It’s about that time again and Beautiful/Decay is looking to Hire a new crop of creatives for Beautiful/Decay’s LA office.
Do you stay awake at night dreaming of the day when you can interact with artists and designers from around the world? Do you get a warm & fuzzy feeling every time you walk by a bookstore or magazine stand? Have you always wanted to work side by side with the an elite group of creative minds who only use the finest office supplies such as golden staples? Do you enjoy nothing more than resizing and cropping a pile of photographs as tall as a 3 story building? If you answered yes to any of these (or none of these questions) then this just may be the internship for you!
Now that you feel excited about our internship opening read the fine detail after the jump!
Franco Brambilla seems to have taken our most odd dreams and brought them to some kind of reality. Is it a painting? A photograph? Something else entirely, or all of the above? I love the feeling of as if I were watching To Catch a Thief or The Sound of Music on the newly-dubbed “Sy-Fy” channel.
Based in New York, figurative artist Dillon Utter has a penchant for portraits. With a strong focus on urban decay and everyday encounters with others, Utter presents intimate portrayals of people we would otherwise look right past, such as tenants, workers, drifters, and the elderly.
Particularly influenced by his small hometown in upstate New York, Dillon uses real-life experiences as inspiration for his genuine—and often gritty—portrayals:
Binghamton’s rich history and urban decay create an ideal backdrop for my portraits. The city once flourished with industrialization and major manufacturers. Many of these industries are now in ruins and have left economic hardships for the area. I use my street photography as reference for my paintings. This allows me to capture people at a more intimate level, revealing more about them and myself.
While some of his portraits possess titles that reference the scene itself, such as The Corner, Dog Days, or Cold Afternoon on Court Street, others—like Lonely Child and Wounded—poignantly describe the individuals portrayed and focus entirely on their plight.
Unidealized and true-to-life, Dillon Utter’s portraits are unquestionably compelling and exceptionally intimate.
David Altmejd’s sculptural works anatomically analyze and digitally disect organic forms to create hauntingly recontextualized works that evoke human form in strange new ways. In their altered states, they are at once strangely familiar and aversive. Like mythological humanimal creations such as the werewolf or Frankenstein, Altmejd’s creatures wondrously hobble to life with a magic all their own. Altmejd is represented in New York City by Andrea Rosen Gallery, Xavier Hufkens, Brussels and Stuart Shave/Modern Art, London.
British artist Matt Williams A.K.A Uberkraaft should be renamed Uberkool! He’s got a beautiful portfolio full of ultra detailed black and white illustrations as well as perfectly colored pieces that are bold but not too pushy. More visual eye candy after the jump!
Made With Color, a website builder for artists and creatives, and Beautiful/Decay team up each week to bring you some of the best contemporary artists and designers from around the world. Website builder Made With Color helps artists easily create well-designed mobile/tablet responsive websites in a few minutes without having to touch a line of code.This week we are pleased to present the work of Made With Color user Rachel Meuler.
New York City based artist Rachel Meuler is a collagist of sorts. However instead of cutting up magazines and books to create her imagery, Meuler cleverly combines a mix of animal and human figures to create a new species of hybrid beings.These half man half beast figures are in a constant state of motion and transformation. The combination of human and animal imagery reinforces the similarities between all living things, while referencing characters from ancient mythologies, folklore and fairy tales, Jungian archetypes, evolutionary anomalies, and the mutant results of genetic engineering – beings originating from and entrenched in cultural fears and fantasies. These subjects are shown exchanging information through a language of posturing, mirroring, projecting, and cannibalizing traits from each other and their surroundings, within compositional structures that imply hierarchy and narrative, but remain inconclusive.
If Ellie Cryer weren’t focusing on drawing she’d be chasing storms or spotting planes, both of which occupations are probably in high demand seeing as the recent events in Alabama and Pakistan (yes, us killing Osama means we should be on an even higher terror alert). Luckily, despite the allure, her focus seems to be on the drawing board where she brings together an exotic mix of color with human emotion attached to nature and other surreal elements. Enjoy more of he work below.