground in various shapes and sizes. The fruit is made up of 92% water allowing for its rapid maturity and part of the fungi you would normally throw onto pizza and salad. It’s this top section, which makes for an interesting visual specimen, as seen here in phallic, veiled and bumpy shapes, credited to nature’s grand design. The part you don’t see, called the root or mycelium, can remain dormant and underground for years. These are the real heroes, acting as nature’s garbage disposals, devouring all that is dead and decaying. Some fungi lore to speak of, includes the toadstool known for its red color, and white dotted spores. Those who grew up playing Nintendo, will remember these colorful blobs as part of the landscape in Super Mario Bros. and incarnate to “Toad” a figure in the game. Psilocybin or “magic mushrooms” are the rebels. In existence since prehistoric times, the fungi first appeared during the mesolithic period as evidenced on rock paintings taken from archaeological finds. Known for its pleasant, hallucinatory effects, studies have shown psilocybin can not only give you a nice high but help with OCD and clinical depression. (via boredpanda)
Chris Little is a photographer and a film maker. His images are grainy and have a washed out tone, but this makes them rather enticing. His subject matter varies, everything from portraits, to ladies drenching themselves in milk, to drag racing motor sports. I dig it.
We all need a bit of inspiration every once in a while. Whether you’re having a bad day in the studio or looking to add some art into your life the Beautiful/Decay Book series is the ultimate collection of art & design curated by us for you to enjoy. So get creative, get inspired, and join us in our mission to document, promote, and share the best creative minds from around the world. In other words join the cult of decay and subscribe now!
Using an iPhone and Instagram, Kalen Hollomon has taken collaging to a new level. Although Hollomon sometimes works in a traditional way, cutting apart images and reassembling them into hybrids, his New York City collages are often made on the fly as he inserts a cutout image into a photo as he takes it. The resulting images are a sly wink to the viewer as pants are replaced with porno magazines nudes and subway riders are given unexpected seatmates. The fact that Hollomon leaves his fingers in the shots is another play on altered reality. How does he compose these impromptu collages in real time?
“I will find an image in a magazine or a book that speaks to me and I’ll cut it out and have it with me. And I’ll usually have between one and five in a folder in my pocket. And when I’m out in the city I wait until I come across a situation that works with one. And I’ll get super excited and pull it out. It’s just waiting for the two worlds to come together.” (Source)
In the most meta of these collages, Hollomon stands holding his phone in an empty bathroom, reflected in the mirror over the sink, holding a picture of a naked, smiling man apparently leaning over the countertop. In the reflection you can see Hollomon holding the cutout and in the photo, you can see Hollomon’s fingers. It plays with the idea of real and unreal, lifting the curtain while obscuring the illusion.
“You can create a powerful image that at first looks nice and maybe is a bit funny but if you look a bit deeper, it also might have something more to say than that. … I am always concerned with what lies beneath the surface. I hope to create conversation that is rooted in questions related to learned social rules, identity, the subtext of everyday situations and perception.”
(via It’s Nice That)
Beautiful/Decay is pleased to release Book 9: The Seven Deadly Sins!
Lust, Gluttony, Greed, Sloth, Wrath, Pride, and Envy have been explored—and challenged—for centuries by artists, scholars, and writers. In this issue of Beautiful/Decay, you’ll find artists who explore these themes through a contemporary lens, either by explicitly calling out those deemed guilty of committing one of the Seven Deadly Sins, or by turning the sweeping notion of sin right on its head.
James Gobel tackles Pride through felt portraits of colorfully clad, sexually charged, plus-size bears, and continuing the exploration of Lust, we have the raw and lascivious Polaroids of Jeremy Kost. View Tom Littleson’s bloody portraiture drawings and their relationship with Wrath. See how cover artists Tim Noble & Sue Webster’s adept use of personified garbage channels Gluttony. Libby Black’s paint-and-paper sculptures replicate Envy-inducing luxury brand goods, while paintings and drawings from Brendan Danielsson address the social and physical epidemic of Sloth. Finally, Greed lies at the center of Ghost of a Dream’s hypnotic sculptural art and immersive installations. We’ve also invited international artists, illustrators, and designers to create original pieces for our Project Pages based on all seven sins.
Other featured artists: Carolyn Janssen, Okay Mountain, Colette Robbins, Cleon Peterson, Micah Ganske, Zoe Charlton, Penelope Gottlieb, Paul Mullins, Keith Puccinelli, Travis Somerville, Kara Maria, Aideen Barry, Travis Collinson, Geoffrey Chasedy, John Knuth.
Each copy of Beautiful/Decay: The Seven Deadly Sins comes blind packed with either a zine by Terence Hannum or Heather Benjamin or a limited edition silk screen print by Paul Nudd!
French artist Antoine Corbineau does a little of everything–painting, graphic design, video. Regardless of the media, his pieces “feel like carnivals or boardwalks, bursting with energy and life.” Corbineau’s organized chaos is achieved through bold injections of text and a bright but controlled color pallet.
Ludovic Florent‘s new photoseries Poussières d’étoiles (which translating as Stardust) features the natural beauty of the human body in motion, capturing dancer’s poses in moments of ecstasy, distress and grace. Each photograph is highlighted by the staging, a chalk and sand floor which enhances each movement, with dust clouds mirroring the appendage’s motions to create a dramatic physical presence of their own. Florent says, “In our changing society, my photographic work is guided by a humanistic look, willingness to foreground the natural beauty of the body, free to express his grace and personality.”
The Metz, France-based Florent created Poussières d’étoiles for Gallery HEGOA, and in anticipation for the European Festival of Nude Photography in Arles, France in May, 2014. The photographer further explains his work, “‘Behind every carnal envelope hides a soul that is both sensitive and flamboyant as I try to capture in each of my photographs.’ We certainly enjoy his work guided by a humanistic look, finding expression in a series that is both, sensitive and vivid.” (via ignant)