In a recent attempt to find contemporary artists making fresh, black and white imagery, I fortunately stumbled upon Sam Moyer‘s, washed out, subtle abstractions. These images, composed of bleach and ink, are soft and elegant and fair in scale. I want one. Many more after the jump!
It’s extremely hard to pull off the old tie dye painting move but Saira Mclaren has managed to do it with these interesting experimental abstractions. If you squint real hard you’ll start seeing figures, buildings, landscapes, and maybe in jesus.
Peggy Kouroumalos, a Scorpio from Canada, has a penchant for painting people (mostly women) in quite unique surroundings and circumstances. In her “Animal Head” series, Peggy has oil painted these women with animals for hair. It takes one a second to comprehend what they are looking at, for of course we are all going to look at the woman’s body before we glance at her raccoon-hair. It’s interesting we should post this today, as our stoic intern Harrison has decided to wear his very own raccoon-hat to work today.
Boston-based photographer Asia Kepka did not have a master vision for where her horse and squirrel photos would go, but she didn’t need one: once she began shooting, they quickly took on a life of their own. This project, now titled “Horace and Agnes: A Love Story by Asia Kepka,” has become a beautiful collaborative project between Kepka and writer Lynn Dowling, both of which play the characters. Since the projects inception the cast has grown as they have added friends and other characters into their story.
“Once we gave them identity, their story began to unfold. They met through random circumstance and their love for each other is literally blind. They exemplify a fairy tale of what would be like to fall in love with the right person…just because.
Horace and Agnes, along with their friends, are inspired by people and stories from our past and present. Sometimes by family members and sometimes by strangers we have encountered. The photographs are memories brought to life once again- recreated with as much detail possible to make the viewer become immersed in this magical and unique world.”
Alzheimer’s Disease is sometimes called The Long Goodbye, a gradual loss of memory, self, and eventually, life. When artist William Utermohlen was diagnosed with Alzheimer’s he began to make a series of self-portraits that would continue for five years. Looking at the pictures in chronological order is looking at a life diminished by degrees. As his technical skill ebbed, so did Utermohlen’s apparent sense of self. Still, the urge to create persisted.
In an essay about the self-portraits, Utermohlen’s wife, Pat, wrote:
“In these pictures we see with heart-breaking intensity William’s efforts to explain his altered self, his fears and his sadness. The great talent remains, but the method changes. He sometimes uses water-colour and paints a series of masks, perhaps because he could more quickly express his fear. In both the oils and water-colours these marvellous self portraits express his desperate attempt to understand his condition. There is a new freedom of expression, the paint is applied more thickly, art-historically speaking the artist seems less linear and classical, more expressionist, and I see ghosts of his German heritage.”
Worldwide, nearly 36 million people have Alzheimer’s or a related dementia—almost everyone will be touched by Alzheimer’s in some way during their lifetimes. Although Pat Utermohlen told the New York Times, “It’s so strange to be known for something you’re doing when you’re rather ill,” it was also a testament to William Utermolen’s ability as an artist that he was able to transcend his own experience, even unknowingly, and create work that was at once profound, heart-breaking, and universal.
Photographer Maja Daniels‘ series Monette & Mady captures Paris’ enigmatic twins. The series shifts between staged and candid scenes of the twins’ life in the city. The photos reflect the public and private personas of Monette and Mady. Paris provides the ideal setting for the dramatic nature of siblings. Really, the series centers around the twins’ relationship. Daniels says of Monette & Mady:
“This series is an intimate journal of their togetherness and as an alternative take on the complex issues that accompanies the notion of “aging” today, I aim to pursue this series over the years as Mady and Monette grow older.”