For her new installation “Stroke” at Jupiter Artland, Scottish artist Anya Gallaccio constructs a room made of dark chocolate, inviting visitors to lick the walls if they so dare. The richly aromatic work is designed in part to be a rare feminine space in an art world defined mostly by men. The artist, who has worked with red roses in the past, sees her unusual medium as one normally associated with the female; here, she brings the domestic out of the shadows and boldly into the public realm. The room itself is evocative of female sensual pleasure; painted in thick, gentle layers of sweetness, it is dark and cavernous, a space to be entered into.
Housing only a small bench, the piece maintains ambiguity, relying upon its inhabitants to draw meaning from the slights, smells, and tastes. The work is as much about fantasy and anticipation as it is the actual experience of sitting in a chocolate room, which the artist explains is not what one might expect. As time wears on, she expects that the sweet odor will turn sour; the chocolate, painted onto the walls with brushes, will oxidize. Bugs have already moved into the space.
Galloccio’s title “Stroke” alludes to the dual nature of the work; she explains that a “stroke” can describe a tragic and sudden heart attack as much as it can a soft caress. Ultimately, the impact of the work is in the hands of viewers, who may either choose to abandon social etiquette to indulge in a feast of licking or might simply sit in uncomfortable silence. Either way, it will be a sight to behold. (via Design Boom)
Nøne Futbol Club is a duo of Paris based artists. They work in a wide variety of mediums and forms from video to installation. However, nearly all of their work seems to be tied together by a certain mischievous sense of humor. Though not always overtly political, the duo’s art is definitely subversive. For example, consider Lift a Finger, the first piece pictured here. The maneki-neko, usually a statuette of a welcoming or beckoning cat suddenly becomes hostile with a simple change of hand gesture. The pharase “KEEP WARM BURNOUT THE RICH” is turned into a branding iron. The implement not only burns, but more importantly is a tool for displaying and designating ownership.
Nicolas Rosette goes onto describe the duo’s practice saying:
“Nøne Futbol Club is a duo that is capable of mobilizing as many accomplices as necessary to make their works and performances.
The playful component is inseparable from their creative process which tackles the world like a playground for the expression of an art whose nature has continually bordered on the cellophane of the white cube and the great palaces must take the risk of being a mass distribution product. The recursive principle in their work is reversal. It is not about diverting elements from pop culture(or popular culture, the term changing depending on whether this culture comes to us from one side or the other of the Atlantic Ocean) but of a reversal whose final address is always popular culture. A double inversion, whose process of revelation reflects back to us as in a mirror the possible destiny of an art world which has become less subtle than the current popular media cultures; whose practices of critical and jubilatory diversions are the foundation. Would the Nøne Futbol Club be applying to contemporary art what digital cultures have subjected Chuck Norris, the pope and Darth Vader to?”
Dane Lovett mixes retro and modern electronics with the tried and true classic, floral still life, to create a completely modern take on the idea of “still life”. His work looks into modern relationships with technology and pulls at the strings of technology of days past. Each piece is serene and intriguing, feeling both familiar and new all at once.
Brooklyn based SVA grad Ran Hwang makes these huge, flowing sculptures with nothing but beads and pins! The uplifting, spiritual elements involved here work really well with the light, dispersed beads. You can almost see the birds’ wings flapping, and everything seems sort of frozen in time at some climactic, freeing moment. Obviously the Zen influence is deliberate. From the artist’s website: “The process of building large installations are time consuming and repetitive and it requires manual effort which provides a form of self-meditation. I hammer thousands of pins into a wall like a monk who, facing the wall, practices Zen.” I guess patience does pay off. (via)
I first met Juka Araikawa during my stint at UCLA as a teachers assistant for a drawing class. She was a quiet girl who had moved across the world to LA to study art. Even though she didn’t say much her work always stood out as some of my favorite in the class.
Brazilian artist Henrique Oliveira’s incredible installations look like giant overgrown tumors or roots that are slowly taking over the spaces they inhabit breaking through doors, walls, floors, and ceilings. Created out of splintered and discarded plywood Oliveira’s creations look like three dimensional wooden patchwork quilts that are taking over every nook and cranny they can, never stopping to ask for permission or directions.(via collabcubed)
You don’t need complicated special effects to make a video interesting. Color Chart Films video for Corduroi is a great example of what a clever concept and simple video editing can achieve. Watch the full video after the jump.