Earlier last week, 1.5 million people filled the streets of Berlin, Germany to watch a several-day performance by France’s Royal de Luxe street theatre company titled “The Berlin Reunion”. Part of the celebrations of the 20th anniversary of the fall of the Berlin Wall, the Reunion show featured two massive marionettes, the Big Giant, a deep-sea diver, and his niece, the Little Giantess. The storyline of the performance has the two separated by a wall, thrown up by “land and sea monsters”. The Big Giant has just returned from a long and difficult – but successful – expedition to destroy the wall, and now the two are walking the streets of Berlin, seeking each other after many years apart. Go take a look at the pictures on boston.com in all their large-sized glory. There were so many amazing ones I didn’t know which ones to post!
Beautiful/Decay is excited to bring you our exclusive artist feature in partnership with Made With Color, the premiere platform for artist websites. Each week we join forces to bring you some of the most exciting creatives working today who use Made With Color to create their clean and sleek sites. All Made With Color sites not only work beautifully on your computer but also come optimized for mobile and tablet users making sure that your portfolio looks professional no matter how you view it. For this weeks artist spotlight we bring you the lush paintings of Virginia Broersma.
The work of Los Angeles artist Virginia Broersma explores the concept of allure within the human form. Built of brash and intuitive marks that congeal into something very precise, her paintings have an intensity that is formed not only from the image, but from the intuitive action of painting itself. Though it deviates from the human form, Broersma’s imagery is complicated by associations one may have with the body such as attraction, repulsion, embarrassment or pride. Her work explores how even a distant representation of a person can be conflated with measurements of perfection, beauty and the ideal.
About her process and influences she states:
“I begin with something vague that I am interested in portraying – a gesture of the head, an interesting form, a location or a mood – and as I work it develops on the canvas. I am drawn to other painters working within abstract figuration that similarly use the paint to really create, push, manipulate, and determine the form, such as Frank Auerbach, Willem deKooning, Chaim Soutine, to name a few of my favorites. “
I’m always pleasantly surprised by the great work that artists post to our Flickr Creative Pic Pool. This time around I present the work of Brendan Lee Satish Tang . The images in this post come from Brendan’s Manga Ormolu series which “enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art.” You can read more about Brendan’s work on his site and see a few previous bodies of work.
If you would like to possibly featured on the B/D blog make sure to join our flickr pool. You never know who we’ll pick next!
All of Alex Kisilevich’s photos are mysterious, quirky, surreal, and dark which meets all of my requirements for a great image. Alex has so much good work on his site that it’s hard to choose what to post. I went ahead and went with his most recent body of work titled Kalima but i couldn’t resist tossing in a few of my faves from other series towards the end of the post.
The lush, vibrant colored pencil drawings of Joe Sinness portray screen and stage stars, queer icons, and online erotica submitters, combining them with antique or thrift store items, flowers and jewels to create carefully constructed tableaus. The technical ability of the Minneapolis-based artist is what one immediately notices, and it is only after that the viewer must attempt to make sense of the laboriously drawn scene before them.
Sinness creates each still-life by hand before photographing and then meticulously executing them with Prismacolor pencils. “I want each still life to have a visual richness or lushness to highlight and celebrate the figures or kitsch objects presented (and I use the term ‘kitsch’ with the utmost seriousness)”.In works like the Shining Indiscretions triptych (seen above), Sinness created a loose mythology which the work is based on, but does not depend upon. Titled from a Tennesse Williams quote (“All good art is an indiscretion.”), Sinness built hundreds of scenes imagining what a queer,flamboyant spirit such as Williams might physically look like, eventually settling on a triptych of shapes formed from gold lamé. The triumph of this triptych is that the viewer most certainly does not need to know this backstory to enjoy the work, because the images are so visually striking and meditative that they speak for themselves. However, they also have a strong conceptual intention and purpose which informs the work for those who wish to dig deeper.
Sinness continues, “I am interested in how objects and people seeking fame become consumable products, a paradox that sees their artistic endeavors pursuing immortality become disposable and commodified. My imagery and subjects are first looted and then loved… In mining these subjects and devotedly recasting them together in shrine-like still lifes, they are given new life in narratives which mirror their subject’s original aspiration and desire for fame and immortality.”
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To celebrate the holiday season and get ready for 2013 we are having a massive 50% off sale on all books, magazines, shirts, and accessories on the B/D shop from now until January 2nd 2013. Just use DISCOUNT CODE: CREATIVE50during check out and give the gift of creativity and artistic expression this holiday season!
Kunihiko Nohara creates lofty sculptures whose subjects hover between the earth and sky. Using a single piece of wood for each of his pieces, Nohara replaces clothing with clouds making his figures seem ready to take flight in a hot air balloon.
Nohara’s works have earned him the name “The Cloud Man” in Taiwan. But while this name visibly connects him with his works, the clouds also mean something else to Nohara. In interviews he says that clouds are emblematic of his practice in that he often feels “blurry” within his own thoughts. Dealing with this space of fuzziness between thoughts and dream, he further says that his “creations are not necessarily based on fantasy, but neither are they overly grounded in reality – they’re just reflections of my experiences of the world.”
Despite the delicacy and softness of these sculptures, Nohara works entirely in wood and, more notably, only uses one piece for each work. His preference for wood emerged in school but he also believes the use of material aligns his work with Japan’s propensity towards wooden objects, like houses and furniture.
Nohara’s works were recently shown at “Laissez Faire,” a group show presented by Gallery UG at the Luxe Art Museum in Singapore. His sculptures were included with works from 17 other Japanese artists.