York Christoph Riccius’ work is proof that commercial photography doesn’t have to be dull and boring. York photographs for some of the worlds biggest brands and manages to push the boundaries of what corporate America will accept for their campaigns.
London based illustrator Sarah A. King mastered up these playful typography illustrations – on fruit!? It’s interesting how the type looks slightly burned on the fruit, even tattooed.
You’ll find an impressive collection of work on her site including a typography illustration of Darwin. Included are a lot of close-up images so you’re able to see the detail and work that’s been put forth.
Larissa Bates both celebrates the male gender identity within the history of art while struggling to disassemble heteronormative understandings. As a way to foreground these issues, Larissa has assembled a motley cast of idiosyncratic characters, all of her own invention. Like a method actor, Larissa has delved deep within the psychis of her creations, their implications and motivations. Set within the backdrop of expressive pastoral scenes, influenced by the work of Nicholas Poussin, hoards of fantasy creations lead their grandiose dramas. Larissa recounts the struggles of her imagined MotherMen, Lederhosen Boys, and Little Napoleons in an epic practice not unlike Henry Darger’s warring Vivian Girls. Her current body of work, “Just Hustle and Muscle” is on view at the Monya Rowe Gallery in New York, from now until October 18th.
Debra Broz, a ceramic artist in Los Angeles, has a dedication to manipulating the conventional ceramic animals used and loved for kitschy home decor. Through her art surgery, she forms nearly mythical renditions of hybrid-animals. Although they still look cute, there is something inherently off and relatively creepy about them. Starting by sourcing and finding old ceramic pieces she is attracted to, Broz then re-assembles and grafts parts and pieces of different ceramic sculptures together. Arms, legs, multiple heads- she tries it all. The doe-eyed Franken-furries still contain an element of innocent, their new freakishness framed with such subtlety that it is nearly camouflaged; for many viewers it takes a second glance to even notice that something is amiss within the structure and proportion.
Broz eloquently articulates her work in an interview, “The thing is, it all depends on perception. Though kitsch may act as if it is the antithesis of fine art, if you start trying to analyze it you run into many of the same complex issues you would if you were analyzing fine art. Personally, I enjoy the intellectual play that is part of analyzing objects. It seems funny to me that people desire to take content away from things rather than explore it. Part of what makes the world interesting is how complex it is, and I’d rather have the complexity, with all its difficulty, than a watered-down, idealized and simplified version. That is part of why I’m interested in kitsch. If you really start looking into it, it is just laden with references.” (Excerpt from Source)
Deenesh Ghyczy’s fragmented figurative paintings take the human figure and weave it in and out of itself as if dozens of film negatives were laid on top of one another to create a constant state of motion. This technique serves as a metaphor for multi-layered identity and a look at individuals as living structures with more than one center. (via)
The good folks at Burberry have gathered a great collection of musicians to create a brilliant campaign promoting their line of Aviator glasses. Comprised of British bands The Daydream Club, Life In Film, Marika Hackman, and One Night Only, each video is a classic stripped down, black and white music video that takes all the typical cliche gimmicks we’re used to seeing in music videos and focuses on what matters, the music. Each band has it’s own unique sound ranging from alt folk, garage rock, and classic rock but with a modern twist. Watch all the videos after the jump.
Really cool cityscape sculptures created from recycled computer parts by Italian artist Franco Recchia. The cold mechanics of the dead computer hardware bring a strange quality to the works. And the claustrophobic elements of urban life are nicely captured in how compact each piece is. The sculptures give off a haulted vibe- it’s as if someone pulled the plug out of life itself and all that’s left is a series of plastic, green shells. See more from the series after the jump. (via)