Jack Henry lives and works in New York. Using resin, cement, and found objects he creates cast pillars of discarded debris surrounded by swirls of color. In his own words: “I appropriate discarded objects seen by the roadside to create monuments to post-industrial America. The selection process is focused on man-made objects and structures such as: dilapidated houses, roadside memorials, tattered billboards, and other discarded materials. Each object is reinterpreted and presented as an artifact or a natural history museum model of something pulled from the contemporary landscape.The purpose is to evoke a sense of wonder from the banal byproducts of our failed but once successful modern society. Instead of merely pushing these man-made items into the peripheral of our everyday routine, I recreate the curiosities that happen when they depart from contact with people to move, decay, and harbor with other items to create monuments to cultural disaffection. “
I wish my sculptures looked as good as Daniel Franke’s soundssculpture!
Sculptor Jeff Zimmerman has coaxed yet another dimension out of the seemingly infinite pliability of glass. Zimmerman’s glass sculptures look like home decor from alien planets, alternating between a gleaming metallic finish and subtle tinges of celadon. Others look like they’re undergoing the process of mitosis, round and reminiscent of amoeba.
Zimmerman creates fantastic texture on his pieces, crumpling them and molding them into vaguely amorphous shapes. He uses bright colors and mirrorized finishes to create gradient effects that make his sculptures look in a way naturalistic. Others are neon, glow-in-the-dark green, embracing their lava lamp heritage.
In a statement about Zimmerman’s art, R & Company says, “Jeff Zimmerman’s designs reinterpret and redefine centuries old ways of working with glass, opening an entirely new chapter on this familiar medium.” (via Artsy)
Tom Schmelzer, an artist from Germany, has created this amazing headpiece which acts as a direct opposite to the late Alexander McQueen’s butterfly hat (shown below) for Spring 2008. This wearable sculpture was created with using wood, brass, felt, steel, rubber, viscose, and 140 scarabaeus sacers… also known as, 140 dung beetles! What Tom intended to symbolize by creating an antipode to McQueen’s butterfly headpiece, is to communicate the end of the noughties with its “neocons and megalomanians, its butterfly paintings and art market-bubbles.”
McQueen’s butterfly hat instantly resembles a vibrant flower in full bloom, while Tom’s headpiece orchestrates the exact opposite: a dead flower appearing rigid and brittle with time. When you compare the two, noticing the stark difference, we are reminded of the constant cycle of booming and withering of which we are surrounded by.
Los Angeles based illustrator Niv Bavarsky creates dark yet colorful illustrations.
I first saw these a few months back and slept on posting them. But after bumping into them again I had to share them with my fellow cult members. Street artist Evol has redecorated those ugly electric boxes and other utilitarian outdoor structures into mini skyscrapers and apartment complexes. My favorite piece is the planter that is turned into a section 8 housing unit complete with tiny graffiti. See that and more after the jump!
Joshua Renouf, a designer based in London, has sleekly blended the morning routines of waking up and making coffee by building an alarm clock that doubles as a barista. The Barisieur uses induction heating produced by stainless steel ball bearings to heat the water before transferring it over to a stainless steel funnel for filtering. There’s even a spot big enough to store just the right amount of milk on the machine. The stainless steel tools paired with nicely finished wood lends the design of the Barisieur an elegance and simplicity. Renouf is currently in the process of developing the Barisieur, which will be available for a retail price of £150-£250 (around $250-$420). Included in the product’s description: “It encourages a ritual before going to sleep, signaling to the body and mind that is time to unwind and relax. Living slow when times are fast.” (via visual news)
Garrett Pruter constructs architecutral wonders with collage and drawing techniques. He combines graphite and acrylic on top of collage to create mini villages on the page. I wouldn’t be surprised if there were mini civilizations occupying his turn-of-the-century cityscapes. He is currently studying Illustration at Parsons School of Design.