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Logan Fleming

Bruce Springsteen, 5'10"

Bruce Springsteen, 5'10"

I recently came upon this online listing for an auction of wax figures which took place at the Hollywood Wax Museum on May 15. Most of the sculptures were apparently made by a man named Logan Fleming (who there is very little information about online). Now I must admit I’ve never been to a wax museum, but I was stunned at how downright awful some of these are. Figures have poor wardrobe selection, weird unnatural skin tones, oddly disproportional body parts, and/or just don’t really look anything like who they’re supposed to. The result is often hilarious, and if it were Mr. Fleming’s intention to make these look so strange (which I’m fairly sure it wasn’t), I could easily see them being presented as works of art. Some of my favorites are after the jump, but please look at the link…there are many more than I could ever put on this blog.

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A Love Letter for You- Quasi-Documentary from Stephen Powers and Joey Garfield Re-Caps The Love Letter Project

On the heels of his current solo show at Joshua Liner Gallery, Steve “ESPO” Powers came through the Tribeca Grand Hotel with Joey Garfield for a screening of A Love Letter for You, their documentary/narrative film about the much-celebrated Love Letter mural project that went down in Philly about two years ago. The film brings ESPO and the Love Letter squad into a semi-fictional narrative surrounding a young writer’s quest to reach a special someone, and is a huge treat for any graffiti/mural/underdog fan. Put together with some archive ESPO footage, an original script co-written by Powers, and a killer shoegazey soundtrack, LL4U will hit you right in the heartstrings. No use even trying to fight it.

Until the film finds a much-deserved wider release, you can catch the trailer after the jump.

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Kirk Demarais

kirk demarais the shiningKirk Demarais has a series of family portraits that are charmingly creepy.  But these are not portraits of your next door neighbors.  He focuses on fictional families who starred in your favorite films. Kirk covers them all, from National Lampoon’s Vacation to There Will Be Blood.

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Porous Walker

Arguably the most low-brow of all popular artists of the mid 2000’s, Porous Walker is sorely missed. Now existing as a torrent of blog posts and a flickr, Porous’ rapid-fire drawings and punchlines remain as appropriately inappropriate as ever. His untimely ‘demise’ in 2007 can only remind us that… well, maybe we shouldn’t take art so seriously.

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Resatio Adi Putra’s Dreamy Collages

Dreamy, nostalgic collages by Indonesian illustrator Resatio Adi Putra.

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Behind-the-Scenes with “Art Works Every Time” Artist: Jesse Wiedel

JesseWiedel

Above: Jesse Wiedel in his Studio; Below: Jesse Wiedel "Frozen F", 2010

Today’s featured “Art Works Every Time” artist is Jesse Wiedel. Wiedel describes his unique blend of metaphysical trailer-park angst as “trashy yet mystical;” Wiedel finds the complexity in actions taken out of context and placed within a cheap motel, the dialectical meaning in the iconography of the van, the spiritual gesture of a face-shoving match, the hostility in a complacent family vacation portrait. His works are uncannily American, displaying a David Lynch-like curiosity in society’s two-faced duplicity, its simultaneous suburban superficiality and seedy underbelly. At once dark and humorous, Wiedel’s works startle and shock through their sheer familiarity.

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Gunsho Chomp Print now in three new color ways!

Check out our new Chomp print illustrated by the amazingly gruesome metal drawing god Gunsho. Now available in three new colorways. Get all three and cover all your boring drab walls on the B/D Shop!

 

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Matt Siber’s Untitled Project

Matt Siber’s Untitled Project is rooted in an underlying interest in the nature of power. With the removal of all traces of text from the photographs, the project explores the manifestation of power between large groups of people in the form of public and semi-public language. The absence of the printed word not only draws attention to the role text plays in the modern landscape but also simultaneously emphasizes alternative forms of communication such as symbols, colors, architecture and corporate branding. In doing this, it serves to point out the growing number of ways in which public voices communicate without using traditional forms of written language.

The reintroduction of the text takes written language out of the context of its intended viewing environment. The composition of the layouts remain true to the composition of their corresponding photographs in order to draw attention to relative size, location and orientation. The isolation of the text from its original graphic design and accompanying logos, photographs and icons helps to further explore the nature of communication in the urban landscape as a combination of visual and literal signifiers.

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