Originally from France, graphic designer Jean Julien lives in London. Julien designed “Le Nid”, a bar in the shape of a bird, which stretches 40 meters and sits on the top floor at the Tour de Bretagne in Nantes, France. It’s clear that lots of thought went into this detailed project. The bird’s eyes blink, and chairs are shaped as eggs. (via)
Italian-based artist Noubeda Carbone is known typically for her award-winning illustrations. Her sculptures, however, are similarly colorful and meticulous. The Disease Sculptures and Wearable Pills series each include pieces painstakingly crafted from pill capsules. While her 3D work may exude a technicolor lightheartedness, the medium itself is disquieting. Particularly in the Wearable Pills series, the modern shift from pharmaceuticals as medical items to vanity products is especially striking. Carbone may be highlighting the visually pleasant nature of the pills as it’s connected to the dream of personal transformation.
Frank Plant has a slightly ironic last name to be working with steel. What is interesting about his work is that Frank also incorporates cheap plastic flowers, sponge and flock. I enjoyed looking at the detail of the above piece to see how the plastic flowers were incorporated. Check out the detail and more of his work after the jump.
Seth Casteel has done it again. He has come up with a great sequel to his widely successfully photographic series of dogs underwater with crazy faces and curious poses (previously featured here on Beautiful/Decay). This time around we have an equally cute subject matter – babies. Full of lively little bodies twisting and turning in the bubbling water, Casteel captures the large personalities of the kids in his new book Underwater Babies. We see the full range of human emotion on their little faces – from surprise, to glee, to terror, to mischievousness, to serenity and everything in between. Beautifully lit and dramatically staged, the kids faces will capture your heart immediately.
As a huge fan of dogs, puppies, and all things canine, Casteel wanted to raise awareness of animal abuse with his first series. After his Underwater Dogs photographs went super viral all over the internet, and then went on to sell over half a million copies around the world, he realized the power of images and applied it to another worthy cause. He explains more:
Through advocating water safety for pets, I became aware that water safety for children was also a very serious issue. Drowning is the #1 cause of accidental death of children under the age of five in the United States. Infant swimming lessons can help to reduce the risk of drowning by up to 88%. By creating this book, I hope to encourage and inspire parent to consider swim lessons for their children, with the ultimate goal of preventing tragedies. (Source)
You can purchase his Underwater Babies book here through Amazon.
A. Ruiz Villar parcels out space in relation to geometric positions, with minimal pops of color threaded throughout. His subtle gradations of white give special depth and age to the work so imagery doesn’t feel flat, but formed, or architecturally emerging. These vibrant compositions are not easy to visually choreograph– however, Villar makes it look beautifully accidental and organic.
Of his work, Villar’s stance seems like a conceptual mash-up of science, math, and poetry, suggesting it “revolves around the quest for a language akin to the following factors: 1.1.1. Provisionality (doubt): Lack of an evident purpose. 1.1.2. Continuity: There are silences, there’s no rest. 1.1.3. Uprootedness: There’s no commitment to technique, structure, or materials.”
Lunakhods is an art collective comprising two Toronto-based photographers. Drenched in color and filled with a luminescent haze, their images resemble daydreams experienced beneath the heat of a midday sun. With a touch of surrealism, otherwise familiar landscapes are made unearthly: glowing wells appear in deserts at twilight, and eerie fogs cloud out distant views of mountains and trees. There is a competing sense drowsiness and vitality, transcending consciousness and materializing an alternative reality.
Lunakhod’s photography conveys an emotional and almost cinematic experience of the world. Human behavior is turned into a bizarre and deeply metaphorical reflection of itself; like muses of our solitary, dream-wandering selves, masked figures haunt dark roadsides and rooftops. Elsewhere, someone holds aloft a garden flamingo in an act of both absurdity and reverie. Time is suspended; past and present collide in images aged with dust. In the world of dreams that Lunakhods creates, temporality and concrete meaning become irrelevant — instead, their images explore the spirit, eternity, and subjectivity of a semi-lucid moment.
“I want to show that, despite stereotypes, that gay men can be masculine too.
“When I wear men’s clothes I feel comfortable and confident in how I look on the outside which now matches the inside.”
“I have been called a SNAG (sensitive new age guy), a renaissance man, a male in touch with his feminine side, etc….I think that I am masculine in the sense of self reliance.”
“I am strong emotionally, have always stood up for myself and fear nothing. I happen to be physically strong but that isn’t where I derive my masculinity.”
Philadelphia-based photographer Chad States creates ”Masculinities’, a series of photographs and text devoted to create real, tangible accounts of men and their thoughts on masculinity in order to expose the complexities and difficulties in trying to define the masculine. States, interested in creating a large sample of men and their accounts, exposes his project on Craigslist and only takes subjects who are interested in participating in this project.
“Growing up as a gay man in the U.S. I have always been aware of how men were supposed to act and I judged myself against these ideas. Masculinity was always something that was attractive to me but when I tried to unpack what made someone masculine I found it hard to define. Masculinity seemed based on relativity and shifted in different circumstances and cultures.”
The series, inspired by State’s own struggles with understanding conceptions of gender at an early age, set out to investigate the matter by photographing these men in their home. States explains that “the structure of the project created a special circumstance in which those who were still willing to participate had a strong need to have their own masculinity confirmed by the photograph.” The men got to choose the ways in which they were portrayed, they picked what they wanted to wear and they choose to stand by or sit in any position they felt truly comfortable in.
I used a 4×5 camera only taking about 8-10 shots per sitting, so the poses and choices are very intentional on part of the sitter.” (via Feature Shoot)