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Winnie Truong’s drawings are at once intricate, interesting, and funny. Fittingly, she has a lot of people recognizing her talent. Not only is she featured with big beautiful drawings and an interview in our Book 7 humor issue, she has a show at Galerie Trois Points from now until November 10. So, if you’re a fan, i’d suggest an impulsive Montreal vacation and picking up our Book 7 for plane reading. Happy travels!
Upon viewing the sculptor Alasdair Thomson’s flowing, dreamy garments, you might be transported to the sunlit meadows of a William-Adolphe Bouguereau painting filled with young, fresh-faced girls in flowing white sundresses. On second glance, however, the clothes reveal themselves to be carved from hard, cold marble. The artist, using hanging outfits borrowed from his friends as unusual muses, renders miraculously enlivened clothing from the durable material, dresses that seem to dance in the wind despite remaining entirely immobile.
Here, Thomson, who holds a Ph.D. in Art History from the University of Edinburg, reinterprets the Renaissance and classical treatment of marble; in the stead of Michelangelo’s strapping David or ancient tributes to mythological heroes, he presents simple, delicate, and feminine attire. The juxtaposition of soft content with sturdy material compels the viewer to consider deeper themes, and as these cottony sculptures hang convincingly from hangers, the everyday is elevated to a level as significant and moving as ancient mythologies. Notably, the clothes are also fetchingly modern; in the place of togas, Shine carves belted jumpers and strapless gowns.
While marble art historically has usually been used to express the powerful eroticism of both the male and female body, these hanging garments maintain a charming innocence. Seen in pale white and adorned with frills and ruffles, they wait to be inhabited by a body that will never arrive; limply, they fall and strain against the hanger. Indeed, the pieces are delightful, and viewers might be covetous them, if only they could actually be slipped over human bodies. (via Oddity Central and Colossal)
It’s been a while since we last looked at the work of Belgian Illustrator Brecht Vandenbroucke. Imbued with awesome pop culture and comics flavors, his work never disappoints. There’s so much going on in these paintings that I can’t always tell the difference between references to Adventure Time, and social commentary. But who says the two don’t mix?
Special Problems is a multi-disciplinary creative studio composed of Campbell Hooper, Darron Lilley and Joel Kefali. Their work fuses hand drawn, painted, video, animation and illustration–often recontextualized in new and surprising ways. They recently interviewed with Beautiful/Decay to discuss their design collective, their approach, and thought processes behind their videos.
Shane McAdams abstract and landscape paintings are created with a mix of acrylic paint, resin, and your average ballpoint pen ink cartridges. McAdams takes ink from the pen cartridges and pours them onto the canvas surface, blowing on the ink to create the streaks of color. But the experimental nature of his works doesn’t stop there. He then subjects his works to the powerful lights of a tanning salon which cause a chemical reaction to the pen ink which then creates the tie dyed streaked effect.The result is a world unique to McAdams where the natural and the artificial collide to create spectacular visions of a utopian and hyper colored future.